St. Ephrem Catholic Church
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STUDY GUIDE Prepared by Dramaturg Andy Knight The Miraculous Journey of Edward Tulane • SOUTH COAST REPERTORY •1 TABLE OF CONTENTS PART I: THE PLAY 3. The.Characters 3. The.Story 4. Going.by.the.Book:.An.Excerpt.from. ......The Miraculous Journey of Edward Tulane 5. Awards.for Edward Tulane. 5. Meet.the.Playwright:.Dwayne.Hartford. 5. Meet.the.Author:.Kate.DiCamillo. 6. An.Interview.with.Author.Kate.DiCamillo. 7. From.Page.to.Stage:.Bringing Edward Tulane.to.Life PART II: CLASSROOM ACTIVITIES Before the Show 8. Questions.for.Discussion.and.Activities.. 8. American.History.in.Edward Tulane 9. Words,.Words,.Words! After the Show 10. Discussion.About.the.Theatre 10. Discussion.About.the.Play 11. Activities. PART III: AT THE THEATRE 12. .Welcome.to.the.Julianne.Argyros.Stage 12. .Theatre.Etiquette 12. .Student.Tips.for.Theatre.Trips 12. .Programs PART IV: EDUCATION STATION 13. California.Visual.and.Performing.Arts.Framework 14. Five.Strands.of.Art.Education 15. Basic.Theatre.Vocabulary PART V: RESOURCES 16. More.Information.on. The Miraculous Journey of Edward Tulane. 16. More.About.Author.Kate.DiCamillo. 16. More.About.the.1930s 2 • SOUTH COAST REPERTORY • The Miraculous Journey of Edward Tulane Part I: The Play THE CHARACTERS • The Traveler, the storyteller who portrays: Pellegrina, the Society Lady, Martin, Lolly, Jack, the Watchman, the Old Lady, Marlene and Lucius Clarke • The Woman, the storyteller who portrays: Abilene, Nellie, Lucy the Dog, Sarah Ruth, Neal, the Doll, the Old Doll and the Shopper • The Musician, the storyteller who portrays the voice of Edward’s thoughts and emotions • The Man, the storyteller who portrays: Abilene’s Father, Amos, Lawrence, Bull and Bryce THE STORY he Miraculous Journey of Edward Tulane hobo named Bull, calls the china rabbit Malone, and begins in a house on Egypt Street in the for seven happy years the threesome travels the open mid-1920s. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
I Had to Fight with the Painters, Master Carpenters
‘I had to fight with the painters, master carpenters, actors, musicians and the dancers’: Rehearsals, performance problems and audience reaction in Renaissance spectacles Jennifer Nevile Early Dance Circle Annual Lecture, 21 February 2021 In 1513 Castiglione wrote about the difficulties he was having during the rehearsals for a production at Urbino. [the intermedio] about the battles was unfortunately true - to our disgrace. … [The intermedi] were made very much in a hurry, and I had to fight with the painters, the master carpenters, the actors, musicians and the dancers.1 Unfortunately, we do not know exactly what caused the arguments between Castiglione and all the personnel involved in this production, and neither do we know how these difficulties were resolved. But Castiglione’s letter reminds us that then, as now, not everything went as smoothly as those in charge would have hoped for. In spite of the many glowing reports as to the success of theatrical spectacles in early modern Europe, the wonder and amazement of the audience, the brilliance of the glittering costumes, the quantity of jewels and precious stones worn by the performers and the virtuosity of the dancing, problems were encountered during production and the performance. It is this aspect of Renaissance spectacles that is the focus of today’s lecture. I will begin with a discussion of the desire for a successful outcome, and what efforts went into achieving this aim, before moving to an examination of what disasters did occur, from audience over-crowding and noise, stage-fright of the performers, properties being too big to fit through the door into the hall in which the performance was taking place, to more serious catastrophes such as a fire during a performance. -
FY 2021-22 General Government Budget Narrratives
G:\ANNUAL BUDGET WORKFILES\22 Budget Folders\22 Narratives Submitted\..Combined Narratives (3-1 TM Submission) GENERAL FUND REVENUES FY2021/22 2020 2021 2022 Actual Adopted Amended Department Manager Account Description Revenue Budget Budget Requested Approved 41 - Taxes: 001.00.0000.5.41002.00000 Current Levy 77,238,290 78,789,139 78,789,139 83,453,870 83,612,102 001.00.0000.5.41010.00000 Supplemental Motor Vehicles 812,725 700,000 700,000 700,000 700,000 Various Back Taxes/Interest/Suspense Taxes 1,174,595 692,000 692,000 735,000 735,000 001.00.0000.6.41601.00000 Elderly Housing 51,814 51,813 51,813 52,945 52,945 Total Taxes 79,277,425 80,232,952 80,232,952 84,941,815 85,100,047 42 - Licenses, Permits, & Other: 001.05.0511.1.42151.00000 Town Clerk Fees 436,152 330,000 330,000 330,000 330,000 001.05.0511.1.42152.00000 Town Clerk Dog License Fees 9,726 11,000 11,000 11,000 11,000 001.05.0505.1.42153.00000 Passport Fee 10,520 16,000 16,000 12,000 12,000 001.10.1014.1.42201.00000 Building Inspection Fees 446,398 375,000 375,000 475,000 500,000 001.10.1014.1.42202.00000 Planning Fees 22,117 18,000 18,000 18,000 18,000 001.10.1016.1.42251.00000 Zoning Board of Appeals 2,990 3,000 3,000 3,000 3,000 001.15.1530.1.42271.00000 Animal Control Fees 1,637 1,000 1,000 1,000 1,000 001.15.1530.1.42272.00000 Animal Control Rent 5,820 5,820 5,820 5,820 5,820 001.15.1531.1.42304.00000 Outside Fire Services 625 8,000 8,000 8,000 8,000 001.15.1532.1.42301.00000 Police Services 41,558 40,000 40,000 45,000 45,000 001.15.1532.1.42302.00000 Police Services -
July 24, 2016
Church of the Holy Spirit 16 South 6th Street, New Hyde Park, New York 11040 The Seventeenth Sunday in Ordinary Time - July 24th, 2016 PASTORAL STAFF Rev Frank Grieco, Pastor Ext. 116 E-mail: [email protected] Deacon Lachlan Cameron Ext. 112 E-mail: [email protected] Deacon Douglas Ferreiro Ext. 171 E-mail: [email protected] Music Director: Mary Bolan Religious Education Office Ext. 132 E-mail:[email protected] Bulletin E-mail: [email protected] Carolyn Mueller Ext 117 E-mail: [email protected] Parish Social Ministry Mr. Tom Friel, Director Ext. 138 E-mail: [email protected] LITURGICAL CELEBRATIONS Website: www.holyspiritchurch.com Mass Schedule Website Coordinator : May O’Boyle Deegan E-mail: [email protected] Sunday: Saturday Vigil Mass 5:00 PM 8:00 AM, 9:30 AM, 11:00 AM, 12:30 PM Rectory Office Monday Through Saturday: 8:30 AM Phone: 516-354-0359 Holydays: As announced Fax : 516-354-2611 Family Mass: 9:30 AM Mass Rectory Hours: Confessions Mon/Tues/Thurs/Fri: 9:00am - 8:00pm • Saturday: 3:45 PM - 4:45 PM Wednesday: 3:00pm - 8:00pm • Call for an appointment (call the rectory to arrange a mutually convenient time.) Saturday: 9:00am - 5:00pm Baptisms Church Hours: Please contact the rectory to make arrangements for your child’s baptism. Monday Through Friday 7:00am -8:00pm Saturday: 7:00am-6:15pm Sacrament of Matrimony Sunday: 7:00am-2:00pm Arrangements must be made at least six months prior to the ceremony and before arranging the reception. Emergency call (516) 880-2936 PASTOR’S PAGE -2- DEACON LACHLAN Last week, in Rome, Annibale Gammarelli passed away. -
Implications for Serving Students with Emotional and Behavior Disorders Michael Fitzpatrick and Earle Knowlton
Table of Contents JAASEP Editorial Board of Reviewers Faculty Epistemological Beliefs as a Mediator to Attitudes Toward Persons with Disabilities Lucy Barnard, Tara Stevens, Kamau O. Siwatu, & William Y. Lan Relationship Between Service Coordinator Practices and Early Intervention Services Mary Beth Bruder and Carl J. Dunst Individualized Interventions: When Teachers Resist Sharla N. Fasko No Child Left Behind’s Implementation in Urban School Settings: Implications for Serving Students with Emotional and Behavior Disorders Michael Fitzpatrick and Earle Knowlton The Impact of High-Stakes Testing for Individuals with Disabilities: A Review Synthesis Richard Boon, Debbie Voltz, Carl Lawson, Sr.,and Michael Baskette Special Education Professionals and Assistive Technology: Requirements for Preparation in a Digital Age George R. Peterson-Karlan, Jack J. Hourcade, Howard P. Parette, and Brian W. Wojcik 2 Table of Contents | Journal of the American Academy of Special Education Professionals (JAASEP) Book Review - The Short Bus: A Journey Beyond Normal Richard L. Mehrenberg Author Guidelines for Submission to JAASEP Copyright and Reprint Rights of JAASEP Journal of the American Academy of Special Education Professionals (JAASEP) | Table of 3 Contents JAASEP Executive Editors Roger Pierangelo, Ph.D. George Giuliani, J.D., Psy.D. JAASEP Editorial Board Nicholas Agro, ESQ. Diana Basilice, Columbia University Graduate School-Masters Degree Candidate at Teachers College Columbia University in the School Psychology program Heather Bausano, Psy.D. Keri Chernichun, Psy.D. Robert Colucci, D.O. Jeffrey Froh, Psy.D. Anita Giuliani, M.S., S.A.S., S.D.A Christopher Kearney, M.S. Scott Markowitz, Esq. Lisa Morris, M.S. Tanya Spadaro, Ed.M. candidate at Teachers College Columbia University in the School Psychology program Danielle Warnke, M.S. -
Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality. -
Freedom of Religion and Living Together
Wahedi: Freedom of Religion and Living Together Wahedi camera ready (Do Not Delete) 5/8/2019 12:02 PM CALIFORNIA WESTERN INTERNATIONAL LAW JOURNAL VOLUME 49 SPRING 2019 NUMBER 2 FREEDOM OF RELIGION AND LIVING TOGETHER SOHAIL WAHEDI∗ ∗ PhD Candidate, Erasmus School of Law. L.L.B., 2012 and L.L.M., 2015 Utrecht University, the Netherlands. Writing fellow, International Center for Law and Religion Studies’ inaugural Oxford Program, “Religion and the Rule of Law,” University of Oxford (July-Aug. 2018). Visiting fellow Osgoode Hall Law School, York University, Toronto (Apr. 2018). Deputy Court Clerk, Rotterdam District Court (2012-2015). Intern, Embassy of the Kingdom of the Netherlands in Tel Aviv, Israel (July-Dec. 2011). Research for this article is made possible by the Erasmus School of Law Innovation Programme Research, Erasmus Trustfonds and the International Center for Law and Religion Studies at Brigham Young University. For the current version of this article, I have benefited tremendously from discussions with Wibren van der Burg, Jeroen Temperman, Paul Cliteur, Briain Jansen, Tamar de Waal, Maurits Helmich, Cole W. Durham, Brett G. Scharffs, Nazila Ghanea, Richard Moon, Benjamin Berger, Bruce Ryder, Anna Su, Jane Wise, Mary Jensen, Lance N. Long, Sarah Jane Nussbaum and Ije Anika. I have also benefited from the challenging discussions I had, and the presentation I gave in Bologna (“European Academy of Religion” Annual Conference 2019, 4-7 March 2019); Prague (“State Responses to Security Threats and Religious Diversity” Conference, -
La Pellegrina
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Forgotten Reality, Remembered Fiction, Production Values and Court Opera
INFORMATION TO USERS This manuscript has been repockiced frwn the mkdilrn master. UMI films the text directly ftom the original or copy submitted. Thus, some thesis and dissertation copies are in Merface, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Brdcen or indistinct print, cdored or poor quality illustrations and photographs, print Meedttrmugh, substandard margins, and impmper alignment can adversely affect reprodudion. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e-g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuirlg from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521-0600 FORGOTTEN mITY, REMEMBERED FICTION: PRODUCTION VALUES AND COURT OPERA, 1598-1608 Peter Eliot Weiss A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of Drama University of Toronto O Copyright by Peter Eliot Weiss 1999 National Library Biblioth4que nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. -
Displays of Medici Wealth and Authority: the Acts of the Apostles and Valois Fêtes Tapestry Cycles
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles Madison L. Clyburn University of Central Florida Part of the Classical Archaeology and Art History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Clyburn, Madison L., "Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles" (2019). Honors Undergraduate Theses. 523. https://stars.library.ucf.edu/honorstheses/523 DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FÊTES TAPESTRY CYCLES by MADISON LAYNE CLYBURN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2019 Madison Layne Clyburn ii ABSTRACT The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-à-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fêtes. The cycles were commissioned by Pope Leo X (1475- 1521), the first Medici pope, and Catherine de’ Medici (1519-1589), queen, queen regent, and queen mother of France. -
Power and Piety: Examining the Papal Tiara in The
POWER AND PIETY: EXAMINING THE PAPAL TIARA IN THE CONTEXT OF THE MODERN CHURCH By Manon Wogahn A senior thesis submitted in partial fulfillment of the requirements for the degree in Bachelor of Arts in Art History CHAPMAN UNIVERSITY Orange, California May 2018 1 The papal tiara has been a symbol of the papacy since its first appearance around the eighth century. The exact symbolism of the three-tiered crown is unknown; a popular interpretation is that it represents the three divisions of the Christian Church: the Church Militant, Church Penitent, and Church Triumphant. Also called the triregnum, the tiara was last worn in public in 1963 by Pope Paul VI, who later donated his crown for charity. Since then, the last four popes, including the current Pope Francis, have received tiaras but have never worn them publicly. This project analyzes the rejection of the papal tiara and of the coronation ceremony as a symbol of the changing values of the modern papacy relationship between the disappearance of the papal tiara and the changing values of the modern papacy after the Second Vatican Council (1962-65). By examining the history of Paul VI’s crown within the context of a centuries-old tradition, I show how the papal tiara has been transformed from a symbol of the pope’s temporal power into a representation of material wealth that has become incompatible with the image of modest piety promoted by the contemporary papacy. In the 2016 drama television series The Young Pope, the fictional American pontiff Pius XIII causes shock and unrest within the Vatican with his controversial conservative philosophies and rejection of his predecessor’s liberality.