Obscurantism in Social Sciences
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Burns* (Skidmore College)
Klesis – Revue philosophique – 2011 : 19 – Autour de Leo Strauss Leo Strauss’s Life and Work Timothy Burns* (Skidmore College) I. Life Leo Strauss (1899-1973) was a German-born American political philosopher of Jewish heritage who revived the study of political philosophy in the 20 th century. His complex philosophical reflections exercise a quietly growing, deep influence in America, Europe, and Asia. Strauss was born in the rural town of Kirchhain in Hesse-Nassau, Prussia, on September 20, 1899, to Hugo and Jenny David Strauss. He attended Kirchhain’s Volksschule and the Rektoratsschule before enrolling, in 1912, at the Gymnasium Philippinum in Marburg, graduating in 1917. The adolescent Strauss was immersed in Hermann Cohen’s neo-Kantianism, the most progressive German-Jewish thinking. “Cohen,” Strauss states, “was the center of attraction for philosophically minded Jews who were devoted to Judaism.” After serving in the German army for a year and a half, Strauss began attending the University at Marburg, where he met Hans-Georg Gadamer and Jacob Klein. In 1921 he went to Hamburg, where he wrote his doctoral thesis under Ernst Cassirer. In 1922, Strauss went to the University of Freiburg-im-Breisgau for a post- doctoral year, in order to see and hear Edmund Husserl, but he also attended lecture courses given by Martin Heidegger. He participated in Franz Rosenzweig’s Freies Jüdisches Lehrhaus in Frankfurt-am-Main, and published articles in Der Jude and the Jüdische Rundschau . One of these articles, on Cohen’s analysis of Spinoza, brought Strauss to the attention of Julius Guttmann, who in 1925 offered him a position researching Jewish Philosophy at the Akademie für die Wissenschaft des Judentums in Berlin. -
Fanny Hill Now: a Half Century of Liberty
• Fanny Hill Now: A Half Century of Liberty Nicholas D. Nace Hampden- Sydney College The history of formal literary censorship in the United States begins and ends with John Cleland’s 1749 Memoirs of a Woman of Pleasure. In Massa- chusetts, in 1821, the book was the subject of the country’s first obscenity trial, and in 1966, after a case again in Massachusetts, the US Supreme court ruled — by a vote of six to three — that the novel could be freely pub- lished under the protection of the First Amendment.1 The scholarly ground- work for this victory had been laid out by Ian Watt’s Rise of the Novel (1957), and while Memoirs gets no mention in this foundational work, the version of novelistic realism Watt outlined enabled those who would defend Cle- land’s novel to align it with the works of Samuel Richardson and Henry Fielding, both of whom are mentioned in the professorial testimony made before the court. The trial was noteworthy for, among other things, how little attention was paid to Cleland the author and how much was paid to the psychology of Fanny Hill, the novel’s narrator. Fanny was defended as an “empiricist,” one who proves “extremely curious about life,” and who, in the satisfaction of that curiosity, can help us understand “things about the eighteenth century that [we] might not otherwise know,” as one witness put it.2 At the moment that it began to circulate freely, Memoirs finally took its place in the history of the “realistic” novel, where it would, despite Fanny’s Eighteenth- Century Life Volume 43, Number 2, April 2019 doi 10.1215/00982601- 7492832 Copyright 2019 by Duke University Press 1 Downloaded from http://read.dukeupress.edu/eighteenth-century-life/article-pdf/43/2/1/569631/0430001.pdf by guest on 23 September 2021 2 Eighteenth-Century Life realism- enfeebling stylizations and omissions, continue to teach us about eighteenth-century life. -
Postmodernist Gibberish: Derrida Dumbfounds the Positivists
New York Journal of Sociology, 2008, Vol. 1, pp. 187-206 NY JS POSTMODERNIST GIBBERISH: DERRIDA DUMBFOUNDS THE POSITIVISTS Ben Agger University of Texas Arlington Jacques Derrida (1978), the enfant terrible of Continental philosophy who passed away recently, made many mad: analytical philosophers, positivists in the sciences and social sciences, the right, stupid people generally. That Derrida was brilliant is somewhat beside the point. What is on point is the way he read—texts and indeed the whole western philosophical tradition— aggressively, so much so that we could conclude that Derrida meant that reading is a form of writing. That is one of the main things I take away from his oeuvre. Another is that every text is ‘undecidable,’ that is, it cannot perfectly clarify and ex- haust its topic. This is because every definition needs to be defined, ad infi- nitum. There is no vantage outside of writing from which one can achieve that Archimedean insight about the truth or essence of the world. This rebut- tal of absolutism is extremely maddening to those who pretend apodictic knowledge, especially the gang we sometimes call positivists. To be sure, positivism died within physics by 1905, with Einstein’s first papers on the special theory of relativity. Newton was overthrown, except in the largely American social sciences, where it still prevails, even though there are challengers nibbling at the edges of the mainstream social-science disciplines. Newton only survives in sociology, political science, economics and parts of psychology. It is in these disciplines that Derrida is especially scandalous, although rear-guard actions are also being fought in English by those who dislike ‘the- ory’ and want the great books instead. -
