Gunsmoke Episode Summaries: Unless Otherwise Noted the Below Episode Summaries Were Provided by R
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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Gunsmoke: an Investigation of Conversational Implicature and Guns & Ammo Magazine
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine Kerry Lynn Winn Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric and Composition Commons Recommended Citation Winn, Kerry Lynn, "Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine" (2002). Theses Digitization Project. 2069. https://scholarworks.lib.csusb.edu/etd-project/2069 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Kerry Lynn Winn March 2002 GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino by Kerry Lynn Winn March 2002 Approved by: Ph . D . , I Chair, Sunny Hyon English Date Rong Chen, Ph.D. ABSTRACT In the United States, numerous citizens fear that their Second Amendment right to bear arms will be obliterated. One text that discusses this issue is a popular gun enthusiast's magazine. Guns & Ammo. I will analyze this magazine's content through linguistics, particularly Grice's implicature. As a result I hope it will give me a better viewpoint of the gun community's perspective regarding firearms. -
Miriam Colón-Valle Doctor of Humane Letters As a Lifetime Advocate For
Miriam Colón-Valle Doctor of Humane Letters As a lifetime advocate for equitable access to the arts, the founder of the Puerto Rican Traveling Theater, and a trailblazing stage, film, and television actress, you, Miriam Colón-Valle, are a true Latina icon. Born and raised in Ponce, Puerto Rico, you started in the theater at the age of 12, and in just three short years, you landed your first feature film role, as Lolita in Los peloteros, or The Ball Players. The movie was a production of the civic-minded DIVEDCO, the Division of Community Education of Puerto Rico, a program that sought to stimulate artistic production. At the urging of your teachers and mentors, you moved to New York City to further your training and gained admission to the Actors Studio after a single audition before famed actor-directors Elia Kazan and Lee Strasberg. Your stage credits include performances on Broadway and at Minneapolis’s Guthrie Theater and Los Angeles’s Mark Taper Forum. Your long list of Hollywood credits includes the television series Bonanza, Gunsmoke, and NYPD Blue, as well as the films One-Eyed Jacks and The Appaloosa, both opposite Marlon Brando. You also played Mama Montana in Brian De Palma’s Scarface, starring Al Pacino, and had memorable roles in John Sayles’s Lone Star and City of Hope, Sydney Pollack’s Sabrina, and Billy Bob Thornton’s All the Pretty Horses. More recently, you were honored with the Imagen Award for your title role in 2013’s Bless Me, Última, Carl Franklin’s adaptation of the classic Chicano novel by Rudolfo Anaya. -
Engineers News
OPERA ~.-.; · NG ·ENGINEERS . LOC,Al 3 STATIONARY ENGINEERS lOCAl -39 I VOL a-No; 5 .-:D SAN FRANCISCO, CALif. -- Mav 15. 1950 --------------------~--~~--------~------------------------ .. Members Must ~ ' .... ~- . .. I I Have :O.nJy ,' State. ... f Dis~bility Plan t ByP. E:VANDEWARI{ . I Assistant Local Union. ·Manager .Again it is 1iec'essary to call. at ROOSEVELT, MltLER GET .FULL AFL BACKING; ~e ntion to the brothers that · a · re DISTRICT CONGRESSMEN ARE ENDORSED jlewed drive· is being made · upon California voters will go to the polls on June 6 to vote on ~he_ private ~nsura;nce - companj.ei\i , jobs, a matter carrying disability insurance -plans· I vital to the daily comfort and year-round se Calling for ·cancellatio.n of ·· such curity for themselves and.Jheil" families and now being loudly IJlaus. · · championed by candidates for public office. Bu~iness representatives of. the The stat.e's bigg.est labor organi- orgal)ization . will again. be calling I' upon Bew:are Th;s Vici,.ftus zation, a million-member chunk of . you to . sign. a release, which . ..,. U U H nn.; the American Federation of Labor, will be .presented to your employ- ENGINEERS BRING WATER-Shown ubove· at the grcund-b:reaking believes that James Roosevelt, eld- ei· 0 , if you are covered by a· private of a $12 million water pipeline project are union and city officials. B~ est son of the late great FDR, hi'S irsurance t H plan ana have- not al- : B~o. Victor Swanson, business manager of Loca.} 3, is seMnd :from . ;OW ·. ous~ng the most praetical solutions to the , rea a. -
The Escape! Radio Program Dee-Scription: Home >> D D Too Home >> Radio Logs >> Escape!
