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On Stage Magazine WILBUR THEATRE DIRECTION OF SAMUEL H. SCHWARTZ JUJAMCYN THEATERS mmi I SARA FREDERICKS For the woman who appreci- ates the fashion finesse of understated elegance — a look of quiet excitement . and ours exclusively. Nikkis B O S T O N PALM BEACH SWAMPSCOTT JOHN IRELAND popular screen star LEE GRANT who starred in the Broadway , who was recently featured in “Spartacus” production of “Seesaw” for 1V2 years. “CL (RomantixL (Dsdiqhif' —ATKINSON, N. Y. Times Jerome Rosenfeld presents (in association with Frank Sugrue) JOHN LEE . IRELAND GRANT in WILLIAM GIBSON’S Iwfc ft tkS&esctW WILBUR THEATRE 3 WEEKS BEGINNING MONDAY, APRIL 3 EVES. 8:30, MATS. WED. AT 2:15 £r SAT. AT 2:30 ONE OF THE SMASH HITS OF THIS GENERATION! "A whale of a hit! Packed with humanity and humor. Arthur Penn has staged William Gibson's bombshell of emotion and hilarity magnificently! Better rush to the box office immediately!" —COLEMAN. Daily Mirror "Fabulous! A runaway hit! Mr. Gibson can really write. Thoroughly delightful and compelling theatre!" —McCLAIN, Journal-American " 'Two for the Seesaw' is captivating. An absorbing, affectionate and funny de- light! An adult and charming work." —CHAPMAN, Daily News " 'Two for the Seesaw' is a finely-wrought cameo! A charming play. A fresh and amusing comedy." —ATKINSON, N. Y. Times "One of the season's blessings! A striking play." —WATTS, N. Y. Post "William Gibson has a deft, buoyant, rapid-fire flair for dialogue!" —KERR, N. Y. Herald Tribune MAIL ORDERS NOW Three Weeks Beginning Monday, April 3 Eves. 8:30, Mats. Wed. at 2:15 and Sat. at 2:30 PLEASE GIVE SEVERAL ALTERNATE DATES. ALL PRICES INCLUDE TAX Mon. thru Thurs. Eves. — Orch. $4.95; 1st Bale. $4.40, $3.85, $3.30; 2nd Bale. $2.40f Fri. and Sat. Eves. — Orch. $5.50; 1st Bale. $4.95, $4.40, $3.85; 2nd Bale. $2.40 f Wed. and Sat. Mats. — Orch. $4.40; 1st Bale. $3.85, $3.30, $2.75; 2nd Bale. $2.20 PLEASE ENCLOSE SELF-ADDRESSED, STAMPED ENVELOPE WILBUR THEATRE, Boston Date Kindly send me seats @ $ each, for the S performance on Jiive. 1_| (Day of week and date) or Mat Mat. and date) (3rd (2nd choice day \J Eve. choice day and date) Q Eve. Remittance for $ and a self-addressed, stamped envelope are enclosed. Name Address City Zone State Phone I by New England’s largest Independent magazine publishing bouse JEROME PRESS PUBLICATIONS STAvGE Boston Ponorama, Rhode Island Panoromo, Good Listening combined with Good Viewing, The Metropolitan Opera Book, Welcome Baby, Your New ON Home, University Guide Magazines, On Screen. On Stage Program Mag- azine, The New England Opera and The Celebrity Series Program Magazines. Editorial and Executive Offices 49 Portland Street • Boston, Massachusetts • CApitol 7-3834 New York Office 258 Fifth Avenue • New York City • MUrrayhill 9-7870 Rhode Island Office 703 Industrial Trust Bldg. • Providence • JAckson 1-3524 JEROME M. ROSENFELD, Publisher RITA K. FUCILLO, Director of Publications PROGRAM WEEK OF MARCH 13, 1961 ROGER L. STEVENS and JOEL SCHENKER present KIM STEVEN STANLEY HILL SAM WANAMAKER “FAR COUNTRY” A New Play By HENRY DENKER with LILI DARYAS SALOME JENS GEORGE GAYNES Setting and Lighting by DONALD OENSLAGER Costumes by ANN ROTH Associate Producer LYN AUSTIN Directed By ALFRED RYDER DINT’S 9 Boston s Finest Downtown Sea Food Restaurant 94 Tremont St. CA 7-8088 Boston’s most illustrious round-the-clock foot fashions Guild House Poetry in Shoes Tremont at West, downtown and 37 Newbury Street, Back Bay CAST In Order of Appearance Gordon Douglas ROBERT GOODIER Martha Bernays Freud (older) SALOME JENS Sigmund Freud (older) STEVEN HILL Martha Bernays Freud SALOME JENS Kathy EDA REIS-MERIN commands admiring comments, cardigan jacket and sheath skirt of spun linen graced by a cross striped cotton camisole blouse. In shocking pink or M or blue, sizes 7 to 13. 39.95 /./ CtuueSfcwt WELLESLEY — QUINCY 4 KIM STANLEY (Elizabeth von Ritter) Last season’s “Cheri” saw Kim Stan- ley once again demonstrate her unique capacity for playing any role from an adolescent girl to an aging woman. As the worldly Lea de Lonval her age rang- ed forward from 32 to 64. The wide range of her stage portraits, however, includes unusual character variations as well as age groups. Her tense teen- age Sara Melody in Eugene O’Neill’s “A Touch of The Poet” was in direct contrast to the hoydenish teen-ager she portrayed in “Picnic”. For the latter she won the first two of the impressive array of prizes that have dotted her Black Italian silk chiffon with deep red roses for that SPECIAL OCCASION. (Continued on Page 9) 5 SEE OUR EXCLUSIVE COLLECTION OF MAGNIFICENT FRENCH IMPORTS AND FASHIONS BY THE OUTSTANDING AMERICAN DESIGNERS 1577 BEACON ST. • BROOKLINE Frederick Wohlmuth GEORGE GAYNES Dolfi Freud ... ELLEN WESTON Amalie Freud LILI DARVAS Sigmund Freud STEVEN HILL Elizabeth von Ritter KIM STANLEY Dr. Joseph Breuer .... SAM WANAMAKER The Ultimate in Sports Clothes 418 BOYLSTON STREET BOSTON In Harmony with our times — we bow to your wishes and now show so do view OUR collection showing everything in Mink in all its glorious phases before you look further! 