FEBRUARY 2004 the EMPTY CLOSET WW W
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Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
Lesbian and Gay Music
Revista Eletrônica de Musicologia Volume VII – Dezembro de 2002 Lesbian and Gay Music by Philip Brett and Elizabeth Wood the unexpurgated full-length original of the New Grove II article, edited by Carlos Palombini A record, in both historical documentation and biographical reclamation, of the struggles and sensi- bilities of homosexual people of the West that came out in their music, and of the [undoubted but unacknowledged] contribution of homosexual men and women to the music profession. In broader terms, a special perspective from which Western music of all kinds can be heard and critiqued. I. INTRODUCTION TO THE ORIGINAL VERSION 1 II. (HOMO)SEXUALIT Y AND MUSICALIT Y 2 III. MUSIC AND THE LESBIAN AND GAY MOVEMENT 7 IV. MUSICAL THEATRE, JAZZ AND POPULAR MUSIC 10 V. MUSIC AND THE AIDS/HIV CRISIS 13 VI. DEVELOPMENTS IN THE 1990S 14 VII. DIVAS AND DISCOS 16 VIII. ANTHROPOLOGY AND HISTORY 19 IX. ACKNOWLEDGEMENTS 24 X. EDITOR’S NOTES 24 XI. DISCOGRAPHY 25 XII. BIBLIOGRAPHY 25 I. INTRODUCTION TO THE ORIGINAL VERSION 1 What Grove printed under ‘Gay and Lesbian Music’ was not entirely what we intended, from the title on. Since we were allotted only two 2500 words and wrote almost five times as much, we inevitably expected cuts. These came not as we feared in the more theoretical sections, but in certain other tar- geted areas: names, popular music, and the role of women. Though some living musicians were allowed in, all those thought to be uncomfortable about their sexual orientation’s being known were excised, beginning with Boulez. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, General Electric Company
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, ) General Electric Company and NBC ) Universal, Inc., for Consent to Assign ) MB Docket No. 10-56 Licenses or Transfer Control of ) Licenses ) COMMENTS AND MERGER CONDITIONS PROPOSED BY ALLIANCE FOR COMMUNICATIONS DEMOCRACY James N. Horwood Gloria Tristani Spiegel & McDiarmid LLP 1333 New Hampshire Avenue, N.W. Washington, D.C. 20036 (202) 879-4000 June 21, 2010 TABLE OF CONTENTS 1. PEG PROGRAMMING IS ESSENTIAL TO PRESERVING LOCALISM AND DIVERSITY ON BEHALF OF THE COMMUNITY, IS VALUED BY VIEWERS, AND MERITS PROTECTION IN COMMISSION ACTION ON THE COMCAST-NBCU TRANSACTION .2 II. COMCAST CONCEDES THE RELEVANCE OF AND NEED FOR IMPOSING PEG-RELATED CONDITIONS ON THE TRANSFER, BUT THE PEG COMMITMENTS COMCAST PROPOSES ARE INADEQUATE 5 A. PEG Merger Condition No.1: As a condition ofthe Comcast NBCU merger, Comcast should be required to make all PEG channels on all ofits cable systems universally available on the basic service tier, in the same format as local broadcast channels, unless the local government specifically agrees otherwise 8 B. PEG Merger Condition No.2: As a merger condition, the Commission should protect PEG channel positions .,.,.,.. ., 10 C. PEG Merger Condition No.3: As a merger condition, the Commission should prohibit discrimination against PEG channels, and ensure that PEG channels will have the same features and functionality, and the same signal quality, as that provided to local broadcast channels .,., ., ..,.,.,.,..,., ., ., .. .,11 D. PEG Merger Condition No.4: As a merger condition, the Commission should require that PEG-related conditions apply to public access, and that all PEG programming is easily accessed on menus and easily and non-discriminatorily accessible on all Comcast platforms ., 12 CONCLUSION 13 EXHIBIT 1 Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. -
Dec, 1970, Vol. 01 No. 04
.. T .1 ( i J i Y 2? ÓAY S W E S H A L L OVERCOME Xy THE GAY UgERATION MOVEMENT -‘Although all excetK two of Berkeley iN-NEWJfORK crry GLF’s female members dropped out be- by Morgan Pinnëy • cause of “ Male'diauvinism”, an^ official news release of Berkeley GLF On a recent trip to New Yorkyi ob with certain other people." When the untr uly asserts that the Alpine project is , served some things about GLF there struggle intensifies, people in Con “ sexist” . Gay women do not agt-ee. The which I think have some finponant les sciousness Raising groups will' be able rest ofthe Gay Liberation movement does sons for us in other cnfes. 'F ifk of all, to move with a d e« sense of confidence. not agree. Around half of thepecvleen I was to learn that the Gay Liberation, GLF In New York-ts truly becoming a listing to go to Alpine are women. H i^ in New York or anywhere, is not a mat ••front,” that is, a coalition of various paying jobs in law enforcement and con ter of military strategy, battle plans, groups which were, inturn, serving spe struction will be opened to women for the cific needs.. It seems as if the number first time. Project sponsors are backing D-days. Just as in San Francisco, the rA;, visible actions of themov«nent —‘the of groups-^?un-off from c a j are infi a female candidate for theofficeof Sher Stonewall riots. Gay Pride Day — were nite." iff, to make Alpine the first codnty in more the physical signs of a deeper per GAA. -
