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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Bible of the Adversary
THE BIBLE OF THE ADVERSARY MICHAEL W. FORD 1 THE BIBLE OF THE ADVERSARY MICHAEL W. FORD 2 Dedicated to ARASKH Who brought the wisdom of Ahriman to Humanity, who recognized “As Above, So Below” 3 THE BIBLE OF THE ADVERSARY By Michael W. Ford Copyright © 2007 by Michael W. Ford All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted, or utilized, in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission in writing from the publisher, except for brief quotations in critical articles, books and reviews. Illustrations by Various medieval sources and Gustave Dore. Sigils, Seals and Yatukih designs by Michael W. Ford Qlippothic Sigils illustrated by Michael W. Ford First edition 2007 Succubus Productions EBOOK EDITION 2009 Information: Succubus Productions PO Box 926344 Houston, TX 77292 USA Website: http://www.luciferianwitchcraft.com email: [email protected] 4 TABLE OF CONTENTS Introduction pg 6 The Adversarial Doctrine pg 8 THE BOOK OF ANDAR (fire) pg 9 Beginning Questions pg 10 The Precepts of Lucifer pg 13 Samaelian Diatribe pg 22 THE BOOK OF AKOMAN (Air) pg 27 Definitions of Magick pg 28 Luciferian Ideology pg 30 Luciferian Laws pg 40 Ahriman – Darkness embodied: Symbolism pg 52 Luciferian Religious Holidays pg 68 Liber Legion – Infernal Names pg 71 The Qlippoth – pg 96 Summoning Qlippothic Forces pg 112 Tiamat – the Primal Abyss pg 130 Drujo Demana – Book of Dead Names pg 134 THE BOOK OF TAROMAT (Earth) pg 145 Mastery of the Earth – Controlling your Destiny pg 146 Symbols and Meaning pg 160 Three Types of Luciferian Magick pg 174 Banishing Rituals and Preparation pg 176 THE BOOK OF ZAIRICH (Water) RITUAL MAGICK pg 186 Yatukih Sorcery – Way-i-vatar pg 187 Yatukih Ritual Steps pg 195 THE BOOK OF AZAL’UCEL (Spirit) pg 287 BIBLIOGRAPHY pg 316 GLOSSARY pg 317 5 INTRODUCTION To attempt to define a faith can be a difficult task. -
The Satanic Rituals Anton Szandor Lavey
The Rites of Lucifer On the altar of the Devil up is down, pleasure is pain, darkness is light, slavery is freedom, and madness is sanity. The Satanic ritual cham- ber is die ideal setting for the entertainment of unspoken thoughts or a veritable palace of perversity. Now one of the Devil's most devoted disciples gives a detailed account of all the traditional Satanic rituals. Here are the actual texts of such forbidden rites as the Black Mass and Satanic Baptisms for both adults and children. The Satanic Rituals Anton Szandor LaVey The ultimate effect of shielding men from the effects of folly is to fill the world with fools. -Herbert Spencer - CONTENTS - INTRODUCTION 11 CONCERNING THE RITUALS 15 THE ORIGINAL PSYCHODRAMA-Le Messe Noir 31 L'AIR EPAIS-The Ceremony of the Stifling Air 54 THE SEVENTH SATANIC STATEMENT- Das Tierdrama 76 THE LAW OF THE TRAPEZOID-Die elektrischen Vorspiele 106 NIGHT ON BALD MOUNTAIN-Homage to Tchort 131 PILGRIMS OF THE AGE OF FIRE- The Statement of Shaitan 151 THE METAPHYSICS OF LOVECRAFT- The Ceremony of the Nine Angles and The Call to Cthulhu 173 THE SATANIC BAPTISMS-Adult Rite and Children's Ceremony 203 THE UNKNOWN KNOWN 219 The Satanic Rituals INTRODUCTION The rituals contained herein represent a degree of candor not usually found in a magical curriculum. They all have one thing in common-homage to the elements truly representative of the other side. The Devil and his works have long assumed many forms. Until recently, to Catholics, Protestants were devils. To Protes- tants, Catholics were devils. -
The Secret Life of a Satanist: the Authorized Biography of Anton Szandor Lavey Online
