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COMUNICAT DE MITJANS Concert De Cloenda
COMUNICAT DE MITJANS Concert de cloenda: Filharmònica de Copenhaguen INTÈRPRETS Orquestra Filharmònica de Copenhaguen Baiba Skride, violí Toshiyuki Kamioka, director PROGRAMA Nielsen, Obertura "Helios", op. 17 Txaikovski, Concert per a violí, en re major, op. 35 Dvořák, Simfonia núm. 9, en mi menor, op. 95, del "Nou món” Diumenge, 20 de maig de 2018 / 20.00 h / Sala Montsalvatge Concert de cloenda amb balanç optimista de l’11a temporada El proper 20 de maig, tindrà lloc el darrer concert simfònic de l’11a Temporada Ibercamera a l’Auditori de Girona. En aquesta edició cal destacar el continuat creixement per part del públic, i la confirmació de Girona i el seu Auditori, com a punts de referència en el circuit simfònic internacional. El concert comptarà amb un repertori d’obres mestres, com el cèlebre Concert per a violí de Txaikovski i la Simfonia del “Nou Món” de Dvořák i tres debuts. Triple debut L’11a Temporada es clourà amb un triple debut: la violinista Baiba Skride, el director Toshiyuki Kamioka i l’Orquestra Filharmònica de Copenhaguen. Aquesta fou fundada l’any 1843 i és una de les orquestres més antigues d’Europa que actualment destaca per la seva estrena de nous formats de concerts i la publicació d’exitosos vídeos que han aconseguit milions de visites i nous espectadors. El proper 20 de maig actuarà sota la batuta del seu nou director titular, el japonès Toshiyuki Kamioka. La violinista emergent Baiba Skride oferirà el Concert per a violí de Txaikovski, interpretat amb un Stradivarius de la família Neaman. Obres mestres: la Simfonia del “Nou Món” de Dvořák i el Concert per a violí de Txaikovski La Temporada finalitzarà amb un repertori romàntic. -
Theatermagazin-201011.Pdf
Magazin 2010-11_S 1-28_neu:Minden 11.05.2010 9:59 Uhr Seite 1 1 Andrea Krauledat Intendantin Sehr geehrte Damen und Herren, meinschaft. Sie sind Einzelne, die aus unter- durch kontinuierliche Arbeit geschafft hat, regungen von innen und von außen. Dies liebe Zuschauerinnen und Zuschauer, schiedlichen Beweggründen in das wunder- ihm ein unverwechselbares Profil zu geben. erfordert in erster Linie Weitsicht und Mut. „Entweder mache ich Theater – oder gar bare Stadttheater hier in Minden gehen. Hervorragende überregionale Pressestim- Da ich ein solch großartiges Mitarbeiter- nichts“. Das sagte ich mir, als ich gerade Aber wenn Sie dann im Zuschauerraum men unterstreichen den guten Ruf des team am Stadttheater Minden vorfinde, mal 14 war. Und bis heute hat sich dieser sitzen, und dieser sich langsam verdunkelt, Theaters. Als Dramaturgin und Disponentin bin ich guter Dinge, dass wir gemeinsam einfache und unumstößliche Leitsatz durch der Vorhang sich öffnet, dann – ja dann – bei der Konzertdirektion Landgraf war ich die vielfältigen Aufgaben, vor die uns die mein Leben gezogen. Ich hatte im Theater kann es geschehen, dass Ihnen eine zuletzt Ansprechpartner für Kulturamtsleiter, Zukunft stellen wird, meistern werden. die großen Gefühle entdeckt und war z. B. Freude, ein tiefes Gefühl zuteil wird, das Intendanten und Kulturschaffende in ganz von Shakespeares „Wie es euch gefällt“ Sie gemeinschaftlich erleben. Lachen und Deutschland. Und immer wieder konnte Eine der Kernaufgaben dabei wird der wei- so fasziniert, dass ich verloren war für Weinen, Anteilnahme und Ergriffenheit – all ich feststellen: Das „Mindener Modell“ gilt tere Ausbau des Jugendtheaterbereichs sein. fast alles andere, was das Leben eines das hat an einem solchen Abend einen auch in Fachkreisen als beispielhaftes Vor- Kinder und Jugendliche sind die Zukunft. -
