Cinematic Arts 2017 APR Self-Study & Documents

Total Page:16

File Type:pdf, Size:1020Kb

Cinematic Arts 2017 APR Self-Study & Documents Cinematic Arts Academic Program Review Fall - 2017 College of Fine Arts Table of Contents Table of Contents .............................................................................................................. 1 Criterion 0 . Introductory Section and Background Information ........................................ 4 0A . Executive Summary ......................................................................................................................................................... 4 0B . History .............................................................................................................................................................................. 5 0C . Organizational Structure and Governance ...................................................................................................................... 6 0D . Specialized and/or External Accreditations ..................................................................................................................... 8 0E . Overview of Previous Academic Program Review .......................................................................................................... 8 Criterion 1 . Student Learning Goals and Outcomes ...................................................... 10 1A . Vision and Mission ......................................................................................................................................................... 11 1B . Relationship between the Unit and University's Vision and Mission ............................................................................. 11 1C . Unit Goals and Student Learning Outcomes ................................................................................................................. 13 1D . Constituents and Stakeholders ...................................................................................................................................... 14 1E . Primary Constituents and Stakeholders ........................................................................................................................ 16 1F . Student Learning Goals and Outcomes Strategic Planning .......................................................................................... 17 Criterion 2 . Teaching and Learning: Curriculum ............................................................ 19 2A . Curricula ......................................................................................................................................................................... 19 2B . Contributions to other Units ........................................................................................................................................... 22 2C . Course Delivery Modes ................................................................................................................................................. 23 2D . Teaching and Learning: Curriculum Strategic Planning ................................................................................................ 25 Criterion 3 . Teaching and Learning: Continuous Improvement ..................................... 26 3A . Overview of Assessment Process ................................................................................................................................. 27 3B . Impact Assessment Process on Unit ............................................................................................................................. 34 Criterion 4 . Students (Undergraduate and Graduate) .................................................... 37 4A . Student Recruitment and Admissions ............................................................................................................................ 37 4B . Enrollment Trends, Persistence, and Graduation Trends ............................................................................................. 37 4C . Advisement Process ...................................................................................................................................................... 43 4D . Student Support Services .............................................................................................................................................. 44 4E . Student Success and Retention Initiatives .................................................................................................................... 44 4F . Student Strategic Planning ............................................................................................................................................ 49 Criterion 5 . Faculty ......................................................................................................... 51 5A . Faculty Composition and Credentials ............................................................................................................................ 51 5B . Faculty Course-Load ...................................................................................................................................................... 62 5C . Faculty Professional Development ................................................................................................................................ 63 5D . Faculty Research and Creative Works .......................................................................................................................... 65 5E . Faculty Involvement in Student Retention and Academic Success .............................................................................. 69 5F . Faculty Experience ......................................................................................................................................................... 69 5G . Faculty Strategic Planning ............................................................................................................................................. 69 Criterion 6 . Resources and Planning ............................................................................. 70 6A . Resource Allocation and Planning ................................................................................................................................. 70 6B . Budget and Funding ....................................................................................................................................................... 74 6C . Staff Composition and Responsibilities ......................................................................................................................... 75 6D . Library Resources .......................................................................................................................................................... 76 6E . Resources and Planning Strategic Planning ................................................................................................................. 76 Criterion 7 . Facilities ...................................................................................................... 77 7A . Unit's Allocated Facilities ............................................................................................................................................... 78 7B . Ability to Meet Academic Requirements with Facilities ................................................................................................. 80 7C . Space Management Planning Efforts ............................................................................................................................ 81 7D . Unit Facility Goals and Strategic Planning .................................................................................................................... 81 Criterion 8 . Peer Comparisons ....................................................................................... 82 8A . Unit's Distinguishing Characteristics .............................................................................................................................. 83 1 8B . Strategic Planning in Relation to Peer Institutions ......................................................................................................... 87 Appendices ..................................................................................................................... 89 2 3 Criterion 0 . Introductory Section and Background Information The section should provide a brief introduction to the self-study 0A . Executive Summary An Executive Summary that provides a one to two-page summary/abstract of the information contained within the Self-Study Report. Since the summer of 2016, Cinematic Arts has experienced enormous change. Until recently, the department was the smallest in the College of Fine Arts. The faculty was made up of four associate professors, one assistant professor, one lecturer, one professor of practice, and seven adjuncts. We offered one degree, the B.A. in Media Arts, and a minor in Media Arts. Our highly committed, popular instructors consistently served a large number of students. For instance, in 2013/14 there were a total of 1554 enrollments in Cinematic Arts classes. In 2016, the faculty and staff of Cinematic Arts began to administratively oversee another UNM program: Interdisciplinary Film and Digital Media (IFDM). As a result, the department now offers two majors (in Media Arts and IFDM) as well as the minor in Media Arts. The buildings we occupy have increased from one to three. We now have eight fulltime instructors and eighteen adjuncts. The number of majors
Recommended publications
  • The Anime Galaxy Japanese Animation As New Media
    i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia.........
