IJELLH (International Journal of English Language, Literature in Humanities) Vol. 7, Issue 7, July 2019 291 Saraswathi Binoj M.A, Eng. Lit. Dept of English Literature Stella Maris College, Chennai India
[email protected] Kavita Kane’s Lanka’s Princess: A Revisioning of the Ramayana, Breaking the Binary of the Concepts of Asura and Sura Chapter I Introduction The 21st century witnesses a revival of interest in myths, legends and folklore through the works of the renowned writers like Ashok Banker, Amish Tripathi, Devdutt Pattanaik, Anand Neelakantan, Kavita Kane, Anuja Chandramouli, Amruta Patil, Samhita Arni etc. There is an ever-growing authorship and readership for the various retellings of the epics like the Ramayana and the Mahabharata in both English as well as in the various regional languages. Chitra Banerjee Divakaruni's The Palace of Illusions, Kavita Kane's Sita's Sister, Pratibha Ray's Yajnaseni (Oriya), Sreekantan Nair's Kanchana Seetha (Malayalam), Sara Joseph's Kathakal (Malayalam) etc. are just a few to name. Thus, Indian writing is in its golden, prosperous era. In her essay, When We Dead Awaken: Writing as Re-Vision, Adrienne Rich brings out the theory of Revisioning which she defines as "the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction is for women more than a chapter in cultural history. It is an act of survival." Revisioning can hence be seen as a post-modern IJELLH (International Journal of English Language, Literature in Humanities) Vol. 7, Issue 7, July 2019 292 technique that questions the master narratives, promotes multiple perspectives and viewpoints, brings the subaltern characters to the center from margins and gives them visibility and voice of their own.