Aliza Shvarts Cv
Total Page:16
File Type:pdf, Size:1020Kb
A.I.R. ALIZA SHVARTS CV www.alizashvarts.com SOLO AND TWO PERSON EXHIBITIONS 2018 Off Scene, Artspace, New Haven, CT 2016 Aliza Shvarts, Kevin Kavanagh Gallery, Dublin, Ireland 2010 Knowing You Want It, UCLA Royce Hall, Los Angeles, CA SELECTED GROUP EXHIBITIONS 2019 Study Session: Aliza Shvarts, Ayanna Dozier, and Narcissister, The Whitney Museum, NYC 2019 In Practice: Other Objects. SculptureCenter, Long Island City, NY th 2018 ANTI, 6 Athens Biennale. Athens, Greece 2018 A new job to unwork at, Participant Inc, NYC 2018 Aliza Shvarts, Patty Chang & David Kelley. Marathon Screenings, Los Angeles, CA. 2018 International Festival of Arts&Ideas, Public art commission. New Haven, CT 2017 (No) Coma Cuento, Universidad de los Andes, Bogotá, Colombia 2017 Aliza Shvarts and Devin Kenny, Video Artists Working Group, Artists Space, NYC 2017 Goldman Club (with Emanuel Almborg), Dotory, Brooklyn, NY 2016 Situational Diagram: Exhibition Walkthrough, Lévy Gorvy Gallery, NYC 2016 SALT Magazine and Montez Press present, Mathew Gallery, NYC 2016 eX-céntrico: dissidence, sovereignties, performance, The Hemispheric Institute, Santiago, Chile 2016 Subject to capital, Abrons Arts Center, NYC 2015 Soap Box Session: Directing Action, ]performance s p a c e[ London, England. 2015 Learning to Speak in a Future Tense, Abrons Arts Center, NYC 2015 The Magic Flute (with Vaginal Davis), 80WSE Gallery. NYC 2015 On Sabotage (screening), South London Gallery, London GRANTS AND AWARDS 2019 A.I.R Artist Fellowship, A.I.R Gallery 2019 Young Scholar Award, International Association for Aesthetics 2017 Franco Coli Dissertation Award 2017 Critical Writing Fellow, Recess 2015 Joan Tisch Teaching Fellowship, The Whitney Museum of American Art 2014 Creative Capital | Warhol Foundation Arts Writers Grant 2014 Helen Rubinstein Fellowship, Whitney Independent Study Program 2014 Stefanos Tsigrimanis Artistic Scholar Award for PhD Artist-Scholars in Performance Studies 2012/14 Paulette Godard Scholarship awarded by the Performance Studies faculty for excellence 2012 Faculty-Sponsored Best Paper Prize, Stony Brook College English Graduate Student Conference 2011 Graduate Student Forum Fellowship for Interdisciplinary “Forms of Seeing” Forum, NYU 2010 Corrigan Doctoral Fellowship for PhD in Performance Studies, NYU (2010-2014) 2010 Spotlighted Scholar Award, National Graduate Student Performance Studies Conference, UCLA 2008 Lloyd Mifflin Prize for English, Yale University 2007 Louise Sudler Performing Arts Award, Yale University 2005 PASCA Scholarship, RISD/Yale, Pont-Aven School of Contemporary Art (Brittany) BIBLIOGRAPHY _Yerebakan, Osman Can :“The Artist Making Installations Out of Rape Kits,” The Cut, 15 January 2019, https://www.thecut.com/2019/01/aliza-shvarts-rape-kit-exhibition-is-a-sad-american-picture.html _Alptraum, Lux: Faking It: The Lies Women Tell About Sex—And the Truths They Reveal (New York: Seal Press, 2018). _Abrar,Laryb: “Abortion Art and its #MeToo Moments,” Musee Magazine, 25 July 2018, http://museemagazine.com/features/2018/7/24/abortion-art-and-its-metoo-moments _Alptraum,Lux “There is Life After Campus Infamy,” The New York Times, 21 July 2018. https://www.nytimes.com/2018/07/21/style/campus-sex-women-exposure.html _Crowder, Jenna :“Language at the Edge of Legibility: Aliza Shvarts at Artspace New Haven,” Temporary Art Review, 28 June 2018. http://temporaryartreview.com/language-at-the-edges-of-legality-aliza-shvarts-at-artspace-new-haven _Olunkwa, Emmanuel “Interview: Aliza Shvarts,” Artforum, 18 June 2018. https://www.artforum.com/interviews/aliza-shvarts-talks-about-her-exhibition-at-artspace-in-new-haven-connecticut-75730 _Vogel, Wendy: “Going Viral: Aliza Shvarts’s Daring Performance Work,” Mousse Magazine, Issue 64 (Summer 2018). _Fusco, Coco: "Learning the Rules of the Game," Texte Zur Kunst, 109 (March 2018): 108-127. _Plackis-Cheng, Paksy :Women of Impact (Santa Barbara, CA: Impactmania, 2018). _Kachel, Andrew: "Aliza Shvarts," Out of Order Magazine (Summer 2017): 257-267. _T. Nikki Cesare Schotzko, Learning How to Fall: Art and Culture After September 11 (New York: Routledge 2015). _Grahovac, Ana: “Aliza Shvarts’s Art of Aborting: Queer Conceptions and Reproductive Futurism,” Studies in the Maternal, 5(2), 1-19. www.mamsie.bbk.ac.uk/articles/abstract/10.16995/sim.17/ _Doyle, Jennifer :Hold it Against Me: Difficulty and Emotion in Contemporary Art (Durham: Duke University Press, 2013). _Friedlander, Jennifer: “Representing Uncertainty: Aliza Shvarts's Unseen Yale Art Project,” Resolutions 3: Global Networks of Video, ed. Ming-Yuen Ma and Erika Suderburg (University of Minnesota