Rememberinged Jeunette
January 17, 2020 | Volume XVII, Issue 17 Edward Jeunette – not “out” Baltimore gay political to his con- activist and attorney who servative passed away suddenly on Remembering Ed Jeunette Catholic New Year’s Day BY JIM BECKER den based law practice. He ran the law family. Edward Jeunette, a longtime attorney for practice until he began a lifelong career That all changed the Baltimore City Department of Social in public service. when Ed was plan- Services, community activist, and Ed and Jeb met ning to go to a fami- former aide to City Councilwom- Dedicated on April 29th, 1989. In ly gathering and ask en Mary Pat Clark when she was 2013, the year that gay Jeb if he wanted to president of the city council, died public servant marriage became legal come along. Jeb’s suddenly on New Year’s Day after fought for in Maryland, Baltimore answer was an em- developing pneumonia. He was 62 City Circuit Court Judge phatic “Yes!” and years old and lived in Mount Wash- Baltimore’s Edward Hargadon, now from then on, they ington with his spouse and husband young people retired, married them were a couple – to of 30 years James “Jeb” King. on April 29th, their an- Ed’s family and ev- Ed was the son of Edward R. niversary date. Judge eryone else. Jeb said, Jeunette, an attorney, and Margaret Hargadon knew Ed from his years as a “I really believe that Clark Jeunette, who died when Ed was judge in juvenile court, where Ed tried was a turning point in 11. -
Chapter Six: Activist Agendas and Visions After Stonewall (1969-1973)
Chapter Six: Activist Agendas and Visions after Stonewall (1969-1973) Documents 103-108: Gay Liberation Manifestos, 1969-1970 The documents reprinted in The Stonewall Riots are “Gay Revolution Comes Out,” Rat, 12 Aug. 1969, 7; North American Conference of Homophile Organizations Committee on Youth, “A Radical Manifesto—The Homophile Movement Must Be Radicalized!” 28 Aug. 1969, reprinted in Stephen Donaldson, “Student Homophile League News,” Gay Power (1.2), c. Sep. 1969, 16, 19-20; Preamble, Gay Activists Alliance Constitution, 21 Dec. 1969, Gay Activists Alliance Records, Box 18, Folder 2, New York Public Library; Carl Wittman, “Refugees from Amerika: A Gay Manifesto,” San Francisco Free Press, 22 Dec. 1969, 3-5; Martha Shelley, “Gay is Good,” Rat, 24 Feb. 1970, 11; Steve Kuromiya, “Come Out, Wherever You Are! Come Out,” Philadelphia Free Press, 27 July 1970, 6-7. For related early sources on gay liberation agendas and philosophies in New York, see “Come Out for Freedom,” Come Out!, 14 Nov. 1969, 1; Bob Fontanella, “Sexuality and the American Male,” Come Out!, 14 Nov. 1969, 15; Lois Hart, “Community Center,” Come Out!, 14 Nov. 1969, 15; Leo Louis Martello, “A Positive Image for the Homosexual,” Come Out!, 14 Nov. 1969, 16; “An Interview with New York City Liberationists,” San Francisco Free Press, 7 Dec. 1969, 5; Bob Martin, “Radicalism and Homosexuality,” Come Out!, 10 Jan. 1970, 4; Allan Warshawsky and Ellen Bedoz, “G.L.F. and the Movement,” Come Out!,” 10 Jan. 1970, 4-5; Red Butterfly, “Red Butterfly,” Come Out!, 10 Jan. 1970, 4-5; Bob Kohler, “Where Have All the Flowers Gone,” Come Out!, 10 Jan. -
STEPHANIE SMITH Stephanie [email protected]
STEPHANIE SMITH [email protected] www.stephaniesmithart.com EDUCATION 1997 Master of Fine Art, With Distinction, Printmaking, University of Georgia, Athens, Georgia, Graduate Assistant 1990 Bachelor of Fine Art, Printmaking, Atlanta College of Art, Atlanta, Georgia TEACHING EXPERIENCE 2018-Present Senior Lecturer, University of West Georgia, Carrollton, GA Introduction to Printmaking, Advanced Printmaking, Screenprinting, Book Arts & Letterpress, 2D Composition, Drawing, Gallery Director 2009-2018 Lecturer, University of West Georgia, Carrollton, GA Introduction to Printmaking, Relief Printmaking, 2D Composition, Drawing, Screenprinting, Gallery Director 2005-2008 Temporary Full-Time Instructor, University of West Georgia, Carrollton, GA 2001-2004 Part-Time Instructor, University of West Georgia, Carrollton, GA Introduction to Printmaking, Relief Printmaking, 2D Composition, Drawing, Gallery Coordinator 1998-2005 Adjunct Instructor, The Atlanta College of Art, Atlanta, Georgia. Relief Printmaking, Screen Printing I & II, Drawing 101,102 2001-2006 Instructor, Chastain Art Center, Atlanta Printmaking and Bookbinding 1998-2006 Instructor, The Atlanta College of Art Continuing Education Department. Papermaking, Book Binding, Book Arts, Letterpress, Printmaking and Basic Drawing. 1999-2005 Instructor, Pre-College Program, The Atlanta College of Art. Sketchbook and Journal keeping, Monotype Printmaking HONORS/ AWARDS/ GRANTS 2014 Decatur Seed Grant, Decatur Arts Alliance Grant Recipient, SRAP grant for education outreach/gallery assistant -