bU3vQ (Free pdf) The Secret Life of a Satanist: The Authorized Biography of Anton Szandor LaVey Online [bU3vQ.ebook] The Secret Life of a Satanist: The Authorized Biography of Anton Szandor LaVey Pdf Free Blanche Barton ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #380250 in Books Unknown 2014-09-23Original language:EnglishPDF # 1 8.90 x .70 x 5.90l, 1.00 #File Name: 1627310029280 pagesThe Secret Life of a Satanist: The Authorized Biography of Anton Szandor Lavey | File size: 18.Mb Blanche Barton : The Secret Life of a Satanist: The Authorized Biography of Anton Szandor LaVey before purchasing it in order to gage whether or not it would be worth my time, and all praised The Secret Life of a Satanist: The Authorized Biography of Anton Szandor LaVey: 1 of 1 people found the following review helpful. Probably more exciting if you either love ot hate the subject matterBy FJK1138Not being a religious person, I can read about Anton LaVey and the Church if Satan with a completely open mind. Whether or not you want to believe, love, or fear anything associated with the Church is entirely up to you. I learned of him in the 80s during all the Satanic Panic associated with all the heavy metal music I grew up on, and that is what primarily drew me to read this book. There is no doubt that Anton was an intelligent and reasonable person who formed a religion based on a mixture of common sense, a dislike of Christian dogma, and a dash of all things theatrical thrown in for good measure. -
Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
ART THAT KILLS 04 Introduction by CARLO Mccormick 04 06 a Beginning, and an End 06 10 the Precursors: WILLIAM S
ART THAT KILLS 04 Introduction by CARLO McCORMICK 04 06 A Beginning, and an End 06 10 The Precursors: WILLIAM S. BURROUGHS 10 14 The Precursors: ANTON LaVEY 14 20 The Precursors: KENNETH ANGER 20 22 The Precursors: ROBERT WILLIAMS 22 30 The Precursors: CHARLES MANSON 30 38 The Precursors: GENESIS P-ORRIDGE 38 46 The Precursors: MONTE CAZAZZA 46 50 The Precursors: HARLEY FLANNAGAN / CRO-MAGS 50 54 Soundtrack to 1984: Rev. Jim Jones — The Last Supper 54 55 Soundtrack to 1984: PSYCHIC TV 55 56 Soundtrack to 1984: ANTON LaVEY et al - The Satanic Mass 56 57 Soundtrack to 1984: CHARLES MANSON - Lie 57 58 Soundtrack to 1984: LYDIA LUNCH 58 59 Soundtrack to 1984: FOETUS 59 60 Soundtrack to 1984: NON 60 61 Soundtrack to 1984: RADIO WEREWOLF 61 62 Soundtrack to 1984: WHITEHOUSE 62 63 Soundtrack to 1984: Skinned Alive 63 64 Soundtrack to 1984: MICHAEL MOYNIHAN 64 65 Soundtrack to 1984: GG ALLIN 65 66 Soundtrack to 1984: KING DIAMOND / CRO-MAGS show 66 67 Soundtrack to 1984: SWANS 67 68 JOE COLEMAN 68 76 LYDIA LUNCH 76 82 NICK ZEDD / THE UNDERGROUND FILM BULLETIN 82 88 RICHARD KERN / DEATHTRIP FILMS 88 94 J.G. THIRLWELL a.k.a. FOETUS 94 98 FRED BERGER / PROPAGANDA 98 106 JONATHAN SHAW 106 112 Killer Clowns 112 124 BOYD RICE/NON . 124 132 JOHN AES-NIHIL 132 138 NICKBOUGAS 138 144 ZEENA SCHRECK nee LaVEY 144 148 NIKOLAS SCHRECK / RADIO WEREWOLF 148 154 ADAM PARFREY / FERAL HOUSE 154 162 Your host, GEORGE PETROS 162 170 MICHAEL ANDROS 170 174 ROBERT N. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
Paracelso 2/2017.Indd
“Playing with Art and Artifice: Religious Satanism as Total Environment” Cimminnee Holt1 Introduction “The essence of any magical working is a complete evocation. It is more important to experience total emotional response to one’s environment than all the ‘occult’ knowledge in the world.” – Anton Szandor LaVey2 Anton Szandor LaVey’s (1930-1997) founding of the Church of Satan (CoS) in 1966 was a significant shift in satanic discourse. LaVey is arguably the originator of modern Satanism as a cohesive, codified religion, but there is a long history of how the figure of Satan has been interpreted and reinterpreted by theologians, artists, and philosophers alike. The Hebraic ha-satan in the Book of Job translates as “the Satan,” a