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2019 CAROLINA HURRICANES DRAFT GUIDE Rogers Arena • Vancouver, B.C
2019 CAROLINA HURRICANES DRAFT GUIDE Rogers Arena • Vancouver, B.C. Round 1: Friday, June 21 – 8 P.M. ET (NBCSN) Hurricanes pick: 28th overall Rounds 2-7: Saturday, June 22 – 1 P.M. ET (NHL Network) Hurricanes picks: Round 2: 36th overall (from BUF), 37th overall (from NYR) and 59th overall; Round 3: 90th overall; Round 4: 121st overall; Round 5: 152nd overall; Round 6: 181st overall (from CGY) and 183rd overall; Round 7: 216th overall (from BOS via NYR) The Carolina Hurricanes hold ten picks in the 2019 NHL Draft, including four in the first two rounds. The first round of the NHL Draft begins on Friday, June 21 at Rogers Arena in Vancouver and will be televised on NBCSN at 8 p.m. ET. Rounds 2-7 will take place on Saturday, June 22 at 1 p.m. ET and will be televised on NHL Network. The Hurricanes made six selections in the 2018 NHL Draft in Dallas, including second-overall pick Andrei Svechnikov. HURRICANES ALL-TIME FIRST HURRICANES DRAFT NOTES ROUND SELECTIONS History of the 28th Pick – Carolina’s first selection in the 2019 NHL Draft will be 28th overall in the first round. Hurricanes captain Justin Williams was taken 28th overall by Year Overall Player Philadelphia in the 2000 NHL Draft, and his 786 career points (312g, 474a) are the most 2018 2 Andrei Svechnikov, RW all-time by a player selected 28th. Other notable active NHL players drafted 28th overall 2017 12 Martin Necas, C include Cory Perry, Nick Foligno, Matt Niskanen, Charlie Coyle, and Brady Skjei. -
Nice Lawyers Finish First
Nice Lawyers Finish First Sean Carter Humorist at Law MONDAY DECEMBER 3, 2018 WEBINAR This page intentionally left blank. Nice Lawyers Finish First Webinar featuring Sean Carter Increasingly, lawyer civility and conge- • Diffuse tensions among warring clients; niality are becoming a thing of the past. • Secure accommodations from opposing Yet, it doesn’t have to be that way. Civil counsel; litigation need not lead to all-out civil Mon., December 3, 2018 war. As legal professionals, lawyers have an • Structure more mutually beneficial arrange- 11:00 am - 1:00 pm obligation to act just that way – professionally. ments with clients; In this presentation, the presenter will remind Sean Carter, Humorist at Law, has crisscrossed lawyers that zealous advocacy does not require the country delivering his Lawpsided Seminars. us to be zealots. It’s possible to be courteous, Each year, he presents more than 100 humorous NE MCLE Accreditation kind, accommodating and effective. In fact, for programs on such topics as legal ethics, stress #163921 (Distance learning) the continued well-being of the profession (and management, constitutional law, legal market- 2 CLE ethics hour the individual lawyer), it’s necessary. In particu- ing and much more. He is the author of the lar, Mr. Carter will discuss practical ways to: first-ever comedic legal treatise -- If It Does Not Fit, Must You Acquit?: Your Humorous Guide to the • Reduce the hostility in interactions with even Law. Mr. Carter graduated from Harvard Law the most difficult opposing counsel; School in 1992. www.nebar.com • Increase camaraderie among colleagues; REGISTRATION FORM: Nice Lawyers Finish First Webinar - December 3, 2018 c $130 - Regular Registration Please let us know how you heard about this CLE event: c $100 - NSBA dues-paying member c Email (eCounsel, listserv, etc.) c Social Media c Free - I paid 2018 NSBA dues and would like to claim c Nebraska Lawyer c Another NSBA CLE event my 2 free ethics credits (member benefit). -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Download Download
