Bel, the Christ of Ancient Times
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Miscellaneous Babylonian Inscriptions
MISCELLANEOUS BABYLONIAN INSCRIPTIONS BY GEORGE A. BARTON PROFESSOR IN BRYN MAWR COLLEGE ttCI.f~ -VIb NEW HAVEN YALE UNIVERSITY PRESS LONDON HUMPHREY MILFORD OXFORD UNIVERSITY PRESS MDCCCCXVIII COPYRIGHT 1918 BY YALE UNIVERSITY PRESS First published, August, 191 8. TO HAROLD PEIRCE GENEROUS AND EFFICIENT HELPER IN GOOD WORKS PART I SUMERIAN RELIGIOUS TEXTS INTRODUCTORY NOTE The texts in this volume have been copied from tablets in the University Museum, Philadelphia, and edited in moments snatched from many other exacting duties. They present considerable variety. No. i is an incantation copied from a foundation cylinder of the time of the dynasty of Agade. It is the oldest known religious text from Babylonia, and perhaps the oldest in the world. No. 8 contains a new account of the creation of man and the development of agriculture and city life. No. 9 is an oracle of Ishbiurra, founder of the dynasty of Nisin, and throws an interesting light upon his career. It need hardly be added that the first interpretation of any unilingual Sumerian text is necessarily, in the present state of our knowledge, largely tentative. Every one familiar with the language knows that every text presents many possi- bilities of translation and interpretation. The first interpreter cannot hope to have thought of all of these, or to have decided every delicate point in a way that will commend itself to all his colleagues. The writer is indebted to Professor Albert T. Clay, to Professor Morris Jastrow, Jr., and to Dr. Stephen Langdon for many helpful criticisms and suggestions. Their wide knowl- edge of the religious texts of Babylonia, generously placed at the writer's service, has been most helpful. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
The Mesopotamian Origins of Byzantine Symbolism and Early Christian Iconography
The Mesopotamian Origins of Byzantine Symbolism and Early Christian Iconography BY PAUL JOSEPH KRAUSE The eagle-god is a prominent iconographic symbol of ancient Mesopotamian religion which wielded tremendous power in the Mesopotamian imagination. The eagle-like gods of Mesopotamia eventually evolved into double-headed gods whose depictions became widespread in imperial and religious symbolism and iconography in Sumer and Akkad.1 These symbols now have common misapprehension as in the common public as being tied to Byzantine Empire of Late Antiquity and the Middle Ages. Rather, the Byzantines most likely inherited these Mesopotamian symbols and employed them in a similar manner as the Sumerians, Akkadians, and Hittites did. Likewise, the iconographic symbols of the moon god Nanna-Sin, who had the power to render the fate of humans,2 re-appeared in early Christian iconography depicting Christ in the Last Judgment. To best understand the iconographic practices and symbols used by the Byzantine Empire and emerging early Christian Church is to understand the foundational contexts by which these symbols first arose and the common religious practice of transferring and re-dedicating prior religious shrines to new deities. “Today the Byzantine eagle flutters proudly from the flags of nations from Albania to Montenegro, and though each state has its local version of the church, the heritage they all bear 1 C.N. Deedes, “The Double-Headed God,” Folklore 46, no. 3 (1935): 197-200. 2 See Samuel Noah Kramer, The Sumerians: Their History, Culture, and Character (Chicago: University of Chicago Press, 1971), 132; Georges Roux, Ancient Iraq (New York: Penguin Books, 1992), 88. -
Mesopotamian Mythology
