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As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Sandra Araújo Martins Morais.Cdr
Os desenhos animados e as crianças. Um estudo multicaso sobre as preferências de UMinho 2008 Sandra Araújo Martins Morais desenhos animados por crianças do 1º Ciclo do Ensino Básico. Univer Instit S S Ciclo doEnsinoBásico. desenhos animadosporcriançasdo1º es Os desenhosanimadoseascrianças.Um etem a n tudo multicasosobreaspreferênciasde d b ut ro ra o deEstudosdaCriança sidade doMinho d A e 2 ra 0 0 ú 8 jo M a r ti n s M o ra is Universidade do Minho Instituto de Estudos da Criança Sandra Araújo Martins Morais Os desenhos animados e as crianças. Um estudo multicaso sobre as preferências de desenhos animados por crianças do 1º Ciclo do Ensino Básico. Tese de Mestrado em Estudos da Criança Especialização em Tecnologias de Informação e Comunicação Trabalho efectuado sob a orientação do Professor Doutor Amadeu Vinhal Gonçalves Alvarenga Setembro de 2008 É AUTORIZADA A REPRODUÇÃO INTEGRAL DESTA TESE APENAS PARA EFEITOS DE INVESTIGAÇÃO, MEDIANTE DECLARAÇÃO ESCRITA DO INTERESSADO, QUE A TAL SE COMPROMETE; Universidade do Minho, ___/___/______ Assinatura: ________________________________________________ Aos meus pais por me terem ensinado a caminhar, Ao Dalmo por me ter ensinado a sonhar, Ao meu tio João Xavier por me ter ensinado a acreditar. Agradecimentos Investigar é escolher caminhos. De todos os percursos que fomos trilhando, tomámos inúmeras opções. Desistimos de muitos trajectos, encontrámos muitos outros que nunca se haviam desenhado na nossa mente. Apesar de o processo de escolha ser intrinsecamente solitário, encontrámos sempre pessoas que nos foram de grande valia, quer a nível intelectual, quer emocional. Gostaríamos de deixar perpetuado nestas folhas o nosso agradecimento ao Professor Doutor Amadeu Alvarenga pela sua orientação, dedicação e estímulos. -
Trabajo Fin De Grado
Trabajo Fin de Grado Las series de animación dirigidas a la infancia y las representaciones del sexo y el género. Una aproximación desde el Trabajo Social. The animation shows aimed to the childhood and the sex and gender representations. An approach from Social Work. Autor/es Andrea Cebollada Latorre Director/es Antonio Eito Mateo FACULTAD DE CIENCIAS SOCIALES Y DEL TRABAJO 2017 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Infinitas gracias al incesante apoyo de mi tutor Antonio Eito, mis compañeros del grado y mi familia durante este recorrido. ÍNDICE RESUMEN .......................................................................................................................... 1 1. INTRODUCCIÓN ......................................................................................................... 2 2. OBJETIVOS ................................................................................................................. 4 3. METODOLOGÍA .......................................................................................................... 5 3.1 UNA INVESTIGACIÓN CUALITATIVA DE MATERIALES VISUALES ............................ 5 3.2 TÉCNICAS E INSTRUMENTOS PARA LA OBTENCIÓN DE INFORMACIÓN ................ 6 3.3 TÉCNICAS DE ANÁLISIS DE DATOS .......................................................................... 7 4. DOCUMENTACIÓN BIBLIOGRÁFICA........................................................................... 8 4.1 INTRODUCCIÓN ..................................................................................................... -
Big Media, Little Kids: Media Consolidation & Children's
DOCUMENT RESUME ED 475 660 PS 031 233 AUTHOR Glaubke, Christina Romano; Miller, Patti TITLE Big Media, Little Kids: Media Consolidation & Children's Television Programming. INSTITUTION Children Now, Oakland, CA. PUB DATE 2003-05-21 NOTE 17p.; Additional support provided by the Philadelphia Foundation and Atlantic Philanthropies. AVAILABLE FROM Children Now, 1212 Broadway, Suite 530, Oakland, CA 94612. Tel: 510-763-2444; Fax: 510-763-1974; e-mail: [email protected]; Web site: http://www.childrennow.org. For full text: http://www.childrennow.org/media/fcc-03/fcc-ownership-study- 05-21-03.pdf. PUB TYPE Reports Research (143) EDRS PRICE EDRS Price MF01/PC01 Plus Postage. DESCRIPTORS *Centralization; *Childrens Television; Comparative Analysis; Mergers; *Programming (Broadcast); Television Research IDENTIFIERS California (Los Angeles); Federal Communications Commission ABSTRACT The Federal Communications Commission is currently considering modifying or eliminating existing media ownership rules. Children's advocates are concerned that any changes to these rules could negatively affect the already limited amount and types of programming available for children. Children Now conducted the first study to examine the availability and diversity of children programming in an increasingly consolidated media marketplace. Los Angeles was selected as a case study for this research because it is the second largest media market in the country, and two duopolies now exist among its television stations. The study compared the children's programming schedules from 1998, when the market's seven major commercial broadcast television stations were owned by seven different companies, to 2003, after consolidation reduced the number to five. The findings suggest that changes to the current ownership policies will have a serious impact on the availability and diversity of children's programming. -