    [Show full text]
  • Los Angeles Lawyer June 2010 June2010 Issuemaster.Qxp 5/13/10 12:26 PM Page 5
    June2010_IssueMaster.qxp 5/13/10 12:25 PM Page c1 2010 Lawyer-to-Lawyer Referral Guide June 2010 /$4 EARN MCLE CREDIT PLUS Protecting Divorce Web Site Look and Estate and Feel Planning page 40 page 34 Limitations of Privacy Rights page 12 Revoking Family Trusts page 16 The Lilly Ledbetter Fair Pay Act Strength of page 21 Character Los Angeles lawyers Michael D. Schwartz and Phillip R. Maltin explain the effective use of character evidence in civil trials page 26 June2010_IssueMaster.qxp 5/13/10 12:42 PM Page c2 Every Legal Issue. One Legal Source. June2010_IssueMaster.qxp 5/13/10 12:25 PM Page 1 Interim Dean Scott Howe and former Dean John Eastman at the Top 100 celebration. CHAPMAN UNIVERSITY SCHOOL OF LAW PROUDLY ANNOUNCES OUR RANKING AMONG THE TOP 100 OF ONE UNIVERSITY DRIVE, ORANGE, CA 92866 www.chapman.edu/law June2010_IssueMaster.qxp 5/13/10 12:25 PM Page 2 0/&'*3. ."/:40-65*0/4 Foepstfe!Qspufdujpo Q -"8'*3.$-*&/54 Q"$$&445007&3130'&44*0/"- -*"#*-*5:1307*%&34 Q0/-*/&"11-*$"5*0/4'03 &"4:$0.1-&5*0/ &/%034&%130'&44*0/"--*"#*-*5:*/463"/$&#30,&3 Call 1-800-282-9786 today to speak to a specialist. 5 ' -*$&/4&$ 4"/%*&(003"/(&$06/5:-04"/(&-&44"/'3"/$*4$0 888")&3/*/463"/$&$0. June2010_IssueMaster.qxp 5/13/10 12:26 PM Page 3 FEATURES 26 Strength of Character BY MICHAEL D. SCHWARTZ AND PHILLIP R. MALTIN Stringent rules for the admission of character evidence in civil trials are designed to prevent jurors from deciding a case on the basis of which party is more likeable 34 Parting of the Ways BY HOWARD S.
    [Show full text]
  • Central Campus Map Central
    236 Tucker AVE . m Tucker AVE. Colu N C a BLVD. mi C P a n mi o P M SCALE Valley Mtns. n d o e 200 263 Yale CENTRAL CAMPUS MAP P S M 252 d 500 ft 276 e a Domenici l l u 221 S d e Center Lomas 216 r 208 v Marble DR. 219 i Planning & Campus Development :: 0.6Spacemi Management Office :: [email protected] :: UPDATED:c 01-28-2011 io edical 1.0km BLVD. P Admin Arts 250 200 G H I 273J K L M N P O P Q Legend 25 231 421 Physical 299B 422 Plant Dept. 246 S T 274 249 204 248 266 225 11464 P M 299A 234 299D Visitor / Info Center 289 299C 1.2mi 268 1.9km P 10 99 UNM Building John & June 11 147 Perovich P M 228 215 247 Basic 205 See Campus Building List for building No. Business Center Frontier AVE. 40 Medical 253 P T 229 Sciences 226 99 423 183 Building Student Housing 264 Frontier AVE. Cam ino 211 220 de S 201 232 a Food Services 203 255 lud RD. 227 UNM Campus Library 178 P M 207 235A Mesa Vista 175 Patient 207 Parking BLVD. Physics H Hospital 175A and University 11 Astronomy P 12 207 Hospital PL. BLVD. ST. 179 182B 202 Revere P Parking Structure 235 H Barbara & 182C 182A P University 184 J Bill Richardson DR. Metered Parking Girard P Spruce 185 171 151 Pavilion ST. Sigma Chi P Admin RD. Yale Parking H 286 269 165 Structure Ridge Surface ParkingLas Lomas Lot 144 Vassar 192 P C 187 Permit Type Required P Y RD.