Schlagzeugkonzert Op. 70 – Aufführungen
Bertold Hummel: Schlagzeugkonzert op. 70 – Aufführungen 1985 28.1.1985 Regensburg Stadttheater Jeff Beer Philharmonisches Orchester Regensburg Thilo Fuchs 29.1.1985 Regensburg Stadttheater Jeff Beer Philharmonisches Orchester Regensburg Thilo Fuchs 3.3.1985 Oldenburg Staatstheater Axel Fries Oldenburgisches Staatsorchester Wolfgang Schmid 4.3.1985 Oldenburg Staatstheater Axel Fries Oldenburgisches Staatsorchester Wolfgang Schmid 5.3. 1985 Cloppenburg Axel Fries Oldenburgisches Staatsorchester Wolfgang Schmid 27.6.1985 Landau Festhalle Axel Fries Staatsphilharmonie Rheinland-Pfalz Alexander Schwinck 15.11.1985 Ansbach Onoldia-Saal Jeff Beer Nürnberger Symphoniker Klauspeter Seibel 16.11.1985 Nürnberg Meistersingerhalle Jeff Beer Nürnberger Symphoniker Klauspeter Seibel 6.12.1985 Würzburg Musikhochschule Axel Fries Städtisches Orchester Würzburg Wolf-Dieter Maurer 12.1985 BR-Prod. Nürnberg Meistersingerhalle Jeff Beer Nürnberger Symphoniker Klauspeter Seibel 1986 7.3.1986 Hildesheim Axel Fries Orchester des Stadttheaters Hildesheim Werner Seitzer 4.5.1986 Wiesbaden Hessisches Staatstheater Peter Sadlo Hessisches Staatsorchester Wiesbaden Nicolás Pasquet 1988 11.3.1988 Hof Freiheitshalle Peter Sadlo Hofer Symphoniker Sergiu Cardenas 17.4. 1988 (11.00) Osnabrück Stadthalle Peter Sadlo Osnabrücker Symphonie orchester Heinz Finger 17.4. 1988 (20.00) Osnabrück Stadthalle Peter Sadlo Osnabrücker Symphonie orchester Heinz Finger 4.12. 1988 Kiel Schloß Peter Sadlo Philharmonisches Orchester Kiel Klauspeter Seibel 5.12. 1988 Kiel Schloß Peter Sadlo -
Orquestra Filharmònica De Copenhaguen Baiba Skride
Concert de cloenda Orquestra Filharmònica de Copenhaguen Baiba Skride violí Toshiyuki Kamioka director Nielsen Txaikovski Dvorák 11A TEMPORADA DIUMENGE 20 DE MAIG DE 2018, 20.00H SALA MONTSALVATGE EL CONCERT D’AVUI Clouem aquesta 11a Temporada amb el triple debut de: la violinista Baiba Skride, el director Toshiyuki Kamioka i l’Orquestra Filharmònica de Copenhaguen, una de les institucions musicals europees més antigues i respectades. Junts presenten AVÍS IMPORTANT / AVISO IMPORTANTE / IMPORTANT NOTICE la Simfonia del “Nou Món”, Per gaudir de la música necessitem: SILENCI inspirada en el viatge de Dvořák Para disfrutar de la música necesitamos: SILENCIO als Estats Units i obra mestra To enjoy the music we need: SILENCE que ha causat un gran impacte en la història de la música des SI US PLAU / POR FAVOR / PLEASE de la seva estrena. Contingueu els estossecs Contengan la tos Contain your coughs Mòbils apagats Móviles apagados Mobile phones switched off Alarmes desconnectades Alarmas desconectadas Alarms disconnected Moltes gràcies / Muchas gracias / Many thanks PROGRAMA BIOGRAFIES Orquestra Filharmònica de Copenhaguen Toshiyuki Kamioka, director Carl Nielsen (1865 – 1931) Obertura “Helios”, op. 17 (1903) ORQUESTRA FILHARMÒNICA — Durada aprox. 11’ DE COPENHAGUEN Piotr Ilitx Txaikovski (1840 – 1893) Concert per a violí i orquestra en re major, L’Orquestra Filharmònica de Copenhaguen va ser fundada op. 35 (1878) l’any 1843. Hans Christian Lumbye fou el primer director — Durada aprox. 34’ musical del Tívoli Concert Hall Orchestra per a la inaugu- ració dels avui cèlebres Jardins de Tívoli. Cada estiu, l’or- I. Allegro moderato questra segueix oferint concerts en aquests jardins, tant per a públic local com estranger; a més, compta amb un II. -
Who Wrote Bruckner's 8Th Symphony…?
