DOCSLIB.ORG

Register of Lords' Interests

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Register of Lords' Interests REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, LORD Category 10: Non-financial interests (a) Director, F.C.M. Limited (recording rights) Category 10: Non-financial interests (c) Trustee, National Library of Wales Category 10: Non-financial interests (e) Chairman and Trustee, Berlioz Society Trustee, St John Cymru-Wales Trustee, West Wycombe Charitable Trust Trustee, Stephen Dodgson Trust (promotes continued awareness/performance of works of composer Stephen Dodgson) Chairman and Trustee, Berlioz Sesquicentenary Committee (music) ADAMS OF CRAIGIELEA, BARONESS Nil No registrable interests ADDINGTON, LORD Category 1: Directorships Chairman, Microlink PC (UK) Ltd (computing and software) Member of and Adviser to the Board of X-Forces (XF) Ltd (supporting ex-forces and their families to start up businesses) Category 10: Non-financial interests (d) President (formerly Vice President), British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club Trustee, The Atlas Foundation (registered charity; seeks to improve lives of disadvantaged people across the world) ADEBOWALE, LORD Category 1: Directorships Director, Leadership in Mind Ltd (business activities; certain income from services provided personally by the Member is or will be paid to this company; see category 4(a)) Director, IOCOM UK Ltd (visual business platform) Independent Non-executive Director, Co-operative Group Board of Directors (consumer co-operative) Category 2: Remunerated employment, office, profession etc. Chief Executive Officer, Turning Point (social care registered charity) Occasional income from broadcasting is paid to Turning Point Board Member, NHS Commissioning Board Director, Collaborate I CIC (social business supporting services, systems and places who want to collaborate to deliver better outcomes for the public) Category 4: Shareholdings (a) 100 per cent ownership with partner of Leadership in Mind Ltd (business activities) Category 4: Shareholdings (b) IOCOM UK Ltd (visual business platform) Category 5: Land and property Flat in London E11 from which rental income is received Category 6: Sponsorship Research and secretarial assistance is provided and paid for by Turning Point Category 10: Non-financial interests (a) Company Secretary and trustee, Turning Point (private company limited by guarantee without share capital; registered charity) Director and Chair of Board of Trustees, Urban Development Music Foundation (private limited company by guarantee without share capital; use of 'Limited' exemption) Director and Trustee, The Collaborate Foundation (registered charity) Chair and Director, Social Enterprise Coalition CIC (trading as Social Enterprise UK) Director and Company Secretary, Turning Point (Services) Limited (wholly owned subsidiary of Turning Point) Company Secretary, Turning Point Building Futures Limited (wholly owned subsidiary of Turning Point) Category 10: Non-financial interests (b) Chancellor (visiting Professor), Lincoln University Member of Board of Governors, London School of Economics (LSE) ADONIS, LORD Category 1: Directorships Non-executive Director, Dods (Group) plc (public affairs and policy communications) Non-executive Director, RM plc (education service company) Non-executive Director, HS2 Ltd (high-speed rail) (interest ceased 21 April 2017) Category 2: Remunerated employment, office, profession etc. Education consultant, Boston Consulting Group and GEMS Education (international only; no advice to UK clients or government) Member of Advisory Board, TES Global Ltd (formerly TSL Education Ltd) (interest ceased 21 April 2017) Occasional speaker, JLA Speaker Bureau (specialist agency for keynote and after- dinner speakers) Royalties are received as author of various books Chair, National Infrastructure Commission Category 10: Non-financial interests (a) Non-executive Director, Edge Foundation (vocational education charity; private company limited by guarantee w/o share capital) Category 10: Non-financial interests (c) Director, English National Ballet Category 10: Non-financial interests (d) Trustee (formerly Chair), Institute for Public Policy Research Board member, Policy Network Category 10: Non-financial