FEDERAL COMMUNICATIONS COMMISSION Three Year Review
FEDERAL COMMUNICATIONS COMMISSION MASS MEDIA BUREAU POLICY AND RULES DIVISION WASHINGTON, D.C. 20554 Three Year Review of the Implementation of the Children’s Television Rules and Guidelines 1997-1999 January 2001 Introduction 1. In 1996, the Commission revised its children’s television rules implementing the Children’s Television Act of 1990 and adopted “core” programming guidelines.1 In the Children’s Television Report and Order the Commission stated that it would monitor the broadcast industry's children's educational programming performance for three years based upon the quarterly Children's Television Programming Reports (FCC Form 398) that licensees are required to file with the Commission.2 The Commission stated that it would conduct a review of these reports at the end of this three-year period and take appropriate action as necessary to ensure that stations are complying with the rules and guidelines. To supplement this review, the Commission also directed the staff to conduct selected individual station audits during the three-year period to assess station performance under the children's educational and informational programming rules and guidelines. 2. This “Three Year Review of the Implementation of the Children’s Television Rules and Guidelines, 1997-1999” (“Report”) by the Mass Media Bureau's Policy and Industry Analysis Branch, Policy and Rules Division, provides information to the Commission regarding how the broadcasting industry is doing in the area of children’s educational and informational programming. This Report examines a large sample of stations in order to assess the industry’s performance. Areas of examination include broadcasters’ public information initiatives, aspects of the definition of programming “specifically designed” to serve children’s educational and informational needs (i.e., “core” programming), and the three-hour processing guideline. -
2001 Annual Report
wdwCovers 12/18/01 5:17 PM Page 1 The Company ANNUAL REPORT 2001 wdwCovers 12/18/01 5:17 PM Page 2 Reveta F. Bowers John E. Bryson Roy E. Disney Michael D. Eisner Judith L. Estrin Stanley P. Gold Robert A. Iger Monica C. Lozano George J. Mitchell Thomas S. Murphy Leo J. O’Donovan, S.J. Sidney Poitier Robert A.M. Stern Andrea L. Van de Kamp Raymond L. Watson Gary L. Wilson 20210F01_P01.09_v2 12/18/01 5:19 PM Page 1 The Walt Disney Company and Subsidiaries CONTENT LISTING Financial Highlights 1 Management’s Discussion and Analysis 49 Letter to Shareholders 2 Consolidated Statements of Income 60 Financial Review 10 Consolidated Balance Sheets 61 DisneyHand 14 Consolidated Statements of Cash Flows 62 Parks and Resorts 18 Consolidated Statements of Stockholders’ Equity 63 Walt Disney Imagineering 26 Notes to Consolidated Financial Statements 64 Studio Entertainment 28 Quarterly Financial Summary 77 Media Networks 36 Selected Financial Data 78 Broadcast Networks 37 Management’s Responsibility of Financial Statements 79 Cable Networks 38 Report of Independent Accountants 79 Consumer Products 44 Board of Directors and Corporate Executive Officers 80 Walt Disney International 48 FINANCIAL HIGHLIGHTS (In millions, except per share data) 2001 2000 Revenues(1) $25,256 $25,356 Segment operating income(1) 4,038 4,124 Diluted earnings per share before the cumulative effect of accounting changes, excluding restructuring and impairment charges and gain on the sale of businesses(1) 0.72 0.72 Cash flow from operations 3,048 3,755 Borrowings 9,769 9,461 Stockholders’ equity 22,672 24,100 (1) Pro forma revenues, segment operating income and earnings per share reflect the sale of Fairchild Publications, the acquisition of Infoseek, the conversion of Internet Group common stock into Disney common stock and the closure of the GO.com portal business as if these events and the adoption of SOP 00-2 had occurred at the beginning of fiscal 2000, eliminating the one-time impact of those events. -
The Weekenders Free Ebook
