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Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circu
Author Title AR Book AR Interest Joyce, Melanie (Ls) Billy's Boy 1.6 0.5 MY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Powell, Jillian (Ls) Cage Boy: Level 5 1.9 0.5 MY Gray, Kes Oi Goat!: World Book Day 2018 2 0.5 LY Hurn, Roger (Ls) Too Hot: Level 3 2 0.5 MY Thomas, Valerie Winnie Flies Again 2 0.5 LY Thomas, Valerie Winnie Flies Again 2 0.5 LY Adams, Spike T. (Ls) Evil Ink 2.1 0.5 UY Adams, Spike T. (Ls) Snap Kick 2.1 0.5 UY Clayton, David Hell-Ride Tonight! 2.1 0.5 MY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Higson, Charlie Silverfin: The Graphic Novel 2.1 1 MY Lee, Janelle (Ls) Badu Boys Rule! 2.1 0.5 MY Orme, David Boffin Boy And The Emperor's Tomb 2.1 0.5 MY Powell, Jillian (Ls) Chip Boy 2.1 0.5 UY Tompsett, C.L. -
The Wild Hunt and the Witches' Sabbath
Hutton, R. E. (2014). The Wild Hunt and the Witches' Sabbath. Folklore, 125(2), 161-178. https://doi.org/10.1080/0015587X.2014.896968 Peer reviewed version Link to published version (if available): 10.1080/0015587X.2014.896968 Link to publication record in Explore Bristol Research PDF-document This is an Accepted Manuscript of an article published by Taylor & Francis Group in Folklore on 07/07/2015, available online: http://www.tandfonline.com/10.1080/0015587X.2014.896968 University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ 1 The Wild Hunt and the Witches’ Sabbath Ronald Hutton Abstract Recent writing on the medieval origins of the concept of the witches’ sabbath have emphasized the importance to them of beliefs in nocturnal processions or cavalcades of spirits, known in modern times by the umbrella term of the ‘Wild Hunt’. This article suggests that the modern notion of the ‘Hunt’ was created by Jacob Grimm, who conflated different medieval traditions with modern folklore. It further argues that a different approach to the study of medieval spirit processions, which confines itself to medieval and early modern sources and distinguishes between the types of procession described in them, results in different conclusions, with regard both to the character of the ‘Hunt’ and to its relationship with the sabbath. Introduction ‘In German and Celtic legend, the Wild Hunt consisted of a band of ghosts or spirits who would ride through the night. -
Japanese Folk Tale
The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai." T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1. -
Masks of Charos in Modern Greek Demotic Songs. Sources
MASKS OF CHAROS IN MODERN GREEK DEMOTIC SONGS MICHAŁ BZINKOWSKI MASKS OF CHAROS IN MODERN GREEK DEMOTIC SONGS SOURCES, REPRESENTATIONS AND CONTEXT J agiellonian U niversi ty Press Reviewer dr hab. Dariusz Brodka, prof. UJ Cover design Paweł Sepielak With the fi nancial support of the Institute of Classical Philology of the Faculty of Philology at the Jagiellonian University © Copyright by Michał Bzinkowski & Jagiellonian University Press First edition, Kraków 2017 All rights reserved No part of this book may by reprinted, or reproduced, or utilised in any form or by any electronic, mechanical, or other means now known, including photocopying and recording, or in any information storage, or retreival system without prior permission in writing from the Publishers. ISBN 978-83-233-4330-1 ISBN 978-83-233-9698-7 (e-book) www.wuj.pl Jagiellonian University Press Editorial Offi ces: Michałowskiego 9/2, 31-126 Kraków Phone: +48 12 663 23 80, +48 12 663 23 82, Fax: +48 12 663 23 83 Distribution: Phone: +48 12 631 01 97, Fax: +48 12 631 01 98 Cell Phone: +48 506 006 674, e-mail: [email protected] Bank: PEKAO SA, IBAN PL80 1240 4722 1111 0000 4856 3325 Αγγελικό και μαύρο, φως Γιώργος Σεφέρης Light, angelic and black George Seferis In Memory of my Grandparents CONTENTS Preface Charon or Charos? ......................................................................................... 9 Chapter I – Sources 1. Folk songs in nineteenth- and twentieth-century Greece .................. 15 2. Mirologia and the songs of the Underworld and Charos....................... 24 Chapter II – Representations 1. Th e Underworld of demotic songs ......................................................... 31 2. Charos in Modern Greek language ....................................................... -