Heteronormative Rigidity in the Homoerotic Fiction of Ann Herendeen
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2010 "Love of the purest kind": Heteronormative rigidity in the homoerotic fiction of Ann Herendeen Meredith S. Faust DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Faust, Meredith S., ""Love of the purest kind": Heteronormative rigidity in the homoerotic fiction of Ann Herendeen" (2010). College of Liberal Arts & Social Sciences Theses and Dissertations. 41. https://via.library.depaul.edu/etd/41 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. “Love of the purest kind”: Heteronormative Rigidity in the Homoerotic Fiction of Ann Herendeen A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English June 2010 By Meredith S. Faust Department of English College of Liberal Arts and Sciences DePaul University Chicago, Illinois Faust 1 In many popular novels, it has become commonplace to assume that the ending will be happy or at least satisfying even before one reads past the first chapter.1 Yet many critics complain that because female-authored popular novels written for a female audience (almost exclusively) generally end happily with the confirmation of a heterosexual monogamous relationship or marriage that the novel lacks substance and restricts the limitations of happiness in the novel to the confines of hegemonic heteronormative standards. -
Merchants Of
Introduction The Jews never faced much anti-Semitism in America. This is due, in large part, to the underlying ideologies it was founded on; namely, universalistic interpretations of Christianity and Enlightenment ideals of freedom, equality and opportunity for all. These principles, which were arguably created with noble intent – and based on the values inherent in a society of European-descended peoples of high moral character – crippled the defenses of the individualistic-minded White natives and gave the Jews free reign to consolidate power at a rather alarming rate, virtually unchecked. The Jews began emigrating to the United States in waves around 1880, when their population was only about 250,000. Within a decade that number was nearly double, and by the 1930s it had shot to 3 to 4 million. Many of these immigrants – if not most – were Eastern European Jews of the nastiest sort, and they immediately became vastly overrepresented among criminals and subversives. A 1908 police commissioner report shows that while the Jews made up only a quarter of the population of New York City at that time, they were responsible for 50% of its crime. Land of the free. One of their more common criminal activities has always been the sale and promotion of pornography and smut. Two quotes should suffice in backing up this assertion, one from an anti-Semite, and one from a Jew. Firstly, an early opponent of the Jews in America, Greek scholar T.T. Timayenis, wrote in his 1888 book The Original Mr. Jacobs that nearly “all obscene publications are the work of the Jews,” and that the historian of the future who shall attempt to describe the catalogue of the filthy publications issued by the Jews during the last ten years will scarcely believe the evidence of his own eyes. -
Pornography's Performatistic Screen
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Plotting Sex: Pornography's Performatistic Screen Permalink https://escholarship.org/uc/item/2rd5j4k8 Author Hukku, Sanjay P. Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Plotting Sex: Pornography’s Performatistic Screen By Sanjay P Hukku A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Richard Hutson Spring 2014 Plotting Sex: Pornography’s Performatistic Screen © 2014 by Sanjay P Hukku Abstract Plotting Sex: Pornography’s Performatistic Screen by Sanjay P Hukku Doctor of Philosophy in Film and Media Studies University of California, Berkeley Professor Linda Williams, Chair The early 1970s witnessed the mainstreaming of feature-length, hard core pornography. Though derided by critics, this newly minted genre had two notable features: broader narratives within which sex occurred, and an insistent focus on the visual display of male pleasure. Plotting Sex claims that, by embedding sex within a story, sex itself takes on narrative qualities. To support this claim, it teases out small shifts in the twentieth century’s episteme that collectively contributed to the early 1970s emergence of what it terms pornography’s performatistic screen, or the base, plotted structure of bodily performance and engagement underpinning sexual displays as enacted over time in orgasmically-oriented hard core film. This project starts with the twin Foucaultian poles of law and “human sciences” as represented by the metonyms of American obscenity jurisprudence and sexology, finding in both a late 1960s pivot to issues of social construction and utility as tethered to narrative. -