FREETHE WEEKENDERS EBOOK Mary Kay Andrews | 400 pages | 23 May 2016 | St Martin's Press | 9781250065940 | English | New York, United States The Weekenders: A Novel by Mary Kay Andrews, Paperback | Barnes & Noble® It is stated at least once that the four main characters are each twelve years old. The setting is the fictional town of Bahia BayCalifornia. The theme song was performed by Wayne Brady. The show lasted from February 26to February 29for 4 seasons and 76 episodes. Each episode takes The Weekenders during the weekend. Friday usually sets up the conflict for the episode, Saturday escalates or develops it, and the climactic third The Weekenders is usually what happens on Sunday. The implied "ticking clock" is used to signify that the problem must be solved before school on Monday. Unlike most children's cartoons and teenager's television programs, The Weekenders rarely touches upon The Weekenders aspects of school life. Furthermore, because The Weekenders is the weekend, the characters are not supposed to be in school, and thus they are allowed to partake in activities that are not school-related such as playing arcade games without a logical error. The Weekenders Recess chose to set the episodes during the school's designated hour of playtime for a similar effect. It should be noted, however, that in The Weekendershomework is occasionally the instigator of conflict, making some episodes related to the characters' academic lives. The episodes The Weekenders tell one story for the full-time duration as in "Nevermore," a Halloween special or two stories that each take up half of The Weekenders episode. -
The Weekenders Freedom They Have
FREE THE WEEKENDERS PDF Mary Kay Andrews | 400 pages | 23 May 2016 | St Martin's Press | 9781250065940 | English | New York, United States The Weekenders: A Novel by Mary Kay Andrews, Paperback | Barnes & Noble® Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. Large Print. Home 1 Books 2. Read an excerpt of this book! Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping The Weekenders See details. Some people stay all summer long on the idyllic island of Belle Isle, North Carolina. Riley has a season of good The Weekenders with friends and family ahead of her on Belle Isle when things take an unexpected turn. While waiting for her husband The Weekenders arrive on the ferry one Friday afternoon, Riley The Weekenders confronted by a process server who thrusts papers into her hand. And her husband is nowhere to be found. Product Details About the Author. About the Author. Hometown: Atlanta, Georgia. Date of Birth: July 27, Place of Birth: Tampa, Florida. Education: B. Related Searches. Inimitable sleuth Falco is back with a The Weekenders. One night, a man is killed and One night, a man is killed and Rome's Chief Spy left for dead. This leaves no one except Falco to conduct the The Weekenders. Soon he is plunged into the fiercely competitive world View Product. -
'TOON IN, 'TOON OUT: AMERICAN TELEVISION ANIMATION and the SHAPING of AMERICAN POPULAR CULTURE, 1948-1980 by David Perlmutt
‘TOON IN, ‘TOON OUT: AMERICAN TELEVISION ANIMATION AND THE SHAPING OF AMERICAN POPULAR CULTURE, 1948-1980 by David Perlmutter A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Joint Master’s Program – Departments of History The University of Manitoba / The University of Winnipeg Winnipeg, Manitoba, Canada Copyright © 2010 by David Perlmutter ii ABSTRACT This thesis is a systematic study of significant American television animation programs produced between 1948 and 1980, with special attention given to selected works produced by three influential studios: Hanna-Barbera, Jay Ward and Filmation. It considers how outside forces such as television network censorship, grassroots political activism, and other social and political forces served to limit how the genre developed, and the extent to which producers chose to test the limits to get their points across. It provides a discussion of masculine images in television animation of the 1950s and 1960s, and of the reactions of television animation producers to outside concerns regarding violent imagery in children’s programming, and the threat of censorship related to this, in the 1970s. My thesis demonstrates that television animation producers, as a result of the need to remain actively involved in production, were forced to change and adapt with the times around them. iii ACKNOWLEDGEMENTS I would like to thank my family and friends for supporting me through this endeavor. I have appreciated their support especially in those times when I doubted my abilities, because they never did. I particularly want to thank Professor Churchill and Professor Elvins for giving me their advice and guidance in the long and arduous process of conceiving the draft. -
Hourglass 06-17-06.Indd