ISSN 1759-1201 www.brucknerjournal.co.uk Issued three times a year and sold by subscription FOUNDING EDITOR: Peter Palmer (1997-2004) Editor: Ken Ward [email protected] 23 Mornington Grove, London E3 4NS Subscriptions and Mailing: Raymond Cox [email protected] 4 Lulworth Close, Halesowen, B63 2UJ 01384 566383 VOLUME EIGHTEEN, NUMBER THREE, NOVEMBER 2014 Associate Editors Dr Crawford Howie & Dr Dermot Gault In this issue: The Ninth Bruckner Journal Who wrote Bruckner’s 8th symphony…? Readers Biennial Conference A RECENT comment on a concert review web-site was anxious to announcement page 2 assert that the cymbal clash in the 7th symphony “probably” did not Bad Kreuzen - Speculation originate with Bruckner and was not approved of by him. On the basis and no end - by Dr. Eva Marx Page 3 of the inconclusive evidence we have, there is no probability: we just Anton Bruckner’s early stays in do not know. Steyr - by Dr Erich W Partsch Page 10 In the case of the 8th symphony, we are sure that Bruckner alone Book Reviews: wrote the first version of 1887. If one is after ‘pure’ Bruckner in this Paul Hawkshaw: Critical Report symphony, this is the only place to find it. Come the 1890 version, we for Symphony VIII review by Dr. Dermot Gault Page 13 know its very existence was due to Hermann Levi’s rejection of the first version, that to some extent Bruckner involved Josef and Franz David Chapman Bruckner and The Generalbass Tradition Schalk in its extensive revision and re-composition, and that the review by Dr. -
Archives Concerts.Pdf
~ ~ ~ ~ ARCHIVES DES CONCERTS BARBER DANS LE MONDE DEPUIS 2009 ~ ~ ~ ~ © Association Capricorn, 2009-2014 Décembre 2013 20 La Jolla, All Hallows Catholic Church ..... [infos] Barber : Hermit Songs Œuvres de Hahn, Hildegard, Kuspa Katina Mitchell, soprano Peter Walsh, piano 15 Munich, Prinzregententheater ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Liadov, Rossini, Dvořák Münchner Symphoniker, Jonathan Stockhammer 15 Vaudreuil-Dorion, Aréna ..... [infos] Barber : Agnus Dei Œuvres de Redner, Lully, Saint-Saëns, Holmès, Anderson Chœur Classique Vaudreuil-Soulanges, Jean-Pascal Hamelin 14 Moret-sur-Long, Eglise Notre-Dame-de-la-Nativité..... [infos] Barber : Reincarnations Œuvres de Brahms, Britten Ensemble vocal La Gioia, Laure-Marie Meyer 13 Lyon, Conservatoire national supérieur de musique et de danse ..... [infos] Barber : Mutations from Bach Œuvres de Copland, Cage, Glass, Nyman, Bernstein, Dahl Ensemble de cuivres, David Guerrier 13 Parme, Auditorium Niccolò Paganini ..... [infos] Barber : Concerto pour violon, Adagio pour cordes Brahms : Sérénade pour orchestre n°2 Mihaela Costa, violon Filarmonica Arturo Toscanini, Gaetano D'Espinosa 12 Paris, Fondation Singer-Polignac ..... [infos] Barber : Agnus Dei Œuvres de Stravinski, Ligeti, Messiaen, Poulenc, Britten, Schoenberg, Florentz, Kodaly Les Cris de Paris, Geoffroy Jourdain 11 Bruxelles, Grande Salle du Conservatoire royal ..... [infos] Barber : Capricorn Concerto Œuvres de Gorecki, Vasks, Rota Orchestre de chambre du Conservatoire royal de Bruxelles, Bernard Delire 11 Saint-Pétersbourg, Philharmonie ..... [infos] Barber : Concerto pour violon Œuvres de Gershwin, Chaplin, Elfman, Williams Igor Uryasch, violon Orchestre symphonique de Saint-Pétersbourg, Maxim Alexeev 10 Neuilly-sur-Seine, Théâtre des Sablons ..... [infos] 11 Gagny, Théâtre ..... [infos] 12 Vincennes, Auditorium ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Britten Orchestre de chambre Nouvelle Europe, Nicolas Krauze 9 Melbourne, University/Melba Hall .... -
Bruckner Abroad
ISSN 1759-1201 www.brucknerjournal.co.uk Issued three times a year and sold by subscription FOUNDING EDITOR: Peter Palmer (1997-2004) Editor : Ken Ward [email protected] 23 Mornington Grove, London E3 4NS Subscriptions and Mailing: Raymond Cox [email protected] 4 Lulworth Close, Halesowen, B63 2UJ 01384 566383 VOLUME SIXTEEN, NUMBER ONE, MARCH 2012 Associate Editor: Crawford Howie In this issue: Bruckner Abroad With this issue and henceforward the sequence of contents has been altered, with articles The world-wide concert listing, published at the back of The to the fore, reviews to the back Bruckner Journal for the coming 4 months, shows a heavy preponderance of performances in Germany, with over 90 concerts Letters Page 2 over the period. The bachtrack.com listing for the year 2011 shows that much more Bruckner was performed in Germany than The First Forty Years: the early elsewhere , and there is