interests (e) Non-executive Director, Baker Dearing Educational Trust Trustee, Teach First (teacher recruitment charity) (interest ceased 30 June 2017) Chair, Frontline (social enterprise charity recruiting social workers) (interest ceased 30 June 2017) Trustee, The Saturday Club Trust (offering young people the chance to study on a Saturday morning at their local college or university for free) AFSHAR, BARONESS Category 2: Remunerated employment, office, profession etc. Occasional fees from media for interviews and programmes such as BBC Any Questions and Newsnight Category 6: Sponsorship Four unpaid researchers (part-time) Category 10: Non-financial interests (b) Emeritus Professor, University of York Category 10: Non-financial interests (e) Chair, Communication Committee, British Muslim Research Centre AGNEW OF OULTON, LORD Category 2: Remunerated employment, office, profession etc. Ovington Operations LLP, a partnership owned by the member and his wife holding rental property (see category 4(c)) Category 4: Shareholdings (b) Qudini Limited (business software) The Big Deal (energy advice) Blend Marketing Limited (marketing) SeeQuestor Limited (security) The Dots (marketing) Sideways 6 (business software) Advanced Skills Initiative Ltd (software) Hampden & Co plc (banking) Phoenix Spree Deutschland Limited (overseas property) OKA Direct Limited (retail) Intermediate Capital Group plc (financial) Ovington Investments Ltd (diversified investments) Category 4: Shareholdings (c) Ovington Operations LLP (see category 1) Inspiration Trust (see category 10(e)) Category 5: Land and property Farm in Norfolk owned by member and his wife in a partnership Farm in Suffolk Category 10: Non-financial interests (b) Parliamentary Under Secretary of State for the School System, Department for Education Category 10: Non-financial interests (e) Director, Inspiration Trust (academy trust) (see category 4(c)) Trustee, Public Interest Foundation (grant giving trust) AHMAD OF WIMBLEDON, LORD Category 2: Remunerated employment, office, profession etc. Parliamentary Under Secretary of State, Department for Transport (interest ceased 13 June 2017) Minister of State for the Commonwealth and the UN, Foreign and Commonwealth Office Category 5: Land and property Property in Sutton, Surrey SM2, from which rental income is received Property in Wimbledon, London SW19 from which rental income is received Property in Cobham, Surrey KT11 (interest ceased 13 March 2017) Property in Wimbledon, London SW20 from which rental income is received Category 8: Gifts, benefits and hospitality Two complimentary tickets and hospitality received from All England Lawn Tennis Association at Wimbledon Championships, 11 July 2017 Category 10: Non-financial interests (a) Guest presenter/host on faith issues, MTA International (satellite television service for the Ahmadi community) Category 10: Non-financial interests (b) Prime Minister's Special Representative on Preventing Sexual Violence in Conflict AHMED, LORD Category 1: Directorships Blackhorn Properties Limited (property development) Redbrick Homes Limited (property development) (dormant company) Director, Newbond Investments Limited (real estate) (dormant company) Director, Nozul Limited (real estate/hotel in Makkah, Saudi Arabia) (interest ceased 26 May 2017) Category 2: Remunerated employment, office, profession etc. Business development manager, Kilnhurst Business Park, Rotherham Council Member, British Institute of Technology and E- Commerce Category 4: Shareholdings (a) Kilnhurst Business Park, Rotherham Newbond Investments Limited (real estate) (dormant company) Category 4: Shareholdings (b) Blackhorn Properties Limited (property development) Category 5: Land and property Guest House in Doncaster Kilnhurst Business Park, Rotherham Freehold interest in, and ground rent investment from, properties in Sheffield at Cammell Road, Firth Park, Sheffield and Granby Road, Firth Park, Sheffield Category 7: Overseas visits Visit to Oslo, 4-5 March 2017, to speak at ICC Norway conference; costs of travel and accommodation met by ICC Norway Visit to Los Angeles and Dallas, USA, 9-12 June 2017, for charity fundraising events; cost of flights met by Helping Hearts Caring Souls Visit to Toronto, Canada, 14-16 July 2017, for two day conference on