Bibliotheca Polynesiana”
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The Death of Captain Cook in Theatre 224
The Many Deaths of Captain Cook A Study in Metropolitan Mass Culture, 1780-1810 Ruth Scobie PhD University of York Department of English April 2013 i Ruth Scobie The Many Deaths of Captain Cook Abstract This thesis traces metropolitan representations, between 1780 and 1810, of the violent death of Captain James Cook at Kealakekua Bay in Hawaii. It takes an interdisciplinary approach to these representations, in order to show how the interlinked texts of a nascent commercial culture initiated the creation of a colonial character, identified by Epeli Hau’ofa as the looming “ghost of Captain Cook.” The introduction sets out the circumstances of Cook’s death and existing metropolitan reputation in 1779. It situates the figure of Cook within contemporary mechanisms of ‘celebrity,’ related to notions of mass metropolitan culture. It argues that previous accounts of Cook’s fame have tended to overemphasise the immediacy and unanimity with which the dead Cook was adopted as an imperialist hero; with the result that the role of the scene within colonialist histories can appear inevitable, even natural. In response, I show that a contested mythology around Cook’s death was gradually constructed over the three decades after the incident took place, and was the contingent product of a range of texts, places, events, and individuals. The first section examines responses to the news of Cook’s death in January 1780, focusing on the way that the story was mediated by, first, its status as ‘news,’ created by newspapers; and second, the effects on Londoners of the Gordon riots in June of the same year. -
Abstract Appendix
University of Calgary PRISM: University of Calgary's Digital Repository Conferences History of Medicine Days 2009 Abstract Appendix Petermann, Lisa; Sun, Kerry; Stahnisch, Frank W. Cambridge Scholars Publishing Petermann, Lisa, Sun, Kerry and Stahnisch, Frank W. (eds.): The Proceedings of the 18th Annual History of Medicine Days Conference 2009. The University of Calgary Faculty of Medicine. Cambridge Scholars Publishing: Newcastle Upon Tyne, England 2012 (305pp.). http://hdl.handle.net/1880/49005 conference proceedings Downloaded from PRISM: https://prism.ucalgary.ca APPENDIX The following appendix contains the abstracts (in alphabetical order) of all other forty-three oral or poster presentations that were given at the 2009 History of Medicine Days conference. The respective authors had either not submitted a formal manuscript for publication in the 2009 Proceedings Volume, or their submitted manuscripts were rejected following to the peer-review process in place. SEXUAL ADDICTION: AN OLD AFFLICTION RETURNING TO THE SPOTLIGHT FIONA AISTON In Regulated Passions: The Invention of Inhibited Sexual Desire and Sexual Addiction, American spiritual theorist Janice Irvine affirmed that the medicalization of compulsive sexual desire in the form of sexual addiction has been the result of “the culture of sex panic exacerbated by AIDS [Acquired Immune Deficiency Syndrome]” and “the terror of sexual excess.” This presentation challenges Irvine’s conclusions about sexual addiction. Using case presentations and psychiatric texts from the early 19th century, it will explore how the term now used for hyperactive sexual behaviour is not new. Many terms have been used interchangeably over the last two hundred years to describe sexual addiction, including sexual excesses, hypersexuality, Don Juanism and sexual dependence. -
Forty Years for Labrador
FORTY YEARS FOR LABRADOR BY SIR WILFRED GRENFELL K.C.M.G., M.D. (OxoN.), F.R.C.S., F.A.C.S. WITH ILLUSTRATIONS LONDON HODDER AND STOUGHTON LIMITED 1934 FIRST PUBLISHED MARCH 1933 POPULAR EDITION OCTOBER 1934 COPYRIGHT 1 19191 BY WILFRED THOMASON GRENFELL COPYRlGHT, 19321 BY WILFRED GRENFELl. ALL RIGHTS RESERVED, INCLUDING THE RIGHT TO RRPRODUCIT. THIS BOOK. OR PARTS THEREOF IN ANY FORM Made tJttJd Pri•ted ;,. Great Britain. R. & R. CLARK, LIMITBD, Edi,./nwgh TO MY WIFE PREFACE A BIOLOGIST, watching one animal in his vivarium to see how an experiment turns out, expects to arrive nearer the truth as time elapses and the end draws near. Just so, spectators watch ing a runner in a race get more and more interested as the last lap approaches and the goal looms in sight. Then the runner's achievement is easier to appraise. Life's struggle, moreover, becomes increasingly interesting now that philosophers again permit us to regard results as dependent upon causes which are under the control of the individual runner to a very large extent. The title of this new record has been changed, to suggest that this is the last lap, and that deductions from the facts may be expected to be more mature and therefore more worth while, provided they are honest. The consciousness of having to live alongside the first venture into autobiography involved a kind of vivisection; for to have to tell the truth about one's real self carries with it the inescapable reproach of nudism, however salutary that may be for one's spiritual welfare, or however interesting to others. -
