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2020 Rancho Mirage City Guide the Center of Valley Business
2020 Rancho Mirage City Guide The Center of Valley Business Rancho Mirage Chamber of Commerce PRSRT STD 71905 Highway 111, Suite H U.S. POSTAGE PAID Rancho Mirage, CA 92270 PALM DESERT, CA PERMIT NO. 149 ********ECRWSSEDDM*** POSTAL CUSTOMER Rancho Mirage City Guide | 1 The Agua Caliente Band of Cahuilla Indians’ Welcome Me Yah Whae (Hello), On behalf of the Agua Caliente Band of Cahuilla Indians, it’s my pleasure to welcome you to the Agua Caliente Indian Reservation and the City of Rancho Mirage. Rancho Mirage is a progressive community, and a wonderful location to live, work, and visit. My Tribe is a federally recognized American Indian tribe with more than 500 members. As a sovereign tribal government, the Tribe is steward to more than 31,500 acres of ancestral lands that span across many city and county jurisdictions (including Rancho Mirage) and a protected bighorn sheep habitat. We are committed to working with the city of Rancho Mirage to continue to make this community a great place to live, work, and visit. Rancho Mirage is an attractive place to businesses and homeowners as well as visitors from around the world. We are proud to operate the Agua Caliente Resort Casino Spa Rancho Mirage. We have an amazing team who provide the highest levels of service found in the Coachella Valley and throughout Southern California. For several consecutive years, the Agua Caliente Resort Casino Spa has earned the AAA Four Diamond Award, a coveted merit in the competitive world of hospitality. Our Steakhouse was honored with Wine Spectator’s Award of Excellence. -
Stage Lighting Technician Handbook
The Stage Lighting Technician’s Handbook A compilation of general knowledge and tricks of the lighting trade Compiled by Freelancers in the entertainment lighting industry The Stage Lighting Technician's Handbook Stage Terminology: Learning Objectives/Outcomes. Understanding directions given in context as to where a job or piece of equipment is to be located. Applying these terms in conjunction with other disciplines to perform the work as directed. Lighting Terms: Learning Objectives/Outcome Learning the descriptive terms used in the use and handling of different types of lighting equipment. Applying these terms, as to the location and types of equipment a stagehand is expected to handle. Electrical Safety: Learning Objectives/Outcomes. Learning about the hazards, when one works with electricity. Applying basic safety ideas, to mitigate ones exposure to them in the field. Electricity: Learning Objectives/Outcomes. Learning the basic concepts of what electricity is and its components. To facilitate ones ability to perform the mathematics to compute loads, wattages and the like in order to safely assemble, determine electrical needs and solve problems. Lighting Equipment Learning Objectives/Outcomes. Recognize the different types of lighting equipment, use’s and proper handling. Gain basic trouble shooting skills to successfully complete a task. Build a basic understanding of applying these skills in the different venues that we work in to competently complete assigned tasks. On-sight Lighting Techniques Learning Objectives/Outcomes. Combing the technical knowledge previously gained to execute lighting request while on site, whether in a ballroom or theatre. Approaches, to lighting a presentation to aspects of theatrical lighting to meet a client’s expectations. -
The Pleasure of Your Company: Entertaining at Sunnylands
