Empress Influence on the Establishment and Rise in Popularity of the Virgin Mary and Kuan Yin
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History of Imperial China
History of Imperial China Chapter 1: The Origins of Chinese Civilization Geography The Yellow River The Yellow River is so called because of the yellow loess silt that it carries, providing rich nutrients for agriculture, 12 This loess is also very easy to work with primitive tools, hence explaining why it became one of the first regions to be settled, 12 The Yellow River, however, is prone to flooding, and when it did so it tended to inundate enormous settled regions, 13 The Yangzi River The basin of the Yangzi river to the south is warmer and wetter than the north, 13 This is why the south of china is more suited to crops like rice, while the north is better for wheat and millet, 13 The Yangzi and many of its tributaries are navigable, whereas the Yellow river is not, 13 Chinese Geographic Isolation China was long isolated from other early civilizations by the ocean to the east, the Tibetan plateau to the west, and the Gobi and other deserts to the north, 13 The Chinese did not see themselves as sitting on the edge of a vast Asian continent, but rather as being the central civilized region of the world, surrounded by vast oceans, deserts and mountains that were largely unimportant, 13 Chinese Mythology The Three Sovereigns Chinese mythology associates the origins of their civilization with several ‘great men’, as opposed to other cultures who credit gods, 10 Fu Xi domesticated animals and invented the family, Shen Nong invented the plough and the hoe, and Huang Di invented the bow and arrow, boats, carts, ceramics, writing -
Religion in China BKGA 85 Religion Inchina and Bernhard Scheid Edited by Max Deeg Major Concepts and Minority Positions MAX DEEG, BERNHARD SCHEID (EDS.)
Religions of foreign origin have shaped Chinese cultural history much stronger than generally assumed and continue to have impact on Chinese society in varying regional degrees. The essays collected in the present volume put a special emphasis on these “foreign” and less familiar aspects of Chinese religion. Apart from an introductory article on Daoism (the BKGA 85 BKGA Religion in China prototypical autochthonous religion of China), the volume reflects China’s encounter with religions of the so-called Western Regions, starting from the adoption of Indian Buddhism to early settlements of religious minorities from the Near East (Islam, Christianity, and Judaism) and the early modern debates between Confucians and Christian missionaries. Contemporary Major Concepts and religious minorities, their specific social problems, and their regional diversities are discussed in the cases of Abrahamitic traditions in China. The volume therefore contributes to our understanding of most recent and Minority Positions potentially violent religio-political phenomena such as, for instance, Islamist movements in the People’s Republic of China. Religion in China Religion ∙ Max DEEG is Professor of Buddhist Studies at the University of Cardiff. His research interests include in particular Buddhist narratives and their roles for the construction of identity in premodern Buddhist communities. Bernhard SCHEID is a senior research fellow at the Austrian Academy of Sciences. His research focuses on the history of Japanese religions and the interaction of Buddhism with local religions, in particular with Japanese Shintō. Max Deeg, Bernhard Scheid (eds.) Deeg, Max Bernhard ISBN 978-3-7001-7759-3 Edited by Max Deeg and Bernhard Scheid Printed and bound in the EU SBph 862 MAX DEEG, BERNHARD SCHEID (EDS.) RELIGION IN CHINA: MAJOR CONCEPTS AND MINORITY POSITIONS ÖSTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN PHILOSOPHISCH-HISTORISCHE KLASSE SITZUNGSBERICHTE, 862. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
Wu and Shaman Author(S): Gilles Boileau Source: Bulletin of the School of Oriental and African Studies, University of London, Vol
Wu and Shaman Author(s): Gilles Boileau Source: Bulletin of the School of Oriental and African Studies, University of London, Vol. 65, No. 2 (2002), pp. 350-378 Published by: Cambridge University Press on behalf of School of Oriental and African Studies Stable URL: http://www.jstor.org/stable/4145619 Accessed: 08/12/2009 22:46 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=cup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. School of Oriental and African Studies and Cambridge University Press are collaborating with JSTOR to digitize, preserve and extend access to Bulletin of the School of Oriental and African Studies, University of London. -
Silk Road Fashion, China. the City and a Gate, the Pass and a Road – Four Components That Make Luoyang the Capital of the Silk Roads Between 1St and 7Th Century AD