HOLLYWOOD'S WAR ON THE WORLD: THE NEW WORLD ORDER AS MOVIE Scott Forsyth Introduction 'Time itself has got to wait on the greatest country in the whole of God's universe. We shall be giving the word for everything: industry, trade, law, journalism, art, politics and religion, from Cape Horn clear over to Smith's Sound and beyond too, if anything worth taking hold of turns up at the North Pole. And then we shall have the leisure to take in the outlying islands and continents of the earth. We shall run the world's business whether the world likes it or not. The world can't help it - and neither can we, I guess.' Holroyd, the American industrialist in Joseph Conrad, Nostromo, 1904. 'Talk to me, General Schwartzkopf, tell me all about it.' Madonna, singing 'Diamonds are a Girl's Best Friend,' Academy Awards Show, 1991. There is chilling continuity in the culture of imperialism, just as there is in the lists of its massacres, its gross exploitations. It is there in the rhetoric of its apologists - from Manifest Destiny to Pax Britannica to the American Century and now the New World Order: global conquest and homogenisa- tion, epochal teleologies of the most 'inevitable' and determinist nature imaginable, the increasingly explicit authoritarianism of political dis- course, the tension between 'ultra-imperialism' and nationalism, both of the conquerors and the conquered. In this discussion, I would like to consider recent American films of the Reagan-Bush period which take imperialism as their narrative material - that is, America's place in the global system, its relations with diverse peoples and political forces, the kind of America and the kind of world which are at stake. -
500M 57 29 11 9 39
29 2008 Warner Bros. 27 series for 10 networks 57 39 20th Century Fox TV 20 broadcast Universal Television 2013 7 basic cable 43 original series for 16 networks* 22 for broadcast 18 basic cable 11 19 ABC Studios 2 pay cable 1 digital Growth Sony Pictures *16 new series in 2013-14 Television Fox TV Studios 2013 Emmy 9 Nominations CBS Television Studios 20th Century Fox Television Fox 21 Studios Cable series: 2013-14 20 20th Century Fox TV 15 Warner Bros. Output ABC “Modern Family” 10 Universal Television CBS “How I Met Your Mother” 7 Sony Pictures Television USA “Burn Notice” USA “White Collar” 2 ABC Studios SHO “Homeland” 2 CBS Television Studios Third-Party Broadcast series: 2013-14 Network Hits 34 Warner Bros. 22 20th Century Fox TV 18 ABC Studios 18 Universal Television 17 CBS Television Studios 11 Sony Pictures Television “American Dad” “Bob’s Burgers” “Family Guy” “Futurama” The World of “How I Met Your Mother” “King of the Hill” Off-Network “Last Man Standing” Brian Grazer & Ron Howard Dana Walden & Pipeline (2015-16) (“24,” “Arrested Development”) “Modern Family” “New Girl” (2015-16) Gary Newman “Raising Hope” Howard Gordon (2014-15) (“The X-Files,” “24,” “The Simpsons” “Homeland,” Diverse in both content and “Legends,” “Tyrant”) outlets, 20th Century Fox TV has flourished under the leadership of its chairman-CEOs. Key Exec “Angel” Producers Key Library “Buffy the Vampire Slayer” Series “King of the Hill” “MASH” “Prison Break” “Reba” “24” Seth MacFarlane “The X-Files” (“Family Guy,” More than 50 current “American Dad,” “The and -
THE BORN AGAIN IDENTITY Created by Rob Howard • David Guthrie
READ THIS SCRIPT ONLINE, BUT PLEASE DON’T PRINT OR COPY IT! THE BORN AGAIN IDENTITY Created by Rob Howard • David Guthrie © 2018 Little Big Stuff Music, LLC Running Time: 38:00 (The stage is the set of spy headquarters. It has a retro spy feel to it. A large map of Jerusalem is framed stage right. Stage left there is an easel with a large pad of paper. There is a desk toward the back with a globe on it, full of stacks of paper and folders. A science table with interesting looking beakers with colored water, and a retro looking switchboard are toward the back. Near the science table is a bird cage or perch with a few fake parrots. At the front stage