From Earthlings to Martians: Season 2 of National Geographic's MARS
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Librarian As Fair Witness: a Comparison of Heinlein's Futuristic
LIBRES Library and Information Science Research Electronic Journal Volume 21, Issue 1, March 2011 Librarian as Fair Witness: A Comparison of Heinlein’s Futuristic Occupation and Today’s Evolving Information Professional Julie M. Still Paul Robeson Library Rutgers University Camden, NJ [email protected] There has been a continuing discussion in library literature on the library as place and on the image of librarians in popular media, but there is little information on the librarian as person. The discussion on librarianship as a profession tends to focus on technology and not so much the people, other than the people skills needed in reference or teaching skills needed for instruction. The worth of the individual librarian tends to get lost in the shuffle. Before we disappear into the machine, it is useful to look at other future scenarios and similar occupations, either reality based or fiction. In this particular case, it is interesting to compare librarians to those in an occupation created by a renowned science fiction author. Robert Heinlein’s Stranger in a Strange Land, his most famous and most controversial novel, is a science fiction classic. The science fiction community recognized it with a Hugo Award, and the book was the first science fiction title to be on the New York Times bestseller list (Stover, 1987, p. 45). Heinlein outlined the novel in 1949 and finished the first draft in 1955 but on the advice of his wife set it aside. It was not published until 1961. The manuscript was edited heavily and an uncut version was published in 1991. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe. -
MOLLY HUGHES Production Designer
(3/26/21) MOLLY HUGHES Production Designer www.molly-hughes.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCER “THIRTEEN LIVES” Ron Howard MGM Brian Grazer Imagine Entertainment Karen Lunder Magnolia Mae Films Gabrielle Tana “HILLBILLY ELEGY” Ron Howard Netflix Brian Grazer Imagine Entertainment Ron Howard Erica Huggins “I’M THINKING OF ENDING Charlie Kaufman Netflix Stefanie Azpiazu THINGS” Likely Story Anthony Bregman Nomination: Art Directors Guild (ADG) Award Nomination: British Film Designers Guild Production Design Award Nomination: Chicago Film Critics Association Award for Best Production Design Nomination: Georgia Film Critics Association Award for Best Production Design Nomination: North Dakota Film Society Award for Best Production Design Nomination: San Diego Film Critics Society Award for Best Production Design “AVA” Tate Taylor Freckle Films Kelly Carmichael Voltage Pictures Nicolas Chartier “THE ONE AND ONLY IVAN” Thea Sharrock Walt Disney Pictures Angelina Jolie Brigham Taylor “X-MEN: THE NEW MUTANTS” Josh Boone 20th Century Fox Simon Kinberg Marvel Entertainment Karen Rosenfelt “LOUDER THAN BOMBS” Joachim Trier Bona Fide Productions Albert Berger Ron Yerxa “FANTASTIC FOUR” Josh Trank 20th Century Fox Simon Kinberg (Additional Photography) Marvel Entertainment Hutch Parker Genre Films Matthew Vaughn “THE FAULT IN OUR STARS” Josh Boone Fox 2000 Marty Bowen Temple Hill Entertainment Wyck Godfrey “HOW AND WHY” Charlie Kaufman FX Productions Charlie Kaufman (TV Pilot) Anthony Bregman “EVERY SECRET THING” Amy Berg Hyde Park Entertainment Anthony Bregman Likely Story Frances McDormand “TWO NIGHT STAND” Max Nichols Flynn Picture Company Beau Flynn Ruben Fleischer (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (3/26/21) MOLLY HUGHES Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCER “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Frank Marshall (Supervising Art Director) Jeffrey M. -
500M 57 29 11 9 39
