'Interpreting Homer from Homer'
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
The Hercules Story Pdf, Epub, Ebook
THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious. -
Print Version of a Contribution That Appeared in G. Colesanti-‐‑M. Gior
This is the pre-print version of a contribution that appeared in G. Colesanti-M. Giordano (eds.), Submerged Literature in Ancient Greek Culture, Berlin-Boston 2014, pp. 46-60 Beyond the canon: Hellenistic scholars and their texts Abstract My paper offers a survey of the surviving evidence on the genres and authors that were the object of study in Hellenistic times. Only a limited number of texts were systematically edited and commented on in the scholarly centres of Alexandria and Pergamum; this selection goes back to choices that were originally made in fifth- and fourth century Athens, in particular by Aristotle and his school. While the bulk of the Hellenistic scholars’ work was devoted to these works, there is nonetheless some documentation regarding their interest in minor authors, non-canonical genres and in contemporary poets as well. 1. Scholars, authors and genres In this paper I would like to offer some reflections on the role played by Hellenistic philologists in choosing and arranging the texts of Greek literature as we read them today, in particular on their choice of genres and authors to study and hand on to the succeeding generations of readers and scholars. In addition, in the second part of my paper, I shall try to show how texts belonging to “submerged” or “underground” genres, which were not the direct object of scholarly work in antiquity, do sometimes resurface as quotations or parallel passages in erudite works dealing with major authors, or in compilations with miscellaneous contents. The term ‘genre’ in itself, if we look back to the early stages of Greek literary production, can engender misunderstandings, since we have the tendency to apply to an archaic culture, which was still much more oral and aural than literate, the conventions of a later society when the written word prevailed. -
Hellenistic Poetry Before Callimachus an Enquiry Into Two Lost Generations University of Liverpool, 14-15 June 2016
Hellenistic Poetry Before Callimachus An Enquiry Into Two Lost Generations University of Liverpool, 14-15 June 2016 Ewen Bowie (Oxford) Pauline LeVen (Yale) School of the Arts Library Benjamin Cartlidge (Oxford) Enrico Magnelli (Florence) 19 Abercromby Square Martine Cuypers (TCD) Thomas Nelson (Cambridge) Marco Fantuzzi (Macerata) Maria Noussia (Thessaloniki) L69 7ZG Liverpool Lucia Floridi (Milan) S. Douglas Olson (Freiburg) Marco Perale Annette Harder (Groningen) Peter Parsons (Oxford) [email protected] Richard Hunter (Cambridge) Marco Perale (Liverpool) Guendalina Taietti Gregory Hutchinson (Oxford) K. Spanoudakis (Rethymno) [email protected] Jan Kwapisz (Warsaw) Guenda Taietti (Liverpool) Jan Kwapisz Rebecca Lämmle (Basel) Agnieszka Toma (Wrocław) [email protected] Hellenistic Poetry before Callimachus An international conference at the University of Liverpool 14-15 June 2016 You who walk past my tomb, know that I am son and father of Callimachus of Cyrene. You must know both: the one led his country’s forces once, the other sang beyond the reach of envy. Callimachus, Epigram 21 Pf., tr. F.J. Nisetich Callimachus’ epitaph for the tomb of his father is notorious for how perplexingly little it says about the deceased. We are told neither his name nor profession, whereas the name that resounds loud and clear is that of the author of the epigram. This is a measure of how Callimachus outshone his father. The Greeks may have found delight in being defeated by their children (cf. Pl. Mx. 247a), yet we are less impressed. Even for the sake of Callimachus himself, would it not be rewarding to know who his father was? The epigram illustrates the broader problem we have with the poet’s closest literary ancestors. -
3Rd International Conference of the CULTRURAL+ European Network for Rural and Cultural Resilience of Remote Areas