Art Price, Birds of Welcome, 1971 Photo by Ken Hayden. 2012. Photo by Ken Hayden. 2012. THE PLEASURE OF YOUR COMPANY: ENTERTAINING AT SUNNYLANDS by Anne Rowe Text, design, and all images copyright © The Annenberg Foundation Trust at Sunnylands 2014. Contents First published in 2014 by The Annenberg Foundation Trust at Sunnylands, PO Box 1770, Rancho Mirage, CA 92270, United States of America. All rights reserved. No part of this book may be reproduced or utilized, in any form or by any means, electronic or mechanical, without prior permission in writing from the publisher. Library of Congress Control Number: 2013957048 ISBN: 978-0-9858429-6-3. Printed in United States of America. Book and cover design by JCRR Design. Photo by Ken Hayden. 2012. Photo by Ken Hayden. 2012. The Annenberg Retreat at Sunnylands by Geoffrey Cowan page 6 Walter and Leonore Annenberg by Janice Lyle, Ph.D. page 6 Essays by Anne Rowe pages 7 – 73 Introduction pages 8 – 13 I now pronounce you, Mr. and Mrs. Blue Eyes pages 14 – 25 Happy New Year, Mr. President pages 26 – 37 Lunch is served, your Majesty pages 38 – 49 Summit in the Sun pages 50 – 61 The Shirt-Sleeves Summit pages 62 – 73 Epilogue pages 74 – 75 Endnotes pages 76 – 77 Acknowledgments pages 78 – 79 5 The Annenberg Retreat at Sunnylands Walter and Leonore Annenberg For more than forty years, Sunnylands served as Sunnylands was the winter home of Walter and an oasis for presidents of the United States, other Leonore Annenberg. It was their wish that in Photo by Mark Davdison. -
Stage Lighting Resource Sheet # 3 Name______Page 1
Stage Lighting Resource Sheet # 3 Name_____________________ Page 1. TYPES OF LIGHTING INSTRUMENTS -- Floodlights The most basic ___________________ is the _________________. A scoop is one of the _________________ stage lighting instruments available. It’s used for lighting ________________________ and any time you want to just flood the stage with light. A ________________________, with older models called a ________________, is a floodlight that can change ________________. The advantage over a scoop is that a scoop only has 1 color of light. Hang a cyc light and you can change the color as many ways as you have ____________________ in the instrument. TYPES OF LIGHTING INSTRUMENTS -- Spotlights Spotlights can control the _______________________ of light much more than floodlights. They do this by a series of ____________ and _________________. The most inexpensive type of spotlight is a _____________________. A par can has a lamp like an old-fashioned round car headlight. A par can is pretty ________________ and extremely ________________ and weather resistant, but they don’t always give an ______________ light. The main uses for par cans are in ______________ settings and __________________ venues. A _______________ is a medium throw spotlight that uses a _______________ _________ to give a ____________________ light. It can be _____________ by moving the lamp and reflector closer or further from the lens. The edges of the light from a fresnel can be squared off somewhat by using a ________________. Fresnels are usually used above the stage from the electrics to light the ______- __________________ and ________-_____________________________areas. Possibly the most used lighting instrument in theater is called an _________________ _________________________________, _______, or ______________. -
52927614.Pdf
STAGE LIGHTING AND ITS INFLUENCE ON ARCHITECTURAL LIGHTING A TH E S IS SUBMITTED TO THE DEPARTMENT OF INTERIOR ARCHITECTURE AND ENVIRONMENTAL DESIGN AND THE INSTITUTE OF FINE ARTS OF BILKENT UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF AAASTER OF FINE ARTS By Hüsnü Aydın Ozatilgan June, 1 9 9 4 PN 209{ .tu оъг \щ Б.023425 I certify that I have read this thesis and that in my opinion it is full adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts. Assoc. Prof. Dr.)Ceng/z Yener (Advisor) I certify that I have read this thesis and that in my opinion it is full adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts. I certify that I have read this thesis and that in my opinion it is full adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts. Assoc. Prof. D r^ ld irim Ygvuz Approved by the Institute of Fine Arts Prof. Dr. Bülent Özgüç Director of the Institute of Fine Arts ABSTRACT STAGE UGHTrNG AND ITS INFLUENCE ON ARCHITECTURAL LIGHTING Aydın Özatılgan M .F.A . in Interior Architecture and Environmental Design Supen/isor: Assoc. Prof. Dr. Cengiz Yener May 1 9 9 4 In this work, fundamentals of stage lighting are analyzed along with their historical and technological background. It is stated that there is an influence of stage lighting on architectural lighting. Consequently it is stated that stage lighting is the basis of architectural lighting and there is an important interaction between them. -