left, a scribe sits at a desk with papers and a pen. Older Dee enters and approaches the desk.) (music begins to “Spies Like Us”) SCRIBE: Good morning, Dee. Or should I call you, Agent Dee? OLDER DEE: Oh, Dee is fine. Thank you. SCRIBE: Everyone loves a good spy novel. This is exciting! OLDER DEE: Writing my memoirs is not something I ever thought I’d do. Where do I begin? SCRIBE: Tell me what it was like to be a spy in Jerusalem, and I’ll start getting it down on paper. SONG: “SPIES LIKE US” (The stage comes to life as agents busy around Headquarters during the song.) verse 1 No one’s ever seen us, but you know you need us No one’s ever heard us, well maybe once Another informant, saying what’s important We do what we do for everyone chorus 1 Spies like us, we’re adventurous When it’s treacherous, we’re courageous 1 READ THIS SCRIPT ONLINE, BUT PLEASE DON’T PRINT OR COPY IT! When complications arise we’ll improvise We’re masters of disguise Spies like us, spies like us verse 2 Undercover agents, secret information Clandestine operations, it’s really fun Good versus evil, working for the people We won’t have a sequel, we’re never done chorus 2 Spies like us, we’re adventurous When it’s treacherous, we’re courageous We’re especially trained for whatever we face Every mystery we’ll explain Spies like us, spies like us (agents freeze during dialog at measure 69) SCRIBE: Let’s talk about one of your biggest cases, Dee. -
Kathy Nelson
KATHY NELSON FEATURE FILM HALF MAGIC Sid Sheinberg, Jon Sheinberg, Bill Sherinberg, The Bubble Factory prods. *Music Supervisor Heather Graham, dir. CRIES FROM SYRIA Evgeny Afineevsky, Aaron I. Butler, Den HBO Documentary Films / Afineevsky- Tolmor, prods. Tolmor Production Evgeny Afineevsky, dir. *Music Supervisor SNEAKERHEADZ David T. Friendly, Mick Partridge, prods. Friendly Films David T. Friendly, Mick Partridge, dirs. *Music Supervisor TAKE ME HOME TONIGHT Sarah Bowen, Ryan Kavanaugh, Jim Whitaker, Imagine Entertainment / Rogue Pictures prods. *Music Supervisor Michael Dowse, dir. MEGAMIND Laura Breay, Denise Nolan Cascino, prods. Dreamworks Animation / Red Hour Films Tom McGrath, dir. *Executive Music Producer SCOTT PILGRIMV. THE WORLD Edgar Wright, Nira Park, Marc Platt, Eric Universal Pictures Gitter, prods. *Music Supervisor Edgar Wright, dir. DESPICABLE ME Christopher Meledandri, Janet Healy, John Universal Pictures Cohen, prods. *Music Supervisor Pierre Coffin, Chris Renaud, dirs. PRINCE OF PERSIA: THE SANDS OF Jerry Bruckheimer, prod. TIME Mike Newell, dir. Walt Disney Pictures *Music Consultant REPO MEN Scott Stuber, prod. Universal Pictures Miguel Sapochnik, dir. *Music Supervisor GREEN ZONE Paul Greengrass, Eric Fellner, Tim Bevan, Universal Pictures Lloyd Levin, prods. *Executive in Charge of Music Paul Greengrass, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KATHY NELSON THE WOLFMAN Scott Stuber, Benicio del Toro, Rick Yorn, Universal Pictures Sean Daniel, prods. *Music Supervisor Joe Johnston, dir. IT’S COMPLICATED Nancy Meyers, Scott Rudin, prods. Universal Pictures Nancy Meyers, dir. *Music Supervisor PIRATE RADIO Tim Bevan, Eric Fellner, Hilary Bevan Jones, Universal Pictures prods. *Executive in Charge of Music Richard Curtis, dir. CIRQUE Du FREAK: THE VAMPIRE’S Ewan Leslie, Andrew Miano, Lauren Shuler ASSISSTANT Donner, Paul Weitz, prods. -
Promaxbda Honors Academy Award- and Emmy -Winning