3rd International Conference of the CULTRURAL+ European Network for Rural and Cultural Resilience of Remote Areas “Cultural valorization of rural economies: heritage, production, gastronomy, entrepreneurship” Farkadona Town Hall, Thursday, June 24th 2021 CULTRURAL+ European Network for Rural and Cultural Resilience of Remote Areas ADSUAR J. C.,1 MANZANO-REDONDO F.,2 MORENAS-MARTÍN, J.,3 DÍAZ HERNÁNDEZ M.,4 GALÁN ARROYO, M. DEL CARMEN,5 ROJO-RAMOS, J.6 1. University of Extremadura, [email protected] 2-6 University of Extremadura “Nature tourism in Spain: gender implications and sustainability” Nature tourism is increasing. It is important that tourism does not cause environmental damage, in this sense, it is necessary to look for ways to make this tourism sustainable. The aim of this study is to look at the sociodemographic characteristics of nature tourists in Spain. After analyzing more than 3000 nature tourists, it can be affirmed that there are more women than men doing this type of tourism, women who do nature tourism are younger, are in a couple, and do not have children. In general, men who do this type of tourism have a lower academic level and less income than women. Eighty-five percent of the tourists used private transportation, the second most used was the airplane (8%). These two types of transportation have a negative influence on the environment, the first step to improve the situation is to describe it as is done in this communication. It concludes by indicating that the data provided may contribute to sustainable solutions accomodating the needs of tourists according to their gender. -
Homer's Use of Myth Françoise Létoublon
Homer’s Use of Myth Françoise Létoublon Epic and Mythology The Homeric Epics are probably the oldest Greek literary texts that we have,1 and their subject is select episodes from the Trojan War. The Iliad deals with a short period in the tenth year of the war;2 the Odyssey is set in the period covered by Odysseus’ return from the war to his homeland of Ithaca, beginning with his departure from Calypso’s island after a 7-year stay. The Trojan War was actually the material for a large body of legend that formed a major part of Greek myth (see Introduction). But the narrative itself cannot be taken as a mythographic one, unlike the narrative of Hesiod (see ch. 1.3) - its purpose is not to narrate myth. Epic and myth may be closely linked, but they are not identical (see Introduction), and the distance between the two poses a particular difficulty for us as we try to negotiate the the mythological material that the narrative on the one hand tells and on the other hand only alludes to. Allusion will become a key term as we progress. The Trojan War, as a whole then, was the material dealt with in the collection of epics known as the ‘Epic Cycle’, but which the Iliad and Odyssey allude to. The Epic Cycle however does not survive except for a few fragments and short summaries by a late author, but it was an important source for classical tragedy, and for later epics that aimed to fill in the gaps left by Homer, whether in Greek - the Posthomerica of Quintus of Smyrna (maybe 3 c AD), and the Capture of Troy of Tryphiodoros (3 c AD) - or in Latin - Virgil’s Aeneid (1 c BC), or Ovid’s ‘Iliad’ in the Metamorphoses (1 c AD). -
Pronunciation Booklet
PRONUNCIATION BOOKLET Word Phonetic pronunciation (mine) What Meaning (if known) Actual sacred space or enclosure attached to a temple of ab-are-ton Abaton Asclepius where those wanting to be cured slept Acayo a-key-owe Fictional character - a Spartan soldier Greek name meaning out of step/ill-timed Acropolis ac-rop-o-liss Actual fortified part of a city, normally built on a hill Actual ancient Greek King of Athens, father of the hero Aegeus ee-gee-us Greek name meaning protection Theseus Actual Ancient Greek name given to the public open space Agora ag-or-are Greek name meaning gathering place or assembly used for markets Agrias ag-ree-us Fictional character - Alexis' father, and King of Trachis Greek name of unknown meaning Aigai ay-gay Greek name meaning place of goats Actual ancient first capital of Macedonia, now called Vergina Fictional character - Princess of Thermopylae, daughter of Greek name meaning helper and defender (can be male Alexis al-ex-us Agrias & Melina or female name) Amazonomachiai am-a-zon-e-mack-ee Plural of the battle of the Amazonomachy Portrayal of a mythical battle between the Amazons and Amazonomachy am-a-zon-e-mack-ee Amazon battle Ancient Greeks Amphissa am-f-iss-are Actual ancient city in Phocis, now known as Amfissa Greek name meaning surround Actual Ancient Greek jar or jug with two handles and a Amphora am-for-a From Greek word amphoreus meaning to bear narrow neck (singular) Amphorae am-for-i Actual plural of the Ancient Greek jars or jugs called amphora Amyntas arm-in-t-us Actual King of Macedonia Amyntas -