Kashmir; travel and accommodation provided by Kashmir Solidarity Canada Visit to Bangladesh, 15-18 September 2017, to distribute food and money for Rohingya refugees on behalf of Al Mustafa Welfare Trust; travel and accommodation provided by Trust Visit to Qatar, 26-30 September 2017, with small delegation organised by Arab Organisation for Human Rights in UK; travel and accommodation paid by Organisation Visit to Washington D.C., Houston and Chicago, USA, 1-3 December 2017, to fundraise for Rohingya legal work; travel and accommodation paid by Burma Task Force and Sound Vision Chicago Category 10: Non-financial interests (e) Chairman, Better Tomorrow Institute for Education (charitable school in Mirpur, Azad Kashmir, Pakistan) ALDERDICE, LORD Category 1: Directorships President, ARTIS (Europe) Ltd (research and risk modelling, including psychology of terrorism and political violence;
Load more

Recommended publications
  • Download Oxfordshire Music Scene 34 (3.5 Mb Pdf)
    WINTER 2018 FREE ISSUE 34 LITTLE BROTHER ELI SHOW THEIR ‘TOOTH’ INSIDE: BRICKWORK LIZARDS, THE CRIBS, MARK LANEGAN, WILLIE J HEALEY, ART THEEFE, SWEET BABOO, DREADZONE Also: DESERT STORM’S RECORD COLLECTION JONNY GREENWOOD & LOTS MORE OMS34 OMS34 OMM full page ad January 2018.pdf 1 02/01/2018 11:56 MUSIC NEWS the short trip down the road. They join a tempting - looking lineup which includes 6Music’s Steve Lamacq, lounge funkers Field Music, Bristol’s right wing - bothering agit - punks Idles and OMS favourites, Liverpool’s finest oddball pop merchants Her’s (who also play at the Cellar on May 12). Tickets for the day are £20.00 and can be purchased from areyoulistening.org.uk. Brian Briggs makes a welcome return to the local live music arena in March, his first, to our knowledge, since Stornoway sadly called it sayonara. Enticingly, he’s teamed up with poet / songwriter Paul Henry and they’ll be According to the publicist’s blurb, Gaz performing their collaboration The Glass Coombes’ new album, going by the typically Aisle, described as ‘a long poem with songs’ understated title World’s Strongest Man, is – along with a selection of Brian’s Stornoway ‘inspired variously by Grayson Perry’s The repertoire. It’s on Saturday March 3 at the Old Descent of Man, Frank Ocean’s Blonde, Fire Station, tickets from oldfirestation.co.uk Californian weed, British woodlands, C or on 01865 263990. unchecked masculinity, Neu! and hip- M hop’. Thankfully it is also inspired by good Some Radiohead – related activity going Y 2 year creative media degrees ol’rawkan’rewwl with spiky lead single Deep on.
    [Show full text]
  • First Ever 'National Album Day' Announced for October 13Th 2018
    – Embargoed to 00.01 hours, 23rd July 2018 – First ever ‘National Album Day’ announced for October 13th 2018 Week-long build-up of events & activity celebrating the UK’s love of the album Supported by BBC Music and with backing across the music community Artist engagement, leading the national conversation around the format as it evolves At 3.33(r)pm on Saturday, 13th October – British public invited to play favourite record Marking the 70th anniversary of the album in 2018 London, 23rd July 2018 – All sectors of the British music community have come together with BBC Music to proudly announce a new annual event – the first-ever National Album Day on Saturday, 13th October 2018. National Album Day will mark the culmination of a week-long series of events and activity around the country that will celebrate all aspects of the UK’s love of the album – new releases and classic recordings across all genres of music. It will also pay tribute to the sleeve artwork that contributes to the album’s iconic appeal. This inaugural event comes in a year that coincides with the 70th anniversary of the album1. Planned activity will include dedicated BBC Music programming and editorial support; retail events and artist personal appearances; Classic Album Sundays LP playbacks and artist interviews/fan Q&As; and online listening parties. A social media campaign (@AlbumDayUK/#NationalAlbumDay) will invite people to nominate and share the album that has most inspired them; and at 3.33pm on 13th October – National Album Day – fans, stores, radio stations and public spaces will be invited to play their favourite album in full.