designation meaning “the Adversary” or “the Accuser” (Job 1:6 NRSV).3 The Satan is not opposed to God; he is among God’s messengers (mal’āk), a servant in the divine court.4 Under Christian theological interpretations, an accusation of being “satanic” becomes a rhetorical tool to denigrate heretics, pagans, and Jews as the perceived enemies of Christianity.5 In the Enlightenment, Satan’s narrative is reinterpreted yet again, as artists, philosophers, and writers portray satanic figures as a symbol of intellectual non-conformity and sexual liberation, as suavely challenging conventions and the status quo.6 Satan has 1 Concordia University 2 Anton Szandor LaVey, The Devil’s Notebook (Los Angeles: Feral House, 1992), 77. 3 The Hebrew text translates as: “One day the heavenly beings came to present themselves before the Lord, and Satan also came among them”; Job 1:6. -
Satanism’S Prime Mover
©2007 Peter H. Gilmore ISBN 10: 0-9764035-7-9 (cloth) ISBN 13: 978-0-9764035-7-9 ISBN 10: 0-9764035-9-5 (paperback) ISBN 13: 978-0-9764035-9-3 All rights reserved 9 8 7 6 5 4 3 2 Goat of Mendes Painting by Peter Gilmore Interior Illustrations by Timothy Patrick Butler Author Portrait by Chistopher R. Mealie Typesetting and Design by Keven I. Slaughter Baltimore, MD ScapegoatPublishing.com Printed in Singapore FOR PEGGY -=my beloved=- To: Anton Szandor LaVey, Satanism’s Prime Mover. Blanche Barton, whose strength is legendary. Those who have been with me from the beginning: Ruth & Coop—stalwart co-conspirators, the founding members of the Order of Fenris—Magister Diabolus Rex, Magister Nemo, Magistra Isabel, and Reverend Manning. Charles Addams, who rendered our kin and Arthur Fellig, a romantic realist. Bela Lugosi, Boris Karloff, Vincent Price, and Christopher Lee, who gave eternal life to multifaceted monsters. Ayn Rand and Madalyn Murray O’Hair, women of monumental courage. Jim Knipfel and George Carlin, fellow misanthropes. Eiji Tsuburaya and Akira Ifukube, who gave form and voice to the classic Daikaiju. Joi Lansing and Mamie Van Doren, bountiful bombshells. Jackie Gleason, Oscar Levant, and Orson Welles, remarkable polymaths who unleashed their dark sides. John Kennedy Toole and Mel Brooks, who show us how deeply funny the human animal can be. Frank Herbert, who saw potential and Gene Roddenberry, who created an Is-To-Be. And To: The magnificent Magisters and Magistras, profound Priests and Priestesses, wondrous Witches and Warlocks, astounding Agents, and the ever-inspiring loyal cohort that makes up the Citizenry of our Infernal Empire— you are an aristocracy of achievers, many of whom are cherished friends, and cannot know how very much you each mean to me. -
The Baphomet a Discourse Analysis of the Symbol in Three Contexts
UPPSALA UNIVERSITY Department of Theology History of Religions and Social Sciences of Religion C2, 15 credits Spring 2013 Supervisor: Eva Hellman The Baphomet A discourse analysis of the symbol in three contexts by Carl Karlson-Weimann Abstract This essay examines how the Baphomet symbol is understood in three different contexts. Firstly, the understanding of the Baphomet is analysed in the book Dogme et Rituel de la Haute Magie, written by the French 19th century occultist Éliphas Lévi. Secondly, I analyse the symbol in The Satanic Bible by Anton Szandor LaVey, the person responsible for having introduced Satanism to modernity. Thirdly, the Baphomet as understood in contemporary metal music culture is analysed. Ultimately, I find the Baphomet to be viewed as a symbol associated with Satan, but in very different ways. The reason to why these differences exist I find to be partially explained by the initial mystery surrounding the Baphomet. The understanding of the Baphomet depends also on the role of Satan in each context. Due to Satan representing different things in the three different contexts, so does the Baphomet. Keywords: Baphomet, Western esotericism, Satanism, occulture, discourse theory, Éliphas Lévi, Anton Szandor LaVey, metal music, culture, religion Table of contents 1 Introduction.....................................................................................................................................1 1.1 Introductory remarks and purpose statement.....................................................................1 -