Bibliography for Gauguin and Polynesia: an Elusive Paradise – Prepared by Traci Timmons, SAM Librarian
Bibliography for Gauguin and Polynesia: An Elusive Paradise – Prepared by Traci Timmons, SAM Librarian Books for Adults: The Dorothy Stimson Bullitt Library Books are available in the Bullitt Library (Seattle Art Museum, Fifth Floor, South Building). Starred resources (*) are strongly recommended. The exhibition’s catalogue is denoted by a double-star (**). 1. Adorning the World: Art of the Marquesas Islands. Eric Kjellgren. New York: Metropolitan Museum of Art, 2005. N 7411 M3. 2. Ancient Tahitian Society. Douglas L. Oliver. Honolulu: University Press of Hawaii, 1974. DU 870 O5. 3. The Art of Paul Gauguin. Richard Brettell et al. Washington, D.C.: National Gallery of Art, 1988. ND 553 G3 N27. 4. Challenges and Choices: Te Fenua 'Enata (The Marquesas Islands) (video). Carol S. Ivory. Seattle: Seattle Art Museum, 2007. VIDEO N 7411 M3 I96. 5. Dimensions of Polynesia. Jehanne Teilhet-Fisk. San Diego, 1973. N 7411 P6 F5. 6. Gauguin: A Savage in the Making: Catalogue Raisonné of the Paintings, 1873-1888. Daniel Wildenstein. Milan: Skira Editore, 2002. ND 553 G3 W52. 7. Gauguin and Impressionism. Richard Brettell et al. New Haven, CT: Yale University Press, 2005. N 6853 G34 A4. 8. Paul Gauguin: A Life. David Sweetman. New York: Simon & Schuster, 1995. ND 553 G3 S96 9. Gauguin and Maori Art. Bronwen Nicholson. Birkenhead, Auckland, N.Z.: Godwit Publishers, 1995. ND 553 G3 N53. 10. Gauguin et le Mythe du Sauvage. Isabelle Cahn. Paris: Flammarion, 1988. N 6853 G3 C3. 11. Gauguin: Le Sauvage Imaginaire. Stéphane Guégan. Paris: Edition du Chêne, 2003. N 6853 G3 G84. 12. Gauguin: Maker of Myth. -
Between the Margin and the Text
BETWEEN THE MARGIN AND THE TEXT He kanohi kē to Te Pākehā-Māori Huhana Forsyth A thesis submitted to AUT University in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2013 Faculty of Te Ara Poutama i Table of Contents Attestation.............................................................................................. vi Acknowledgements............................................................................... vii Abstract.................................................................................................. viii Preface.................................................................................................... ix Chapter One: Background to the study.............................................. 1 i. Researcher’s personal story......................................................... 2 ii. Emergence of the topic for the study............................................ 3 iii. Impetus for the study.................................................................... 8 iv. Overall approach to the study....................................................... 9 Chapter Two: The Whakapapa of Pākehā-Māori……………………… 11 i. Pre-contact Māori society and identity......................................... 11 ii. Whakapapa of the term Pākehā-Māori……………………………. 13 iii. Socio-historical context................................................................. 18 iv. Pākehā-Māori in the socio-historical context................................ 22 v. Current socio-cultural context...................................................... -
September 8, 2019 the Nativity of the Blessed Virgin Mary
Volume 24, Issue 3 — September 8, 2019 September 8, 2019 Nativity of the Blessed Virgin Mary To the Members of the United States Association of Consecrated Virgins, One of the greatest challenges of celibates and virgins is to realize the primordial challenge from God that we be fertile and multiply. For us, the first part of responding to this challenge is to imagine how this is even possible. Obviously, this will be accomplished as a spiritual fecundity. Our life of prayer for the Church and the world, both in general and in particular is a primary way to fulfill this duty. Are there other ways? This will depend on our method of “living in the world.” Whatever it is that we do, be it Church work or