Carnival Time! : Wilson Harris and the Carnivalesque
I Carnival Time! Wilson Harris and the Carnivalesque A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts in English Literature in the University of Canterbury by Paul Mountfort University of Canterbury 1993 II Here we find .... chimeras (fantastic forms combining human, animal, and vegetable elements), comic devils, jugglers performing acrobatic tricks, masquerade figures and parodical scenes - that is, purely grotesque carnival themes. Mikhail Bakhtin, Rabelais and His World One lives in and out of Carnival time since each element that masks us sustains time as its original medium of sacrifice within creation. Not only that. Original medium of theatre. One is the other's veil of timely or untimely dust. Wilson Harris,Carnival Ill Contents: Abstract IV Introduction 1 I - Carnival's Passages 11 II - 'The Scene of the Infinite Rehearsal' 43 III - 'A Limbo Stage' 70 IV - 'The Harlequin's Cloak' 99 V - 'The Climax of Carnival' 124 Appendix One: A chronology of Wilson Harris's Novels 144 Bibliography 145 IV Abstract The aim of this thesis is to contribute to the growing appreciation of the importance of carnivalesque elements in the novels of Wilson Harris. Since all reading and criticism is partial, the introduction gives a brief summary of critical approaches to this aspect of the Harris's work. Building on the insights of these critics this study presents a short festive, folkloric and literary history of carnival from its origins, thus providing background to the celebration of the festival in the present-day Caribbean. Classic carnivalesque features are listed which, though suggestive rather than exhaustive, provide guiding criteria for the readings that follow. -
October, 2011 Title Author RL Points 42509 Genetics: Unlocking The
October, 2011 Title Author RL points 42509 Genetics: unlocking the secrets of life Aaseng, Nathan 9.9 4.0 57540 Track and field (History of sports) Aaseng, Nathan 10.1 5.0 11844 True champions Aaseng, Nathan 7.5 5.0 21609 Go and come back Abelove, Joan 3.8 5.0 75505 Tobey Maguire Abraham, Philip 5.5 1.0 86936 Down the Rabbit Hole Abrahams, Peter 4.3 10.0 130987 Reality check Abrahams, Peter 4.6 9.0 69874 Cystic Fibrosis Abramovitz, Melissa 11.8 4.0 107829 Lou Gehrig's Disease Abramovitz, Melissa 10.9 4.0 69873 Chronic Fatigue Syndrome Abrams, Liesa 11.9 4.0 106418 Defining Dulcie Acampora, Paul 4.0 4.0 79634 Things fall apart Achebe, Chinua 6.2 8.0 29326 Thunder ice Acheson, Alison 4.9 5.0 6048 Leaves in October, The Ackerman, Karen 5.4 3.0 54122 Life, the Universe and everything Adams, Douglas 7.6 9.0 18830 Restaurant at the end of the Universe, The Adams, Douglas 6.1 8.0 54127 So long, and thanks for all the fish Adams, Douglas 6.9 7.0 7109 Hitchhiker's guide to the galaxy Adams, Douglas 6.6 8.0 749 Watership down Adams, Richard 6.2 25.0 731 Born free Adamson, Joy 7.3 9.0 17764 Courtyard cat Adler, C.S. 4.6 5.0 5014 Ghost brother Adler, C.S. 4.2 5.0 480 Magic of the Glits Adler, C.S. 5.5 3.0 5965 Tuna fish Thanksgiving Adler, C.S. -
The Evolution of Yōkai in Relationship to the Japanese Horror Genre
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2015 The Evolution of Yōkai in Relationship to the Japanese Horror Genre Adam J. Johnson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Japanese Studies Commons Recommended Citation Johnson, Adam J., "The Evolution of Yōkai in Relationship to the Japanese Horror Genre" (2015). Masters Theses. 207. https://doi.org/10.7275/7168837 https://scholarworks.umass.edu/masters_theses_2/207 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE EVOLUTION OF YŌKAI IN RELATIONSHIP TO THE JAPANESE HORROR GENRE A Thesis Presented by ADAM J. JOHNSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Japanese THE EVOLUTION OF YŌKAI IN RELATIONSHIP TO THE JAPANESE HORROR GENRE A Thesis Presented By ADAM J. JOHNSON Approved as to style and content by: _________________________________________________________ Amanda C. Seaman, Chair _________________________________________________________ Reiko Sono, Member _________________________________________ Stephen Miller, Director Asian Languages and Literatures _________________________________________ William Moebius, Chair Languages, Literatures, and Cultures DEDICATION To my loving family and friends who showed me what education is all about. Thank you for lending me your love and support throughout this three-year process. I have at last earned my freedom. -