By the Author of Fanny Hill Final Revised Version
The University of Manchester Research “By the Author of Fanny Hill” DOI: 10.1215/00982601-7492887 Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Gladfelder, H. (2019). “By the Author of Fanny Hill”: Selling John Cleland. Eighteenth-Century Life, 43(2), 38-57. https://doi.org/10.1215/00982601-7492887 Published in: Eighteenth-Century Life Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:26. Sep. 2021 “By the Author of Fanny Hill”: Selling John Cleland Memoirs of a Woman of Pleasure was published anonymously in 1748-49, but it was not long before a name was attached to the title, or rather two names: that of its self-narrating protagonist Fanny Hill, and that of its self-concealing author John Cleland. Cleland’s success as a novelist might even be measured by the degree to which the fame of his fictional creation outstrips his own. -
The End of Obscenity by Charles Rembar
Kentucky Law Journal Volume 57 | Issue 2 Article 13 1968 The ndE of Obscenity by Charles Rembar Paul Leo Oberst University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/klj Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Oberst, Paul Leo (1968) "The ndE of Obscenity by Charles Rembar," Kentucky Law Journal: Vol. 57 : Iss. 2 , Article 13. Available at: https://uknowledge.uky.edu/klj/vol57/iss2/13 This Book Review is brought to you for free and open access by the Law Journals at UKnowledge. It has been accepted for inclusion in Kentucky Law Journal by an authorized editor of UKnowledge. For more information, please contact [email protected]. 1969] BOOK REviws THE END OF OBSCENITY. By Charles Rembar. New York: Random House, 1968. Pp. 528. $8.95. The End of Obscenity was written, the author tells us, in "an at- tempt to offer an insight, to those who are not a part of it, into how our legal system works."' This slows the book considerably for the legal reader,2 but should not dissuade him. It offers insights of other sorts to lawyers and to law students, since it is one of those all-too-rare books in which a lawyer unfolds the history of an important piece of litigation. The book begins with the author's retention by Grove Press in 1959 to defend Lady Chatterley's Lover3 and ends in 1966 with his successful defense of Fanny Hill4 for Putnam before the Supreme Court. -
Newsletter on Intellectuai.IMU Freedom Co-Editors: Judith F
newsletter on intellectuai.IMU freedom Co-editors: Judith F. Krug, Director, and James A. Harvey, Assistant Director, Office for Intellectual Freedom, American Library Association INDEX, VOLUME XIX, 1970 A Annual Conference, Atlantic City, June 1969, 2, 14, 15, 16 Annual Conference, Detroit, June 1970, 14, 15, 16, 69,71 Black Caucus, 70 Aardvark Theater, 90 Committee on Accreditation, 16 ACLU. See American Civil Liberties Union Committee on Organization, 70 Adlow, Elijah, 76 Council,15,16,17,33,59,67,70,71 Advertisements Executive Board, 15, 16, 18, 34, 35, 65, 69, 71 found sexually provocative, 92 Intellectual Freedom Committee for "X" rated movies refused, 9 "Report to ALA Council, Detroit Conference, July 3," 69-70 Age of the Guerrilla, The, 66 Midwinter Meeting, Chicago, January 1970, 13, 15, 16, 17, 69 Agnew, Spiro T., 9, 25, 84, 106 policies Ainslie, Fred, 87 Freedom to Read Statement, 59-60 Akron, University of, 46 Library Bill of Rights, 4, 8, 13, 33, 34, 35, 38, 39, 59-60, 71, Alabama 85 Birmingham: Judge rules city ordinance on seizure of obscene Program of Action in Support of the Library Bill of Rights, movies follows constitutionally correct procedures, 76, 79 14,15, 16, 17,70,71 Mobile: Judge upholds sections of obscenity ordinance in split Resolution on Loyalty Programs, 15, 16 decision, 91 resolution to censure libraries, 17 State Department of Education, 14, 16 on sanctions, 35, 70, 71 Aldrich, Bailey (Judge), 76 Social Responsibilities Round Table, 2, 14, 16, 34 Alexander, Gilbert, 75 statement of, prepared for National Commission on Obscenity Allain, Alex P., 14, 18, 69, 70 and Pornography, 59-62 Allen, Dell, 97 American Psychological Association, 104 Altman, Warren, 71 American Society of Newspaper Editors, 100 Aluisi, Francis J., 39 American Sunbathing Association, 92 American Book Publishers Council, 5,9 Anderson, Ann T., 53 American Civil Liberties Union, 8, 37, 51 , 55, 69, 102 Anelli, Richard, 71 Maryland Chapter, 62 Anti-Defamation League. -
