Understanding and Applying New Educational Communication Media Technologies
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Record World Survey of Theother Services That Give the Label Andividual Marketplace
Hits of the Week SINGLES ALBUMS DARYL HALL & J014114 OATES, "PRIVATEQUINCY JONES FEATURING JAMES IN -BOB DYLAN, "SHOT OF LOVE." EYES" (prod. by HaII-Oates) (writ- GRAM, "JUST ONCE" (prod. byDylan opts for a raw, bluesy sound this ers: Hall-Pash-Alien-Allen) (Fust Jones) (writers: Mann -Weill) (ATV/time around, underscored by the promi- Buzza/Hot-Chai Six Continents, BMI) Mann & Weill, BMI) (4:29). Major popnence of Clydie King's sympathetic (3:29). As hot as anyone in pop music stations have already fallen in lovevocal soul and the gutsy playing of today, the tireless tandem offers this with Ingram's touching vocals, andKortchmar, Keitner, etc. "Heart of Mine," perfectly -crafted title cut from their others are quickly following suit. It's a"Trouble" and the title cut are three rea- forthcoming LP. An out -of -the -box beautiful ballad from "The Dude" LP.sons why every new Dylan LP is an smash. RCA 12296. A&M 2357. event. Columbia TC 37496. LITTLE RIVER BAND, "THE NIGHT OWLS"THE FOUR TOPS, "WHEN SHE WAS MYARETHA FRANKLIN. "LOVE ALL (prod. by Martin} (writer: Goble) GItL" (prod. by Wolfert) (writers: THE HURT AWAY." With the title single (Colgems-EMIF, ASCAP) (3:45). Blatte-Gottlieb) (MCA, ASCAP) (a duet with George Benson) leading the Wayne Nelson, LRB's new bassist, (3:25). The legendary quartet makes way, Aretha's latest collaboration with makes an impressive lead vocal an auspicious label debut with this producer Arif Mardin will leave her fans debut while the band's trademark rich infectious dancer. Levi Stubbs is atmore than satisfied. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Cinematic Arts 2017 APR Self-Study & Documents
Cinematic Arts Academic Program Review Fall - 2017 College of Fine Arts Table of Contents Table of Contents .............................................................................................................. 1 Criterion 0 . Introductory Section and Background Information ........................................ 4 0A . Executive Summary ......................................................................................................................................................... 4 0B . History .............................................................................................................................................................................. 5 0C . Organizational Structure and Governance ...................................................................................................................... 6 0D . Specialized and/or External Accreditations ..................................................................................................................... 8 0E . Overview of Previous Academic Program Review .......................................................................................................... 8 Criterion 1 . Student Learning Goals and Outcomes ...................................................... 10 1A . Vision and Mission ......................................................................................................................................................... 11 1B . Relationship between the Unit and University's Vision and Mission ............................................................................ -
THE EFFECTS of BOX OFFICE and HOME ENTERTAINMENT REVENUE PERFORMANCE on EQUITY VALUATIONS in the FILM INDUSTRY John W. Onderdonk
THE EFFECTS OF BOX OFFICE AND HOME ENTERTAINMENT REVENUE PERFORMANCE ON EQUITY VALUATIONS IN THE FILM INDUSTRY John W. Onderdonk An honors thesis submitted to the faculty of the Kenan-Flagler Business School at the University of North Carolina at Chapel Hill Chapel Hill 2019 Approved by _________________________________ (Riccardo Colacito, Ph.D.) ABSTRACT John W. Onderdonk The Effects of Box Office and Home Entertainment Revenue Performance on Equity Valuations in the Film Industry (Under the direction of Riccardo Colacito, Ph.D.) The film industry relies on a variety of different revenue streams that contribute to the overall financial success or failure of film companies. These companies derive the majority of their revenue from box office and home entertainment sales. The purpose of this research is to evaluate the effects of box office and home entertainment revenue performance on the equity valuations of companies in this industry. Using estimation techniques