PDF (Volume I)
Durham E-Theses The Y©okaiImagination of Symbolism: The Role of Japanese Ghost Imagery in late 19th & early 20th Century European Art Volumes I-III ROWE, SAMANTHA,SUE,CHRISTINA How to cite: ROWE, SAMANTHA,SUE,CHRISTINA (2015) The Y©okaiImagination of Symbolism: The Role of Japanese Ghost Imagery in late 19th & early 20th Century European Art Volumes I-III, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11477/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Yōkai Imagination of Symbolism: The Role of Japanese Ghost Imagery in late 19th & early 20th Century European Art Volumes I-III Samantha Sue Christina Rowe Volume I MA by Thesis School of Education (History of Art) University of Durham 2015 The copyright of this thesis rests with the author. No quotation from it should be published without the author's prior written consent and information derived from it should be acknowledged. -
4Ème RECOMMENDED READING LIST 2013
4ème RECOMMENDED READING LIST 2013 BOOKS THAT BITE: BANNED & CULT NOVELS Kevin Brooks Road of the Dead Nasty and edgy thriller about two teenage boys out to avenge the death of their murdered sister. A grim and challenging read. Jennifer Brown The Hate List Valerie is implicated in the after-math of a school shooting, as she helped her dead boyfriend compile the “Hate List” of murders. Melvin Burgess Junk Powerful novel about two teenagers whose lives begin to spin out of control when they discover drugs. Anthony Burgess A Clockwork Orange Burgess’s still infamous nightmare vision of youth culture in revolt, set in a dark vicious future. A definitive cult classic. Robert Cormier The Chocolate War & Beyond the Chocolate War Stunning and shocking novel about the power of gangs in school & how one small act of defiance starts a chain reaction in the school. SE Hinton The Outsiders Stunning portrayal of teenage gangs in 1960s New York. Katie Kitamura The Long Shot Brilliant look at a revenge rematch, 4 years in the making, in the violent world of mixed martial arts. Richard Matheson I Am Legend The last man on earth finds he is not alone in this acclaimed SF novel about vampires, survival and a dark vision of the future. Anthony McGowan The Knife That Killed Me Stunning thriller set in a school rife with bullying, where a boy is sucked into a gang against his will. A savage & brilliant read. David Pelzer A Child Called It Gruesome account child abuse in the 1970s and how the boy, Davy, turned his life around and became a successful motivational speaker. -
Notebooks Esteve Foundation 42
NOTEBOOKS Esteve Foundation 42 Television fiction viewed from the perspective Medicine in Television Series of medical professionals House and Medical Diagnosis. Lisa Sanders Editor: Toni de la Torre The Knick and Surgical Techniques. Leire Losa The Sopranos and Psychoanalysis. Oriol Estrada Rangil The Big Bang Theory and Asperger’s Syndrome. Ramon Cererols Breaking Bad and Methamphetamine Addiction. Patricia Robledo Mad Men and Tobacco Addiction. Joan R. Villalbí The Walking Dead and Epidemics in the Collective Imagination. Josep M. Comelles and Enrique Perdiguero Gil Angels in America, The Normal Heart and Positius: HIV and AIDS in Television Series. Aina Clotet and Marc Clotet, under the supervision of Bonaventura Clotet Nip/Tuck, Grey’s Anatomy and Plastic Surgery. María del Mar Vaquero Pérez Masters of Sex and Sexology. Helena Boadas CSI and Forensic Medicine. Adriana Farré, Marta Torrens, Josep-Eladi Baños and Magí Farré Homeland and the