ABBC 2016 Annual Report
IMPACT FOR A SUSTAINABLE FUTURE ANNUAL REPORT 2016 ATLANTA BETTER BUILDINGS CHALLENGE One of my proudest accomplishments as Mayor of Atlanta is the tremendous success achieved through the Atlanta Better Buildings Challenge (ABBC). The Office of Resilience has partnered with businesses and nonprofit organizations to implement a comprehensive, voluntary program to increase energy and water efficiency in our building stock. The Atlanta Better Buildings Challenge invites participating building owners to commit to a 20 percent reduction in energy and water use by year 2020. With more than 114 million square feet of building space and more than 600 buildings pledged, Atlanta has earned its spot as a leader on the efficiency scoreboard. Since 2011, this successful public-private partnership between the City of Atlanta, Central Atlanta Progress, Livable Buckhead, Midtown Alliance and Southface has positioned Atlanta as a national leader in energy and water efficiency. We surpassed our water reduction goal five years ahead of schedule, and we’re quickly closing the gap on our energy goal, having already reduced our portfolio’s energy consumption by 17 percent. Through the Atlanta Better Buildings Challenge, participants are saving money on bills now, while helping to ensure a more resilient future for all Atlantans. This program plays a pivotal role in furthering Atlanta as a top-tier city for sustainability. We hope to inspire other cities by our achievements and lead by example as we continue to make big strides in reducing our energy and water usage. Thanks to our participants in the Challenge. Sincerely, Mayor Kasim Reed INTRODUCTION | 03 IMPROVING THE EFFICIENCY OF OUR BUILDINGS 20 PERCENT BY 2020 The goal of the Department of Energy’s Better Buildings Resource conservation efforts not only support the City’s Challenge is to improve the efficiency of commercial, sustainability efforts and lead to a cleaner and healthier institutional, industrial, and multifamily buildings by 20% or place to live and work, but the dollar savings achieved more by 2020. -
Beyond the Gay Ghetto
chapter 1 Beyond the Gay Ghetto Founding Debates in Gay Liberation In October 1969, Gay Liberation Theater staged a street performance the group called “No Vietnamese Ever Called Me a Queer.” These activ- ists brought their claims to two distinct audiences: fellow students at the University of California, Berkeley’s Sproul Plaza and fellow gay men at a meeting of the San Francisco–based Society for Individual Rights (SIR). The student audience was anti-war but largely straight, while SIR backed gay inclusion in the military and exemplified the moderate center of the “homophile” movement—“homophile” being the name for an existing and older network of gay and lesbian activism. Gay Liberation Theater adapted Muhammad Ali’s statement when refusing the draft that “no Viet Cong ever called me nigger” and, through this, indicted a society that demanded men kill rather than desire one another. They opposed the Vietnam War and spoke to the self-interest of gay men by declaring: “We’re not going to fight in an army that discriminates against us. Nor are we going to fight for a country that will not hire us and fires us. We are going to fight for ourselves and our lovers in places like Berkeley where the Berkeley police last April murdered homosexual brother Frank Bartley (never heard of him?) while cruising in Aquatic Park.” Frank Bartley was a thirty-three-year-old white man who had recently been killed by a plainclothes officer who claimed that Bartley “resisted arrest” and “reached for his groin.”1 In highlighting Bartley’s case, Gay Liberation Theater pushed back against the demands of assim- ilation and respectability and linked opposition to the Vietnam War with 17 Hobson - Lavender and Red.indd 17 29/06/16 4:30 PM 18 | Beyond the Gay Ghetto support for sexual expression. -
View Full Issue As