The Escape! Radio Program Dee-Scription: Home >> D D Too Home >> Radio Logs >> Escape! Background Dramas of escape, romance and adventure comprised a great deal of the drama anthologies during the Golden Age of Radio. One might well make the argument that adventure dramas broadcast over one canon or another throughout the era were among the top five most popular genres of the era. They also found their way into any number of adventure productions, a sampling of which follow: 1930 World Adventures 1931 Strange Adventure 1932 Bring'em Back Alive 1932 Captain Diamond’s Adventures 1932 Captain Jack 1932 The Elgin Adventurer's Club 1932 World Adventurer's Club 1933 The Stamp Adventurer’s Club 1935 The Desert Kid 1935 Magic Island 1937 The Cruise of The Poll Parrot 1937 True Adventures 1937 Your Adventurers 1939 Imperial Intrigue 1939 The Order of Adventurers 1940 Thrills and Romance 1941 Adventure Stories 1942 Road to Danger 1942 The Whistler 1943 Escape From . 1943 Foreign Assignment 1943 Romance 1944 Adventure Ahead 1944 Dangerously Yours 1944 Stories of Escape 1944 The Man Called 'X' 1944 Vicks Matinee Theater 1945 Adventure 1946 Tales of Adventure 1947 Adventure Parade 1947 Escape! 1947 High Adventure 1947 The Adventurer's Club 1948 This Is Adventure 1949 Dangerous Assignment 1950 Stand By for Adventure 1952 Escape with Me 1953 The Adventurer 1974 CBS Radio Mystery Theater 1977 General Mills Radio Adventure Theater 1977 CBS Radio Adventure Theater Announcement of Escape to air in the summer of 1947 During an era when the word 'romance' still implied adventure as well as emotional and physical passion, the words 'romance' and 'adventure' were often viewed as synonymous with each other in the titles of hundreds of Radio canons of both the earliest and latest Golden Age Radio broadcasts. -
Broadway's My Beat Naming Standard
Broadway’s My Beat Anthology Broadway Is My Beat ..................................................................................................................... 1 From Wikipedia, the free encyclopedia .......................................................................................... 1 Broadway Is My Beat Special Edition ............................................................................................ 2 eBay Offering: The other "Beat" .................................................................................................... 2 Pre-emptive Events: ........................................................................................................................ 3 Radios Census ................................................................................................................................. 3 "Broadway is My Beat" Streeter Click .......................................................................................... 3 OLD RADIO TIMES ...................................................................................................................... 4 Broadway's My Beat Cast and Crew .............................................................................................. 5 From Times Square to Columbus Circle ........................................................................................ 6 Broadway Is My Beat From Wikipedia, the free encyclopedia Anthony Ross as Detective Danny Clover in Broadway Is My Beat Broadway Is My Beat, a radio crime drama, ran on CBS from February -
DRAGNET the Big Blast
CD 8A: “The Big Hands” - 11/22/1951 Who strangled a well-to-do woman in a cheap hotel? DRAGNET CD 8B: “The Big Affair” - 11/29/1951 Friday and Romero investigate a violent jewel robbery. The Big Blast CD 9A: “The Big Canaries” - 12/06/1951 A forty-year-old divorcee with a sixteen-year-old daughter Program Guide by Elizabeth McLeod has been murdered. Jack Webb Whenever vintage radio or television programs come up for discussion, Dragnet CD 9B: “The Big Overtime” - 12/13/1951 always stands out as broadcast media’s ultimate accomplishment in police Kidnappers hold a banker’s daughter for $30,000 ransom. procedural drama. There is a long line of subsequent programs, right down to the present day, owing a great debt to Jack Webb’s laconic, methodical exploration CD 10A: “The Big Red - Part One” - 01/03/1952 of the daily routine of a typical Los Angeles plainclothes cop. From the premiere Friday infiltrates a major heroin operation. of the radio series in the fall of 1949 to the final network broadcast of the television spin-off in 1970, Jack Webb’s vision shaped how Americans looked CD 10B: “The Big Red - Part Two” - 01/10/1952 at law enforcement. Operating undercover, Friday brings down a heroin ring. Jack Webb (the man) was so inextricably linked to Joe Friday (the character), and Webb’s distinctive approach to acting and directing so indelibly marked ev- ery aspect of Dragnet’s production and presentation, that it’s easy to consider him a unique, singular talent -- perhaps even on a level com- Elizabeth McLeod is a journalist, author, and broadcast historian. -
HERRMANN MUSIC in HAVE GUN WILL TRAVEL and OTHER CLASSIC CBS TELEVISION SERIES by Bill Wrobel