    [Show full text]
  • Easkey Britton
    ULSTER GRADUATE The magazine for alumni and friends of Ulster University Edition 40 U Winter/Spring 2018 Easkey Britton first lady of Irish surfing INSIDE Gary McCausland - a passion for property | 10 Ulster alumnae leading in the world of sport | Alumni adventures PLUS Impact of your support URGENT - SEE BACK PAGE Tick the box to stay with us QUICK We have created 19 spin- Ranked in the out companies with a FACTS world's top 150 combined turnover of universities under 50 years old £21m by Times Higher employing Education 287 staff 190,000+ ALUMNI WORLDWIDE 93% OUR BELFAST OF OUR GRADUATES SCHOOL OF ART ARE IN WORK OR BOASTS FURTHER STUDY 6 MONTHS TWO AFTER LEAVING UNIVERSITY TURNER PRIZE DLHE Survey WINNERS OVER 24,000 students across 4 campuses in Northern Ireland, and 2 branch campuses in London & Birmingham TOP We host over 1,000 INTERNATIONAL STUDENTS FROM OVER 99 DIFFERENT % 3of universities COUNTRIES in the world OVER TOP 2,300 25% STAFF MEMBERS WE INVEST Contact £40m Tel: +44 (0) 28 9536 7486 OF ALL UK UNIVERSITIES in research Email: [email protected] FOR OVERALL RESEARCH each year In this WELCOME issue... UNIVERSITY NEWS 2017 in a nutshell ...................................4 University appoints new Provosts .....6 What’s happening at: Belfast and Jordanstown ..................8 Magee .....................................................10 Coleraine.................................................11 Award-winning alumni .........................12 FEATURES Property expert, Gary McCausland ....................................14 Students take time to mind their mood.....................................16 Easkey Britton, First lady of Irish surfing .....................18 IMPACTS AND ACHIEVEMENTS Distinguished and honorary graduates ..............................20 Welcome to the 2018 edition of you can go online at ulster.ac.uk/ Corporate partnerships ........................22 Ulster Graduate, and in particular alumniandsupporters/ticktostay Ulster University Student Fund .......24 to our most recent graduates.
    [Show full text]
  • Adam Henson Win!
    2 June 2019 Heaven scent Alan Titchmarsh – coming up roses Look good, feel great Easy ways to get fit for summer Prairie Adam Henson “Being on Countryfile is like being a pop star” Win! Win! Win! taleEmbrace the £1,000 with our country girl look prize crossword this season 7 night holidays from just No tipping † required At last! Some good news on the horizon. POCRUISES.COM | 03453 566 699 Local call charges apply. †Early Saver price of £499 per person is based on two adults sharing the lowest grade of Inside cabin available on Aurora cruise R922. Prices are subject to availability and may go up or down. Bookings are made at the relevant cabin grade and a cabin number is allocated by P&O Cruises prior Customers rate P&O Cruises to departure. Dining preferences are not guaranteed. Shuttle buses in ports are an additional cost. Early Saver prices apply to new bookings only. These terms and conditions vary, where relevant, the applicable booking conditions which are otherwise unchanged. For up-to-date prices and full Powered by P&O Cruises terms and conditions which you must read before booking please visit www.pocruises.com. P&O Cruises is trading name of Carnival plc, a company registered in England and Wales with company number 04039524. Feefo rating 4.1 out of 5 based on 61,184 reviews as of April 2019. Contents 2 June 2019 Fashion 4 Get this! 8 Focus Chic but comfy holiday essentials for the perfect 44 city break 10 Fields of dream Get the prairie girl look with 42 gingham and frills 32 In the closet Harlots star Bronwyn James reveals her style secrets Lifestyle 31 Wizard of Oz Soak up the sandy beaches, sights and shipwrecks on Australia’s Sunshine Coast 40 Victoria’s best Victoria Gray has bright ideas for a totally tropical look .CO.UK).