Download Wells's Thesis
Confronting the Constitutional Order: Reconciling Satan and the Free Exercise of Religion Julia Wells Honors Defense Date: May 8, 2020 Thesis Advisor: Professor Jenna Reinbold Defense Committee: Professor Christopher Vecsey Professor Benjamin Stahlberg 1 In defending the separation of church and state, James Madison wrote, “The Religion…of every man must be left to the conviction and conscience of every man; and it is the right of every man to exercise it as these may dictate.”1 The crux of Madison’s argument was that if the government were allowed to interfere in people’s religious choices, the government would be able to choose or remove people’s religious practices at will. In Madison's conception, one's freedom of conscience precedes one's commitment to the government, and therefore shouldn't be within the power of government to regulate. Since the founding of the United States, religious freedom has been one of the most venerated values, but determining which religions are afforded religious freedom has historically been very contentious. This principle of freedom of conscience was translated into the U.S. Constitution in the form of the very first words of the First Amendment: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.”2 The establishment clause prevents the government from creating a state church, while the free exercise clause limits the government’s ability to force people to act in violation of their religion. Limiting government engagement with religion is difficult everywhere, but it is especially difficult for the U.S. -
Saddlebred Sidewalk List.Docx
CH 20TH CENTURY FOX A CHAMPAGNE TOAST A CONVERSATION PIECE A DAY IN THE SUN A DAY IN THE SUN A KINDLING FLAME A LIKELY STORY A LITTLE IMAGINATION A LOTTA LOVIN' CH A MAGIC SPELL A MAGICAL CHOICE A NOTCH ABOVE A PLACE IN THE HEART A RARITY A RICH GIRL A ROYAL QUEST A ROYAL QUEST A SENSATION A SENSATIONAL FOX A SONG IN MY HEART A SPECIAL EVENT A SPECIAL SURPRISE CH A SUPREME SURPRISE CH A SWEET TREAT CH A TOUCH OF CHAMPAGNE CH A TOUCH OF CHAMPAGNE A TOUCH OF PIZZAZZ A TOUCH OF RADIANCE A TOUCH OF TENDERNESS A TRADITION CH A TRAVELIN' MAN A WINNING WONDER ABIE'S IRISH ROSE ABOVE BOARD ABRACADABRA ABSOLUTELY A LADY ABSOLUTELY COURAGEOUS CH ABSOLUTELY EXQUISITE CH ABSOLUTELY FABULOUS ABSOLUTELY NO LIMITS ACCELERATOR ACE HIGH DUKE ACES AND EIGHTS ACE'S FLASHING GENIUS ACE HIGH DUKE ACES AND EIGHTS ACE'S FLASHING GENIUS ACE'S QUEEN ROSE ACE'S REFRESHMENT TIME ACE'S SOARING SPIRIIT ACE'S SWEET LAVENDER ACE'S TEMPTATION ACTIVE SERVICE ADF STRICTLY CLASS ADMIRAL FOX ADMIRAL'S AVENGER ADMIRAL'S BLACK FEATHER ADMIRAL'S COMMAND CH ADMIRAL'S FLEET CH ADMIRAL'S MARK CH ADMIRAL'S MARK ADMIRAL'S SHIPMATE CH ADVANTAGE ME CH ADVANTAGE ME AFFAIR OF THE HEART "JAKE" AFLAME AGLOW AGLOW AHEAD OF THE CLASS AIN'T MISBEHAVIN AIN'T MISBEHAVIN AIR OF ELEGANCE CH ALETHA STONEWALL ALEXANDER THE GREAT ALEXANDER'S EMERAUDE ALEXANDER'S EMERAUDE ALFIE ALICE LOU'S DENMARK CH ALISON MACKENZIE CH ALISON MACKENZIE CH ALL AMERICAN BOY ALL DRESSED UP ALL NIGHT LONG ALL ROSES ALL SHOW ALL THE MONEY ALLEGORY ALLIE COME LATELY "BAH" ALL'S CLEAR ALLSWEET ALLURING LADY ALONG CAME A SPIDER ALTERED IMAGE ALTON BELLE ALONG CAME A SPIDER ALTERED IMAGE ALTON BELLE CH ALVIN'S MR.