300 BOYLSTON STREET SYNOPSIS OF SCENES The setting is the office and anteroom of Sigmund Freud’s modest flat in Vienna, where he lived and worked for more than forty years. ACT I Scene 1: Sigmund Freud’s office, Vienna, June 4, 1938. Scene 2: The same. Time is just before the turn of the century. feme cUcuf Girli' /new England’s Popular Weather on Channel £a/ph'j$ Acts a fa^Aien every AeeA.... Heurcjlcuv EIFFEL Needle JM6 Beeucen Street 6/ 7 ACT II Scene 1: Afternoon. Two weeks later. Scene 2: Afternoon. Some days later. ACT III Scene 1: Morning*. Some weeks later. Scene 2: June 4, 1938. STAFF FOR “FAR COUNTRY*’ Wardrobe Mistress Lillias Xorel Assistant to Mr. Oenslager Klaus HoJm Company Manager Arthur Waxman Press Representative Seymour Krawitz CREDITS Associate Press Representative George Ross Production Stage Manager Gerald O’Brien Scenerv bv Chester Rakeman Scenic Studios. Stage Manager Wayne Carson Electrical Equipment by Century Lighting. Cos- Casting Director Terry Fay tumes executed by Eaves. Miss Stanlev’s clothes Production Secretary Jane Gilliland executed by Angie Costume Company. Hosiery by Production Assistant Michael Mabry Jesse Zimmer. Wigs by Bob Kelly and Ira Senz. Assistant to Miss Austin Roxanne Erskine Mr. Hill’s mask by Bob O’Bradovitch. Properties Master Electrician Herbert C. Anstett, Jr. bi Newell Art Galleries and Jean Friedlander. Assistant Electrician Gus Popiel Lighting Fixtures by City Knickerbocker. Draper- Master of Properties Frank M. Snyder ies by Allied Studios. Sound by Sound Associates. IT'S A NATURAL DEDUCTION The soft, natural tailoring of SOUTHWICK suit- ings is achieved by removing all excess padding and /gg J§ stiffening. This results in an unbelievable weight- less and pliancy for the ultimate in ease, comfort \ and distinctive good looks. Suits from $85.00. JJsS% Arthur [.Johnson mi 195 Devonshire St., Boston • Imported Clothing Specialists 8 Oh with ihe CAST (Continued) career, the New York Drama Critics’ and the Donaldson Awards for the sea- fW 4* 4* 4** tfc 4* 4* 4r 4** « son’s best performance by an actress in wUp w W* Kp a supporting role. Born in New Mexico. 4 4^ 4* 4^ 4^ *4 4* 4* 4* 4^ Miss Stanley attended the University of New Mexico and the University of Tex- 1* 4* 4 4 4 4 4* 4 4 4? * as. She made her Broadway debut in “Montserrat” after serving an appren- ticeship with the Equity Library Thea- tre and off-Broadway groups. After ap- pearances in “The House of Bernarda Alba”, “The Chase”, and “Picnic”, she was raised to star billing in Horton Foote’s “The Travelling Lady”. Her performance in the television adapta- tion of this drama earned her the Syl- vania Award, which set her off on an- other prize-winning streak, to collect the Drama Critics’ and Donaldson A- wards, this time for season’s best act- ress with her vivid portrayal of the un- inhibited chanteuse in “Bus Stop”. Sub- sequently, she played the many-faced heroine of Arthur Laurents’ “A Clear- ing in The Woods”, and went to London, where her British debut as Maggie in Tennessee Williams’ “Cat on A Hot Tin Roof” brought her the accolade of the critics for the best performance of the season. Her first film appearance, in Paddy Chayefsky’s “The Goddess” earn- ed her rich praise from press and pub- lic alike. Her television dramas have included “A Young Lady of Property” and “Tomorrow” by Horton Foote, Clif- ford Odets’ “Clash by Night”, also “Jo- ey” and “The Glass Wall” and Joan of Arc in “You Are There”. STEVEN HILL (Sigmund Freud) Mr. Hill is a product of the Univer- sity of Washington and the Marine Corps. He abruptly left his father’s Seattle furniture store to venture to Chicago where he began his profes- To the point . sional career in radio. He worked regularly in radio the next eight of fashion months and strengthened by his suc- with a cess, he invaded New York. Here, jobs were more sporadic. But he did land a Rayette permanent stage role in Ben Hecht’s “A Flag Is Born” and an audition with Elia Kazan Telephone who made him a charter member of the CO 6-6336 now famous Actors Studio. His second 73 Newbury Street Broadway show was “Mr. Roberts” which afforded him the security that comes with being in a great smash hit. This was followed by “Sundown Beach” a short-lived play but a podium that «d«m & eve gave Mr.
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