HERRMANN MUSIC IN HAVE GUN WILL TRAVEL AND OTHER CLASSIC CBS TELEVISION SERIES By Bill Wrobel [April 2006 1st draft but some material added June 13, 2007 for Rawhide & Perry Mason] Have you ever watched the old classic CBS series such as Have Gun Will Travel, Gunsmoke, Rawhide, Perry Mason, and Twilight Zone and ever wondered how much of Bernard Herrmann’s music you heard in various episodes? I remember when I was seven years old and watched Paladin on Saturday nights for its first season run. While I was still not cognizant at the time of whom Bernard Herrmann was by name, I recall the excitement I felt watching the show (westerns were big, so to speak, or very popular at that general period on American television). I particularly liked Paladin, and then Matt Dillon (Gunsmoke). I also associated the CBS series with pleasure because of the music heard. I did not know Herrmann’s name because no credits were given at the end of the episodes (since the music was a collection of so-called “stock music” cues from various composers edited into each episode). But even back at that young age I felt drawn to the music. Let’s focus first on the Have Gun Will Travel series since the first three seasons (as I write this paper) are now available on dvd. Now: Bernard Herrmann did indeed write an original score for the pilot episode of Have Gun Will Travel starring Richard Boone perfectly cast as Paladin (although I heard, true or not, that Randolph Scott was first offered the role). -
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence. -
DEFENSE ATTORNEY Jim Nelson 09-11-52
defense.qxd:8 pg. Booklet 5/10/11 1:35 PM Page 1 CD 5 George Baughman 08-28-52 DEFENSE ATTORNEY Jim Nelson 09-11-52 CD 6 Program Guide by Jack French Thomas Kennedy and Jethro Lester 09-18-52 Defense Attorney was supposed to debut on NBC, but it premiered on Edith Larkin 10-09-52 ABC. The productions were planned for a New York City studio, but all of the programs were produced in Hollywood. The intent was for the radio version to evolve into a television series, but that never came to fruition. Nevertheless, in the year and a half that it was on the air, the series captivated listeners, attracted reputable sponsors, and garnered awards for itself and its star. Radio producer Don Sharpe was responsible for packaging this show (originally called The Defense Rests ). He produced an audition record in April of 1951, and obtained a tentative agreement from NBC to air the show that summer. But by May, NBC had begun a belt-tightening policy designed to get more work out of their New York berthed directors and production staff. NBC required that their summer replacement programs originate in Manhattan, not the West Coast, since the latter would necessitate hiring additional staffers. The two leads in Mercedes McCambridge the program, Mercedes McCambridge (as Marty Ellis Bryant) and Howard Jack French has been researching radio history for over 30 years. His book Culver (as Judson Barnes), “Private Eyelashes: Radio’s Lady Detectives” won the Agatha Award for were radio veterans, but Best Non-Fiction and is available through Radio Spirits. -
Wild Bill Hickok T 13 Contemporary Portrait of a Civil War Hero
Wild Bill Hickok T[13 Contemporary Portrait of a Ci vil War Hero EDWARD 'NI GHT 'L N NEW HAMPS HIRE 1 959 THE HILLS IDE PRES S , FRAN I . , ORIGINS OF A LEGEND REC OLLEC TIONS O F AN ARMY SC OUT THE V AGUEST THOUGHT IS LIGHTNING FAST AN APPOINTMENT IN ABILENE HOW TO PLAY A DEAD MAN ’ S HAND BIBLIOGRAPHY ORIGINS OF A LEGEND ' Journalists have occasionally given life to a r tall sto y that has defied all scholarly correction . This appears to have been the case in what “ ” Wil liam M acL eod Raine has called the myth of Wild Bill Hickok . In Guns of the F rontier Raine takes a fairly dim ill View of the character of Wild B . According to him this Civil War hero , army scout and frontier marshal , was a liar, a braggart and , on at least one - A occasion , a cold blooded murderer . large part of this indictment was based upon an account of a gun -fight at Rock Creek Ranch in the Nebraska Territory . The story was supposed to have been told to Colonel George W . Nichols by Wild Bill himself . It was published with other material on ’ ’ Hi ckok s Civil War experiences in Harper s New ’ Monthl Ma azine 1867 . Ni chols y g for February, In version of the Rock Creek fight , Hickok appeared to be a liar on a number of counts . Raine referred “ ” to this particular tissue of falsehoods as being Neb a His tor Ma azine 1 exploded in the r ska y g in 927 . -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of Volume 56 Summer 2010 Number 3 • The Number Journal of San Diego History 56 Summer 2010 Volume San Diego History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; PRESERVE A SAN DIEGO TREASURE membership dues; admissions; shop sales; and rights and reproduction fees. Your $100 contribution will help to create an endowment for Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The Journal of San Diego History The paper in the publication meets the minimum requirements of American Please make your check payable to The San Diego Foundation. Indicate on National Standard for Information Science-Permanence of Paper for Printed the bottom of your check that your donation is for The Journal of San Diego Library Materials, ANSI Z39.48-1984. History Fund. The San Diego Foundation accepts contributions of $100 and up. Your contribution is tax-deductible. The San Diego Foundation 2508 Historic Decatur Road, Suite 200 San Diego, CA 92106 (619) 235-2300 or (858) 385-1595 [email protected] Cover: Earliest known sketch from the perspective of Presidio Hill showing the presidio ruins, Mission Valley, the San Diego River emptying into San Diego Bay, Old Town, and Point Loma drawn by William Birch McMurtrie, artist on board the U.S.