MESOPOTAMIAN MYTHOLOGY The myths, epics, hymns, lamentations, penitential psalms, incantations, wisdom literature, and handbooks dealing with rituals and omens of ancient Mesopotamian. The literature that has survived from Mesopotamian was written primarily on stone or clay tablets. The production and preservation of written documents were the responsibility of scribes who were associated with the temples and the palace. A sharp distinction cannot be made between religious and secular writings. The function of the temple as a food redistribution center meant that even seemingly secular shipping receipts had a religious aspect. In a similar manner, laws were perceived as given by the gods. Accounts of the victories of the kings often were associated with the favor of the gods and written in praise of the gods. The gods were also involved in the established and enforcement of treaties between political powers of the day. A large group of texts related to the interpretations of omens has survived. Because it was felt that the will of the gods could be known through the signs that the gods revealed, care was taken to collect ominous signs and the events which they preached. If the signs were carefully observed, negative future events could be prevented by the performance of appropriate apotropaic rituals. Among the more prominent of the Texts are the shumma izbu texts (“if a fetus…”) which observe the birth of malformed young of both animals and humans. Later a similar series of texts observed the physical characteristics of any person. There are also omen observations to guide the physician in the diagnosis and treatment of patients. -
Konsep Keberagaman Muhajirin Dan Anshar
Journal of Islamic Studies and Humanities Vol. 2, No. 1 (2017) 105-127, DOI: 10.21580/jish.21.2518 KONSEP KEBERAGAMAN MUHAJIRIN DAN ANSHAR Mahda Reza Kurniawan Universitas Islam Negeri Walisongo Semarang [email protected] Abstract Muhajirin and Anshar were the mesangger’s sahabat whom God praised of eminence to Rasulullah saw. who positioned them high as they were the elements of ahlus sunnah wal jamaah. If believers want to get the safety position in the day after or in the future, they should follow Muhajirin and Anshar beside Rasullah saw.. For those reasons understanding the frame of diversity is very necessary for us. Based on the historical report, Muhajirin and Anshar were not only the speculative concept but the real fact of history. Their empirical practice of religiosity was completely based on their implemen- tation of Islamic preaching in a concrete space and time. From this empirical based we can see or find the fundamental frame of their future or eminence. It consists of the ability to adjust the preaching of religion in coordinate space and time. The theoretical frame from the eminence and future is shown in the technical religiosity they did. Keywords: anshar; diversity; muhajirin; religiosity. Abstrak Muhajirin dan Anshar adalah kelompok sahabat yang memperoleh pujian keutamaan dari Allah swt.. Rasulullah saw. juga menempatkannya pada posisi sangat tinggi karena merupakan unsur ahl as-sunnah wa al-jama’ah sebagai firqah an-najiyyah. Apabila orang beriman di kemudian hari ingin memperoleh keselamatan serupa maka harus mengikuti Muhajirin dan Anshar di samping Rasulullah saw.. Oleh karena itu, memahami kerangka keberagamaan mereka sangat diperlukan. -
Mesopotamian Culture
