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AJPS Reviewers 2012 the AJPS Gratefully Acknowledges These Individuals Who Completed a Review for the AJPS During 2012
AJPS Reviewers 2012 The AJPS gratefully acknowledges these individuals who completed a review for the AJPS during 2012. Reviewers are listed alphabetically. The number in the parentheses at the end of each reviewer’s name indicated the number of reviews completed in 2012. Toril Aalberg. Norwegian University of Science and Technology ( 1 ) Lene Aaroe. Aarhus University ( 1 ) Marisa Abrajano. University of California, San Diego ( 1 ) Alan I. Abramowitz. Emory University ( 2 ) Avidit R. Acharya. University of Rochester ( 1 ) James Adams. University of California, Davis ( 2 ) Brian Adams. San Diego State University ( 1 ) John S Ahlquist. University of Wisconsin, Madison ( 1 ) Amel Ahmed. University of Massachusetts ( 1 ) Faisal Ahmed. Nuffield College, Oxford University ( 1 ) Toke Aidt. Cambridge University ( 1 ) Scott H. Ainsworth. University of Georgia ( 1 ) Ericka Albaugh. Bowdoin College ( 1 ) Isabella Alcaniz. University of Maryland ( 1 ) Daniel P. Aldrich. Purdue University ( 1 ) Eduardo Aleman. University of Houston ( 1 ) Jose Aleman. Fordham University ( 1 ) Nageeb Ali. University of California, San Diego ( 1 ) Scott W. Allard. University of Chicago ( 1 ) Mahalley Allen. California State University, Chico ( 1 ) James Alt. Harvard University ( 1 ) J. Atsu Amegashie. University of Guelph ( 1 ) Leslie Anderson. University of Florida ( 1 ) Sarah Anderson. University of California, Santa Barbara ( 1 ) Josephine Andrews. University of California, Davis ( 1 ) Ben Ansell. University of Minnesota ( 1 ) Norbert Anwander. Humboldt University ( 1 ) Sarah F. Anzia. Stanford University ( 3 ) Kevin Arceneaux. Temple University ( 4 ) Philip Arena. University at Buffalo (SUNY) ( 1 ) Kenichi Ariga. Harvard University ( 1 ) Gwen Arnold. Indiana University (University of Cincinnati in Fall 2012) ( 1 ) Javier Arregui. Universitat Pompeu Fabra ( 1 ) Leonardo R. -
Wyatt Earp Von Lawrence Kasdan
Verlorene Illusionen : Wyatt Earp von Lawrence Kasdan Autor(en): Kremski, Peter Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 36 (1994) Heft 196 PDF erstellt am: 04.10.2021 Persistenter Link: http://doi.org/10.5169/seals-867088 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch • • • • • Verlorene Illusionen WYATT EARP VOn Lawrence Kasdan *«rt «r Skizze zu high noon HEAVEN'S GATE Regie: Fred Zinnemann Regie: Michael Cimino Die Biographie des legendären Gesetzeshüters Arkansas, wo er in Depressionen verfällt, zum Bild der inneren Emigration, des psychischen ein kommerzieller Flop geworden ist, erzählt der als epischer Grosswestern mit Triptychon- Sozialfall verkommt und mit dem Gesetz in Konflikt Exils. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Ross Reports Television Index
ROSS REPORTS TELEVISION INDEX SEPT 30-OCT 6, 1957 a VOLUME 9 NUMBER 40 PROGRAMS ADVERTISERS TALENT EDITOR: Jerry Leichter 551 Fifth Avenue New York I7 MUrray Hill 2-5910 PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT MIS WEEK -- NETWORK DEBUTS & HIGPITIGHTS Monday(Sertember 30) ABC- 4:30-5pm NYT, Mon thru Fri; LIVE DEBUT- Do You Trust Your Wife - LIVE from WABC-TV(NY), to the net. § Sponsors- Participating: see next Monthly Program Analyses. § Pkgr- Don Fedderson Productions(NY); Prod- Jim Morgan; Dir- Al Burton; Prog Anncr- Del Sharbutt; Writers- Roy Hammerman, Allen Robin, Cally Curtis. § Johnny Carson is star