commonly found in finance literature, this study concludes that box office performance significantly impacts the equity valuations of film companies over both short-term and long-term periods. This study also reveals the effects of news on investor sentiment, demonstrates the cyclicality of company performance in the film industry, and proposes profitable trading strategies to capitalize on box office performance data. Using estimation techniques under similar circumstances, this study did not find a significant relationship between home entertainment revenue performance and equity valuations. ii ACKNOWLEDGEMENTS The successful completion of this thesis was ultimately made possible by the overwhelming support I have received over the years from far more educators, friends, and family members than I could possibly list. -
Vcrs: the Nde of TV As Ephemera Shawn Michael Glinis University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2015 VCRs: The ndE of TV as Ephemera Shawn Michael Glinis University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons Recommended Citation Glinis, Shawn Michael, "VCRs: The ndE of TV as Ephemera" (2015). Theses and Dissertations. 806. https://dc.uwm.edu/etd/806 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. VCR”S: THE END OF TV AS EPHEMERA by Shawn Glinis A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee May 2015 ABSTRACT VCR’S: THE END OF TV AS EPHEMERA by Shawn Glinis The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Richard K. Popp Although the VCR is often written about in scholarly literature, it is usually discussed in relation to Hollywood videotapes and rental stores. This study fills a gap in the current literature by presenting a significant history of the VCR in relation to TV during the period regularly referred to as the VCR’s first decade, 1975 to 1985. Specifically, this study is a look at the divergent discourses of the TV industry and the public opinion of TV viewership during this early era that offer insight into how we have come to contemporarily conceptualize TV. -
Haunted Detectives: the Mysteries of American Trauma
HAUNTED DETECTIVES: THE MYSTERIES OF AMERICAN TRAUMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian R. Hauser, B.A., M.A. The Ohio State University 2008 Dissertation Committee: Approved by Professor Jared Gardner, Adviser Professor James Phelan ____________________________________ Professor Linda Mizejewski Adviser English Graduate Program Copyright by Brian R. Hauser 2008 ABSTRACT In this dissertation, I investigate American motion picture narratives from the 1990s in which detectives encounter the supernatural. These narratives did not originate during this decade, but there were a remarkable number of them compared to previous periods. I argue that the supernatural is often analogous to personal, national, or cultural trauma. I further suggest that a detective investigating the supernatural stands in for the psychoanalyst, who studies and treats this trauma. I then trace the origins of the supernatural detective in history, as well as in British and American popular fiction. To begin, I discuss Tim Burton’s Sleepy Hollow (1999) as an example of a supernatural detective, who is himself traumatized but who also manages to solve the supernatural mystery in the eponymous village. That solution points to the obscured narrative of women’s rights in the early-American republic. Next, I suggest that spaces can be traumatized like people. I introduce the concept of the chronotope of the traumatized space, which I then apply to Shirley Jackson’s The Haunting of Hill House (1959) and its various film and television adaptations to argue that these influential haunted house tales have helped repress scientific research into the paranormal as a reputable field of inquiry and the paranormal researcher as an admirable calling. -
Video Nasties’: Economics, Marketing