    [Show full text]
  • Ofcom New Music Definition
    February 2018 Ofcom Consultation Definition of New Music on Radio 1 and Radio 2 1. UK Music is the umbrella body representing the collective interests of the UK’s commercial music industry, from songwriters and composers to artists and musicians, studio producers, music managers, music publishers, major and independent record labels, music licensing companies and the live music sector. 2. UK Music exists to represent the UK’s commercial music sector, to drive economic growth and promote the benefits of music to British society. A full list of UK Music members can be found in annex. Question 1: Do you agree with the proposed amendments to the BBC’s Operating Licence set out it in paragraphs 2.36 to 2.37 of this consultation? 3. UK Music supports the proposed amendments to the BBC’s operating Licence set out in paragraphs 2.36 to 2.37 of this consultation. 4. UK Music believes that this is a suitable definition which better meets the needs of today’s music industry and reflects consumer preference of music consumption. 5. Whilst supportive of the definition, UK Music believes that it should not be used to restrict “slow burn” successes, remixes, remasters or demos from benefiting. For example, artists may upload tracks and then rework or update them at a later point. We also suggest some flexibility may need to be applied to the impact of streaming to allow greater fan engagement with tracks over a longer period of time. 6. It is imperative that the proposed changes to the definition of new music on BBC Radio 1 & Radio 2 strengthen and build upon the BBC’s important music services.
    [Show full text]
  • UK Music's Response to the New Music Consultation
    February 2018 Ofcom Consultation Definition of New Music on Radio 1 and Radio 2 1. UK Music is the umbrella body representing the collective interests of the UK’s commercial music industry, from songwriters and composers to artists and musicians, studio producers, music managers, music publishers, major and independent record labels, music licensing companies and the live music sector. 2. UK Music exists to represent the UK’s commercial music sector, to drive economic growth and promote the benefits of music to British society. A full list of UK Music members can be found in annex. Question 1: Do you agree with the proposed amendments to the BBC’s Operating Licence set out it in paragraphs 2.36 to 2.37 of this consultation? 3. UK Music supports the proposed amendments to the BBC’s operating Licence set out in paragraphs 2.36 to 2.37 of this consultation. 4. UK Music believes that this is a suitable definition which better meets the needs of today’s music industry and reflects consumer preference of music consumption. 5. Whilst supportive of the definition, UK Music believes that it should not be used to restrict “slow burn” successes, remixes, remasters or demos from benefiting. For example, artists may upload tracks and then rework or update them at a later point. We also suggest some flexibility may need to be applied to the impact of streaming to allow greater fan engagement with tracks over a longer period of time. 6. It is imperative that the proposed changes to the definition of new music on BBC Radio 1 & Radio 2 strengthen and build upon the BBC’s important music services.
    [Show full text]
  • Radiocentre (Annex)
    BBC Sounds App Report Key Findings This report analyses on air and on-screen promotion for the BBC Sounds App and related content across the BBC portfolio of TV and Radio. Monitoring Period: 23/10/2020 - 29/10/2020 0700hrs – 2300hrs Total 1,008 hours of broadcast coverage monitored Monitoring Media: TV: BBC 1, 2 and 4 Radio: BBC Radio 1, 2, 3, 4, 5 Live and 6 Music Categories: TV: Standalone trailers and promos, other BBC Sounds App content/podcast and presenter mentions Radio: Station idents, trailers and presenter mentions • 10:02:24 total airtime • 3.9 billion potential audience reach • £7.5 million estimated media value Estimated Media Type Volume Audience Media Value BBC 5 Live had the most airtime (02:05:43), followed by BBC 6 Music (01:50:53) and BBC Radio 2 (01:34:51). Radio 1,357 3,666,007,115 £6,250,916 Overall, coverage accounted for a potential audience of 3.9 billion TV 131 235,653,200 £1,276,386 and an estimated media value of £7.5 million. Total 1,488 3,901,660,315 £7,527,302 TV: Most Promoted Formats Promotional Airtime 3% 2% 2% 2% The standalone trailer for BBC Sounds App was the most 2% 3% promoted format with 00:32:20 airtime (68% of TV total) BBC Sounds App Trailer and £896,658 estimated media value (68% of TV total). 4% BBC World Service Trailer The trailer for BBC World Service had a 00:06:51 of airtime 14% (14% of TV total), and an estimated media value of £176,465 Cillian Murphy's Limited Edition (13% of TV total).