and host of the comedy -quiz program. Married couples compete as teams for a daily 4i1,000 cash prize, with thewinning couple continuing in competition until defeated. The programwas originally seen in a filmed version, starring Edgar Bergen, over the CBS net from Jan 3, 1956 thru !:arch 26, 1957. ABC- 5-5:30pm NIT; NET DEBUT - Superman- FILM from WABC-TV(NY) & WBEB(Chi) & KABC-TV(LA), 90 stations net and delayed. § Alternate Week Sponsors- 1) Hellog Co (All Cereals) thru Leo Burnett Co., Inc(Chi); Acct Exec- James B. Weber. 2) Sweets Co of America (Tootsie Rolls) thru Henry Eisen Advertising Agency(NY); Acct Exec- Henry Eisen. § Pkgr- Superman, Inc; Film Prod- Super- man Television Films, Inc., at Ziv Studios, Hollywood, Calif.; Exec Prod- Whit- ney Ellsworth; Dirs- Various; Dir of Photog- Joe Biros. § George Reeves stars in the dual role of Clark Kent, newspaper reporter, and as Superman; with Jack Larson as a cub reporter and Noel Neill as Lois Lane. -
Ilfirtwl Ilfralh X
/! ^ f Ilfirtwl Ilfralh X. •*The Bright One TWELVE PAGES ■ ^ WEEKEND INSIDE ^ ^ MANCHESTER, CONN-i SATURDAY, APRIL 24, 1976 - VQL. XCV,|io. 175 PRICE) FIFTEEN CENTS FitzGerald moves News summary to end vandalism ^ Compiled from United Press International ___ at Wickham Park State to Udall, whose hopes in the Bv SOL R. COHEN When Edith Whitcomb died in 1960, primary lie in unifying liberal the park and buildings, plus I Herald Reporter n^ajntajning them, was left HARTFORD (UPI) - A voters. In an effort to combat vandalism ________ Connecticut lawmaker has and other forms of lawlessness in Manchester and East Hartford. The called for a legislative in National “ am Park, Judge of Proba e fyag has a balance of about $4 million ^ ' if vestigation of the firings of two . Wil iam FitzGerald IS takmg steps to administered by the # WASHINGTON (U P I)-T he natural gas company workers make the park safe for the public^ Manchester Probate Court. ^ f who charged their employer Air Force has admonished He has called a meeting for 9 a.m. vandalism, harrass- another nine officers and the with improper business prac Wednesday in his office in he ^jher incidents, the park W/ ¥ / t- tices. retired commander of its space Mumcipai Building, to discuss the vehicular traffic V ' / y 'f:- Rep. Russell Reynolds, D- program for accepting enter- situation and to make tentative plans earlier this year. Now it is open from ' West Haven, Friday urged the taihment from defense con for enforcing rules there. Invited to ^ to g p.m only, at a time when legislative Regulated Ac tractors. -
2017 Texas Airport Directory
2017 TEXAS AIRPORT DIRECTORY Greg Abbott Governor of Texas TEXAS TRANSPORTATION COMMISSION Tyron D. Lewis Chair Jeff Austin III Member J. Bruce Bugg, Jr. Member Laura Ryan Member Victor Vandergriff Member James M. Bass TxDOT Executive Director David S. Fulton Director, Aviation Division ii INTRODUCTION The Texas Department of Transportation (TxDOT) offers the best wishes to you for safe and enjoyable flying to all our state's airports. This directory contains aeronautical information for approximately 400 Texas airports that are open to the public. Airports are listed alphabetically by city or town. The graphics are based on information obtained from the Federal Aviation Administration (FAA) facility records, airport owners and the TxDOT Aviation Division. TxDOT cannot assume responsibility for information contained in this directory due to the constant changes in airport conditions, services, or for