TThirdhird ggraderrader CClairelaire GGrantrant ddivesives iinn aatt tthehe ffamilyamily ppoolool dduringuring tthehe CCampamp AAdventuredventure ssessionession TThursday.hursday. FForor mmoreore oonn CCampamp AAdventure,dventure, sseeee PPageage 44.. ((PhotoPhoto bbyy NNellell DDrumheller)rumheller) wwww.smdc.army.mil/KWAJ/Hourglass/hourglass.htmlww.smdc.army.mil/KWAJ/Hourglass/hourglass.html COMMENTARY What would we think of ourselves tomorrow? How many of you are old enough to have heard of and abused or is in real remember Catherine ‘Kitty’ Genovese? danger of being She was an ordinary young woman who liked music and killed? dancing. She was interested in history and liked to debate When I hear politics. She stood fi ve feet, one inch tall and weighed 105 about women being pounds. abused by their hus- In the early morning hours of March 13, 1964, she was bands or boyfriends, attacked by a man outside her Queens, New York apartment I always wonder building. He stabbed her repeatedly as she cried out for help where are the broth- over and over. Only one person in the building opened his ers, fathers, co-workers or other men in those women’s lives seventh fl oor window and yelled at her attacker. The man ran who could put a stop to it. I guarantee you, if I had a daughter off, but no one came outside to help the severely injured girl. or sister who was being abused by a husband or boyfriend, Her assailant returned and began stabbing her again. She he wouldn’t be breathing 30 seconds after I got to him. I can screamed and begged for someone to help her, but no one see how women might be afraid to do something, although came. -
Hourglass 08-19-06 .Indd
Cpl. David Yadon, left and Pvt. Tim Vecchione volunteered to work on the Enniburr School as part of a humanitarian assistance project funded by U.S. Pacifi c Command. For more, see Page 4. ((PhotoPhoto bbyy NNellell DDrumheller)rumheller) wwww.smdc.army.mil/KWAJ/Hourglass/hourglass.htmlww.smdc.army.mil/KWAJ/Hourglass/hourglass.html COMMENTARY Now I know why there’s a ‘delete’ key Since I wrote a column in the July terrorist organizations are really great 19 issue of The Hourglass defend- guys. They’re just misunderstood by us ing Israel in their fi ght with Hezbollah bad people in America and Europe. and saying that I’m part Jewish, I’ve Apparently, he believes America and received several e-mails from a person Europe are racists against all the Arabs I don’t know and really don’t care to and that’s why we support Israel. know. She says she sends this stuff I guess it couldn’t have anything to because we (meaning me I guess) at do with the fact that Israel is the only The Hourglass are misinformed about real democratic country in that part the Middle East. of the world where other religions are 750 resolutions, more than 450 have Now, my pen pal has just sent anoth- tolerated and where women have condemned Israel for one thing or er e-mail with an attached article writ- rights, aren’t treated like cattle and their another. ten by an ‘informed’ man who doesn’t husband, father or brother isn’t allowed I don’t recall that six million Arab appear to me to be living in reality. -
THE SUPERHERO BOOK SH BM 9/29/04 4:16 PM Page 668
SH BM 9/29/04 4:16 PM Page 667 Index Miss Masque, Miss Acts of Vengeance, 390 Adventure Comics #253, A Victory, Nightveil, Owl, Acy Duecey, 4478 586 A Carnival of Comics, 229 Pyroman, Rio Rita, AD Vision, 21, 135, 156 Adventure Comics #432, “A Day in the Life,” 530 Rocketman, Scarlet Adam, 97 446 (ill.) A Distant Soil, 21 Scorpion, Shade, She- Adam, Allen, 117 Adventure Comics #482, A Touch of Silver (1997), 275 Cat, Yankee Girl Adam Strange, 3–4, 317, 441, 180 (ill.) AAA Pop Comics, 323 Academy X, 650 500, 573, 587 Adventurers’ Club, 181 Aardvark-Vanaheim, 105 Acclaim Entertainment, 563, Justice League of Ameri- Adventures in Babysitting, 525 Abba and Dabba, 385 613 ca, member of, 294 Adventures into the Unknown, Abbey, Lynn, 526 Ace, 42 Adamantium, 643 434 Abbott, Bruce, 147 Ace Comics, 160, 378 Adams, Art, 16, 44–45, 107, The Adventures of Aquaman ABC See America’s Best Ace Magazines, 427 254, 503 (1968–1969), 296 Comics (ABC) Ace of Space, 440 Adams, Arthur See Adams, Art Adventures of Batman (TV ABC News, 565 Ace Periodicals, 77 Adams, Jane, 62, 509 series), 491 ABC Warriors, 441 Ace the Bat-Hound, 59, 72, Adams, Lee, 545 The Adventures of Batman and Abhay (Indian superhero), 283 402, 562 Adams, Neal, 22, 25, 26, 32, Robin (1969–1970), 56, 64 Abin Sur, 240, 582 “Aces,” 527 47, 59, 60, 94, 104, 174, The Adventures of Batman and Abner Cadaver, 416 ACG, 42 177, 237, 240, 241, 334, Robin (1994–1997), 56, 67, Abomination, 259–260, 266, Achille le Heel, 342 325, 353, 366, 374, 435, 493 577 Acolytes, 658 445, 485, 502, 503, 519, The Adventures of Bob Hope, Aboriginie Stevie, 583 Acrata (Planet DC), 282 542, 582, 635, 642 103, 502 About Comics, 194 Acrobat, 578 Adapt (Australian superhero), Adventures of Captain Africa, Abra Kadabra, 220, 575 Action #23, 550 283 378 Abrams, J.