RETHINKING THE ‘VIDEO NASTIES’: ECONOMICS, MARKETING, AND DISTRIBUTION MARK MCKENNA A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy October 2017 February 2017 2 CONTENTS ABBREVIATIONS _________________________________________________________ 4 LIST OF ILLUSTRATIONS __________________________________________________ 5 ACKNOWLEDGEMENTS ___________________________________________________ 6 ABSTRACT _______________________________________________________________ 9 INTRODUCTION: A VERY ‘NASTY BUSINESS’ _____________________________ 10 PART ONE: RATIONALE AND CONTEXT __________________________________ 16 1 HISTORICAL OVERVIEW: INTRODUCTION ___________________________ 17 1.1 The Established History of the Campaign _________________________________ 17 1.2 Complicating the Established Narrative __________________________________ 27 2. LITERATURE REVIEW _______________________________________________ 37 3. METHODOLOGICAL APPROACHES: INTRODUCTION _________________ 51 3.1 The New Film History ________________________________________________ 52 3.2 Production Studies ___________________________________________________ 54 3.3 Beyond the Text_____________________________________________________ 56 3.4 The Old Film History ________________________________________________ 57 3.5 Summation _________________________________________________________ 58 4. TECHNOLOGY AND POWER _________________________________________ 63 4.1 Introduction ________________________________________________________ -
Undead: VHS and Technological Life Cycles
Undead: VHS and Technological Life Cycles Mike Van Esler Released in America in November 1975, consumer-grade video cassette recorders (VCRs) and their attendant videotape cassettes inarguably altered the relationship between media industries, consumers, and film cultures. Whether viewers were early adopters of Sony’s Betamax system in the mid- 1970s or laggards acquiring a VCR after JVC’s videocassette VHS format had won out over numerous competitors, they were all part of a revolutionary shift in the locus of film consumption. During this time, the movie theater, once the sole proprietor of mainstream movie experiences for the vast majority of Americans, was no longer the arbiter of movie access. Neither, in turn, was broadcast television, where viewers began watching older movies in the 1950s and newer releases in the 1960s. Instead, new focal points of movie accessibility and culture emerged, including the video rental shop and, eventually, large retailers. The first studio to embrace the home video apparatus was 20th Century Fox in 1977 when Andre Blay of Magnetic Video struck a deal with the studio to release fifty licensed films at the cost of $6,000 per title.1 To give a sense of the explosive growth of the US home video market, in 1980, domestic theatrical box office receipts were $1.2 billion and home video revenues were $280 million, 29.6 percent and 7 percent of industry revenue respectively. By 1990, box office receipts sat at $2.1 billion and 15.9 percent of revenue while home video exploded to $5.1 billion and 38.6 percent of revenue.2 Clearly, home video had reached an inflection point. -
Giovanna Fossati
FRAMING GIOVANNA FOSSATI FILM GIOVANNA FOSSATI GIOVANNA FROM GRAIN TO PIXEL In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. By reflecting on the theoretical conceptualiza- tion of the medium itself and posing significant questions about the status of physical film and the practice of its archival preservation, restoration, and presentation, Fossati proposes a novel theorization The Archival Life of Film of film archival practice. From Grain to Pixel attempts to bridge the fields of film archiving in Transition and academic research by addressing the discourse on film’s ontology and analyzing how different interpretations of what film is Giovanna Fossati is the chief PIXEL FROM GRAIN TO affect the role and practices of film archives. curator of Eye Film museum THIRD REVISED EDITION Almost a decade after its first publication, this revised edition and professor of Film covers the latest developments in the field. Besides a new general Heritage and Digital Film introduction, a new conclusion, and extensive updates to each Culture at the University of chapter, a novel theoretical framework and an additional case study Amsterdam. have been included. Giovanna Fossati’s From Grain to Pixel has been an immensely valuable source for theories and practices of film digitization and restoration since its first publication in 2009. The new updated edition considers the changing requirements of this extremely dynamic, evolving field. Thanks to her double expertise as a film scholar and a curator, Fossati is able not only to provide deep insights into current approaches and advanced tools, but also to integrate them into her highly reflected theoretical framework, thereby providing a state-of-the-art reference for research and teaching. -
Video Stores and the Invention of Movies on Video