2RPP Contents
2RPP The Best of the Grammarians: Aristarchus of Samothrace on the Iliad Francesca Schironi https://www.press.umich.edu/8769399/best_of_the_grammarians University of Michigan Press, 2018 Contents Preface xvii 1. Main Sources and Method Followed in This Study xix 2. Other Primary Sources and Secondary Literature Used in This Study xx 3. Content, Goals, and Limitations of This Study xxiii Part 1. Aristarchus: Contexts and Sources 1.1. Aristarchus: Life, Sources, and Selection of Fragments 3 1. Aristarchus at Alexandria 3 2. The Aristarchean Tradition and the Venetus A 6 3. The Scholia Maiora to the Iliad and Erbse’s Edition 11 4. Aristarchus in the Scholia 14 4.1. Aristonicus at Work 15 4.2. Didymus at Work 18 4.3. Aristonicus versus Didymus 23 5. Selecting Aristarchus’ Fragments for This Study 26 6. Words and Content in Aristarchus’ Fragments 27 1.2. Aristarchus on Homer: Monographs, Editions, and Commentaries 30 1. Homeric Monographs 31 2. Editions (Ekdoseis) and Commentaries (Hypomnemata): The Evidence 35 2.1. Ammonius and the Homeric Ekdosis of Aristarchus 36 2.2. Ekdoseis and Hypomnemata: Different Reconstructions 38 3. The Impact of Aristarchus’ Recension on the Text of Homer 41 4. Ekdoseis and Hypomnemata: Some Tentative Conclusions 44 Part 2. Aristarchus at Work 2.1. Critical Signs: The Bridge between Edition and Commentary 49 1. The Critical Signs (σημεῖα) Used by the Alexandrians 49 2RPP The Best of the Grammarians: Aristarchus of Samothrace on the Iliad Francesca Schironi https://www.press.umich.edu/8769399/best_of_the_grammarians viiiUniversity of Michigan Press, 2018contents 2. Ekdosis, Hypomnema, and Critical Signs 52 3. -
The Homeric Epics and the Chinese Book of Songs
The Homeric Epics and the Chinese Book of Songs The Homeric Epics and the Chinese Book of Songs: Foundational Texts Compared Edited by Fritz-Heiner Mutschler The Homeric Epics and the Chinese Book of Songs: Foundational Texts Compared Edited by Fritz-Heiner Mutschler This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Fritz-Heiner Mutschler and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0400-X ISBN (13): 978-1-5275-0400-4 Contents Acknowledgments vii Conventions and Abbreviations ix Notes on Contributors xi Introduction 1 PART I. THE HISTORY OF THE TEXTS AND OF THEIR RECEPTION A. Coming into Being 1. The Formation of the Homeric Epics 15 Margalit FINKELBERG 2. The Formation of the Classic of Poetry 39 Martin KERN 3. Comparing the Comings into Being of Homeric Epic and the Shijing 73 Alexander BEECROFT B. “Philological” Reception 1. Homeric Scholarship in its Formative Stages 87 Barbara GRAZIOSI 2. Odes Scholarship in its Formative Stage 117 Achim MITTAG 3. The Beginning of Scholarship in Homeric Epic and the Odes: a Comparison 149 GAO Fengfeng / LIU Chun C. Cultural Role 1. Homer in Greek Culture from the Archaic to the Hellenistic Period 163 Glenn W. -
Heracles' Itch: an Analysis of The
The Classical Quarterly 70.1 27–42 © The Classical Association (2020). This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecom- mons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. 