MESOPOTAMIAN CULTURE WORK DONE BY MANUEL D. N. 1ºA MESOPOTAMIAN GODS The Sumerians practiced a polytheistic religion , with anthropomorphic monotheistic and some gods representing forces or presences in the world , as he would later Greek civilization. In their beliefs state that the gods originally created humans so that they serve them servants , but when they were released too , because they thought they could become dominated by their large number . Many stories in Sumerian religion appear homologous to stories in other religions of the Middle East. For example , the biblical account of the creation of man , the culture of The Elamites , and the narrative of the flood and Noah's ark closely resembles the Assyrian stories. The Sumerian gods have distinctly similar representations in Akkadian , Canaanite religions and other cultures . Some of the stories and deities have their Greek parallels , such as the descent of Inanna to the underworld ( Irkalla ) resembles the story of Persephone. COSMOGONY Cosmogony Cosmology sumeria. The universe first appeared when Nammu , formless abyss was opened itself and in an act of self- procreation gave birth to An ( Anu ) ( sky god ) and Ki ( goddess of the Earth ), commonly referred to as Ninhursag . Binding of Anu (An) and Ki produced Enlil , Mr. Wind , who eventually became the leader of the gods. Then Enlil was banished from Dilmun (the home of the gods) because of the violation of Ninlil , of which he had a son , Sin ( moon god ) , also known as Nanna . No Ningal and gave birth to Inanna ( goddess of love and war ) and Utu or Shamash ( the sun god ) . -
4. the Origins of the Gods 5. the Origins of Mortals 6. Zeus, Hera, Poseidon, and Hades 7
Content Chapters: 4. The Origins of The Gods 5. The Origins of Mortals 6. Zeus, Hera, Poseidon, and Hades 7. Apollo 8. Hermes, Pan, Hephaestus, and Ares 9. Aphrodite, Artemis, and Athena 10. Demeter and Related Myths 11. Dionysos 12. The Underworld 13. Introduction to Heroic Myth 14. Perseus 15. Heracles 16. Theseus 17. Myths of Crete 18. Oedipus and The Myths of Thebes 19. Jason and the Argonauts 20. The Trojan War 21. The Fall of Troy and its Aftermath 22. The Return of Odysseus 23. Aeneas 24. Legends of Early Rome CHAPTER 4 – The Origins of The Gods • Hesiod gave story of Gods as origin of universe • Cosmogony explains ‘origin of the world’ o Kosmos = world • Theogony explains “origin of the Gods” o Theos = gods • Hesiod believe cosmogony and theogony the same • Hesiod’s thousand-line poem “theogony” is hymn to Zeus o Greek version of Indo-European sky-god Children of Chaos • First came Chaos (chasm) → Gaea (mother earth) → Tartarus (bottommost) → Eros (sexual love) • From Chaos = Erebus (darkness) & Nyx (night) • Thought that the others were also children of Chaos Children of Gaea • Gaea bore Uranus (sky) & Pontus (sea) asexually • Gaea (earth) + Uranus (sky) = bore 6 male & 6 female Titans o Cronus (contends with Uranus for power) o Notable Gods = male Oceanus + female Tethys (give birth to all Gods) • Gaea bore 3 cyclopes (round eyes) o Brontes (thunderer), Steropes (flasher), Arges (brightener) • Hecatonchires (hundred-handers) o Cottus, Briareus, Gyes Hyperion’s Children • Hyperion (sun-god) father of: o Helius (sun-god), Selenê (the moon), Eos (the dawn) • Phaëthon (Oceanid), son of Helius and Clymenê o Mother married to king of Ethiopia, assured father was the sun • For confirmation journeyed to house of Helius • Helius would grant one wish to prove he was his father o Wanted to ride Helius’ chariot of the sun across the sky • Phaethon lost control bolted to earth almost setting it ablaze. -
A Few Good Men a La Carte a La Mode Abacus Abbey Road Abel