Barbara Sinatra, MTV Scraps Gender Categories As Kendrick Leads VMA Nods TV Has Rid Itself of Gender-Specific Cate- Platform to Celebrities
lifestyle THURSDAY, JULY 27, 2017 MUSIC & MOVIES This image released by Warner Bros Pictures shows Fionn Whitehead in a scene from ‘Dunkirk.’ Cast and crew of Warner Bros Pictures 'DUNKIRK' attend the Warner Bros Pictures 'DUNKIRK' US premiere at AMC Loews Lincoln Square in New York City. This image released by Warner Bros Pictures shows Tom Hardy in a scene —AP/AFP photos from "Dunkirk." Film review Dunkirk: Elevating the cinematic experience By Aakash Bakaya the initial stages of World War 2. With Nazi Germany plough- with this structure, but once the plotlines start connecting, logue and the visuals at times give off an eerie, almost ing its way through France, the British army is forced to retreat you'll be left astonished at the feat. It's different and daring, unworldly aspect to the surroundings. There's also no big, cli- ow lucky are we to be living in the era of Christopher back to its own shores. Our entryway into the story begins a especially for a modern big-budget blockbuster, but Nolan matic battle sequence, nor is there much in the way of exposi- Nolan. No matter whether you love or despise his few days into the evacuation, as the desperation to leave is always finds an exceptional way of telling his story. tion. You piece together what's happening solely through its Hwork, it's hard to dismiss the massive impact they reaching a fever pitch. Thousands of men are stranded on the Aside from the narrative structure, special mention must visuals, background details and character emotions, much like leave in movie halls across the globe. -
Lighting 101
LIGHTING 101 A CRASH COURSE IN HOW TO PROPERLY LIGHT ANY ACTING AREA. WWW.VLS.COM This guide is intended to give you an understanding of the general lighting process. It is a learning tool only, and is in no way, meant to be substituted for training in lighting and electronics. Reliable | Professional | Credible | FOCUSED Lighting 101 2 Anything Goes, Shaler High School Just as no two performances are exactly alike, there is no one proper way to light a stage or performance area. Think about all of the different performances that exist: lectures, concerts, operas, musicals, dramas ... Now think about all of the places where these performances can take place: tents, theatres, churches, arenas, even outdoors. Fortunately, there are simple lighting design techniques that can help even beginners to get proper lighting for their productions. This guide will give you an overview of the jargon, techniques and ideas used to light a performance. Reliable | Professional | Credible | FOCUSED Lighting 101 3 UNDERSTANDING THE JARGON In order to be able to further explain the concept of lighting, it is first important to understand the terms that are used. BARNDOORS: with a similar purpose to that of shutters (but used on Fresnels and PARs), these are attachable metal pieces that have hinged panels that can mask the light out of certain areas. COLOR FRAME: two connected square pieces of metal or cardboard with a hollowed circle in the center; this frame holds the gel in front of the fixture. CYCLORAMA: also known as cyc; a curved piece of cloth or wall that serves as a back drop; may be painted scenery or plain in order to project light and/or images onto it. -
{PDF EPUB} Lady Blue Eyes My Life with Frank by Barbara Sinatra Frank Sinatra's Widow on Man Behind the Legend: 'Big Tipper