completely secular labor, there we encounter fertile soil. Each of us then must determine how best we can help the Word of God take root, both by our example and by our words. God will give the increase, but we must plant seeds. Fecundity of any kind should always be the Inside this Issue Page result of love and therefore love is the primary seed which we Something Ancient - will plant. Our intentionality in this regard is critical. Something New 2 The second part of our response to the challenge God From the President's Journal 4 gave us in Genesis is actually to do something. Again, our Upcoming Events 4 Announcements and News 5 intentionality is critical. The more conscious we are about this Nominating Committee 5 responsibility as a responsibility will motivate us to act. -
Memorial Exhibition Miss Lizzie P.Bliss
=~-.:"""< ·------ ..2 -- ~ Ex, Ie.- MEMORIAL EXHIBITION THE COLLECTION OF THE LATE MISS LIZZIE P. BLISS VICE, PRESIDENT OF THE MUSEUM MoMAExh_0012_MasterChecklist I MAY 17 - SEPTEMBER 27-1931 \ MUSEUM OF MODERN ART· NEW YORK ) J, , / CEZANNE Paul Cezanne. Born in Aix-en-Prcvence, 1839_Painted in Paris intermittently 1860-1880. First influenced by Daumier, Delacroix, Courbet, by study of the Renaissance and Baroque masters and later, in the '70S, by Pissarro and the Impressionists with whom he exhibited. Retired in 1880 to Provence where he painted till his death in 1906. Cezanne, in many ways the most important influence upon aoth Century painting, is remarka- ble for his sense of structure, solidity and order obtained through composition and through his researches in modelling by color (as well as by light and shade). His method of color-modelling is well illustrated in his watercolors. Asidefrom its structural quality the superb decorative beauty of his color is remarkable. *1 SELFPORTRAIT (L'Avocat). before 1870 Oil on canvas, 3I}/a x 25 Ji inches Bequeathed to Museum of Modern Art LANDSCAPE, about 1875 MoMAExh_0012_MasterChecklist *, Oil on canvas, 22;4 x 27Y; inches r Bequeathed to Museum of Modern Art *3 FRUIT AND KNIFE Oil on canvas, 7% x I2Y8 inches Bequeathed to Museum of Modern Art 4 THE DECANTER Oil on canvas, IO}/a x 13K inches Bequeathed to Museum of Modern Art *5 ORANGES Oil on canvas, 22% x 28;.1' inches Bequeathed to Museum of Modern Art *6 PORTRAIT OF M. CHOCQUET, about 1885 Oil on canvas, I7~ x I4>{ inches Bequeathed to Museum of Modern Art Chocquet was one of the few collectors to appreciate Cezanne's work while he was still alive. -
In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations). -
THE ISLANDS of TAHITI the Big Influencers in the South Pacific Ocean: French Polynesia
Special Report This supplement is printed and This report was produced distributed by the Los Angeles Times in partnership with Media Group. It does not involve the editorial staff of Los Angeles Times. One World Media. 2019 TAHITI COME DISCOVER THE TREASURES: Tahiti is one of the most coveted leisure destinations in the world! Find the Mana: in search of the Polynesian Soul also for business THE ISLANDS OF TAHITI The big influencers in the South Pacific Ocean: French Polynesia ocated in the center of the “Another very real asset is our people”, Southern Pacific Ocean, Tahiti adds President Fritch, “The liveliness of our is the largest island of the people and our deep cultural roots make Windward group of French this country one of a kind, with men and Polynesia. Featuring world women eager to be producers, or partners, renowned black sand beaches or workers”. and clear blue seas, it has long been the One of the most difficult challenges Lcultural, economic and political center of the the country faces today has to do with country, as well as a hotspot for international modernization. In a global economy where tourism. technology plays an important role, many Having previously been a French colony, developing countries are struggling to keep today French Polynesia is considered France’s up with the pace. “Digital networks have only Country Abroad, entitling the territory become as important to countries as are to have more independence, with their own roads, ports and airports”, says President President and complete control over their Fritch, “This is why we are improving our economy and currency, the CPF Franc. -
The-Encyclopedia-Of-Cardplay-Techniques-Guy-Levé.Pdf
