Ken Kesey and the Merry Pranksters, Part I
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The Electric Kool-Aid Acid Test Free
FREE THE ELECTRIC KOOL-AID ACID TEST PDF Tom Wolfe | 416 pages | 10 Aug 2009 | St Martin's Press | 9780312427597 | English | New York, United States Merry Pranksters - Wikipedia In the summer and fall ofAmerica became aware of a growing movement of young people, based mainly out of California, called the "psychedelic movement. Kesey is a young, talented novelist who has just seen his first book, One Flew Over the Cuckoo's Nestpublished, and who is consequently on the receiving end of a great deal of fame and fortune. While living in Palo Alto and attending Stanford's creative writing program, Kesey signs up to participate in a drug study sponsored by the CIA. The drug they give him is a new experimental drug called LSD. Under the influence of LSD, Kesey begins to attract a band of followers. They are drawn to the transcendent states they can achieve while on the drug, but they are also drawn to Kesey, who is a charismatic leader. They call themselves the "Merry Pranksters" and begin to participate in wild experiments at Kesey's house in the woods of La Honda, California. These experiments, with lights and noise, are all engineered to create a wild psychedelic experience while on LSD. They paint everything in neon Day-Glo colors, and though the residents and authorities of La Honda are worried, there is little they can do, since LSD is not an illegal substance. The Pranksters first venture into the wider world by taking a trip east, to New York, for the publication of Kesey's newest novel. -
Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
ELCOCK-DISSERTATION.Pdf
HIGH NEW YORK THE BIRTH OF A PSYCHEDELIC SUBCULTURE IN THE AMERICAN CITY A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History University of Saskatchewan Saskatoon By CHRIS ELCOCK Copyright Chris Elcock, October, 2015. All rights reserved Permission to Use In presenting this thesis in partial fulfilment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History Room 522, Arts Building 9 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada i ABSTRACT The consumption of LSD and similar psychedelic drugs in New York City led to a great deal of cultural innovations that formed a unique psychedelic subculture from the early 1960s onwards. -
Barefoot Into Cyberspace Adventures in Search of Techno-Utopia
Barefoot into Cyberspace Adventures in search of techno-Utopia By Becky Hogge July 2011 http://www,barefootintocyberspace.com Barefoot into Cyberspace Becky Hogge Read This First This text is distributed by Barefoot Publishing Limited under a Creative Commons Attribution-ShareAlike 2.0 UK: England & Wales Licence. That means: You are free to copy, distribute, display, and perform the work to make derivative works to make commercial use of the work Under the following conditions Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar licence to this one. For any reuse or distribution, you must make clear to others the licence terms of this work. The best way to do this is with a link to http://barefootintocyberspace.com/book/hypertext Any of these conditions may be waived by seeking permission from Barefoot Publishing Limited. To contact Barefoot Publishing Limited, email barefootpublishing [AT] gmail [DOT] com. More information available at http://creativecommons.org/licenses/by- sa/2.0/uk/. See the end of this file for complete legalese 2 Barefoot into Cyberspace Becky Hogge Contents Prologue: Fierce Dancing ...................................................................................................................................... 5 Chapter 1: Digging the command line ............................................................................................................ -
The Electric Kool-Aid Acid Test and the Limits of Language Original
The Electric Kool-Aid Acid Test and the Limits of Language Original submission October 2014; revised manuscript resubmitted January 2016 Eva Kowalska, University of Johannesburg, 2015 [email protected]; 076 349 6775 Postnet Suite no. 35 Private Bag X9 Melville 2109 The Electric Kool-Aid Acid Test and the Limits of Language drug literature, psychedelics, New Journalism,Tom Wolfe, American literature The Electric Kool-Aid Acid Test (1968) by Tom Wolfe is an important account of the Counter-culture, and a seminal work of the New Journalism. Its central concerns are the use of psychedelic drugs within a specific social and sub-cultural setting; and the formal strategies for representing the often ineffable experience of psychedelic drugs in literary non-fiction. In this article I discuss Wolfe’s use of a number of techniques and approaches to the breach between experience and representation, as well as his treatment of the limitations of langauge to encompass the psychedelic. 