The Weekly Voice of Wisconsin's LGBT Community May 5-11, 1999 11 V. • Looking Ahead Through The Past They have lived through and helped foster one of the most remarkable social revolutions in America's history. The age of Gay liberation is largely a product of their efforts. Living laid the t0undation of our cur- surk. iked rent Gay culture. older Gays and in a Lesbians often find themselves society ignored by it. Nevertheless. for the that was most part. Gay seniors lead happy. tar more fulfilling lies. o nto- Many societies treat their older members with iJl lt reverence. In those cultures the word "elder" is a t han mark of respect. An elder is someone you consult present and learn from. An elder is someone who is recog- d a y nized for their past contributions. Our tarowI away. ,America "I want it now.- society races past those kk ho have is. preceded us. count- .z. The result is that many Americans, espe ;illy l eS S those who are Gay or Lesbian, tear growing older. Studies on AIDS I i IV pre ention );t\ e ways they have passed th;.it pride onto younger generations. even shown that some young people don't practice safe sex because they don't want to .roks During May, Older _American Month, flisconsin Light salutes our LGBT Wisconsin old. In an Internet post. a young Gay man wrote that if he lived to be 35, he would kill him- seniors with a series of profiles telling their life stories. These profiles begin on page 6 in this self because life as a Gay man would no longer be worth living. -
Creating Cultural Connections: a Renaissance in Midtown Between 1900 and 1983 Susan Tindall
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Fall 12-15-2017 Creating Cultural Connections: A Renaissance in Midtown Between 1900 and 1983 Susan Tindall Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Tindall, Susan, "Creating Cultural Connections: A Renaissance in Midtown Between 1900 and 1983." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/62 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CREATIING CULTURAL CONNECTIONS: A RENAISSANCE IN MIDTOWN BETWEEN 1900 AND 1983 by SUSAN PRYOR TINDALL Under the Direction of John McMillian, PhD ABSTRACT This dissertation documents a time between 1960 and 1983 in Midtown when a complex set of social, political, and cultural forces merged to challenge the dominance of elite groups of businessmen and arts patrons who had dominated growth and development there since the early 1920s. I argue that interaction among these disparate groups affected the character of Midtown, making the community a more vibrant, inclusive, and interesting place to live and do business. After experiencing softer and less militant approaches to resistance, members of the Atlanta Arts Alliance adopted fresh approaches to the meaning of “Art,” and ways that creativity became more representative of the multicultural Atlanta community. Many members shifted away from positions of cultural exclusivity into a realm that appealed to a more diverse population. -
The Dr. Madeline Davis LGBTQ Archive of Western New York [Ca
The Dr. Madeline Davis LGBTQ Archive of Western New York [ca. 1920-2015; bulk, 1970-2000] Descriptive Summary: Title: The Dr. Madeline Davis LGBTQ Archive of Western New York Date Span: [ca. 1920-2015; bulk, 1970-2000] Acquisition Number: N/A Creator: Over 50 organizations; see inventory. Donor: Madeline Davis Date of Acquisition: 10/2009 Extent: N/A Language: English Location: Archives & Special Collections Department, E. H. Butler Library, SUNY Buffalo State Processed: 2009-2016 (current); Hope Dunbar; 2016 Information on Use: Access: The Dr. Madeline Davis LGBTQ Archive of Western New York is open for research. Parts of the collection may be in processing; please contact an Archivist for additional information on particular sections of the collection. Reproduction of Materials: See Archivist for information on reproducing materials from this collection, including photocopies, digital camera images, or digital scans, as well as copyright restrictions that may pertain to these materials. Even though all reasonable and customary best-practices have been pursued, this collection may contain materials with confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to LGBTQ identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts are published that would be deemed highly offensive to a reasonable person) for which the SUNY Buffalo State assumes no responsibility. Preferred Citation: [Description and dates], Box/folder number, The Dr. Madeline Davis LGBTQ Archive of Western New York, Archives & Special Collections Department, E.