29 2008 Warner Bros. 27 series for 10 networks 57 39 20th Century Fox TV 20 broadcast Universal Television 2013 7 basic cable 43 original series for 16 networks* 22 for broadcast 18 basic cable 11 19 ABC Studios 2 pay cable 1 digital Growth Sony Pictures *16 new series in 2013-14 Television Fox TV Studios 2013 Emmy 9 Nominations CBS Television Studios 20th Century Fox Television Fox 21 Studios Cable series: 2013-14 20 20th Century Fox TV 15 Warner Bros. Output ABC “Modern Family” 10 Universal Television CBS “How I Met Your Mother” 7 Sony Pictures Television USA “Burn Notice” USA “White Collar” 2 ABC Studios SHO “Homeland” 2 CBS Television Studios Third-Party Broadcast series: 2013-14 Network Hits 34 Warner Bros. 22 20th Century Fox TV 18 ABC Studios 18 Universal Television 17 CBS Television Studios 11 Sony Pictures Television “American Dad” “Bob’s Burgers” “Family Guy” “Futurama” The World of “How I Met Your Mother” “King of the Hill” Off-Network “Last Man Standing” Brian Grazer & Ron Howard Dana Walden & Pipeline (2015-16) (“24,” “Arrested Development”) “Modern Family” “New Girl” (2015-16) Gary Newman “Raising Hope” Howard Gordon (2014-15) (“The X-Files,” “24,” “The Simpsons” “Homeland,” Diverse in both content and “Legends,” “Tyrant”) outlets, 20th Century Fox TV has flourished under the leadership of its chairman-CEOs. Key Exec “Angel” Producers Key Library “Buffy the Vampire Slayer” Series “King of the Hill” “MASH” “Prison Break” “Reba” “24” Seth MacFarlane “The X-Files” (“Family Guy,” More than 50 current “American Dad,” “The and -
Kathy Nelson
KATHY NELSON FEATURE FILM HALF MAGIC Sid Sheinberg, Jon Sheinberg, Bill Sherinberg, The Bubble Factory prods. *Music Supervisor Heather Graham, dir. CRIES FROM SYRIA Evgeny Afineevsky, Aaron I. Butler, Den HBO Documentary Films / Afineevsky- Tolmor, prods. Tolmor Production Evgeny Afineevsky, dir. *Music Supervisor SNEAKERHEADZ David T. Friendly, Mick Partridge, prods. Friendly Films David T. Friendly, Mick Partridge, dirs. *Music Supervisor TAKE ME HOME TONIGHT Sarah Bowen, Ryan Kavanaugh, Jim Whitaker, Imagine Entertainment / Rogue Pictures prods. *Music Supervisor Michael Dowse, dir. MEGAMIND Laura Breay, Denise Nolan Cascino, prods. Dreamworks Animation / Red Hour Films Tom McGrath, dir. *Executive Music Producer SCOTT PILGRIMV. THE WORLD Edgar Wright, Nira Park, Marc Platt, Eric Universal Pictures Gitter, prods. *Music Supervisor Edgar Wright, dir. DESPICABLE ME Christopher Meledandri, Janet Healy, John Universal Pictures Cohen, prods. *Music Supervisor Pierre Coffin, Chris Renaud, dirs. PRINCE OF PERSIA: THE SANDS OF Jerry Bruckheimer, prod. TIME Mike Newell, dir. Walt Disney Pictures *Music Consultant REPO MEN Scott Stuber, prod. Universal Pictures Miguel Sapochnik, dir. *Music Supervisor GREEN ZONE Paul Greengrass, Eric Fellner, Tim Bevan, Universal Pictures Lloyd Levin, prods. *Executive in Charge of Music Paul Greengrass, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KATHY NELSON THE WOLFMAN Scott Stuber, Benicio del Toro, Rick Yorn, Universal Pictures Sean Daniel, prods. *Music Supervisor Joe Johnston, dir. IT’S COMPLICATED Nancy Meyers, Scott Rudin, prods. Universal Pictures Nancy Meyers, dir. *Music Supervisor PIRATE RADIO Tim Bevan, Eric Fellner, Hilary Bevan Jones, Universal Pictures prods. *Executive in Charge of Music Richard Curtis, dir. CIRQUE Du FREAK: THE VAMPIRE’S Ewan Leslie, Andrew Miano, Lauren Shuler ASSISSTANT Donner, Paul Weitz, prods. -
Promaxbda Honors Academy Award- and Emmy -Winning