    [Show full text]
  • Press, Calling for Rock to Be a Force Against Racism
    FEATURING RED SAUNDERS THE CLASH POLY STYRENE ROGER HUDDLE STEEL PULSE SHAM 69 KATE WEBB TOM ROBINSON ALIEN KULTURE SYNOPSIS Britain, late-1970s. Punk is exploding. The country is deeply divided over immigration. The National Front, a far-right and fascist political party, is gaining strength as politicians like Enoch Powell push a xenophobic agenda. Outraged by a racist speech from Eric Clapton, music photographer Red Saunders writes a letter to the music press, calling for rock to be a force against racism. NME, Melody Maker, and Sounds all publish the letter. Flooded with responses, Red discovers many share his views. Teaming up with like-minded creatives Roger Huddle, Kate Webb, Syd Shelton and Australian graphic designer Ruth Gregory, the team bands together to create Rock Against Racism (RAR) and a fanzine, Temporary Hoarding. Speaking directly to the youth, Temporary Hoarding reports stories and issues that the mainstream British media ignores, like immigration, the Catholic side of the Northern Ireland confict, and the police’s controversial “suspected persons” (sus) powers. They give a voice to the voiceless. The National Front begins to strike back, committing acts of violence against RAR supporters and petrol-bombing their HQ. Despite this, RAR spreads virally across the UK and into Europe, becoming a grassroots youth movement. The Clash, Steel Pulse, Tom Robinson and other top bands of the day jump on board. White Riot is a moment in time when music changed the world. When a generation challenged the status quo. It’s Woodstock meets the March on Washington, punk-style. DIRECTOR’S STATEMENT I began making White Riot as I was curious about the rise of the far right in the late 1970s.
    [Show full text]
  • 50:50 Project
    “The world has a lot to learn from the 50:50 Project. I hope to share insights that will galvanise other companies in media and beyond to follow its example.” SIRI CHILAZI, Research Fellow, Harvard Kennedy School Leading an academic study of the 50:50 Project All Together Now reached 50% women representation across its last series FOREWORD A year ago, I set our teams a challenge: to aim for at least 50% women contributing to BBC programmes and content by April 2019. In this report, you’ll see how they’ve turned that challenge into a creative opportunity which has fundamentally transformed our approach to representation. This report is an important milestone for the BBC and for our industry. It is proof that fair representation need not be an aspiration. It can be something we do every day. And it drives creative excellence and success. One of the most remarkable aspects of 50:50 is that it’s voluntary: it’s grown because our teams have embraced the ambition. From something that started with one team in our newsroom, we now have up to 5,000 commissioners, producers, journalists and presenters taking part. I have the greatest admiration for what they’ve achieved. I would also like to extend a warm welcome to our partners. It’s been fantastic to see 50:50 expanding across the world, with pilots running from Europe to America, South Africa and Australia. BBC teams have led this initiative from the start and have inspired each other to effect change. We hope the same can be true of media organisations the world over.