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Patrick Wertmann Silk Road Fashion, China. The City and a Gate, the Pass and a Road – Four components that make Luoyang the capital of the Silk Roads between 1st and 7th century AD. The year 2018 aus / from e-Forschungsberichte Ausgabe / Issue Seite / Page 19–37 https://publications.dainst.org/journals/efb/2178/6591 • urn:nbn:de:0048-dai-edai-f.2019-0-2178 Verantwortliche Redaktion / Publishing editor Redaktion e-Jahresberichte und e-Forschungsberichte | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/efb ISSN der Online-Ausgabe / ISSN of the online edition ISSN der gedruckten Ausgabe / ISSN of the printed edition Redaktion und Satz / Annika Busching ([email protected]) Gestalterisches Konzept: Hawemann & Mosch Länderkarten: © 2017 www.mapbox.com ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Die e-Forschungsberichte 2019-0 des Deutschen Archäologischen Instituts stehen unter der Creative-Commons-Lizenz Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International. Um eine Kopie dieser Lizenz zu sehen, besuchen Sie bitte http://creativecommons.org/licenses/by-nc-nd/4.0/ -
Chen Gui and Other Works Attributed to Empress Wu Zetian
chen gui denis twitchett Chen gui and Other Works Attributed to Empress Wu Zetian ome quarter-century ago, studies by Antonino Forte and Richard S Guisso greatly advanced our understanding of the ways in which the empress Wu Zetian ࣳঞ֚ made deliberate and sophisticated use of Buddhist materials both before and after declaring herself ruler of a new Zhou ࡌʳdynasty in 690, in particular the text of Dayun jing Օႆᆖ in establishing her claim to be a legitimate sovereign.1 However, little attention has ever been given to the numerous political writings that had earlier been compiled in her name. These show that for some years before the demise of her husband emperor Gaozong in 683, she had been at considerable pains to establish her credentials as a potential ruler in more conventional terms, and had commissioned the writing of a large series of political writings designed to provide the ideologi- cal basis for both a new style of “Confucian” imperial rule and a new type of minister. All save two of these works were long ago lost in China, where none of her writings seems to have survived the Song, and most may not have survived the Tang. We are fortunate enough to possess that titled complete with its commentary, and also a fragmentary Chen gui copy of the work on music commissioned in her name, Yue shu yaolu ᑗ ᙕ,2 only thanks to their preservation in Japan. They had been ac- quired by an embassy to China, almost certainly that of 702–704, led టԳ (see the concluding section of thisضby Awata no ason Mahito ொ article) to the court of empress Wu, who was at that time sovereign of 1 See Antonino Forte, Political Propaganda and Ideology in China at the End of the Seventh Century (Naples: Istituto Universitario Orientale,1976); R. -
Sanctuary Yangzi Explorer2.03Mb
SANCTUARY YANGZI EXPLORER CHINA Experience the mighty, mysterious Yangtze River with Sanctuary Retreats LUXURY, NATURALLY Awe-inspiring natural beauty, iconic World Heritage sites and cultures enhanced over centuries – these are the riches around as you sail China’s legendary waterway. The guiding philosophy of all Sanctuary cruises and safari lodges is ‘Luxury, naturally’, and Sanctuary Yangzi Explorer gets you as close as possible to central China’s most captivating landscapes amid authentic charm and unrivalled comfort. This unique cruise steers you to dramatic destinations old and new, and gives glimpses of remote riverside life while you take pleasure in a relaxing journey with unrivalled amenities. Explore the largest man-made cave in the world, admire forest-cloaked peaks and feel personally introduced to time-tested traditions thanks to time on Sanctuary Yangzi Explorer – it’s a boutique hotel with five-star service floating on the Golden River. The carefully curated itineraries combine fascinating history-steeped cities with soul-uplifting rural stories along Asia’s longest river. The port of Chongqing, a Municipality located in the Sichuan Province - is the gateway to the 3,915-mile Yangtze. Meander through the Three Gorges, which extend 120 miles into the river’s middle reaches; discover the mountains of the Fuling district; take a whirl on a wooden sampan along the Shennong Stream as Tujia boatmen spill local secrets. Learn about each beguiling destination from small-group excursions and English-speaking experts. And wake -
Deleuze and Zhuangzi: Actualization and Counter-Actualization