© 2007 Guy Levé. All rights reserved. It is illegal to reproduce any portion of this mate- rial, except by special arrangement with the publisher. Reproduction of this material without authorization, by any duplication process whatsoever, is a violation of copyright. Master Point Press 331 Douglas Ave. Toronto, Ontario, Canada M5M 1H2 (416) 781-0351 Website: http://www.masterpointpress.com http://www.masteringbridge.com http://www.ebooksbridge.com http://www.bridgeblogging.com Email: [email protected] Library and Archives Canada Cataloguing in Publication Levé, Guy The encyclopedia of card play techniques at bridge / Guy Levé. Includes bibliographical references. ISBN 978-1-55494-141-4 1. Contract bridge--Encyclopedias. I. Title. GV1282.22.L49 2007 795.41'5303 C2007-901628-6 Editor Ray Lee Interior format and copy editing Suzanne Hocking Cover and interior design Olena S. Sullivan/New Mediatrix Printed in Canada by Webcom Ltd. 1 2 3 4 5 6 7 11 10 09 08 07 Preface Guy Levé, an experienced player from Montpellier in southern France, has a passion for bridge, particularly for the play of the cards. For many years he has been planning to assemble an in-depth study of all known card play techniques and their classification. The only thing he lacked was time for the project; now, having recently retired, he has accom- plished his ambitious task. It has been my privilege to follow its progress and watch the book take shape. A book such as this should not to be put into a beginner’s hands, but it should become a well-thumbed reference source for all players who want to improve their game. -
R , TALL SH~P TALES
-r , TALL SH~P TALES ' . ·-- - -... -- -···-·· ···- - _ , ... ....__ ... ~-.. , ... ----- ---- -·- ·· .. --- ~ ·· - ··- -·- ···- .... ·- . - -· ·-- - .... ----- -··· . ... · ~-- ( - - --- AN ACCOUNr OF ~0 YEARS ABOARD THE USS NEWPORr, A BARKENl'INE RIGGED TRAINING SHIP OF THE NEW YORK • l STATE NAUTICAL SCHOOL, NCM THE MARITIME COLLEGE OF THE STATE UNIVmSITY OF NEW YORK. By Edward F. "Nick" Carter Class of 129 l •. .. ,:.. • .. I - <,, ~ ' .. J; '- ~.\, ( .· ., .... .. ' ..... 1 The US3 NEWPORT~ an aux:Uiary barkentine ~ was our training ship. She had been buil.t by Bath Iron Works in 1897 .as a gunboat~ and as we were told, £or use on the China station, where~ in times o£ quiet she could cruise umer her square rigged foremast and schooner rigged main and mizzen and conserve her coal bunkers wb:lch might be needed £or an emergency :rtm under steam. She was o£ composite construction, steel frames, steel shell plating above the water line and wood pl.ank:ing with copper sheathing below the water line. All decks were o£ wood. Her water line lengt;h was 168 feet, beam 36 feet and she displaced a little over 1000 tons. Propulsion machi.uery' was a triple expansion engine supplied by' two coal burn:Lng Scotch boilers. Speed 'lmder power was about twelve knots. Sail area was about 12000 square feet. She had three sister ships: ( IIANNAPOLIS"' "PRINCETON" and 11VICKSBtlRG11 • The NEWPORT had been loaned by the navy to the New York state Nautical School, present~ known as the Maritime College of the state University of New York. The ship was based at Bedloe 1s Island~ the statue of Li.ber(;y' island, where there. was a small a.rm;y post. -
Tuamotuan Phonology
SERIES B - No. 17 TUAMOTUAN PHONOLOGY by Hiroshi Kuki PACIFIC LINGUISTICS The Australian National University Kuki, H. Tuamotuan phonology. B-17, x + 130 pages. Pacific Linguistics, The Australian National University, 1970. DOI:10.15144/PL-B17.cover ©1970 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PAC IFIC LINGUISTICS is published by the L�ngu�4t�c C��cte 06 Canbe��a and consists of four series : SERIES A - OCCASI ONAL PA PERS SERIES B - MONOGRAPHS SERIES C - BOOKS SERIES V - SPECIAL PUBLICATIONS . EDITOR: S.A. Wurm . ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve . EDITORIAL CORRESPONDENCE: The Editor, PAC IFIC LINGUISTICS, Department of Linguistics, School of Pacific Studies, The Au stralian National University, Box 4, P.O., Canberra , A.C.T. 2600 . Australia . SUBSCRIPTIONS AND SALES: ABOVE ADDRESS Copyright (§) Hiroshi Kuki . First published 1970. The editors are indebted to the Australian National University for help in the product ion of this series . This publicat ion was made possible by an initial grant from the Hunter Douglas Fund . PR EFACE This study is based upon a corpus of recorded tapes and a subsequent analysis of them during linguistic fieldwork in Papeete, Tahiti, French Polynesia in June-August 1967 with the supervision of Dr. Bruce Biggs under the Polynesian Pre-History Program of the Bernice P. Bishop Muse um, Honolulu, Hawaii, and also on further study in Laie and Honolulu, Oahu, H�waii, in 1967-68. It was my original intention to use ten to twenty pages for phonology and devote the rest of the work to discussions of Tuamotuan morphology syntax.