any actions taken by a pilot on the basis of this information. We encourage pilots always to refer to the current FAA Airman's Information Manual, the Airport/Facility Directory, NACO Sectional Aeronautical Charts and NOTAMS. Contact the nearest Flight Service Station or airport operators to determine current airport conditions and available services, prior to each flight. Fly safely and enjoy, David S. Fulton Director Aviation Division Office Location: Telephone Number: Mailing Address: TxDOT (512) 416-4500 TxDOT Aviation Division 1-800-68-PILOT Aviation Division 150 E. Riverside Drive 1-800-687-4568 125 E. 11th Street 5th Floor, South Tower FAX (512) 416-4510 Austin, Texas 78701-2483 Austin, Texas 78704 For questions, comments, suggestions or corrections email us at: [email protected] ii iii TEXAS AVIATION ADVISORY COMMITTEE James Schwertner, Chairman Peter C. -
Billy the Kid Filmography
New Mexico Historical Review Volume 82 Number 2 Article 3 4-1-2007 Billy the Kid Filmography Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation . "Billy the Kid Filmography." New Mexico Historical Review 82, 2 (2007). https://digitalrepository.unm.edu/ nmhr/vol82/iss2/3 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Billy the Kid Filmography Billy the Kid. Directed by Laurence Trimble. Featuring: Tefft Johnson (Billy the Kid). Written by Edward J. Montagne, 1911. Probably based on the Walter Woods play. Billy the Bandit. Featuring: Billy Mason, Peggy Cartwright. Written and di rected by John Steppling, 1916. In Old Arizona. Directed by Raoul Walsh and Irving Cummings. Featuring: Warner Baxter (Cisco Kid), Edmund Lowe (Mickey Dunne), Dorothy Bur gess (Tonia Maria). Written by Tom Barry. Based on "The Caballero's Way" by O. Henry. Fox, 192 9. 99 minutes. Warner Baxter won the Academy Award for best actor for his portrayal of the charming renegade who always outwits the law. Although based on O. Henry's Billy the Kid-inspired short story, the film's hero has scant resem blance to the boy bandit. This was the first film to take sound equipment on location (Utah). Director Raoul Walsh was injured during production, los ing his right eye, and the film was finished by Irving Cummings. -
Musical Racialism and Racial Nationalism in Commercial Country Music, 1915-1953
Musical Racialism and Racial Nationalism in Commercial Country Music, 1915-1953 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Parler, Samuel Jennings. 2017. Musical Racialism and Racial Nationalism in Commercial Country Music, 1915-1953. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41140202 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Musical Racialism and Racial Nationalism in Commercial Country Music, 1915-1953 A dissertation presented by Samuel Jennings Parler to The Department of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Music Harvard University Cambridge, Massachusetts May 2017 © 2017 Samuel Jennings Parler All rights reserved. Dissertation Advisor: Professor Carol J. Oja Samuel Jennings Parler Musical Racialism and Racial Nationalism in Commercial Country Music, 1915-1953 Abstract This dissertation probes the tension between multiracial performance history and discourses of whiteness in commercial country music during its formative decades, the 1920s through the early 1950s. I argue that nonwhites were pivotal in shaping the sounds and institutions of early country music. However, new commercial technologies like radio and audio recording enabled alternative racial meanings by removing the physical presence of the performer. Industry entrepreneurs exploited this fact to profess the music’s whiteness for commercial gain. -