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A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Matthew Bridge All Rights Reserved ABSTRACT A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge This doctoral dissertation looks at several readings and interpretations of the works of the Marquis de Sade, from the eighteenth century to the present. Ever since he was imprisoned under the Old Regime following highly publicized instances of physical and sexual abuse, Sade has remained a controversial figure who has been both condemned as a dangerous criminal and celebrated as an icon for artistic freedom. The most enduring aspect of his legacy has been a vast collection of obscene publications, characterized by detailed descriptions of sexual torture and murder, along with philosophical diatribes that offer theoretical justifications for the atrocities. Not surprisingly, Sade’s works have been subject to censorship almost from the beginning, leading to the author’s imprisonment under Napoleon and to the eventual trials of his mid-twentieth-century publishers in France and Japan. The following pages examine the reception of Sade’s works in relation to the legal concept of obscenity, which provides a consistent framework for textual interpretation from the 1790s to the present. I begin with a prelude discussing the 1956 trial of Jean-Jacques Pauvert, in order to situate the remainder of the dissertation within the context of how readers approached a body of work as quintessentially obscene as that of Sade. -
Dialectic and Dialogue in Plato
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by [email protected]. College of DuPage [email protected]. Philosophy Scholarship Philosophy 10-1-2012 Dialectic and Dialogue in Plato: Revisiting the Image of "Socrates-as-Teacher" in the Hermeneutic Pursuit of Authentic Paideia James Magrini College of DuPage, [email protected] Follow this and additional works at: http://dc.cod.edu/philosophypub Part of the Education Commons, and the Philosophy Commons Recommended Citation Magrini, James, "Dialectic and Dialogue in Plato: Revisiting the Image of "Socrates-as-Teacher" in the Hermeneutic Pursuit of Authentic Paideia" (2012). Philosophy Scholarship. Paper 33. http://dc.cod.edu/philosophypub/33 This Conference Proceeding is brought to you for free and open access by the Philosophy at [email protected].. It has been accepted for inclusion in Philosophy Scholarship by an authorized administrator of [email protected].. For more information, please contact [email protected]. Dialectic and Dialogue in Plato: Revisiting the Image of “Socrates-as-Teacher” in the Hermeneutic Pursuit of Authentic Paideia James M. Magrini College of Dupage (USA) (NB: First draft of paper) Introduction: The Socratic method of pedagogy as described and implemented by Adler in the Paideia Project (1984) emerges from a view of Socrates that runs counter to Plato’s image of Socrates as presented within the dialogues, most specifically the “early” dialogues deemed “aporetic” in nature.1 Within Adler’s view, Socrates represents the supreme example of what an educator should be like. “The Socratic mode of teaching,” states Adler (1984), is a method of pedagogy that brings ideas to birth by means of “asking questions, by leading discussions, by helping students to raise their minds up from a state of understanding and appreciating less to a state of understanding and appreciating more” (p. -
Pli 10 9 Badiou.Pdf
Alain Badiou 175 PJi10 (2000),174-190. of contradictions over against the unilateral entities and fixed categories through which metaphysics allows something like a submission to death to prosper. Let us call this the dialectical trial of any metaphysical immobilism or 'eternitism'. In this trial Hegel is a key witness for the prosecution, but also Marx and Nietzsche, as well as Freud and Lacan. 4. Finally, that which discerns under the name of metaphysics the Ij Metaphysics and the Critique of Metaphysics nihilistic disposition of the entire history of the West. 'Metaphysics' I stands here for a prescription of the history of being such that to desire its ,I'l reversal one must engage in an interminable hermeneutic wait. Let us call ALAIN BADIOU I'll this the historial trial of metaphysics, which in the end can only oppose to I metaphysics' rampant technical reign the reserve of the poet or the 11"1 1 announcement of a return of the dead gods. 11 Anti-metaphysics is thus to be found in four guises: critique, I,ll Our question can be simply stated. What does "metaphysics" name in any positivism, dialectics, and hermeneutics. If, against the vacuity of the discourse that declares a crisis of metaphysics (in the best of cases), or the metaphysical concept, it functions through a discipline of limitation, it is end or even the profound non-sense of metaphysics (in the worst)? What the essence of critique; through a discipline of mathematized i" type of thought does this word, "metaphysics", refer to, for all those who experimentation, it is positivism; through the overcoming of the principle i!" claim to critique or reform its effects? of identity that grounds metaphysics, it is dialectics; finally, if it functions Let us recall that the theme either of an obsolescence or of a necessary through a deciphering of the history of being that culminates in an "I: and radical transformation of that which is sustained by the name epochal diagnosis, it is hermeneutics.