Read Ebook {PDF EPUB} Lady Blue Eyes My Life with Frank by Barbara Sinatra Frank Sinatra's Widow on Man Behind the Legend: 'Big Tipper. Romantic Husband'. Frank Sinatra's last wife, Barbara, discusses the couple's 22-year marriage. Frank Sinatra's Home Life Revealed in New Book. May 31, 2011— -- Frank Sinatra's last wife, Barbara Marx Sinatra, reveals details of the couple's 22-year marriage in her memoir, "Lady Blue Eyes." In the book, Barbara Marx Sinatra describes a homey side of the music legend -- a man who was extremely neat, a great cook, a voracious reader and a crossword puzzle ace. On their evenings out, she witnessed his state of the art tipping. "He'd walk into a restaurant with a stack of one hundred dollar bills," she recalls. "And say, 'Make sure to take care of all the busboys, not the waiters, the busboys. and everyone in the kitchen.'" Read an excerpt from "Lady Blue Eyes" below, then check out some other books in the "GMA" library. Prologue: A Very Good Year. The year I married Frank Sinatra was a very good year. It was 1976, but it had taken us five years of flirting and courting to finally say "I do." It probably took another year before I grew accustomed to the idea that I now carried his iconic name. At first, I'd almost whisper when booking a restaurant reservation or beauty parlor appointment. Even to say "Mrs. Sinatra" out loud felt like bragging. For a long time I had to pinch myself almost daily to believe that I, Barbara Ann Blakeley, the gangly kid in pigtails from the whistle-stop of Bosworth, Missouri, had somehow become the wife of Francis Albert Sinatra. -
Milton Berle Papers [Finding Aid]. Music Division, Library of Congress
Milton Berle Papers Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: https://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014572484 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018018 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Milton Berle Papers Span Dates: 1906-2002 Bulk Dates: (bulk 1932-1990) Call No.: ML31.B475 Creator: Berle, Milton Extent: approxiamtely 33,000 items Extent: 287 containers Extent: 128 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014572484 Summary: Milton Berle (1908-2002) was an American vaudevillian, comic, actor, lyricist, producer, and author. Nicknamed "Mr. Television," Berle transitioned from a successful career in radio to become host of NBC's Texaco Star Theatre. The collection contains comedic writings, scripts, correspondence, business papers, photographs, music, and other materials that document his life and career in entertainment. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Allen, Fred, 1894-1956. Benny, Jack, 1894-1974--Correspondence. Berle, Milton--Archives. Berle, Milton--Correspondence. Berle, Milton. Berle, Milton. Writings. Selections. Burns, George, 1896-1996--Correspondence. Buttons, Red, 1919-2006--Correspondence. Cantor, Eddie, 1892-1964. -
Tech Inventory
RIVER ARTS CENTER 105 9th Street Prairie du Sac, WI 53538 608/643.5636 01/31/19 LIGHTING / ATMOSPHERICS INVENTORY ELIPSOIDALS QTY CIRCUIT LOCATIONS ETC Source Four 750 Fixtures HPL 575w 64 LOCATION QTY Source Four Barrel 10 Degree 12” Frame 3 SL Box 6 Source Four Barrel 19 Degree 6.25” Frame 17 Catwalk 1 Source Four Barrel 26 Degree 6.25” Frame 10 SL Box 1 Source Four Barrel 36 Degree 6.25” Frame 40 1st Electric 28 Source Four Barrel 50 Degree 6.25” Frame 4 2nd Electric (Future) 8 3rd Electric 16 Source Four Jr 6.25” Frame HPL 575w 2 4th Electric 16 5th Electric 16 Kliegl Bros Series 1550 Ellipsoidal FEL 1000w 28 Floor Pockets 3 Kliegl White / 20 Degree Barrel 7.5” Frame 14 SL Vestibule 2 Kliegl Blue / 30 Degree Barrel 7.5” Frame 13 SR Vestibule 2 Kliegl Yellow / 40 Degree Barrel 7.5” Frame 7 Stage Floor SL 12 Kliegl Green / 55 Degree Barrel 7.5” Frame 2 Stage Floor SR 12 Houselights 9 Berkey Colortran 213-095 12 Degree Ellipsoidal 7.5” Frame FEL 1000w 2 Worklights 6 Strand Century Lekolite 2205 22-50 Degree Zoom 6.25” Fr FEL 1000w 2 CIRCUIT LOCATIONS Strand Century 6x9 Ellipsoidal 7.5” Frame FEL 1000w 3 LOCATION # SL Box 1-8 Altman 6x9 Ellipsoidal 7.5” Frame EGG 750w 1 Catwalk 9-40 SR Box 41-48 WASH LIGHTS QTY 1st Electric 49-76 ETC Source Four PAR 750 8” Frame HPL 575w 20 3rd Electric 85-100 Altman 65Q Fresnel 7.5” Frame BTL 500w 8 4th Electric 101-116 PAR 64 Fixtures 10” Frame PAR64 MFL 1000w 6 5th Electric 117-132 Altman SKY-CYC-01 15 ½ x 15 7/8 Frame FFT 1000w 8 SL Vestibule 133-134 16” Scoop 300w bulb 6 SR Vestibule 159-160 Floor -