DOI: 10.4312/as.2019.7.1.315-335 315 Deleuze and Zhuangzi: Actualization and Counter-actualization Margus OTT*1 Abstract Deleuze has presented one of the richest ontologies in 20th century philosophy, and its conceptual machinery could be more fully used also in Sinology. This article focuses on two of his concepts: actualization and counter-actualization. Actualization proceeds from the virtual and through the intensive processes of individuation moves towards actual struc- tures. Counter-actualization proceeds in the opposite direction, and starting from the actual, through creative involution discovers intensities and the virtual. It has the aspects of making a body without organs, creating intensities, and diversifying them. Actualization by differen- tiation is a common understanding of genetic processes in the Chinese tradition in general, and in the Zhuangzi in particular. In this article, Deleuze’s concepts are used to (re)interpret the account of differentiation in the story of the death of Zhuangzi’s wife, and the strange story from the chapter “Ultimate Joy” where “horses engender men.” Counter-actualization by discarding, dismantling, forgetting, thawing of forms and reaching towards the intensive and the virtual, a merging with the Dao, is a recurrent theme in the Chinese Daoism, and it is shown on the example of Yan Hui’s “sitting and forgetting,” master swimmer of Lü, and the thought of death, how they project beyond the actualized rigid and metric forms toward a more intensive, plastic, and joyful existence. Keywords: Deleuze, Zhuangzi, ontology, comparative philosophy, virtual, actual, intensities Deleuze in Zhuangzi: aktualizacija in proti-aktualizacija Izvleček Deleuze je predstavil eno najbogatejših antologij filozofije 20. -
Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated. -
Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis. -
Zhongfeng Tian, Phd
Zhongfeng Tian, PhD Assistant Professor Department of Bicultural-Bilingual Studies College of Education and Human Development The University of Texas at San Antonio [email protected] Phone: (210) 458-6251 ORCID ID: 0000-0003-0233-0284 EDUCATION 2020 Ph.D., Curriculum & Instruction: Language, Literacy, and Culture Boston College, Lynch School of Education and Human Development, Chestnut Hill, MA Dissertation: Translanguaging Design in a Mandarin/English Dual Language Bilingual Education Program: A Researcher-Teacher Collaboration (Chair: C. Patrick Proctor) 2016 M.Ed., TESOL Boston University, Wheelock College of Education & Human Development, Boston, MA 2014 B.A. (Honors), Applied Translation Studies Beijing Normal University – Hong Kong Baptist University United International College (UIC), Zhuhai, China 2011 Summer Exchange Program Hong Kong Baptist University, Hong Kong, China ACADEMIC APPOINTMENTS 2020 – Present Assistant Professor of TESL Teacher Education/Applied Linguistics Department of Bicultural-Bilingual Studies The University of Texas at San Antonio, San Antonio, TX PUBLICATIONS Edited Volumes/Books Tian, Z., Aghai, L., Sayer, P., & Schissel, J. L. (Eds.) (2020). Envisioning TESOL through a Translanguaging Lens: Global Perspectives. Cham, Switzerland: Springer International Publishing. Z. Tian 1 Paulsrud, B., Tian, Z., & Toth, J., (Eds.) (forthcoming; 2021). English-medium Instruction and Translanguaging. Bristol, UK: Multilingual Matters. Edited Special Issues Tian, Z., & Link, H. (Eds.) (2019). Positive Synergies: Translanguaging and Critical Theories in Education (commentary by Ofelia García). Translation and Translanguaging in Multilingual Contexts. 5(1). Refereed Journal Articles Tian, Z., & Shepard-Carey, L. (2020). (Re)imagining the Future of Translanguaging Pedagogies in TESOL through Teacher-Researcher Collaboration. TESOL Quarterly. DOI: 10.1002/tesq.614 [Early View] Khote, N., & Tian, Z. -
Book Reviews Emperor Wu Zhao and Her Pantheon of Devis, Divinities
_full_journalsubtitle: International Journal of Chinese Studies/Revue Internationale de Sinologie _full_abbrevjournaltitle: TPAO _full_ppubnumber: ISSN 0082-5433 (print version) _full_epubnumber: ISSN 1568-5322 (online version) _full_issue: 5-6 _full_issuetitle: 0 _full_alt_author_running_head (neem stramien J2 voor dit article en vul alleen 0 in hierna): Book Reviews _full_alt_articletitle_running_head (rechter kopregel - mag alles zijn): Book Reviews _full_is_advance_article: 0 _full_article_language: en indien anders: engelse articletitle: 0 T’oung Pao 104 (2018) 680-687 680 Book Reviews Emperor Wu Zhao and Her Pantheon of Devis, Divinities, and Dynastic Mothers. By N. Harry Rothschild. New York: Columbia Univ. Press, 2015. xxii + 357 pp. This elegant volume is the fifth in the budding Sheng Yen Series in Chinese Bud- dhist Studies at Columbia Univ. Press, whose aim is to host pioneering research “in the field of Chinese Buddhism.”1 N. Harry Rothschild, however, has no doubt far exceeded such a brief. His extensive exploration of the female ideological models of Wu Zhao 武曌 (posthumously Wu Zetian 武則天, r. 690-705), the only woman to successfully claim the imperial dignity in China’s long history, does pause to con- sider the well-known role Buddhism had in this remarkable feat, but only at the end of a long gallery of feminine paragons, drawn from a much wider spectrum of traditions. The book’s four parts roughly match the conventional rubrics of China’s elusive religion as a whole: thus the shapeless realm of myth and folklore in Part 1 is fol- lowed by Confucianism with its exemplary mothers in Part 2, and before the final section on the devīs of Buddhism, Part 3 deals with Taoism and its goddesses.