Interview with Keith Decker
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ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Carmel Bach Festival SPECIAL SECTION INSIDE
Carmel Bach Festival SPECIAL SECTION INSIDE VolumeThe 99 No. 28 CarmelOn the Internet: www.carmelpinecone.com Pine ConeJuly 12-18, 2013 Y OUR S OURCE F OR L OCAL N EWS, ARTS AND O PINION S INCE 1915 ‘RETIRED’ PANETTA HAS BIG PLANS FOR INSTITUTE Still no charges n Offers insights on leaks and terrorism run and hide, but come back here and face responsibility.” against McInchak Panetta conceded that if a country — such as By KELLY NIX Venezuela — accepts Snowden, the process of getting him By MARY SCHLEY FTER A career that took him from Congress, to the See PANETTA page 10A A ORE THAN a month after Carmel police spent three White House, to CIA headquarters, to the Pentagon, Leon M hours searching city IT manager Steve McInchak’s Carmel Panetta now spends a lot of time tending walnut trees and Valley home — seizing computers, an iPhone and thumb dri- fixing dinners. ves — the city has not asked the Monterey County District But he still has plenty of insight to offer about the ter- Attorney’s Office to prosecute him. rorism threat this country faces and what should be done McInchak, who may have illegally accessed computer about. files of city employees, council members and management, In an interview from his Carmel Valley ranch according to the warrant filed in Monterey County Superior Thursday, the former White House Chief of Staff, Central Court June 13, remains on paid administrative leave, pending Intelligence Agency director and secretary of defense the outcome of the investigation. said, “When I’m home, usually I’m here in the valley Monterey County Chief Assistant District Attorney Terry doing chores around our place,” including pruning and Spitz said he hasn’t been asked to file charges against watering the 12 acres of walnut trees that belong to him McInchak, but he knows Carmel P.D. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Constance Lindsay Skinner and the Birthright
"VANCOUVER'S FIRST PLAYWRIGHT": Constance Lindsay Skinner and The Birthright JEAN BARMAN T CONSTANCE LINDSAY SKINNERS death in New York City in 1939, Time magazine described her as a "novelist, historian, Ajournalist" who "wrote mostly of frontier life."1 The assessment was apt and caught the essence of the woman. Born in 1877 in the Cariboo region of British Columbia, Constance worked for news papers in Vancouver, Los Angeles, and Chicago before moving to New York City in 1912. In making her living as a writer she drew repeatedly on the BC frontier of her childhood - never more so than in her play The Birthright. Constance Lindsay Skinner may have been Vancouver's, and possibly British Columbia's, first playwright to be professionally staged.2 In January 1912, her Biblical play David inaugurated the Forest Theater in the artists' colony of Carmel, California, whereupon the Vancouver Province newspaper dubbed her "Vancouver's First Playwright."3 Six 1 "Milestones," Time, 10 April 1939,72. On Constance Lindsay Skinner's life, see Jean Barman, Constance Lindsay Skinner: Writing on the Frontier (Toronto: University of Toronto Press, 2002). I am grateful to the Social Sciences and Humanities Research Council of Canada for making possible the research upon which this essay and the book draw. Bob McDonald, Jerry Wasserman, Joan Bryans, and two insightful reviewers have shepherded the essay to publication, and I thank them. 2 Numerous persons living in British Columbia or identifying with the province wrote plays prior to Constance's entry into the genre in the 1890s. Even though limited to Canadian residents, Patrick B. -
Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions. -
Pacific Grove's Summer Tourist Season
Kiosk In This Issue Fri., July 12 “Pirates of Penzance” Wharf Theater 8:30 PM, $25/$10 649-2332 • Sat., July 13 Movie Night Marina Library 7 PM, Free 883-7573 • Focus on the Art Walk - Page 6 Journey - Page 13 Feast of Lanterns - Page 16 Sun., July 14 Short Cinema Festival Forest Theater 8:30 PM, $10 Pacific Grove’s 582-3653 • Sun., July 14 Grief Workshop Seaside Yoga Sanctuary 1:30-4 PM, Free 649-7758 • Thu., July 18 Ribbon Cutting Beach House 3 PM, Free Times 373-3304 July 12-18, 2013 Your Community NEWSpaper Vol. V, Issue 43 • Friday, July 19 Talk: Don Kohrs-Chautauqua: The Nature Study Movement in PG Picture perfect day Canterbury Woods 651 Sinex Ave. 10:00 AM Free - RSVP: 657-4193 • Sat., July 20 Cardmaking Workshop PG Art Center 1-3 PM, $35 512-9063 • Sat., July 20 Chalk Fest Natural History Museum 11 AM-3 PM, Free 648-5716 • Sat., July 20 Simple Pleasures The Works 7:30-9:30 PM, $12 372-2242 • Sat., July 20 Feast of Lanterns Chalk Fest Natural History Museum 11 AM-3 PM, Free 648-5716 • Sat., July 20º Belly Dancing Fundraiser