Press, 2012): 235–40. _Hall Hagan, Lisa :“A performance ethics of the ‘real’ body: the case of Aliza Shvarts and ‘Untitled [Senior Thesis], 2008,” Performing Ethos, 2:1 (2012). _Candelario, Rosemary :Abortion Performance and Politics, CSW Update, UCLA Center for the Study of Women (2012): https://escholarship.org/uc/item/7sv5h222 _Roach, Joseph: “Deep Play, Dark Play: Framing the Limit(less),“ The Rise of Performance Studies: Rethinking Richard Schechner’s Broad Spectrum, eds. James Martin Harding and Cindy Rosenthal (New York: Palgrave MacMillan, 2011): 275-283. _Steiner, Wendy: The Real Real Thing: The Model in the Mirror of Art (Chicago: Chicago University Press, 2010). _Lambert-Beatty, Carrie:“Make-Believe: Parafiction and Plausibility”, October No. 129 (Summer 2009): 51-84. Cambridge, MA: MIT University Press. EDUCATION 2014 - 2019 PhD, Performance Studies, New York University, NYC 2014 - 2015 Whitney Independent Study Program, Critical Studies, NYC 2010 - 2014 MPhil, Performance Studies, New York University, NYC 2009 - 2010 MA, Performance Studies, New York University, NYC 2004 - 2008 BA, English Literature and Fine Art (Sculpture), Yale University, New Haven, CT Summa cum laude, Phi Beta Kappa (2007) RESIDENCIES 2019 Triangle Arts Association. Brooklyn, NY 2014 Art&Law Program. Dir. Sergio Muñoz Sarmiento. Fordham Law School, NYC 2008 PRAXIS Mohave Performance Residency. Dir. Ron Athey and Julie Tolentino. Joshua Tree, CA 2005 RISD/Yale University Pont-Aven Painting Residency. Dir. Robert Reed. Pont-Ave PUBLICATIONS Peer-Reviewed Articles “Living Labor: Between Marxism and Performance Studies,” Special Issue: Living Labor, guest edited by Aliza Shvarts and Joshua Lubin-Levy, Women and Performance, a journal of feminist theory (February 2017). London: Routledge, Taylor & Francis. “Nonconsensual Collaborations: Notes on a Shared Condition,” Special Issue: A Gun for Every Girl, guest edited by Trista Mallory, Jen Kennedy, and Angelique Szymanek The Journal of Feminist Scholarship (Spring 2017). MA: University of Massachusetts, Dartmouth Press. “Troubled Air: SunnO)))’s Metal Maieutic”. Special Issue: The Haptic, guest edited by Rizvana Bradley, Women & Performance, a journal of feminist theory, Vol. 24, No. 2-3 (2014): 203-219. London: Routledge, Taylor & Francis. “How I Learned to Stop Worrying and Love the Rape Kit,” Extensions: The Online Journal of Embodiment and Technology, Issue 6 (October 2011). Republished in Feminist and Queer Information Studies Reader, eds. Patrick Keilty and Rebecca Dean (Sacramento: Litwin Press, 2013). Catalogue Essays MoMA Highlights: 350 Works from the Museum of Modern Art, various entries. MoMA, NYC (forthcoming ) “Lady Lumps.” The Rational Dress Society: Cultural Uniform. Art in General. Brooklyn, NY. “Telling Aporiai.” Kinetics of Violence: Alexander Calder and Cady Noland. Venus Over Manhattan. NYC. “Glynn Nash.” Alternate Routes: Queer Artist Fellowship. The Leslie-Lohmann Museum of Gay and Lesbian Art, NYC (June 2018). “Alienation, too, has its uses” (co-written with Begum Yasar). Adrian Piper (Berlin: Sternberg Press, 2017). Lévy Gorvy, NYC. “Atomic Time: On Karin Schneider’s Black Paintings.” Situational Diagram, Ed. Karin Schneider and Begum Yasar (Berlin: Sternberg Press, 2016). Lévy Gorvy, NYC. “On Sabotage.” Bodies Burning at the Edges (with Kiki Smith, Jacolby Satterwhite, Robert Montgomery, and Thomas Beale). Curated by Sarah Victoria Bothwell Fels and Jonah King. Leroy Neiman Gallery. Columbia University, NYC (October 2015). Other “Doom Donkey: Mick Barr’s Drone of Information and The Rainbow Supremacy,” Black Metal Rainbows: Queer Metal Anthology. eds. Daniel Lukes and Stanimir Panayotov) (forthcoming) “How does it feel to be a fiction?” Critical writing in conjunction with Public Opinion Laboratory/Andrew Lampert: Faked/Out). Recess, NYC (2017). “KANNON/CANON” (liner notes for studio album). Kannon. SunnO))) (Southern Lord: November 2016). “Black Wedding,” Special Issue: Polyphony. ed. Jarrett Earnest, The Brooklyn Rail (Brooklyn, February 2015). http://www.brooklynrail.org/2015/02/criticspage/black-wedding “Fatherfucker,” SALT: Contemporary Art and Feminism Magazine, Issue 7: Heterophobia (London: Montez Press, 2014). “The Con,” TDR/The Drama Review, Summer 2014, Vol. 28, No. 2 (T222): 2-3. Cambridge: MIT University Press. “A seam that sutures the biological to the aesthetic,” Special Issue: Non-Reproduction: Politics, Ethics, Aesthetics, Studies in the Maternal, Vol. 1, Issue 6 (2014). Birkbeck University of London. http://www.mamsie.bbk.ac.uk/ “On Intimacies and Writing Histories of Performance: An Interview with Amelia Jones,” Oratures Vol 1 (2013), Performance