A Few Good Men A La Carte A La Mode Abacus Abbey Road Abel Abelard Abigail Abracadabra Academic, The Acushla Adagio Addine Adonis Adventurer, The Aesop Afterglow Against All Odds Agassiz Agenda, Hidden Aglaia Aglow Agni Agnostic, The Agon Agricola Aiden Aigretter Aik Akido Ainslie Ain't Half Hot Ain't Misbehavin Ain't She Sweet Ain't That Hot Air Combat Air Fox Air Hawk Air Supply Air Seattle Airfighter Airlord Airtight Alibi Airtramp Airy Alf Ajax Ajay Ajeeb Akado Akau Akim Akim Tamiroff Akimbo Akira Al Capp Al Jolsen Al Kader Al Rakim Al Sirat Alabama Alabaster Doll Alakazam Alan Ladd Alaskan Albert Finney Alcazar Alceste Alchemist Alchise Alder Ale Berry Ale 'N 'Arty Ale Silver Alectryon Alert Command Alexon Alfai Alfana Alfredo Alfresco Alias Jack Alias Smith Alice B Toklus Alice Fay Alice Love Alida Alien, The Alien Factor Alien Outlaw Alienator Alix All Bluff All Chic All Class All Fired Upp All Front All Go All Serene All That Jazz Allegro Allemand Alley Kat Alley Oop Allrounder Allunga Alluring Ally Sloper Alma Mater Alman Almeric Almond Blossom Almost a Tramp Almost an Angel Alpha Omega Alphonse Alsace Alter Ego Althea Alvin Purple Always There Alwina Alzire Amadis Amagi Amalthea Amarco Amaretoo Amasis Amatian Amazing Man Amazon Queen Amber Blaze Amberlight Ambrose Ambrosia Amethyst Ami Noir Amigus Amir Amlet Amontillado Amoretti Amphora Amundson Analie Anchisis Anchorman Andante Ando Andrea Doria Andrei Androcles Andromeda Andy Capp Andy Pandy Angel Eyes Angel Heart Angela Lansbury Angele Angelica Angeline Angelique Angie Baby -
Sumerian Religion
1 אנשר אנשר (באכדית: Anshar או Anshur, מילולית:"ציר השמיים") הוא אל שמים מסופוטמי קדום. הוא מתואר כבן זוגה של אחותו קישאר. הזוג יחדיו מציינים את השמים (ההברה אן) והארץ (ההברה קי) במיתוס הבריאה אנומה אליש והם נמנים עם הדור השני לבריאה, ילדיהם של המפלצות לחמו (Lahmu) ולחאמו (Lahamu) ונכדיהם של תיאמת (Tiamat) ואפסו (Apsu), המסמנים את המים המלוחים והמתוקים בהתאמה. בתורם, הם בעצמם הוריו של אל שמים אחר בשם אנו (Anu). החל מימי סרגון השני, החלו האשורים לזהות את אנשר עם אשור בגירסתם למיתוס הבריאה, בגרסה זו בת זוגו היא נינ-ליל (NinLil). ערך זה הוא קצרמר בנושא מיתולוגיה. אתם מוזמנים לתרום לוויקיפדיה ו להרחיב אותו [1]. האל אנשר עומד על פר, נתגלה בחפירות העיר אשור הפניות editintro=%D7%AA%D7%91%D7%A0%D7%99%D7%AA%3A%D7%A7%D7%A6%D7%A8%D7%9E%D7%A8%2F%D7%94%D7%A8%D7%97%D7%91%D7%94&action=edit&http://he.wikipedia.org/w/index.php?title=%D7%90%D7%A0%D7%A9%D7%A8 [1] המקורות והתורמים לערך 2 המקורות והתורמים לערך אנשר מקור: https://he.wikipedia.org/w/index.php?oldid=13750401 תורמים: GuySh, Ori, רועים המקורות, הרישיונות והתורמים לתמונה קובץ:Asur-Stier.PNG מקור: https://he.wikipedia.org/w/index.php?title=קובץ:Asur-Stier.PNG רישיון: Public Domain תורמים: Evil berry, Foroa, Gryffindor תמונה:Perseus-slays-medusa.jpg מקור: https://he.wikipedia.org/w/index.php?title=קובץ:Perseus-slays-medusa.jpg רישיון: GNU Free Documentation License תורמים: Bibi Saint-Pol, Editor at Large, Funfood, G.dallorto, Jastrow, Lokal Profil, Peter Andersen, Sreejithk2000 AWB, 4 עריכות אלמוניות רישיון Creative Commons Attribution-Share Alike 3.0 /creativecommons.org/licenses/by-sa/3.0// Anu 1 Anu This article is about a myth. -
Eridu, Dunnu, and Babel: a Study in Comparative Mythology
ERIDU, DUNNU, AND BABEL: A STUDY IN COMPARATIVE MYTHOLOGY by PATRICK D. MILLER, JR. Princeton Theological Seminary, Princeton, NJ 08542 This essay focuses on some themes in two quite different myths from ancient Mesopotamia, one known commonly as the Sumerian Deluge or Flood story, discovered at Nippur and published around the turn of the century by Poebel (I 9 I 4a and b ), the other published much more recently by Lambert and Walcot (1966) and dubbed by Jacobsen (1984) "The Harab Myth." The former myth was the subject of some attention at the time of its publication and extensive analysis by Poebel, par ticularly in King's Schweich Lectures (1918). As Jacobsen notes, it has not been the subject of much further work except for Kramer's transla tion (Pritchard, 1955, pp. 42-44) and Civil's translation and notes in Lambert and Millard (1969, pp. 138-147). More recently, Kramer has given a new translation of the text together with notes (Kramer, 1983). Both texts have