    [Show full text]
  • Written Evidence Submitted by the BPI Introduction
    Written evidence submitted by the BPI BPI response to the Digital, Culture, Media and Sport Select Committee inquiry into public service broadcasting June 2020 Introduction About the BPI The BPI is the representative voice for the UK’s recorded music industry, including the three major record labels (Sony Music, Warner Music and Universal) and around 450 small, independent labels. Our members account for more than 85% of all recorded music consumed in the UK. We organise the BRIT Awards and the Mercury Music Prize, own the Official Chart and through our charity, the BRIT Trust, support a range of music related charities and organisations, with the biggest benefactor being the BRIT School, a state school in Croydon focusing on music and the performing arts. The BPI is part of the extraordinarily successful British music industry – worth £5.2 billion to the UK economy, as well as giving the UK enviable ‘soft power’ around the world. Until COVID-19, the recorded music sector had experienced five years of successive growth, and 7.3% growth in 2019 alone, generating trade revenues of over £1bn, plus overseas export earnings of around £500 million. The success of the recorded music sector is vital for the broader music industry. After a number of very difficult years for the recorded business, the recovery in revenues over the last five years means that we are on a path to recapture and possibly surpass the levels of income achieved before digital disruption. This means we can invest more to unearth and develop new British talent which, although it remains a high risk process, builds the fan-bases and artist brands that then generate revenues for the rest of the music sector, including live music and festivals, recording studios, session players and orchestras.
    [Show full text]
  • The Musicians' Union
    The Musician Journal of the Musicians’ Union Winter 2019 theMU.org KEEP MUSIC LIVE #VoteAgainstBrexit contacts Union HQ Regional Offices General Secretary Head of Communications London Horace Trubridge & Government Relations Regional Organiser: Jamie Pullman Isabelle Gutierrez 33 Palfrey Place, London SW8 1PE Deputy General Secretary t 020 7840 5504 Naomi Pohl In-House Solicitor e [email protected] Dawn Rodger Assistant General Secretary East & South East England Phil Kear PR & Marketing Official Regional Organiser: Paul Burrows Keith Ames 1a Fentiman Road, National Organiser London SW8 1LD Jo Laverty (Orchestras) Recording & Broadcasting Official t 020 7840 5537 Michael Sweeney e [email protected] National Organiser Diane Widdison (Education & Training) Licensing & Distribution Official Midlands Annie Turner Regional Organiser: Stephen Brown National Organiser 2 Sovereign Court, Geoff Ellerby (Recording & Broadcasting) Sessions Official Graham Street, Sam Jordan Birmingham B1 3JR National Organiser t 0121 236 4028 Dave Webster (Live Performance) Live Performance Official e [email protected] Kelly Wood Wales & South West England Equality, Diversity & Inclusion Official Regional Organiser: Andy Warnock John Shortell Transport House, 1 Cathedral Rd, Cardiff CF11 9SD Orchestras Official t 029 2045 6585 Morris Stemp e [email protected] Campaigns & Social Media Official North of England Maddy Radcliff Regional Organiser: Matt Wanstall 61 Bloom Street, Manchester M1 3LY Union HQ t 0161 236 1764 60–62 Clapham Road e [email protected]
    [Show full text]
  • Bbc Annual Plan 2019/20
    BBC ANNUAL PLAN 2019/20 March 2019 TABLE OF CONTENTS 1. FOREWORD .................................................................................................................................................................. 1 2. THE BBC’S STRATEGIC PRIORITIES ...................................................................................................................... 2 3. THE BBC’S CREATIVE REMIT ............................................................................................................................... 12 4. THE BBC’S FINANCIAL CONTEXT AND 2019/20 OUTLINE BUDGET ...................................................... 31 5. POTENTIAL CHANGES TO THE BBC’S UK PUBLIC SERVICES ................................................................... 35 ANNEX 1: MEASURING THE PERFORMANCE OF THE BBC ................................................................................ 37 ANNEX 2: BBC SERVICES’ CONTRIBUTION TO DISTINCTIVENESS ................................................................. 38 ANNEX 3: GOVERNANCE AND GENERAL DUTIES ................................................................................................ 47 1. FOREWORD The BBC is approaching the third full year of its new Charter. This document – our third Annual Plan – is an essential part of our accountability to licence fee payers, Ofcom, partners and other stakeholders. It updates our three-year strategy and sets out our work plan for the year, including the 2019/20 high- level budget. It outlines our creative plans for the year
    [Show full text]