PROMAXBDA HONORS ACADEMY AWARD- AND EMMY-WINNING PRODUCER BRIAN GRAZER WITH 2013 LIFETIME ACHIEVEMENT AWARD Conference and Award Ceremony to be held June 18-20 in Los Angeles CNN Personality Piers Morgan to interview Grazer Los Angeles, April 25, 2013 — PromaxBDA, the leading global association for marketing, promotion and design professionals working in the entertainment industry, announced today that Academy Award®-winning producer Brian Grazer will be the recipient of its prestigious PromaxBDA Lifetime Achievement Award at The Conference 2013 on June 18-20 in Los Angeles. The award will be presented during an exclusive onstage conversation with Piers Morgan, host of CNN’s Piers Morgan Live. “From Splash to Arrested Development, Brian Grazer is one of Hollywood's most renowned television producers and filmmakers, and has consistently transformed the content landscape with his innovative films and series,” said Jonathan Block-Verk, President and CEO of PromaxBDA. “His projects run the gamut of challenging society norms to showcasing historical moments to bringing us films and series that have become a part of our beloved entertainment history. We are proud to recognize him with this year’s PromaxBDA Lifetime Achievement Award.” “I’m honored to accept the 2013 PromaxBDA Lifetime Achievement Award,” said Grazer. “For the last three decades, I have been able to share my vision as a filmmaker and a producer while doing something that I truly love and for this I am grateful.” Grazer has been making movies and television programs for more than 25 years. As both a writer and producer, he has been personally nominated for four Academy Awards, and in 2002, he won the Best Picture Oscar for A Beautiful Mind. -
National Geographic Is Also Launching the Largest Global Rebrand in Its History—Along with a Radical New Approach to Content and Positioning
SPONSOR CONTENT/AD AGE MARS AND BEYOND With the premiere of its groundbreaking ‘MARS’ series, National Geographic is also launching the largest global rebrand in its history—along with a radical new approach to content and positioning. ther’ celebrates who we are as human beings, why we are here today. It’s all about the idea of further- ing knowledge, science, adventure, entertainment and exploration. At the same time, it represents what National Geographic has always stood for. When the magazine was born 128 years ago, the MOVING goal was to go further, to find places unknown to everyone else, and tell the stories and build maps. “ ‘Further’ brings us back to who we are.” For Ms. Monroe, “Further” is “more than just a tagline. It’s a call to arms, a rallying cry, an ever- shifting marker of progress. One of the things I ‘FURTHER’ love most about ‘Further’ is that, by definition, it never ends—it knows no bounds,” she says. “It conveys to viewers, readers, advertisers and cre- ators that we embody a relentless pursuit to go National Geographic is going further than ever, and Mars is the deeper, to push boundaries and to be pioneering first stop. Tonight’s global premiere of the highly anticipated “MARS” in everything we do. Internally, ‘Further’ serves series introduces a rebranded and reimagined National Geographic—an as our compass, reminding all of us at National Geographic to continually seek, to take risks, to effort several years in the making. remain restless and to never settle.” Under the new tagline “Further,” the network now gives all those assets a unified look and also Ms. -
Antinuclear Politics, Atomic Culture, and Reagan Era Foreign Policy
Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy William M. Knoblauch March 2012 © 2012 William M. Knoblauch. All Rights Reserved. 2 This dissertation titled Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy by WILLIAM M. KNOBLAUCH has been approved for the Department of History and the College of Arts and Sciences by __________________________________ Chester J. Pach Associate Professor of History __________________________________ Howard Dewald Dean, College of Arts and Sciences 3 ABSTRACT KNOBLAUCH, WILLIAM M., Ph.D., March 2012, History Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy Director of Dissertation: Chester J. Pach This dissertation examines how 1980s antinuclear activists utilized popular culture to criticize