For Rape Crisis Ctr. Pajaro St. Bar & Grill 6:30-8 PM, Donation 373-3955 • Sun., July 21 “The Magic Flute” Golden Bough Theatre 7 PM, $7.50-$24 622-0100 • Mon., July 22 “You’re Never Too Marge Brigadier offered us this picture of the cove at Lovers Point, and we couldn’t refuse. How many “likes” for a picture Old to Raise a Little Hell” perfect day? Peace Resource Center 7 PM, Donation 899-7322 • Mon., July 22 Road and Sewer Common Core Standards for Schools Potluck & Travel Program Monterey Hostel Improvements Will 6 PM, Free Offer Academic Success 899-3046 Affect Local Traffic • National Standards Ensure Uniformity of Tue., July 23 “Observation and Ecology” Revision of Previously Instruction Across the Board Museum to equalize American education. -
Carmel Pine Cone, December 9, 2011
GIFT GUIDE A SPECIAL SECTION INSIDE THIS WEEK’S PAPER – DECEMBER 9, 2011 Volume 97 No. 49 On the Internet: www.carmelpinecone.com December 9-15, 2011 Y OUR S OURCE F OR L OCAL N EWS, ARTS AND O PINION S INCE 1915 County and city Heavy winds wreak havoc down the coast to collaborate on By CHRIS COUNTS nesses. “I’ve never experienced anything like this,” said Martha one-way Scenic Road WINDS GUSTING to 50 MPH blew through Big Sur Karstens, chief of the Big Sur Volunteer Fire Brigade. “It’s a late last week, killing a condor researcher, sparking four mess down here. The wind was howling like a freight train.” small fires and causing extensive damage to homes and busi- Mike Tyner, 35, was killed Wednesday, Nov. 30, at about By MARY SCHLEY 3 p.m. when high winds caused a branch to fall on him. Tyner, who served as a field super- THE COUNTY’S most notorious hairpin curve is about visor for the Ventana Wildlife Society’s condor to become a lot safer as Monterey County moves ahead with recovery program, was traveling along the plans to make Scenic Road one-way around Carmel Point. Coast Ridge Road near Marble Peak when part The switch, from the city limits to Carmel River State of a large oak tree snapped and landed on his Beach, should help relieve traffic jams, make walking and vehicle. Shortly before he was killed, Tyner bicycling safer, and preserve the bluffs — not to mention was monitoring the progress of a young con- reduce the likelihood somebody will drive off the edge. -
N E W S F R O M T E L E V I S I O N
M A Y 2 0 0 5 N E W S F R O M I N V E S T O R R E L A T I O N S N E W S F R O M T E L E V I S I O N A B C 2 0 0 5 / 2 0 0 6 S E A S O N P R I M E T I M E F A L L S C H E D U L E TIME SERIES PRODUCTION COMPANY 8:00pm Wife Swap* (thru January) RDF Media / Diplomatic 9:00pm Monday Night Football (thru January) Various MON ( T H E F O L L O W I N G W I L L P R E M I E R E A F T E R M O N D A Y N I G H T F O O T B A L L ) 8:00pm The Bachelor* Telepictures / Next Productions 9:00pm Emily’s Reasons Why Not Sony Pictures Entertainment / Pariah 9:30pm Jake in Progress* Brad Grey Television Productions / 20th Century Fox Television 10:00pm What About Brian Touchstone Television / Bad Robot 8:00pm According to Jim* Touchstone Television / Brad Grey 8:30pm Rodney* Touchstone Television TUE 9:00pm Commander-in-Chief Touchstone Television / Battle Plan Productions 10:00pm Boston Legal* 20th Century Fox Television / David E. Kelley Productions 8:00pm George Lopez* Warner Bros. Television / Mohawk Productions / Fortis Films 8:30pm Freddie Warner Bros. Television / Mohawk Productions / The Firm WED 9:00pm Lost* Touchstone Television / Bad Robot 10:00pm Invasion Warner Bros. -
Pacrep Announces School of Dramatic Arts Fall Semester at The
CONTACT: John Newkirk (831) 622-0700 ext. 4108 [email protected] The only professional theatre PacRep Announces School of Dramatic Arts on the Monterey Peninsula Fall Semester at the Forest Theater CARMEL, CA – August 6, 2021. PacRep Theatre’s School of Dramatic Arts (SoDA) has announced its 2021 Fall schedule of theatre arts classes, offering quality training in a wide variety of theatre skills, in a safe and nurturing environment. Students explore and expand their talents, learning to express themselves on stage, as they build confidence and self-esteem. Classes are held Mondays through Saturday at the Forest Theater, at Mountain View & Santa Rita, Carmel. SoDA is committed to providing professional training in theatre arts and presenting quality entertainment for students of all ages. For info on Financial Aid, students should inquire with administrator Susanne Burns. Students may register for multiple classes, online at www.schoolofdramaticarts.org PacRep’s Saturday Academy: SoDA's Fall 2021 Saturday Academy will focus on the classics. It will encourage students grades 1 through 12 to find and develop their own level of creative confidence through theatre. Utilizing the disciplines and techniques of the dramatic arts - speech, movement, pantomime, stage combat, historical characterization, improvisation, and more - students learn to enhance their awareness, self-esteem, and the ability to work with others towards a common goal. Starting with theatre basics, students advance to more challenging curricula on a year-by-year basis. -