    [Show full text]
  • For More Information
    For More Information Inquiries about Western Illinois University are welcome. Please direct all inquiries to the appropriate departments listed below. Athletics Academic Departments Department of Intercollegiate Athletics .... (309) 298-1106 Accountancy .................................................(309) 298-1152 African American Studies ........................... (309) 298-1181 Billing Questions Biological Sciences ..................................... (309) 298-1546 Billing and Receivables Office ................... (309) 298-1831 Business Administration .............................(309) 298-2442 Chemistry .................................................... (309) 298-1538 Counseling Center (Macomb) ............... (309) 298-2453 College Student Personnel ......................... (309) 298-1183 Communication ........................................... (309) 298-1507 Disability Services Communication Sciences and Disability Resource Center ......................... (309) 298-2512 Disorders.................................................. (309) 298-1955 Text Telephone ............................................ (309) 298-1856 School of Computer Sciences .....................(309) 298-1452 Counselor Education ...................................(309) 762-1876 Financial Aid Curriculum and Instruction........................ (309) 298-1961 Financial Aid Office ....................................(309) 298-2446 Economics ....................................................(309) 298-1153 Educational and Interdisciplinary Studies .....................................................
    [Show full text]
  • Jobs and Education
    Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation.
    [Show full text]
  • Understanding and Applying New Educational Communication Media Technologies
    DOCUMENT RESUME ED 393 406 IR 017 742 AUTHOR Metallinos, Nikos, Ed. TITLE Verbo-Visual Literacy: Understanding and Applying New Educational Communication Media Technologies. Selected Readings from the Symposium of the International Visual Literacy Association (Delphi, Greece, June 25-29, 1993). INSTITUTION International Visual Literacy Association. REPORT NO ISBN-1-895130-05-0 PUB DATE 93 NOTE 282p.; For selected individual papers separately analyzed, see IR 017 743-775. Actual titles of individual papers frequently differ from the way they appear in the Table of Contents. AVAILABLE FROM James L. Bradford, 6370 Instructional Technology Services, Illinois State University, Normal, IL 61790-6370 ($25). PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF01/PC12 Plus Postage. DESCRIPTORS Aesthetic Education; *Art Education; *Computer Assisted Instruction; Design Preferences; *Educational Technology; Elementary Secondary Education; Foreign Countries; Higher Education; Hypermedia; Instructional Effectiveness; Instructional Innovation; *Multimedia Instruction; Multimedia Materials; *Visual Literacy IDENTIFIERS Visual Displays; *Visual Imagery ABSTRACT This document contains the welcoming and keynote addresses and selected papers from a 1993 symposium of the International Visual Literacy Association. Topics addressed in the papers include: visual literacy; research methodology and design for content analysis of visual images; multimedia as courseware; design issues in authoring multimedia materials, multimedia utilization, the
    [Show full text]
  • Film Is GREAT, Edition 2, November 2016