no reason to think that this concentration Music of Anton Bruckner will alter much in the near future . Particularly active this season by David Singerman Page 3 has been the Staatskapelle Berlin, under the direction of Daniel Listen Without Prejudice Barenboim, venturing out of Germany and touring Europe with by Tom Service Page 7 clusters of Bruckner symphonies, visiting London in April with ‘The Bruckner Project’ and reaching an extraordinary climax in Bruckner and Elgar: A Comparative Sketch Vienna in June 2012, in which over a mere 11 days they will be by Martin Pulbrook Page 8 performing symphonies 1-9 (mostly programmed with a Mozart piano concerto, Barenboim as soloist/conductor and all no doubt Toward a Theory of Coherence: performed from memory). -
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Pyotr Tchaikovsky
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Pyotr Tchaikovsky (1840-1893) Born in Kamsko-Votkinsk, Vyatka Province. A late starter in music, his professional training in music began with a theory class in 1861 with Nikolay Zaremba. He entered the Russian Musical Society's recently opened new music school, The St. Petersburg Conservatory. There he studied theory, composition, the piano, flute and organ and his most significant teacher was Anton Rubinstein. It did not take him long to absorb all the lessons the Conservatory had to teach him and he graduated as a fully formed composer who would become the most popular and, arguably, the greatest Russian composer of them all. In the remaining three decades of his life he would produce a plethora of music covering nearly all genres, including, opera, ballet, orchestral, chamber and vocal works, most of which remains constantly performed today. Symphony No. 1 in G minor, Op. 13 "Winter Daydreams" (1866, rev. 1874) Claudio Abbado/Chicago Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, and 6, Nutcracker Suite, Romeo and Juliet, The Tempest, 1812 Overture, The Voyevoda and Marche Slave) SONY CLASSICAL 8869783672-2 (6 CDs) (2011) (original CD release: SONY CLASSICAL SK 48056) (1992) Maurice Abravanel/Utah Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, Manfred Symphony, Francesca da Rimini, Romeo and Juliet, Hamlet, 1812 Overture and Marche Slave) VOX BOX CD5X 3603 (5 CDs) (2001) (original release: VOX BOX QSVBX-5129 {3 LP}) (1976) Andrei Anikhanov/St. Petersburg State Symphony Orchestra ( + Romeo and Juliet) AUDIOPHILE CLASSICS 101.028 (1995) Vladimir Ashkenazy/NHK Symphony Orchestra Tokyo EXTON OVCL-00266 (2006) Enrique Bátiz/Orquesta Sinfónica del Estado de México ( + Symphony No. -
TBJ 12Iiia4 V2
Issued three times a year and sold by subscription www.brucknerjournal.co.uk Editorial : [email protected] 23 Mornington Grove, Bow, London E3 4NS Subscriptions and Mailing: [email protected] 4 Lulworth Close, Halesowen, B63 2UJ 01384 566383 VOLUME TWELVE, NUMBER THREE, NOVEMBER 2008 Editor: Ken Ward Managing Editor: Raymond Cox. Associate Editors: Peter Palmer, Crawford Howie, Nicholas Attfield In this issue Bruckner at The Proms The Sixth Bruckner Journal On Wednesday August 9th 1961 the London Symphony Orchestra Readers Conference Page 2 at the Royal Albert Hall performed Bruckner’s 7th symphony. It Portrait Bust of Bruckner Page 3 was conducted by Basil Cameron. The Times reviewer the Concert Reviews Page 4 following day was not complimentary, calling his handling of the CD Reviews and listings Page 10 work ‘unstylish’. The conductor apparently decided that where a crescendo was marked, this called for an accelerando , and that Book Rewiew when the violins descended arpeggio -wise at bar 125 in the finale, Bruckner Vorträge 2006 Bericht the tempo was to be allowed to slacken. In the reviewer’s by Crawford Howie Page 13 opinion, this was all a misguided attempt to heighten the music’s eloquence. ‘Bruckner has had to fight hard for acceptance in this Bruckner, Mahler and the country. A performance such as the one his seventh symphony piano-duet arrangement of Bruckner’s Third Symphony received last night helps one to understand why.’ by Crawford Howie Page 15 It would no doubt have been a surprise to the reviewer had he seen into the future to discover that this concert SevenTypes of Mystery inaugurated an unbroken run of 47 years of Bruckner by Ken Ward Page 20 performances at the Proms, some of which have with justification come to be regarded as ‘legendary’ - conducted by Horenstein, The Dissolution of Mysticism Wand, Haitink among others.