the Reagan administration’s arms buildup. The 1970s and the era of détente marked a decade-long nadir for American antinuclear activism. Ronald Reagan’s rise to the presidency in 1981 helped to usher in the “Second Cold War,” a period of reignited Cold War animosities that rekindled atomic anxiety. As the arms race escalated, antinuclear activism surged. Alongside grassroots movements, such as the nuclear freeze campaign, a unique group of antinuclear activists—including publishers, authors, directors, musicians, scientists, and celebrities—challenged Reagan’s military buildup in American mass media and popular culture. These activists included Fate of the Earth author Jonathan Schell, Day After director Nicholas Meyer, and “nuclear winter” scientific-spokesperson Carl Sagan. -
DVD List As of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret
A LIST OF THE NEWEST DVDS IS LOCATED ON THE WALL NEXT TO THE DVD SHELVES DVD list as of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret Garden, The Witches, The Neverending Story, 5 Children & It) 5 Days of War 5th Quarter, The $5 A Day 8 Mile 9 10 Minute Solution-Quick Tummy Toners 10 Minute Solution-Dance off Fat Fast 10 Minute Solution-Hot Body Boot Camp 12 Men of Christmas 12 Rounds 13 Ghosts 15 Minutes 16 Blocks 17 Again 21 21 Jumpstreet (2012) 24-Season One 25 th Anniversary Rock & Roll Hall of Fame Concerts 28 Weeks Later 30 Day Shred 30 Minutes or Less 30 Years of National Geographic Specials 40-Year-Old-Virgin, The 50/50 50 First Dates 65 Energy Blasts 13 going on 30 27 Dresses 88 Minutes 102 Minutes That Changed America 127 Hours 300 3:10 to Yuma 500 Days of Summer 9/11 Commission Report 1408 2008 Beijing Opening Ceremony 2012 2016 Obama’s America A-Team, The ABCs- Little Steps Abandoned Abandoned, The Abduction About A Boy Accepted Accidental Husband, the Across the Universe Act of Will Adaptation Adjustment Bureau, The Adventures of Sharkboy & Lavagirl in 3-D Adventures of Teddy Ruxpin-Vol 1 Adventures of TinTin, The Adventureland Aeonflux After.Life Agatha Cristie’s Poirot-The Murder of Roger Ackroyd Agatha Cristie’s Poirot-Sad Cypress Agatha Cristie’s Poirot-The Hollow Agatha Cristie’s Poirot-Five Little Pigs Agatha Cristie’s Poirot-Lord Edgeware Dies Agatha Cristie’s Poirot-Evil Under the Sun Agatha Cristie’s Poirot-Murder in Mespotamia Agatha Cristie’s Poirot-Death on the Nile Agatha Cristie’s Poirot-Taken at -
An Inside Look at the FBI's Desperate Mole Hunt EXCLUSIVES and REVELATIONS of the Theft That Steered Him Toward Little Big
5 smithsonian.com WHISPERS LIES201 November Sm it h sonian OF EXCLUSIVES AND REVELATIONS SPIES LIKE US An inside look at the FBI’s desperate mole hunt CUSTER’S HEIST The theft that steered him toward Little Big Horn RECOVERED TREASURE The greatest haul of Native American artifacts ever THE WITCHIEST WITCH The bizarre confession that ignited Salem hysteria SLAVE TRAIL OF TEARS The forgotten story of the 1,000-mile march SHOOTDOWN The pilot who came in from the cold war SMITHSONIAN.COM SECRETS OF AMERICAN HISTORY THE PHANTOM MENACE I L L U S T R A T I O N S B Y WAS A MOLE BEHIND THE JONATHAN BARTLETT S T I L L - U N E X P L A I N E D B E T R AYA L S T H E C I A SUFFERED D U R I N G ONE OF ITS MOST CATASTROPHIC YEARS? A N D I S H E ( O R S H E ) STILL OUT THERE? BY DAVID WISE SMITHSONIAN.COM SMITHSONIAN.COM Aldrich Ames’ spying (above: a London, May 17, 1985: Oleg Gordievsky note recovered from his trash) was at the pinnacle of his career. A skilled intelli- led to his arrest (above). But his gence officer, he had been promoted a few months debriefing couldn’t explain the loss of three major assets. before to rezident, or chief, of the KGB station in the British capital. Moscow seemed to have no clue he’d been secretly working for MI6, the British secret intel- ligence service, for 11 years.