Emotional Sphere. Liana Vehil and Luis Lalucat Series Medicine in Television Olive Kitteridge and Depression. Oriol Estrada Rangil True Detective and the Attraction of Evil. Luis Lalucat and Liana Vehil Polseres vermelles and Cancer. Pere Gascón i Vilaplana ISBN: 978-84-945061-9-2 9 788494 506192 42 NOTEBOOKS OF THE ESTEVE Foundation Nº 42 The Walking Dead and the Collective Imaginary on Epidemics Josep M. Comelles and Enrique Perdiguero Gil If Mad Men and Breaking Bad are the two series that have taken the cable channel AMC to such great heights as its competitor, Premium HBO, this post-apocalyptic tale based on a Robert Kirkman comic depicting a world populated by zombies is the show that has brought it audiences in the millions, greater even than many free-to-air productions. -
The Influence of Traditional Japanese Theater, Culture, and Aesthetics On
STAGE AND SCREAM: THE INFLUENCE OF TRADITIONAL JAPANESE THEATER, CULTURE, AND AESTHETICS ON JAPAN’S CINEMA OF THE FANTASTIC John E. Petty, B.M. Thesis Prepared for the Degree of MASTER OF SCIENCE UNIVERSITY OF NORTH TEXAS May 2011 APPROVED: Harry Benshoff, Major Professor George Larke-Walsh, Committee Member Timothy Wilson, Committee Member William M. Tsutsui, Committee Member C. Melinda Levin, Chair of the Department of Radio, Television and Film James D. Meernik, Acting Dean of the Toulouse Graduate School Petty, John E. Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan’s Cinema of the Fantastic. Master of Science (Radio, Television and Film), May 2011, 189 pp., 42 illustrations, bibliography, 98 titles. Although widely viewed in the West, Japanese films are often misunderstood, as they are built on cultural, theatrical, and aesthetic traditions entirely foreign to Western audiences. Particularly in regards to Japan’s “fantastic” cinema – including giant monster pictures, ghost stories, and “J-Horror” films – what is often perceived as “cheap” or “cheesy” is merely an expression of these unique cultural roots. By observing and exploring such cultural artifacts as kabuki, noh, and bunraku – the traditional theatrical forms of Japan – long-standing literary traditions, deeply embedded philosophical beliefs, and even more recent developments such as the controversial dance form butoh, these films, including Gojira (1954), Daimajin (1966), Kwaidan (1964), Onibaba (1964), Testuo the Iron Man (1989), and Ju-On (2002), can be placed in their proper perspective, leading to a reevaluation of their worth not merely as commercial products, but as uniquely Japanese expressions of that society’s unique place in world culture. -
Series List 39 Clues Series 39 Clues 1. Maze of Bones by Rick Riordan 2
Series List 39 Clues Series 39 Clues 1. Maze of Bones by Rick Riordan 2. One False Note by Gordon Korman 3. The Sword Thief by Peter Lerangis 4. Beyond the Grave by Jude Watson 5. The Black Circle by Patrick Carman 6. In Too Deep by Jude Watson 7. The Viper’s Nest by Peter Lerangis 8. The Emperor’s Code by Gordon Korman 9. Storm Warning by Linda Sue Park 10. Into the Gauntlet by Margaret Peterson Haddix 11. Vespers Rising by Rick Riordan The Black Book of Buried Secrets Cahills Vs Vespers 1. The Medusa Plot by Gordon Korman 2. The King’s Ransom by Jude Watson 3. The Dead of Night by Peter Lerangis 4. Shatterproof by Roland Smith 5. Trust No One by Linda Sue Park 6. Day of Doom by David Baldacci Unstoppable 1. Nowhere to Run by Jude Watson 2. Breakaway by Jeff Hirsch 3. Countdown by Natalie Standiford 4. Flashpoint by Gordon Korman Cahill Files- E-Books 1. Operation Trinity by Clifford Riley * 2. Submarine Job by Clifford Riley * 3. Redcoat Chase by Clifford Riley * 4. Houdini Escape by Clifford Riley * 5. Silent Night by Clifford Riley (12/25/12)* Rapid Fire- e-books only 1. Legacy by Clifford Riley * 2. Ignition by Clifford Riley * 3. Hunted by Clifford Riley * 4. Crushed by Clifford Riley * 5. Turbulence by Clifford Riley * 6. Invasion by Clifford Riley * 7. Fireworks by Clifford Riley * 1 Double Cross 1. Mission Titanic by Jude Watson 2. Mission Hindenburg by Alexander London 3. Mission Hurricane by Jenny Goebel 4.