Cuatro Jinetes Sinfónicos

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Cuatro Jinetes Sinfónicos EL LITORAL www.ellitoral.com JUEVES, 30 DE NOVIEMBRE DE 2017 PRODUCCIÓN EL LITORAL ARGENTINO ® Formación reunida: Antero Manninen (miembro fundador retornado para la gira), Perttu Kivilaakso, Eicca Toppinen y Paavo Lötjönen; para la segunda parte se les sumó el baterista Mikko Sirén. FOTOS: IAA APOCALYPTICA EN EL CÍRCULO DE ROSARIO Cuatro Jinetes sinfónicos la agrupación inesa llegó al sur provincial en el marco de la gira por las dos décadas de “Plays sino por cómo sacó la onda de Metallica by Four cellos”. además del disco completo, dedicaron una segunda parte a rarezas y los ligados, arrastrar y puntos barridos de Kirk Hammett, arreglos nuevos de canciones de los californianos. sumando el pedal de wah wah a los solos. La misma energía se desplegó en “Creeping death”. IGNACIO ANDRÉS AMARILLO lo hace menos de una semana, a los que iban entrando con un sacudiendo sus melenas rubias La canción siguiente se aso- [email protected] como integrante de la banda set de guitarra acústica y loopera y repartiéndose las melodías ció con los interminables tours de Tarja Turunen) y se sumó el digital, construyendo las guita- (las originalmente vocales y del grupo en estos 21 años: fue En 1996, cuatro jóvenes “benjamín” Perttu Kivilaakso rras por capas y dibujando solos las guitarrísticas). Y los cuatro “Wherever I May Roam”, con cellistas formados en la Acade- (una cara bonita y carismática, sobre sus propias bases. Arran- armonizando los emblemáticos Eicca como solista. Topppinen mia Sibelius de Helsinki (Fin- además de un talento interpre- có con un medley de Metallica rifs. pidió aplausos para el auste- landia) pegaron el batacazo: tativo) para un trío de cellos con (a tono con la fecha) y siguió “¡Hola Rosario!”, saludó el ro Manninen, serio detrás de bajo el nombre de Apocalyp- batería a cargo de Mikko Sirén. con parte del repertorio de Joe cabeza de compañía, prome- sus gafas oscuras. “Bien hecho, tica grabaron “Plays Metallica Pero aquel material funda- Satriani, desplegando un virtuo- tiendo una noche completa lograron que se pare, quizás by Four Cellos” (centrado en cional es hoy un clásico, así que sismo reconocido por un cres- de música de Metallica, y que sonría”, bromeó el vocero del los discos más celebrados de el año pasado decidieron feste- cendo de aplausos. al ser instrumental iba a ser el grupo. Sobrevino entonces el los californianos: el por enton- jar las dos décadas con una gira público quien cante “¿Están lis- cierre del disco original, con ces reciente “Black Album” y la (que continúa hasta hoy) con lo CLÁSICOS tos?”. Ese fue el momentos para “Welcome Home (Sanita- cumbre thrashera de “Master mejor de los dos mundos: tocar Un par de minutos después “Harvester of Sorrow”, antes rium)”, Antero desplegando las of Puppets”), anticipando las el disco entero como entonces, de las 21.30 salieron los Cua- de teñirse de lilas desde las melodías y Eicca sosteniendo el fusiones entre metal y música reclutando a Manninen para tro Jinetes sinfónicos con un luces para “The Unforgiven”: arpegio principal, dejándole a académica que florecerían en completar el cuarteto, y hacer enganchado demoledor: “Enter Perttu (media cola a lo Legolas Perttu el solo más eléctrico del los años subsiguientes. Ellos un tributo más enérgico con Sandman” y “Master of Pup- y barbita) empezó a tomar un inal. eran Eino Matti “Eicca” Top- Sirén: Metallica pero por el Apo- pets” (se cantó algún “Obbey protagonismo como solista que Después de eso, y tal como pinen (el cerebro del grupo), calyptica de hoy. your Master!”) en continuado. se extendió en “Sad but True”. lo habían anunciado (“pueden Antero Manninen, Paavo Lötjö- Manninen y Lötjönen en las Ahí empezó a demostrar su ir por café con torta... o lo que nen y Max Lilja. El tiempo LA BIENVENIDA puntas, de pelo corto, sentados superación del maestro (Eicca): quieran”) salieron disparados pasó, vinieron otras búsquedas Como número de apertura en taburetes bajos, machacando no sólo por el virtuosismo que para empezar con el intervalo. musicales, Manninen y Lilja se para el combo inés, el rosarino las bases; Kivilaakso y Toppinen puede desplegar tocando para- fueron (Max pasó por El Círcu- Martín Moyano salió a recibir al centro, en asientos más altos, do y en posiciones incómodas, continúa en pág. 2.
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