27 doi:10.1017/S0009838820000270 HERACLES’ ITCH: AN ANALYSIS OF THE FIRST CASE OF MALE UTERINE DISPLACEMENT IN GREEK LITERATURE* Scholars have long grappled with the nature of Heracles’ νόσος and his consequent fem- inization in Sophocles’ Women of Trachis (= Trachiniae).1 Despite being triggered by a poisonous garment,2 which acts by means of magic incantation, the evolution of Heracles’ symptoms is described as a clinical case. Yet, making sense of his feminiza- tion from a scientific perspective has proven hard.3 In this paper, I investigate the symp- toms experienced by Heracles, which Sophocles generically refers to as νόσος. The first part focusses on Sophocles’ description of erôs as a disease in Trachiniae. I then move on to dividing Heracles’ symptoms into two categories, which I will call νόσος1 and νόσος2. The erotic passion for Iole which Heracles naturally experiences in the first part of the tragedy will be denoted by νόσος1, whereas νόσος2 will refer to the * I wish to express my gratitude to Professor Gábor Betegh, Dr Sophia Connell, Dr Sean Coughlin, Dr Tiziana D’Angelo, Professor Patrick Finglass and the anonymous referee for their very helpful comments on this paper. 1 P. Biggs, ‘The disease theme in Sophocles’ Ajax, Philoctetes and Trachiniae’, CPh 61 (1966), 223– 35, at 228 underlines how Heracles’ disease deprives him of his humanity and condemns him to isolation. -
The Limit of Anoikeios Logos in Sophocles' Trachiniae the Mute Iole in Sophocles' Trachiniae Is a Fascinating Figure. Altho
The Limit of Anoikeios Logos in Sophocles’ Trachiniae The mute Iole in Sophocles’ Trachiniae is a fascinating figure. Although she is on stage for only part of the first episode (229-334), her enigmatic presence generates the major events of the drama. Commentators have often compared her with other female characters, both in the Trachiniae (Aphrodite, Deianira, the Nurse) and elsewhere (e.g. Cassandra in Aeschylus’ Agamemnon). When studied on its own, her silence has been thought to signify inter alia “the impossibility of articulating the boundlessness of her despair and isolation” (Bowra 1944: 123), “the other in the purest sense” (Wohl 1998: 48), and “the mortal problem of having to live in time without full knowledge of the past or future” (Rood 2010: 360). In this paper, I look at the use and function of language in the play from an angle that enriches the existing interpretative spectrum by examining Iole alongside Heracles on the grounds that both are liminal figures poised uneasily between mutually incompatible states of being. Their fluidity or indeterminacy, I argue, makes them adopt an anoikeios logos, a diction that in different ways is not their own in the sense that it does not issue from them as bearers of a stable (social) identity: Iole is resolutely silent, while Heracles either speaks tormented by pain and in the grip of insanity or reports another’s words. The only purposeful speech that Heracles utters is the oath that he places upon Hyllus whereby he dictates the conditions under which he, viz. Heracles, and Iole will acquire fixity and presumably (continue to) speak, albeit beyond the confines of the drama. -
Homer and the Bible in the Eyes of Ancient Interpreters
Homer and the Bible in the Eyes of Ancient Interpreters Edited by Maren R. Niehofff LEIDEN • BOSTON 2012 © 2012 Koninklijke Brill NV ISBN 978 90 04 22134 5 CONTENTS Contributors ..................................................................................................... vii SETTING THE STAGE Why Compare Homer’s Readers to Biblical Readers? ......................... 3 Maren R. Niehofff Canonising and Decanonising Homer: Reception of the Homeric Poems in Antiquity and Modernity ..................................................... 15 Margalit Finkelberg Scripture and Paideia in Late Antiquity .................................................. 29 Guy G. Stroumsa “Only God Knows the Correct Reading!” The Role of Homer, the Quran and the Bible in the Rise of Philology and Grammar ....... 43 Filippomaria Pontani GREEK-SPEAKING INTERPRETERS The Ambiguity of Signs: Critical σηµεῖα from Zenodotus to Origen ............................................................................................................ 87 Francesca Schironi Topos didaskalikos and anaphora—Two Interrelated Principles in Aristarchus’ Commentaries .................................................................... 113 René Nünlist Philo and Plutarch on Homer ..................................................................... 127 Maren R. Niehofff Philo and the Allegorical Interpretation of Homer in the Platonic Tradition (with an Emphasis on Porphyry’s De antro nympharum) ...............................................................................................