Theatre 445: Lighting
7KHDWUH/LJKWLQJ :LQWHU 6DPSOH([DP)LUVW4XL] 6DPSOH([DP6HFRQG4XL] /HFWXUH7RSLFV_'HVLJQ3URMHFWV :RUNVKHHWV_/LJKWLQJ/LQNV Instructor: /DUU\:LOG, Assistant Professor of Theatre Office: JFAC 124A Phone: 626-2513 Office Hours: 2pm to 3pm, Monday through Friday E-mail address: [email protected] Course objective: To provide the student with a fundamental knowledge of the history, principles, procedures and techniques of theatrical stage lighting. Text: 7KHDWULFDO'HVLJQDQG3URGXFWLRQ $Q,QWURGXFWLRQWR6FHQH'HVLJQDQG&RQVWUXFWLRQ/LJKWLQJ6RXQG &RVWXPHDQG0DNHXS (4th edition) by J. Michael Gillette. (Mountain View, CA: Mayfield Publishing Company. 2000). Supplemental material: $%LEOLRJUDSK\RI6HOHFWHG/LJKWLQJ/LWHUDWXUH -HDQ5RVHQWKDO$3KRWR(VVD\RQ/LJKW 7KH/LJKW/DE Class Meetings: Tuesday and Thursday, 11:00am to 12:15pm in JC 129. Lecture Topics: x %ULHI+LVWRU\RI6WDJH/LJKWLQJ x /LJKWLQJDQGWKH&RPSXWHU x 7KH)XQFWLRQVDQG4XDOLWLHVRI/LJKW x &RORULQ/LJKW x 0RGHOLQJZLWK/LJKW x /LJKW3ORW/LVWVDQG6FKHGXOHV x /LJKWLQJ,QVWUXPHQWV(OOLSVRLGDO5HIOHFWRU6SRWOLJKW x )UHVQHO/HQV6SRWOLJKW x 3$5FDQ x )ROORZ6SRW x (OOLSVRLGDO5HIOHFWRU)ORRGOLJKW %RUGHU/LJKW x )LUVW/LWWOH4XL] x &RQWURO6\VWHPV x (OHFWULFDO7KHRU\DQG3UDFWLFH x $Q$SSURDFKWR/LJKWLQJ'HVLJQ x Lighting the Musical x /LJKWLQJWKH$UHQDDQG7KUXVW6WDJH x /LJKWLQJWKH'DQFH x Concert Lighting Paper Projects... x &UHDWLQJD/LJKWLQJ&RPSRVLWLRQZLWK9LUWXDO/LJKW/DE x 'HYHORSLQJD5HSHUWRU\/LJKW3ORW x 7KH)LQDO3URMHFW WorkSheets x *HO:RUNVKHHW x %HDP:ULJKW:RUN6KHHW x ,QVWUXPHQW&KRLFH:RUNVKHHW Each student is expected to... 1. $WWHQG a performance (or dress rehearsal) of both 7KH%XQJOHU (February 19 - 22) and 7KH/DUDPLH3URMHFW (April 23 - 26), 2. Demonstrate his/her ability to IRFXV a Fresnel lens spotlight, 3. )RFXV and VKXWWHU an Ellipsoidal Reflector Spotlight, 4. Create a SDWFK and H[HFXWH a series of Qs on the MainStage (6WUDQG0DQWUL[0;) console, 5. -
SCOOP LIGHTING Catalog Numbers 154 160 Fixture Type
SCOOP LIGHTING Catalog Numbers 154 160 Fixture Type: A lightweight multi-purpose elliptical reflector floodlight, both scoops produce a very diffuse soft edged beam. The 154 scoop produces a beam diameter of 15 feet at a distance of 7.5 feet, and the 160 scoop produces a beam diameter that varies from 13.5 to 20.7 feet at the same distance. Both luminaires are designed to operate high color temperature Tungsten Halogen lamp as well as standard incandescent lamps. These fixtures are used in theatre and television as both a flood light and a cyclorama fixture. Other uses include photographic and television remote fill light. The scoop is an ideal fixture for color blending and for creating smooth even washes of light. 154 Specifications subject to change without notice 1000 WATT 160 14" SCOOP 154/160 Features • Heavy spun aluminum construction • Etched matte aluminum reflector • Integrated rotatable color frame holder •Plated steel color frame included • Three 36" Teflon lead wires • Up to 25 feet Hi-Temp rubber cable optional •U.L. and c.U.L. listed for 1000 watts • Made in the USA 4 3⁄ 8" (11 cm) 154 5 3⁄4" 160 (15 cm) 14 1⁄ 4" (36 cm) 22 3⁄ 4" 9" (58 cm) (23 cm) 17" (43 cm) 1 3 1⁄ 2" 7 ⁄ 8" (9 cm) (18 cm) 1 13 ⁄ 2" 16" 19 1⁄ 2" 16" (34 cm) (41 cm) (50 cm) (41 cm) 1000 WATT 14" SCOOP Catalog Numbers 154 160 Footcandles 502 125 56 31 20 Footcandles 350 156 88 56 39 Footcandles 999 444 250 160 111 10 20 30 40 50 Dia.