    ©Blenheim Palace ©Blenheim Brought to you by A guide for international media The filming of James Bond’s Spectre, Blenheim Palace, Oxfordshire visitbritain.com/media Contents Film is GREAT …………………………………………………………........................................................................ 2 FILMED IN BRITAIN - British film through the decades ……………………………………………………………………………………….. 9 - Around the world in British film locations ……………………………………………….…………………........ 15 - Triple-take: Britain's busiest film locations …………………………………………………………………….... 18 - Places so beautiful you'd think they were CGI ……………………………………………………………….... 21 - Eight of the best: costume dramas shot in Britain ……………………………………………………….... 24 - Stay in a film set ……………………………………………………………………………………………………………...... 27 - Bollywood Britain …………………………………………………………………………………………………………….... 30 - King Arthur's Britain: locations of legend ……………………………………………………………………...... 33 - A galaxy far, far away: Star Wars in Britain .…………………………………………………………………..... 37 ICONIC BRITISH CHARACTERS - Be James Bond for the day …………………………………………………………………………………………….... 39 - Live the Bridget Jones lifestyle ……………………………………………………………………………………..... 42 - Reign like King Arthur (or be one of his knights) ………………………………………………………….... 44 - A muggles' guide to Harry Potter's Britain ……………………………………………………………………... 46 FAMILY-FRIENDLY - Eight of the best: family films shot in Britain ………………………………………………………………….. 48 - Family film and TV experiences …………………….………………………………………………………………….. 51 WATCHING FILM IN BRITAIN - Ten of the best: quirky
    [Show full text]
  • Fandango Portobello
    Mongrel Media PRESENTS FACE OF LOVE A FILM BY ARIE POSEN FILM FESTIVALS 92 MIN / U.S.A. / COLOR / 2012 / ENGLISH Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS FACE OF LOVE is the story of a widow named Nikki (Annette Bening) who, several years after the loss of her husband Garrett, meets a man named Tom (Ed Harris) who looks exactly like her deceased husband. Suddenly, a flood of old feelings rush back to her: she's met the love of her life. Again. The film is a romantic story filled with humor, surprise, and reflections on the mystery of love surrounding us. Bening and Harris star, with an important supporting turn from Robin Williams as Nikki's confidante and would-be lover. ABOUT THE PRODUCTION LABORS OF LOVE How far would you go, for a second chance? How much would you risk to resurrect your first love? That’s the question that confronts Nikki. Her happily married life is shattered when her husband Garrett suddenly drowns during a Mexican vacation. As years pass and Nikki adjusts to raising their teenage daughter on her own, Nikki gradually comes to grips with her loss… or does she? A chance visit to an art museum affords her the opportunity to see Tom, a local art teacher, frustrated painter—and the perfect double of Nikki’s beloved Garrett, now dead for five years.
    [Show full text]
  • Tesis726.Pdf
    i REGLAMENTO DE LA PONTIFICIA UNIVERSIDAD JAVERIANA ARTÍCULO 23 “La Universidad no se hace responsable por los conceptos emitidos por los alumnos en sus trabajos de grado, solo velará porque no se publique nada contrario al dogma y la moral católicos y porque el trabajo no contenga ataques y polémicas puramente personales, antes bien, se vean en ellas el anhelo de buscar la verdad y la justicia”. ii Pontificia Universidad Javeriana Facultad de comunicación y lenguaje Carrera de comunicación social Énfasis audiovisual Realidades paralelas Diseño de una miniserie para web 2.0 en narrativa paralela TRABAJO DE GRADO PARA OPTAR POR EL TÍTULO DE COMUNICADOR SOCIAL CON ÉNFASIS AUDIOVISUAL PRESENTADO POR: Rafael Andrés Becerra Saldaña DIRECTOR/ASESOR: Víctor Hugo Valencia Aristizábal BOGOTÁ, MAYO DE 2011 iii Esta página es dejada en blanco intencionalmente iv Agradecimientos – Dedicatoria considerado como parte de mi familia, también a Diana Rojas y a María Fernanda Granados, las adoró con todas mis fuerzas, a Pamela Morales por ser un amiga de verdad… No puedo dejar de pensar que mientras escribo este texto mi A pesar de varios malos ratos, la universidad me ha llenado de padre sufre los efectos de un cáncer desgarrador y una personas valiosas por las cuales se realiza este trabajo y a quienes quimioterapia llena de dolorosos efectos secundarios y que a espero siempre llevar en aquellos recuerdos que se almacenan en pesar de esto nunca ha dejado de trabajar para poder darnos a mi el corazón, muchas gracias Ricardo Suárez, Oneris Rico, Liliana hermana, mi madre y a mi todo lo que siempre hemos Avendaño, Sebastián Kowoll, Daniela Gómez, Daniela Vargas, necesitado, este trabajo te lo dedico a ti papá.