now been the subject of major new treatments in the last three or four years by Jacobsen (1978 and 1984), and that is in a large sense the impetus for my turning to them. Indeed, I first became interested in the two texts when Jacobsen delivered a paper on them entitled "Two Mesopotamian Myths of Beginnings" at a symposium on mythology given at Sweetbriar College several years ago. His rationale for dealing with the two of them at that time was that each "in its own way stands apart and it seems to me, raises interesting questions of a more general nature-about composition, interpretation, and what hap pens when a myth is borrowed from one people to another" ( 1978, p. -
The Eye of Ra My Book on Atlantis As Endtimes Babylon: Http
The Eye of Ra My book on Atlantis as EndTimes Babylon: http://roodgoudvanparvaim.nl/ The famous Eye of Ra is also called the Eye of Horus. In the name Ra we recognize the last characters of name Osiris. The name of the High Priest of On (Heliopolis) “Potifera” in Genesis 41, the history of Joseph, was also dedicated to the Sun God Ra. While the name of On resonates with Anu who was the leader of the Anunnaki. Ra is also recognizable in names as Abraham, Sarah and Rahab. Rahab was both a whore (Jozua 2) and a dragon (Revelation 12). Maybe “Ra” is also recognizable in the name dragon and the Dutch word “draak”. The Eye of Horus is synonymously with a so called “Heqat”. As far as I know Horus had six sub-Heqats or powers (Eye of Horus, z.d.). Six is the central number of the Migdol of Cairo aka the Great Pyramid in Exodus 14:1-2 (Bullinger, 1921, Part II: Its spiritual significance: six). Six is also the number of the antichrist (Revelation 13:18). These six sub-heqats remind me of the six hadiths in islam. Not for nothing Allah is compared with Baal Tzaphon who is the Sphinx as the Great Pyramid – the Migdol – is supposed to be a temple for the Sphinx. The Sphinx was Baal Tzaphon. Zeus, Marduk, Ahura Mazda and Osiris were all masks of each other (Sauer, 1940, p. 208). The Jews named this mysterious god that was connected to the Sphinx and the Mount Aqra in northern Syria, Baal Tzaphon (Matheny, 2011, p. -
Sumerian Liturgies and Psalms
UNIVERSITY OF PENNSYLVANIA THE UNIVERSITY MUSEUM PUBLICATIONS OF THE BABYLONIAN SECTION VOL. X No. 4 SUMERIAN LITURGIES AND PSALMS STEPHEN LANGDON PROFESSOROF ASSYRIOLOGY AT OXFORDUNIVERSITY PHILADELPHIA PUBLISHED BY THE UNIVERSITY MUSEUM 1919 DI'IINITY LIBRARY CONTENTS PAGE INTRODUCTION .................................. 233 SUMERIAN LITURGIES AND PSALMS: LAMENTATIONOF ISHME-DAGANOVER NIPPUR ..... LITURGYOF THE CULTOF ISHME-DAGAN.......... LITURGICALHYMN TO INNINI ..................... PSALMTO ENLIL LAMENTATIONON THE PILLAGEOF LAGASHBY THE ELAMITES................................... LAMENTATIONTO ~NNINI ON THE SORROWSOF ERECH. LITURGICALHYMN TO SIN........................ LAMENTATIONON THE DESTRUCTIONOF UR........ LITURGICALHYMNS OF THE TAMMUZCULT ........ A LITURGYTO ENLIL,Elum Gud-Sun ............. EARLYFORM OF THE SERIESd~abbar&n-k-ta .... LITURGYOF THE CULTOF KESH................. SERIESElum Didara, THIRDTABLET .............. BABYLONIANCULT SYMBOLS ...................... INTRODUCTION With the publication of the texts included in this the last part of volume X, Sumerian Liturgical and Epical Texts, the writer arrives at a definite stage in the interpretation of the religious material in the Nippur collection. Having been privi- leged to examine the collection in Philadelphia as well as that in Constantinople, I write with a sense of responsibility in giving to the public a brief statement concerning what the temple library of ancient Nippur really contained. Omitting the branches pertaining to history, law, grammar and mathematics,