1 The Electric Kool-Aid Acid Test and the Limits of Language Tom Wolfe’s The Electric Kool-Aid Acid Test (1968) is a non-fiction novel concerned with an experimental community called the Merry Pranksters which formed around the writer Ken Kesey. More broadly the text is about the Counter-culture and its use of psychedelic drugs. The focus of this discussion is the relationship between the experience of psychedelics in a group setting, and its representation through literary language. While the distance between experience and representation endemic to psychedelics, and the author’s attempts at bridging it might be seen as a fault, I argue that the lag between the two is essentially the subject of the text, and as such is accurately represented. -
The Automobile and Communication in Twentieth-Century American Literature and Film
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository MOTORCARS AND MAGIC HIGHWAYS: THE AUTOMOBILE AND COMMUNICATION IN TWENTIETH-CENTURY AMERICAN LITERATURE AND FILM BY JASON VREDENBURG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee Professor Gordon Hutner, Chair Professor Dale Bauer Professor John Timberman Newcomb Associate Professor José B. Capino ii ABSTRACT Motorcars and Magic Highways examines the nexus between transportation and communication in the development of the automobile across the twentieth century. While early responses to the automobile emphasized its democratizing and liberating potential, the gradual integration of the automobile with communications technologies and networks over the twentieth century helped to organize and regulate automobile use in ways that would advance state and corporate interests. Where the telegraph had separated transportation and communication in the nineteenth century, the automobile’s development reintegrates these functions through developments like the two-way radio, car phones, and community wireless networks. As I demonstrate through a cultural study of literature and film, these new communications technologies contributed to the standardization and regulation of American auto-mobility. Throughout this process, however, authors and filmmakers continued to turn to the automobile as a vehicle of social critique and resistance. Chapter one, “Off the Rails: Potentials of Automobility in Edith Wharton, Theodore Dreiser, and Sinclair Lewis,” establishes the transformative potential that early users saw in the automobile. -
Attacking Rural Poverty
HOW NONFORMALEDUCATION CAN HELP PHILIP H. COOMBS WITH MANZOOR AHMED Public Disclosure Authorized ~~~~1 0091 Public Disclosure Authorized ua6-~Re ort Nc 95w4.09,r,_§ w ~~~IL bCOPY Public Disclosure Authorized Public Disclosure Authorized f qTLA ATTACKINGRURAL POVERTY How Nonformal EducationCan Help The InternationalCouncil for EducationalDevelopment (ICED)is a nonprofit researchorganization concerned with improvingthe contribution of education to social and economic developmentthroughout the world. ICED'sstaff, con- sultants,and governing board are multinational. The presentstudy was largelyfinanced by the World Bank,with supplemen- tary funds from the Ford Foundation. ICED NonformalEducation Projects Staff Philip H. Coombs .............. Director *Sven Grabe .............. Deputy Director of the World Bank Study *Roy C. Prosser .............. Deputy Director of the UNICEFStudy Manzoor Ahmed .... .......... Assistantto the Director *RoshanR. Billimoria .............. ResearchAssistant *StephenF. Brumberg .............. ResearchAssociate EllenG. Helfer .............. Documentalist Debra S. Hyde .............. Secretary BarbaraBaird Israel .............. Senior Editor FrancesO'Dell .............. Office Manager *FranciscoX. Swett .............. ResearchAssistant *Cynthia Wharton .............. ResearchAssistant Staffmembers who contributed to theWorld Bank Study for a portionof the periodrequired for the study'scompletion. ResearchInterns (Summer1971) RameshGaonkar Haile Menkerios Clifford Gilpin ThomasK. Morgan J. PaulMartin RichardF. Tompkins -
Department of English and American Studies Psychedelic