2006 Marketing Advertising
A SUPPLEMENT TO 2006 FACT PACK 4th ANNUAL GUIDE TO ADVERTISING MARKETING Published February 27, 2006 © Copyright 2006 Crain Communications Inc. 2 | Advertising Age | FactPack FactPack | Advertising Age | 3 FACT PACK 2006 CONTENTS TOP LINE DATA ON THE ADVERTISING AND MEDIA INDUSTRIES In a pdf version, click anywhere on the items below to jump directly to the page. GENERAL MOTORS CORP. is the top marketer by ad spending in the U.S. but who ranks Advertising & Marketing first on a global basis? A spot for Fox TV’s American Idol on Wednesdays at prime- Top five U.S. advertisers and their agencies . .6-7 time commands the most dollars per :30 ($518,466), but how much more is that than Top U.S. advertisers . .8 a spot for runner-up CSI:Crime Scene Investigation on CBS-TV the following night? And what about that growth in a Super Bowl :30 spot since the $42,000 average cost Top U.S. megabrands . .9 paid per :30 at Super Bowl I in 1967? Omnicom Group may be the world’s biggest U.S. ad spending totals by media . .10 marketing organization but how do its agency networks stack up against their com- Top U.S. advertisers by media . .11-13 petition? How big and far-reaching are those multifaceted media goliaths? It’s all in Top global marketers and spending in top 10 countries . .14-15 the FactPack, whether in print form on your desk, or a click away on your computer or network. Consumer brand market share leaders in select categories . -
Oregon Historic Theaters : Statewide Survey And
Oregon Historic Theaters : Statewide Survey and Needs Assessment Prepared by: Community Planning Workshop A Program of the Community Service Center September 2015 Oregon Historic Theater Needs Assessment Prepared by: Community Planning Workshop Community Service Center 1209 University of Oregon Eugene, OR 97403-1209 Email: [email protected] http://csc.uoregon.edu/cpw September 2015 This project was made possible by a grant from the Oregon Tourism Commission (OTC) and by a grant from the U.S. Department of Commerce Economic Development Administration (EDA). The information presented in this report does not necessarily represent the perspectives of the funders. Cover Photo: Courtesy of Cascade Center of Photography Acknowledgements We wish to acknowledge and extend our thanks to all theater owners, operators, and volunteers who contributed to this project. We would also like to thank the following organizations and individuals: Travel Oregon Special thanks to Carole Astley and Kendra Perry Oregon Main Street Special thanks to Sheri Stuart Pacific Power Special thanks to Erik Andersson Community Planning Workshop (CPW) Staff Research Team: Rodney Bohner John Jackson Dana Nichols Craig Wiroll Project Coordinator: Aniko Drlik-Muehleck Program Director: Robert Parker, AICP About the Community Planning Workshop Community Planning Workshop (CPW) is one of the core programs of the University of Oregon’s Community Service Center (CSC) (csc.uoregon.edu). Established in 1977, CPW provides students the opportunity to address planning and public policy problems for clients throughout Oregon. Students work in teams under the direction of faculty to conduct research, analyze and evaluate alternatives, and make recommendations for possible solutions to planning problems in Oregon communities. -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Queering and Qualifying the Wasteland: Network Television, Awards Discourse, and Gay Legitimation in Primetime from 1971-1995 Permalink https://escholarship.org/uc/item/0576m18j Author Kruger-Robbins, Benjamin Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Queering and Qualifying the Wasteland: Network Television, Awards Discourse, and Gay Legitimation in Primetime from 1971-1995 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Benjamin Kruger-Robbins Dissertation Committee: Associate Professor Victoria E. Johnson, Chair Associate Professor Allison Perlman Professor Jennifer Terry © 2019 Benjamin Kruger-Robbins TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION x INTRODUCTION: GAY UPLIFT FROM THE TELEVISION WASTELAND 1 Taste Cultures and Media Pedagogy 3 Historicizing Quality TV 16 Chapter Summaries 25 CHAPTER 1: AWARDS DISCOURSE AND HISTORIES OF QUALIFICATION 33 The Emmys and Industrial Standards 34 The Golden Globes: Misfit Journalists and Queer Selections 48 The Peabody’s Academic Shifts 57 Conclusion: GLAAD, From Watchdog to Lapdog 66 CHAPTER 2: SUPERIOR PRODUCTIONS ON SENSITIVE TOPICS – ELEVATING 70 1970S GAY PROGRAMMING Mainstreaming Homosexuality in Early 1970s Urban Spheres 72 Dawn of 1970s “Relevance” Programming: