Walter Burley Griffin and Marion Mahony Griffin
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lincoln Logs Inventor John Lloyd Wright | Lemelson Center for the Study of Invention and Innovation
8/20/2019 Lincoln Logs Inventor John Lloyd Wright | Lemelson Center for the Study of Invention and Innovation An advertisement for Lincoln Logs, 1925. Courtesy of Period Paper Lincoln Logs Inventor John Lloyd Wright AUGUST 23, 2018 BY MONICA M. SMITH Yes, this popular childhood toy was designed by none other than the son of architect Frank Lloyd Wright! Years ago while conducting research for the Lemelson Center’s Invention at Play exhibition, I was surprised to learn that Lincoln Logs—one of my favorite childhood toys—were designed by John Lloyd Wright, son of world-famous architect Frank Lloyd Wright. Overshadowed by his father, John has received little attention beyond a brief 1982 biography now available online. And he certainly seemed reticent about telling his own story, instead publicly sharing only a few experiences as part of his short, impressionistic 1946 book about Frank titled My Father Who Is On Earth. https://invention.si.edu/lincoln-logs-inventor-john-lloyd-wright 1/5 8/20/2019 Lincoln Logs Inventor John Lloyd Wright | Lemelson Center for the Study of Invention and Innovation Left: John Lloyd Wright in Spring Green, Wisconsin, 1921, ICHi-173783. Right: Frank Lloyd Wright with son John Lloyd Wright, undated., i73784. Courtesy of Chicago History Museum Turns out that John was both a successful toy designer and an architect in, dare I say it, his own right. Here is a brief overview of his story, including the origins of those ever-popular Lincoln Logs. Born in 1892, John Kenneth (later changed to Lloyd) Wright was the second of Frank and Catherine Wright’s six children. -
Reciprocal Sites Membership Program
2015–2016 Frank Lloyd Wright National Reciprocal Sites Membership Program The Frank Lloyd Wright National Reciprocal Sites Program includes 30 historic sites across the United States. FLWR on your membership card indicates that you enjoy the National Reciprocal sites benefit. Benefits vary from site to site. Please check websites listed in this brochure for detailed information on each site. ALABAMA ARIZONA CALIFORNIA FLORIDA 1 Rosenbaum House 2 Taliesin West 3 Hollyhock House 4 Florida Southern College 601 RIVERVIEW DRIVE 12621 N. FRANK LLOYD WRIGHT BLVD BARNSDALL PARK 750 FRANK LLOYD WRIGHT WAY FLORENCE, AL 35630 SCOTTSDALE, AZ 85261-4430 4800 HOLLYWOOD BLVD LAKELAND, FL 33801 256.718.5050 480.860.2700 LOS ANGELES, CA 90027 863.680.4597 ROSENBAUMHOUSE.COM FRANKLLOYDWRIGHT.ORG 323.644.6269 FLSOUTHERN.EDU/FLW WRIGHTINALABAMA.COM FOR UP-TO-DATE INFORMATION BARNSDALL.ORG FOR UP-TO-DATE INFORMATION FOR UP-TO-DATE INFORMATION TOUR HOURS: 9AM–4PM FOR UP-TO-DATE INFORMATION TOUR HOURS: TOUR HOURS: BOOKSHOP HOURS: 8:30AM–6PM TOUR HOURS: THURS–SUN, 11AM–4PM OPEN ALL YEAR, EXCEPT OPEN ALL YEAR, EXCEPT TOUR TICKETS AVAILABLE AT THE THANKSGIVING, CHRISTMAS AND NEW Experience firsthand Frank Lloyd MAJOR HOLIDAYS. HOLLYHOCK HOUSE VISITOR’S CENTER YEAR’S DAY. 10AM–4PM Wright’s brilliant ability to integrate TUES–SAT, 10AM–4PM IN BARNSDALL PARK. VISITOR CENTER & GIFT SHOP HOURS: SUN, 1PM–4PM indoor and outdoor spaces at Taliesin Hollyhock House is Wright’s first 9:30AM–4:30PM West—Wright’s winter home, school The Rosenbaum House is the only Los Angeles project. Built between and studio from 1937-1959, located Discover the largest collection of Frank Lloyd Wright-designed 1919 and 1923, it represents his on 600 acres of dramatic desert. -
Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
National Register of Historic Places Registration Form This Form Is for Use in Nominating Or Requesting Determinations for Individual Properties and Districts
NPS Form 10-900 \M/IVIUJ i ^vy. (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________________ historic name Wayfarers Chapel ________________________________ other names/site number__________________________________________ 2. Location ___________________________ street & number 5755 Palos Verdes Drive South_______ NA d not for publication city or town Rancho Palos Verdes________________ NAD vicinity state California_______ code CA county Los Angeles. code 037_ zip code 90275 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this C3 nomination D request f fr*d; (termination -
Preserving Graycliff:An Examination of the Colors,Fabrics and Furniture of the Frank Lloyd Wright Designed Summer Residence of I
Figure 1. Graycliff exterior. 2001 WAG Postprints—Dallas, Texas Preserving Graycliff:An Examination of the Colors, Fabrics and Furniture of the Frank Lloyd Wright Designed Summer Residence of Isabelle Martin Pamela Kirschner Abstract Information was gathered in a study of the interior color scheme, fabrics and furni- ture of the Frank Lloyd Wright designed house Graycliff. The house is situated on a cliff overlooking Lake Erie in Derby, New York. It was designed by Wright in 1926 for Isabelle Martin, the wife of the industrialist Darwin Martin. Wright designed both freestanding and built-in furniture for the house interior and also suggested colors and fabrics. Extensive written documentation and original photographs found in the archives of the State University of New York at Buffalo have been utilized to determine the colors, materials and furniture original to the house. Physical evidence found on the remaining original furniture, moldings and upholstered pillows provides informa- tion about fi nishes, construction and show cover fabrics. Information on historic methods and materials from the period is provided for comparison with the physi- cal evidence along with scientifi c analysis of fi nishes. The conservation treatment methods are also discussed. This technical and historical information is helpful for conservators and curators to better understand the materials and construction used in Frank Lloyd Wright designs during this time period. It also promotes the proper care and conservation treatment of these objects while preserving original fi nishes and the historic intent of the house. Introduction Graycliff was the summer estate of Isabelle R. and Darwin D. Martin and is located on the cliffs above Lake Erie in Derby, New York, fourteen miles south of Buffalo. -
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy Dr John Paull [email protected] A century ago, on the 23rd of May 1912, the winning design of Canberra was announced. Soon after, two talented Chicago architects set sail for Australia. Their plan for Australia’s national capital, already named Canberra but at the time merely an empty paddock, had won first prize in an international competition which attracted 137 entries. The winning prize money for the design was a modest £1750 (McGregor, 2009). Walter Burley Griffin (1876-1937) and Marion Mahony (1871-1961) were married in the year preceding the win. Marion had nagged Walter to enter the competition, “What’s the use of thinking about a thing like this for ten years if when the time comes you don’t get it done in time!” She pointed out the practicalities: “Perhaps you can design a city in two days but the drawings take time and that falls on me” (Griffin, 1949, volume IV p.294). After the win was announced, Walter declared: “I have planned it not in a way that I expected any government in the world would accept. I have planned an ideal city - a city that meets my ideal of a city of the future” (New York Times, 1912). Marion chronicled events of their life together in a typewritten four- volume memoir of over 1600 pages (Griffin, 1949). Her memoir documents their life together and liberally reproduces personal correspondence between them and their associates. Her unpublished manuscript reveals the intensity with which she and Walter embraced the thoughts of Rudolf Steiner (1861-1925) and anthroposophy. -
Oak Park Area Visitor Guide
OAK PARK AREA VISITOR GUIDE COMMUNITIES Bellwood Berkeley Broadview Brookfield Elmwood Park Forest Park Franklin Park Hillside Maywood Melrose Park Northlake North Riverside Oak Park River Forest River Grove Riverside Schiller Park Westchester www.visitoakpark.comvisitoakpark.com | 1 OAK PARK AREA VISITORS GUIDE Table of Contents WELCOME TO THE OAK PARK AREA ..................................... 4 COMMUNITIES ....................................................................... 6 5 WAYS TO EXPERIENCE THE OAK PARK AREA ..................... 8 BEST BETS FOR EVERY SEASON ........................................... 13 OAK PARK’S BUSINESS DISTRICTS ........................................ 15 ATTRACTIONS ...................................................................... 16 ACCOMMODATIONS ............................................................ 20 EATING & DRINKING ............................................................ 22 SHOPPING ............................................................................ 34 ARTS & CULTURE .................................................................. 36 EVENT SPACES & FACILITIES ................................................ 39 LOCAL RESOURCES .............................................................. 41 TRANSPORTATION ............................................................... 46 ADVERTISER INDEX .............................................................. 47 SPRING/SUMMER 2018 EDITION Compiled & Edited By: Kevin Kilbride & Valerie Revelle Medina Visit Oak Park -
View PDF Datastream
Society of Architectural Historians University of California Press "The Century's Triumph in Lighting": The Luxfer Prism Companies and Their Contribution to Early Modern Architecture Author(s): Dietrich Neumann Source: Journal of the Society of Architectural Historians, Vol. 54, No. 1 (Mar., 1995), pp. 24-53 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991024 Accessed: 25-10-2015 18:45 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society of Architectural Historians and University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org This content downloaded from 128.148.252.35 on Sun, 25 Oct 2015 18:45:40 UTC All use subject to JSTOR Terms and Conditions "The Century'sTriumph in Lighting": The Luxfer Prism Companies and their Contributionto Early Modem Architecture medium to another, as from air to water or, in this case, glass. DIETRICH NEUMANN, BrownUniversity Throughoutthe eighteenth and nineteenth centuriesconically characterize this new prism as one of the most shaped glassesalready had been used to redirectlight into dark .L remarkable improvements of the century in its bearing rooms in basementsor in ships.5Thaddeus Hyatt, one of the on practical architecture, is to speak but mildly. -
Graycliff – a Truly American Story “In His Unshakable Optimism