Masaryk University Faculty of Arts Department of English and American Studies North-American Culture Studies Bc. Timur Kagirov Psychedelic Rock (Lyrics) and American Culture of the Sixties: The Doors and Jefferson Airplane Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph.D 2020 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………… Bc. Timur Kagirov I would like to thank my supervisor doc. PhDr. Tomáš Pospíšil, Ph.D. for his kind help and guidance during the writing process of this thesis. I would also like to thank my dear parents for their lifelong love and faith in me, without them my journey to the Czech Republic would not be possible. Table of Contents Introduction ....................................................................................................................... 5 1. Rock Music in America of the Sixties. The Core of the Genre ................................ 8 1.1. Prerequisites and Formation ............................................................................. 8 1.1.1. Rock ’n’ Roll ................................................................................................ 8 1.1.2. Albion’s Musical Formation ....................................................................... 14 1.2. American Comeback ....................................................................................... 18 1.2.1. Folk Rock ................................................................................................... -
Sample Pages
About This Volume Robert C. Evans Ken Kesey’s important status in recent American literature rests primarily on two novels: One Flew Over the Cuckoo’s Nest (1962) and Sometimes a Great Notion 7KH¿UVWZDVLPPHGLDWHO\ SRSXODUZLGHO\UHDGDQGLPPHQVHO\LQÀXHQWLDO7KHVHFRQGZKLFK Kesey and many critics considered his masterpiece, remains in print, GHVHUYHV PRUH DWWHQWLRQ EXW LV PXFK OHVV NQRZQ$IWHU ¿QLVKLQJ his second novel, Kesey became perhaps even more famous as a WUDQVIRUPDWLYH FXOWXUDO ¿JXUH WKDQ DV D VHULRXV GHGLFDWHG ZULWHU His drug use, his advocacy of drug use, and his arrest for drug use brought him a different kind of public attention than the kind won by his novels. But it was his 1964 cross-country tour in an old school bus (painted in bright psychedelic colors and crammed with “high,” high-spirited “Merry Prankster” friends) that epitomized the spirit of the 1960s. It was the bus trip that made Kesey a cultural icon. Immortalized in 7RP:ROIH¶VEHVWVHOOHUThe Electric Kool- Aid Acid Test, the bus tour remained the focus of public attention IRUWKHUHVWRI.HVH\¶VOLIH+HKLPVHOIFRQVLGHUHGLWKLV¿QHVWKRXU Lovers of Kesey’s writing often wish that he had produced IXUWKHUOLWHUDU\WULXPSKV7KURXJKRXWKLVOLIHKHFRQWLQXHGWRZULWH but even Kesey felt that he never did (and never could) produce a better book than Notion. Meanwhile, Cuckoo’s Nest remained the novel for which he was best known and most widely appreciated. It was soon adapted (by Dale Wasserman) into a play that is still widely performed. And, of course, the novel also became the basis IRURQHRIWKHPRVWFULWLFDOO\DQGFRPPHUFLDOO\VXFFHVVIXO¿OPVRI DOO WLPH .HVH\ KRZHYHU GHVSLVHG WKH ¿OP DQG FODLPHG WR KDYH never seen it. -
The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6. -
Stigma and the Inappropriately Stereotyped: the Deadhead Professional By
Stigma and the Inappropriately Stereotyped: The Deadhead Professional By: Rebecca G. Adams Adams, R. G. 2003. Stigma and the Inappropriately Stereotyped: The Deadhead Professional. Sociation Today. v.1, no.1. Made available courtesy of NC Sociological Association: http://www.ncsociology.org/sociationtoday/deadhead.htm ***Note: Figures may be missing from this format of the document The Grateful Dead, a North American rock band that stopped performing in 1995 after thirty years together, was as well known for its fans as it was for its music. Deadheads, as these fans are called, traveled from venue to venue to hear the band play, sometimes staying "on tour" with them for extended periods of time. Although there is still a large concentration of Deadheads in the San Francisco Bay area where the band originally performed, there are now Deadheads everywhere in the United States and in many foreign countries as well. The community claims at least a half million members (Adams & Rosen-Grandon, 2002). It is not only remarkable among music communities because of the length of time it has survived, how geographically dispersed it is, and how large it is, it is also noteworthy because of the length and intensity of involvement of individual fans. When the band stopped playing together as the Grateful Dead, the average Deadhead had been attending their concerts for 10 or 11 years, and more than half of them had traveled at least 800 miles to attend a show (Adams, 1998b). In 2003, almost eight years after the death of Jerry Garcia, the band's lead guitarist, Deadheads remain loyal to the community and continue to attend concerts given by surviving members. -
A Long Strange Trip Through the Evolution of Fan Production, Fan
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive Anna Richardson Eastern Illinois University This research is a product of the graduate program in Communication Studies at Eastern Illinois University. Find out more about the program. Recommended Citation Richardson, Anna, "A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive" (2017). Masters Theses. 2694. https://thekeep.eiu.edu/theses/2694 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� 8STER,."l [LLJNOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so.