Worldviews and the American West: the Life of the Place Itself
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2000 Worldviews and the American West: The Life of the Place Itself Polly Stewart Steve Siporin C. W. Sullivan III Suzi Jones Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons, and the Social and Cultural Anthropology Commons Recommended Citation Stewart, P. (2000). Worldviews and the American West: The life of the place itself. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Worldviews and the American West The Life of the Place Itself Worldviews and the American West The Life of the Place Itself Edited by Polly Stewart, Steve Siporin, C. W. Sullivan III, and Suzi Jones Utah State University Press Logan, Utah ISBN 0-87421-456-4 (E-BOOK) Utah State University Press Logan, Utah 84322–7800 Copyright © 2000 Utah State University Press All rights reserved “Faith of Our Fathers” by George Venn is printed by permission of the author. Copyright © 2000 George Venn “Icons of Immortality: Forest Lawn and the American Way of Death” by Elliott Oring is reprinted by permission of the author. It originally appeared, in slightly different form, as “Forest Lawn and the Iconography of American Death,” Southwest Folklore 6, no. 1 [1985]. Copyright © 1979 Elliott Oring. “John Campbell’s Adventure, and the Ecology of Story,” by Jarold Ramsey is reprinted by permission from Northwest Review 29 (1991). -
"Official Results" Class/Div: 1000 14 Entries Class Racing Overall Vehicle Finish Nbr Finish Laps Checks Elapsed Time Points Dor/ Riders Brand Sponsors
Page 1 of 52 Vegas to Reno Las Vegas, NV August 13, 2021 Team - All Classes - All Entries "Official Results" Class/Div: 1000 14 Entries Class Racing Overall Vehicle Finish Nbr Finish Laps Checks Elapsed Time Points DoR/ Riders Brand Sponsors 1 10451 4 08:48:16.173 90 Matt Rusich (25) Riverside, CA ES MotorsportsES MOTORSPORTS, VALLEY KIA, HI-LINE Robbie Foster (27) Riverside, CA MOTORSPORTS, MYERS ELECTRIC COMPANY, NORDIC BOATS, RACELINE, KING, KARTEK, Justin Barry (40) Riverside, CA BAJA DESIGNS, TRI-ACE TIRES, ACOTH Eric Stewart (40) Riverside, CA 2 10241 4 08:53:56.280 86 Wheeler Morgan (38) Brawley, CA Raceco Reed's Automotive, JB Wholesale Roofing and Building Supply Co., BF Goodrich Tires 3 10111 4 09:13:11.240 83 John Van Hattem (40) Loveland, CO Custom Pico Motorsports, Syracuse Dairy, Podium Prep Jason Dudley (42) Riverside, CA Services,Fullmer Cattle, Superior Livestock John Te Velde (42) Syracuse, KS Patrick Hardesty (38) Milliken, CO 4 10051 4 09:21:11.957 81 Mason Cullen (22) Long Beach, CA Alumi Craft F&L Racing Fuels, BFGoodrich, Method, Fox, Matt Cullen (54) Long Beach, CA Heatwave, Baja Designs Brian Busby (51) San Jua Capistrano, CA Matthew Moulton (30) Quartz Hill, CA 5 10691 4 09:29:04.187 80 Bret Jeffers (54) Hesperia, CA Alumi Craft PPG, BFG, MartinAuto Color, Foothill Auto Body Dennis Carrillo (55) Hesperia, CA 6 10751 4 09:37:43.533 79 Preston Brigman (35) Lehi, UT Alumi Craft Alumacraft, BFG Mach 1Race Prep, FXconstruction Trevor Rasmussen (39) Highland, UT Cody . Johnson (31) Porter, TX Kyler Christianson (26) Spanish Fork, UT 7 10981 4 09:51:28.978 78 Dane Miller (18) Emigration Canyon, UT Custom MD MOTORSPORTS Dustin Miller (42) Salt Lake City, UT Ian Miller (14) Salt Lake City, Michael Blakely (26) Provo, 8 10531 4 09:59:35.478 77 Brian. -