    [Show full text]
  • February 2018 at BFI Southbank Events
    BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola.
    [Show full text]
  • UNM Campus Map.Pdf
    12345678 to Bldg. 259 277 Girard Blvd. Princeton Dr. A 278 The University of New Mexico A 255 N 278A General Campus Map for Visitors Vassar Dr. 271 265 University Blvd. 260 Constitution Ave. 339 217 332 Married Casa University Blvd. Student Housing B Esperanza Stanford Dr. 333 B KNME-TV 317-329 270 262 337 218 334 331 Buena Vista Dr. Carrie 240 243 Tingley 272 North Law Avenida De Cesar Chavez Golf 301 Hospital 233 241 239 School “The Pit” Camino de Salud Course 302 237 236B 230 Mountain Rd. 312 307 C 223 Stanford Dr. UNM C 206 Stadium 205 242 Columbia Dr. South 308 238 236A Campus 311 Tucker Rd. Tucker Rd. to South Golf Course 311A C 216 a 276 m 208 210 221 to Bldg. 259 252 in North Campus 219 o 263 1634 University Blvd. NE d e 251 S a 213-215 209 231 Marble Ave. lu Yale Blvd. Bernalillo Cty. D 250 d 249 D Mental Health 246 273 204 248 234 266 Center 225 268 258 Continuing Health 228 U 253 247 n Education Lomas Blvd. i Sciences 229 v 211 e 226 r Center 212 s 264 Frontier Ave. i t y 220 201 B l v 203 d 259 183 . 227 232 Girard Blvd. E N. Yale Entrance E 175 202 Vassar Dr. Mesa Vista Rd. 207 University Indian School Rd. Hospital University Blvd. University Mesa Vista Rd. 235 Revere Pl. 182 224 Sigma Chi Rd. 165 154 256 269 171 Spruce St. 191 151 Si d. Yale Blvd.
    [Show full text]
  • Translating Degrees and Academic Titles Abbreviations: Challenges and Perspectives
    Slađana Milinković TRANSLATING DEGREES AND ACADEMIC TITLES ABBREVIATIONS: CHALLENGES AND PERSPECTIVES SLAĐANA MILINKOVIĆ Th e Court Interpreters and Translators Association of Serbia E-mail: [email protected] Egyetemi fokozatok és tudományos címek rövidítéseinek fordítása: kihívások és perspektí- vák. Az ember társas lény, ezért természetes szükséglete a kommunikáció. Az emberi kommuni- káció fontosságát már évezredekkel ezelőtt felismerték, és gyökerei sokkal messzebbre nyúlnak vissza, mint amiről az írott történelem beszámol. Az emberi kommunikáció alapja az együttmű- ködés és a közös szándék, ahogy azt az antroposzemiotika is tanítja. Idáig azonban hosszú utat kellett bejárni. „Ἐν ἀρχῇ ἦν ὁ λόγος”,1 tanítja a Biblia, de az igét meg kell hallgatni, és terjeszteni kell. Minél messzebbre kellett eljutnia, annál fontosabb volt, hogy valamilyen módon lejegyezzék. És az em- ber másik természetes szükséglete, hogy nyomot hagyjon a világban – valamilyen képpel, szám- mal vagy betűvel. Nézzük meg röviden ennek a történetét. Kulcsszavak: latin nyelvű oklevelek, egyetemi fokozatok fordítása, tudományos címek rövidítése, bírósági tolmácsolás, a terminológia alakulása Since man is a social being, one of his innate needs is the desire to communicate. Th e importance of human communication has been recognised for thousands of years, far longer than demonstrated through recorded history. Human communication is rooted in cooperative and shared intentions, as anthroposemiotics teaches us. But it was a long road to get us here. “Ἐν ἀρχῇ ἦν ὁ λόγος”, the Bible has taught us, but it has to be heard and spread. Th e further it needed to go, the greater was the need to record it in some way. And the second man’s innate need was to make a mark in the world – with a picture of some kind, a certain sign, numeral or letter.
    [Show full text]