Graycliff – A Truly American Story “In his unshakable optimism, messianic zeal, and pragmatic resilience, Wright was quintessentially American.” ‐ Smithsonian magazine tribute on the occasion of the 50th anniversary of the Guggenheim. Just as it is often said that Frank Lloyd Wright was truly American in spirit and style, the Graycliff story is woven out of strands that also have a truly American flavor. The American Dream, embodying the notion of opportunity for all, takes shape here in the true-to-life rags-to-riches story of Darwin Martin. The close cousin to the American Dream – the one that holds that through gumption and perseverance one may triumph – is on display as well. Perseverance, resilience, and the comeback story are all in evidence at various stages in Graycliff’s 90 years – for the Martins, for Wright himself, for the house, the region, and for the Graycliff Conservancy as an organization. Win-win relationships where all parties pragmatically get their needs met are both a hallmark of American history and culture and a defining characteristic of relationships at Graycliff where all the key players compromised a little while holding onto their defining principles in the end. One of the most enduring and distinctive American values is the lure and promise of nature, wilderness, and the frontier and the potential of new beginnings that are implicit in the purity of nature and the fresh start that movement to a new place makes possible. This is evident in both the post-retirement reboot for the Martin family at Graycliff and the property’s roots in organic architecture in which the house rose from the lands on which it sits. -
Frank Lloyd Wright: Design/Method/Theory
1 SYLLABUS FALL 2016 Frank Lloyd Wright: Design/Method/Theory INSTRUCTOR: Dr. Anthony Alofsin TIME AND PLACE: 3:30-6:300pm. Tuesday, Location: WMB 4.118 Course Unique Numbers: 00390/00485/00840/1350/1860 v1 Prerequisites Open to students throughout the university. Upper division standing for undergraduates and graduate enrollment for others. It is preferable to have a background in the history of modern architecture and completion of survey courses I and II in the School of Architecture, but not required. This course is not intended to fulfill the University’s undergraduate writing component. Course Format There are many ways to look at the history of architecture. This lecture course is intended use the work of Frank Lloyd Wright to explore his designs, methods, and the theories supporting them. While the course includes a broad over of Frank Lloyd Wright’s work, it focuses on analysis of his designs and ideas.. Students will obtain a familiarity with Wright's work, an introduction to concepts of organic design, and a synthetic definition of architectural modernism. The themes of the course will be explored through a series of analytical exercises. Examples of organic architecture by other architects may also be considered as variation interpretations of organic design. Requirements and evaluation may change as a function of the availability of graders or Teaching Assistants. Educational Objectives Using the lens of historical inquiry into architecture, this course also intends to train students in fundamental skills of critical thinking, writing, and speaking. It seeks to present a monographic, analytical approach to the work of a major cultural figure and the phenomenon of modernism; to develop effective skills of analysis through writing, oral, and visual communication; to consider and analyze different viewpoints represented in diverse cultural and historic contexts; and to gain a greater appreciation of the role of architecture in the formation of regional, natural and global identity. -
Looking for Usonia : Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes William Randall Brown Iowa State University
Masthead Logo Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 18982. https://lib.dr.iastate.edu/rtd/18982 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
A Dialogue Restored Rooms Open at Robie House
For Members of the Volume 45 : Issue 2 Summer – Fall 2018 Frank Lloyd Wright Trust Wright Angles: A DIALOGUE RESTORED ROOMS OPEN AT ROBIE HOUSE From the President & CEO In August the Trust completed phase 1 restoration of the Robie House interior, and visitors began touring the restored front entry hall, main stairway, billiard room and living room. Refreshed wall and ceiling plaster and vibrant original coloration have transformed the rooms, and the reinstallation of lighting and leaded glass windows illuminate the space with a balanced mixture of natural and incandescent light. With renewed excitement, we welcome guests from around the world to see Robie House restored to Wright’s 1910 vision. Unanimously recognized by European critics in 1930 as the precursor to international modernism, Robie House today is Photo: James Caulfield Photo: re-evaluated by contemporary audiences. A grant from the Getty The restored Robie House living room open for tours. Foundation has facilitated our preparation of a Robie House Conservation Management Plan that will establish guiding principles and policies for generations to come. A value-based assessment is part of this plan. I hope you will participate in the 2018 Board of Directors survey described on pages 10-11. John M. Rafkin, Chairman Join us on Tuesday, October 2, for the Trust’s 7th annual Robert Miller, Vice-Chair and Chair, Executive Committee Thinking into the Future: Robie House Series on Architecture, David Dunning, Treasurer Design and Ideas. This year’s speaker, Mark Sexton, will discuss Graham J. Rarity, Secretary Architect / Artist Collaborations, a hallmark of his distinguished Peter R.