Music in GUNSMOKE Half-Hour Seasons (Bernard Herrmann, Jerry Goldsmith, Fred Steiner Etc)
Music in GUNSMOKE Half-Hour Seasons (Bernard Herrmann, Jerry Goldsmith, Fred Steiner etc) PART I [End of Season 2 thru End of Season Five] NOTE: Unless otherwise indicated as another composer, music is by Bernard Herrmann. While I will specifically focus on Herrmann's music, I will nevertheless concentrate on the music of other composers later in the series. It was not until Season Five that original scores were commissioned for the series, starting with "Brother Whelp" (airdate November 7, 1959) by Paul Dunlap. Up to then only CBS Music Library so-called "stock music" was used. http://www.filmscorerundowns.net/other/cbs_collection.pdf As I wrote in my paper on the CBS Collection (see blue link immediately above), much of the music in the early seasons was largely a collection of mood titles or other descriptive names. The music editor(s) would then insert the music as he saw fit. Principal composers then first were Lucien Moraweck (such as CBS cue #312 "Tension on the Trail" muted horn at 21 seconds), Rene Garriguenc, Fred Steiner, Jerry Goldsmith and others, soon followed by early 1957 with Bernard Herrmann. The various suites Herrmann composed (summer 1957) such as Police Force cues, so-called Climax and Indian Suite and Western Saga (etc) did not really begin until the Fall 1957-Spring 1958 season (CBS Library VIII). This would equate in Gunsmoke with its third season. I have no information available that I could find regarding what music was used in Season One of Gunsmoke. Officially the CBS Music Library for television did not really establish itself until the 2nd season (CBS Library VII, 1967-1957 season). -
Production Notes
LAWLESS PRODUCTION NOTES LAWLESS PRODUCTION NOTES • Front Credits – page 2 • Synopsis – page 5 • About the Production – page 7 • Cast Biographies – page 20 • Crew Biographies – page 27 • End credits – page 33 CREDITS 1 THE WEINSTEIN COMPANY/YUK FILMS AND BENAROYA PICTURES PRESENTS AN ANNAPURNA PICTURES PRODUCTION A DOUGLAS WICK/LUCY FISHER PRODUCTION A BLUMHANSONALLEN FILMS PRODUCTION SHIA LaBEOUF TOM HARDY GARY OLDMAN MIA WASIKOWSKA JESSICA CHASTAIN JASON CLARKE DANE DeHAAN and GUY PEARCE Screenplay By NICK CAVE Directed By JOHN HILLCOAT Based on the book “The Wettest County In The World” by Matt Bondurant PRODUCED BY Douglas Wick, p.g.a. Lucy Fisher, p.g.a. PRODUCED BY Megan Ellison 2 PRODUCED BY Michael Benaroya EXECUTIVE PRODUCER Dany Wolf EXECUTIVE PRODUCERS Rachel Shane Jason Blum Scott Hanson EXECUTIVE PRODUCERS Cassian Elwes Laura Rister EXECUTIVE PRODUCERS Robert Ogden Barnum Ted Schipper EXECUTIVE PRODUCERS Randy Manis Ben Sachs DIRECTOR OF PHOTOGRAPHY Benoit Delhomme, AFC PRODUCTION DESIGNER Chris Kennedy EDITED BY Dylan Tichenor, ACE COSTUME DESIGNER Margot Wilson MUSIC BY Nick Cave Warren Ellis MUSIC SUPERVISORS David Sardy Jordan Tappis CASTING BY Francine Maisler C.S.A. Kathleen Driscoll-Mohler 3 CO - PRODUCERS John Allen Matthew Budman CO - EXECUTIVE PRODUCERS Clayton Young James Lejsek SYNOPSIS ‘We control the fear, you understand? Without the fear, we are all good as dead.’ 4 Acclaimed director John Hillcoat (THE ROAD, THE PROPOSITION) delivers a thrillingly vivid slice of American outlaw history in his epic gangster tale, LAWLESS. LAWLESS is the true story of the infamous Bondurant Brothers: three bootlegging siblings who made a run for the American Dream in Prohibition-era Virginia.