From Betamax to Blockbuster Video Stores and the Invention of Movies on Video Joshua M. Greenberg The MIT Press Cambridge, Massachusetts London, England © 2008 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any elec- tronic or mechanical means (including photocopying, recording, or information stor- age and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please e-mail special_sales@mitpress .mit.edu. This book was set in Stone Sans and Stone Serif by SPi Publisher Services, Pondicherry, India. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Greenberg, Joshua. From betamax to blockbuster : video stores and the invention of movies on video / by Josh Greenberg. p. cm. Includes bibliographical references and index. ISBN 978-0-262-07290-8 (hardcover : alk. paper) 1. Videocassette recorders. 2. Video recordings industry—History. I. Title. TK6655.V5G74 2007 384.55'8—dc22 2007018942 10 9 8 7 6 5 4 3 2 1 Index Academy of Motion Picture Arts and B&S Sales, 55 Sciences, 138 Bach, Arthur, 55 Actors, 131 Baird, Logie, 42 “Adult Blue” (adult video series), 95 Bakelite, 115 Adult movies, 171n17 Barnako, Frank, 117 home theater and, 95–96 Barrett, Craig, 150 increase of, 95 Becker, Michael, 94 marketing of, 51–52 business methods of, 68–70, 77, 102 retailers and, 64, 72, 93, 106, 109, 111 fi lm knowledge and, 107 trade shows and, 118 trade shows and, 117 Adult Video News newsletter, -
Thanks to the a Pornography
TELEVISION TODAY AND TOMORROW JULY 1980 $2.00 Special Report THANKS TO THE VIDEO REVOLUTION: A PORNOGRAPHY BOOM ow `BREAKING AWAY': New -Breed Newswomen WILL THE RACE THEY'RE BATTLING FOR RATINGS TO BECOME THE NEXT SPOIL ITS CHARM? BARBARA WALTERS PREVIEWING THE EDWIN NEWMAN'S SETS THAT WILL REPORT CARD CHANGE YOUR LIFESTYLE ON TV LANGUAGE www.americanradiohistory.com Introducing Cambridge Box: The, lowest tar cigarette ever. CaMbrid 1 Discover Cambridge contentment. The very special satisfaction of knowing that with Cambridge Box -less than 0.1 mg tar-you're getting the lowest tar cigarette ever made, yet still enjoying the unique pleasures of smoking. J .-. .- -' ..__Carribnd ge bridge Also F available in Soft Pack and loo's. / Ultra low 1 mg Soft Pacic,4 mg 100s. © Philip Morris Inc. 1980 Warning: The Surgeon General Has Determined That Cigarette Smoking Is Dangerous to Your Health. Box: Less than 0.1 mg "tar;' 0.01 mg nicotine -Soft Pack: 1 mg "tar;' 0.1 mg nicotine- 100's: 4 mg "tar;' 0.4 mg nicotine ay. per cigarette by FTC Method. www.americanradiohistory.com After 76 years, EF Hutton &Company still has one name. In an industry that undergoes ups and downs, mergers and constant change, E. F. Hutton has always stood for reliability and dependability. Through all those years, we've maintained an un- broken record of profitability and of continuous service to our customers. And now, as we celebrate our 76th year, that stability seems even more impressive. When EFHutton talks, People listen. Member of SIPC www.americanradiohistory.com SONY BETATAPE. -
The Evolution of Profit Participations / Navigating Disruption in the Motion Picture and Television Industry Contents Welcome
ENTERTAINMENT AND MEDIA REPORT THE EVOLUTION OF PROFIT PARTICIPATIONS / NAVIGATING DISRUPTION IN THE MOTION PICTURE AND TELEVISION INDUSTRY CONTENTS WELCOME Profit participations have always been a complex WELCOME and emotional subject for talent, who wonder “Am 03/ I being paid what we agreed to contractually?” For studios, it is about “Am I paying too much, and are EXECUTIVE SUMMARY my stakeholders leaving money on the table?” Now, 04/ with new delivery methods like SVOD, non-traditional studios like Netflix and the proliferation of scripted television series and independent films, we have HIGHLIGHTS FROM THE ENTERTAINMENT SURVEY entered into a new era where profit participations and 05/ deal structuring are continually in flux. TOP INDUSTRY TRENDS In this year’s whitepaper, we take a closer look at 06/ where we have been, where we are and where we are going with profit participations in a changing movie and television industry. We have assembled a truly WHITEPAPER EXPERTS knowledgeable group of industry experts to share 08/ their views on this important aspect of the business as they consider what future deal structures will entail. THE HISTORY OF PARTICIPATIONS This is our 5th annual whitepaper, and I am extremely 12/ proud of the information you will find as you read on. This paper is part of our continuing efforts to provide TODAY’S LANDSCAPE: WHO IS GETTING THE $ 18/ value to the entertainment community. 24/ THE IMPACT OF TECHNOLOGY Ilan Haimoff GLOBALIZATION Partner and Entertainment and Media Practice Leader, 28/ Green Hasson Janks 34/ CRYSTAL BALL: GAME CHANGERS 41/ CONCLUSION WE HAVE ENTERED INTO A NEW ERA APPENDIX A: 42/ KEY TAKEAWAYS WHERE PROFIT PARTICIPATIONS AND DEAL STRUCTURING ARE CONTINUALLY IN FLUX.