PROMAXBDA HONORS ACADEMY AWARD- AND EMMY-WINNING PRODUCER BRIAN GRAZER WITH 2013 LIFETIME ACHIEVEMENT AWARD Conference and Award Ceremony to be held June 18-20 in Los Angeles CNN Personality Piers Morgan to interview Grazer Los Angeles, April 25, 2013 — PromaxBDA, the leading global association for marketing, promotion and design professionals working in the entertainment industry, announced today that Academy Award®-winning producer Brian Grazer will be the recipient of its prestigious PromaxBDA Lifetime Achievement Award at The Conference 2013 on June 18-20 in Los Angeles. The award will be presented during an exclusive onstage conversation with Piers Morgan, host of CNN’s Piers Morgan Live. “From Splash to Arrested Development, Brian Grazer is one of Hollywood's most renowned television producers and filmmakers, and has consistently transformed the content landscape with his innovative films and series,” said Jonathan Block-Verk, President and CEO of PromaxBDA. “His projects run the gamut of challenging society norms to showcasing historical moments to bringing us films and series that have become a part of our beloved entertainment history. We are proud to recognize him with this year’s PromaxBDA Lifetime Achievement Award.” “I’m honored to accept the 2013 PromaxBDA Lifetime Achievement Award,” said Grazer. “For the last three decades, I have been able to share my vision as a filmmaker and a producer while doing something that I truly love and for this I am grateful.” Grazer has been making movies and television programs for more than 25 years. As both a writer and producer, he has been personally nominated for four Academy Awards, and in 2002, he won the Best Picture Oscar for A Beautiful Mind. -
Sunday Morning Grid 6/4/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/4/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Mom/Memorial PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) 2017 French Open Tennis Men’s and Women’s Fourth Round. (N) Å College Rugby 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News Rock-Park Outback Chew: Best Paid IndyCar 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program North Country ››› (R) 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Church Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Smart Fats Easy Yoga: The Secret The Path to Wealth-May Always Hungry? With Dr. Ludwig Maybe It’s You With Lauren 28 KCET 1001 Nights Bali (TVG) Bali (TVG) Edisons Biz Kid$ Biz Kid$ Motown 25 (My Music Presents) (TVG) Å Carpenters: Close to You 30 ION Jeremiah Youseff In Touch Criminal Minds (TV14) Criminal Minds (TV14) The World Is Not Enough ›› (1999) (PG-13) 34 KMEX Conexión Paid Program Netas Divinas (N) (TV14) Sor Tequila (1977, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program The Storm Warriors ›› (2009) Aaron Kwok. -
Blu-Ray Players May Play Either Dvrs Or Dvds. DVD Players Can Only Play Dvds
___ DVD 0101 - 2 Guns Rated R ___ DVD 0644 - 12 Strong Rated R ___ DVD 0100 - 12 Years A Slave Rated R ___ DVD 0645 - The 15:17 to Paris Rated PG-13 ___ DVD 0102 - 21 Jump Street Rated R ___ DVD 0314 - 22 Jump Street Rated R ___ DVR 0315 - 22 Jump Street Rated R ___ DVD 0316 - 23 Blast Rated PG-13 ___ DVD 0577 - The 33 Rated PG-13 ___ DVD 0103 - 42: The Jackie Robinson Story PG-13 ___ DVD 0964 - 101 Dalmations Rated G ___ DVR 0965 - 101 Dalmations Rated G ___ DVR 0966 - 2001: A Space Odyssey (Blu-Ray) Rated G ___ DVD 0108 - About Time Rated R ___ DVD 0107 - Abraham Lincoln: Vampire Hunter R ___ DVD 0242 - The Adjustment Bureau Rated PG-13 ___ DVD 0646 - Adrift (Based on the a True Story) PG-13 ___ DVD 0243 - The Adventures Of Tintin Rated PG ___ DVD 0706 - The Aftermath Rated R ___ DVD 0319 - Age Of Adaline Rated PG-13 Blu-Ray players may play either DVRs or DVDs. DVD players can only play DVDs. 1 | SD BTBL Descriptive Video Order Form: 2020 Catalog ___ DVR 0320 - Age Of Adaline Rated PG-13 ___ DVD 0995 - Aladdin (Animated) Rated G ___ DVR 0996 - Aladdin (Animated) Rated G ___ DVD 0997 - Aladdin (live action) Rated PG ___ DVR 0998 - Aladdin (live action) Rated PG ___ DVD 0321 - Alexander And The Terrible, Horrible, No Good, Very Bad Day Rated PG ___ DVD 0109 - Alice In Wonderland Rated PG ___ DVD 0723 - Alita: Battle Angel Rated PG-13 ___ DVR 0724 - Alita: Battle Angel Rated PG-13 ___ DVD 0725 - All Is True Rated PG-13 ___ DVD 0473 - Almost Christmas Rated PG-13 ___ DVR 0322 - Aloha (Blu-Ray) Rated PG-13 ___ DVD 0726 - Alpha Rated PG-13 ___ DVD 0111 - Alvin And The Chipmunks: The Squeakquel Rated PG ___ DVD 0110 - Alvin And The Chipmunks: Chipwrecked Rated G ___ DVD 0474 - Alvin And The Chipmunks: The Road Chip Rated PG ___ DVD 0244 - The Amazing Spider-Man Rated PG-13 Blu-Ray players may play either DVRs or DVDs. -
Academy Invites 842 to Membership
MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The -
National Geographic Is Also Launching the Largest Global Rebrand in Its History—Along with a Radical New Approach to Content and Positioning
SPONSOR CONTENT/AD AGE MARS AND BEYOND With the premiere of its groundbreaking ‘MARS’ series, National Geographic is also launching the largest global rebrand in its history—along with a radical new approach to content and positioning. ther’ celebrates who we are as human beings, why we are here today. It’s all about the idea of further- ing knowledge, science, adventure, entertainment and exploration. At the same time, it represents what National Geographic has always stood for. When the magazine was born 128 years ago, the MOVING goal was to go further, to find places unknown to everyone else, and tell the stories and build maps. “ ‘Further’ brings us back to who we are.” For Ms. Monroe, “Further” is “more than just a tagline. It’s a call to arms, a rallying cry, an ever- shifting marker of progress. One of the things I ‘FURTHER’ love most about ‘Further’ is that, by definition, it never ends—it knows no bounds,” she says. “It conveys to viewers, readers, advertisers and cre- ators that we embody a relentless pursuit to go National Geographic is going further than ever, and Mars is the deeper, to push boundaries and to be pioneering first stop. Tonight’s global premiere of the highly anticipated “MARS” in everything we do. Internally, ‘Further’ serves series introduces a rebranded and reimagined National Geographic—an as our compass, reminding all of us at National Geographic to continually seek, to take risks, to effort several years in the making. remain restless and to never settle.” Under the new tagline “Further,” the network now gives all those assets a unified look and also Ms. -
Bande-Annonce
Bande-annonce Blu-ray La haute définition est aujourd’hui une qualité plébiscitée par tout cinéphile qui se respecte et qui recherche dans le support Blu-ray un moyen de prolonger l’expérience cinéma directement chez soi. Parce que la plupart des titres sont édités dans ce format, que les distributeurs jouent sur l’apport de bonus exclusifs et que les classiques de l’âge d’or sont disponibles en haute définition, vous êtes en droit de vous demander ce qu’apporte le Blu-ray. Y a-t-il un changement visible? Quels sont les efforts fournis par les éditeurs pour rendre le Blu-ray plus attractif qu’un DVD? Et comment sont restaurés en HD les vieux films qui, depuis des années, crou- pissent sur pellicule? À travers des entretiens avec les experts du laboratoire de test de la Fnac, des rencontres avec des réalisateurs comme Louis Leterrier ou Baz Luhrmann qui ne jurent plus que par la haute définition, vous aurez un tour d’horizon de ce qu’est, en 2010, le paysage du cinéma de divertissement et de son meilleur allié: le Blu-ray. Parce que c’est une véritable révolution et qu’il est le support d’excellence qui retranscrit le mieux la touche d’un réalisateur et la qualité d’une projection en salle, le Blu-ray est le fer de lance d’une haute définition à portée de main. Comme l’année dernière, la Fnac a sélectionné, parmi la crème de la crème, les films à (re)découvrir et à ne surtout pas manquer en haute définition! LES VENDEURS DE LA FNAC Le meilleur du cinéma en Blu-ray • 3 Sommaire Tout ce qu’il faut savoir sur le Blu-ray 6 La sélection Fnac INTERVIEWS Classement par genres.