From the Via Latina Tombs to the Caffarella Valley
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Mix of Meanings in the Catacombs
The Significance of the Mix of Pagan and Christian Subject Matter in the via Latina Catacombs The via Latina Catacombs in Rome contain wall paintings whose subject matter ranges widely between scriptural, non-scriptural, professional and personal portrayals and icons. As an index of cultural shift in pre-Constantinian Rome, the funerary art in the catacombs provides a way of understanding how pagan religious icons became appropriated and reloaded with Christian significations. Whereas the society above ground remained faithful to the second commandment’s injunction against the production of graven images, the artwork on the walls below show a prolific and unfettered quoting of biblical metaphors cast amidst pagan forms that help to set the stage for shaping the new paradigm of Christian art. In the arcosolium of cubiculum E birds dominate the front-facing panel. Their outlines fill out and gently taper downward, draping around the arch opening. The peacocks reveal luxuriously drawn tail feathers as they sit on either side of a large vase overflowing with flowers. For pagans, birds represented the human soul, which would rise toward the heavens at the end of its earthly tenure. Peacocks bestriding the vase would have signified comfort, sustenance and repose, which, in turn would point to how the deceased would be treated in this place going forward. Christians families burying their dead had up to that point a relatively restricted iconographic palette from which to draw their funerary art. In this new conception they would see in the peacocks a correlate to the dove of peace, the symbol of Christ. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
C HAPTER THREE Dissertation I on the Waters and Aqueducts Of
Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. Evans http://www.press.umich.edu/titleDetailDesc.do?id=17141, The University of Michigan Press C HAPTER THREE Dissertation I on the Waters and Aqueducts of Ancient Rome o the distinguished Giovanni Lucio of Trau, Raffaello Fabretti, son of T Gaspare, of Urbino, sends greetings. 1. introduction Thanks to your interest in my behalf, the things I wrote to you earlier about the aqueducts I observed around the Anio River do not at all dis- please me. You have in›uenced my diligence by your expressions of praise, both in your own name and in the names of your most learned friends (whom you also have in very large number). As a result, I feel that I am much more eager to pursue the investigation set forth on this subject; I would already have completed it had the abundance of waters from heaven not shown itself opposed to my own watery task. But you should not think that I have been completely idle: indeed, although I was not able to approach for a second time the sources of the Marcia and Claudia, at some distance from me, and not able therefore to follow up my ideas by surer rea- soning, not uselessly, perhaps, will I show you that I have been engaged in the more immediate neighborhood of that aqueduct introduced by Pope Sixtus and called the Acqua Felice from his own name before his ponti‹- 19 Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. -
La Via Appia
LA VIA APPIA Storia Alla fine del IV secolo a.C. Roma era padrona di gran parte della Penisola e una delle grandi potenze del Mediterraneo, solo pochi gruppi etnici, a sud delle Alpi, restavano da soggiogare. L'Urbe stessa stava cambiando il suo volto tradizionale assumendo quello di una capitale, ricca di opere pubbliche erette dai suoi generali vittoriosi. Il Foro, il Campidoglio, erano luoghi dove si ostentava la potenza crescente della città. Solo la nazione Sannita sfidava ancora l'egemonia di Roma da sud; da Paestum all'Apulia la Lega Sannitica minacciava di prendere Capua, non lontana dai confini del Lazio. La Via Appia nacque in questo contesto, come una via militare che consentiva di accelerare le comunicazioni coi confini meridionali del territorio conquistato. La strada fu poi estesa man mano che altri territori cadevano sotto il dominio di Roma. Appio Claudio Cieco, il console, fu colui che rese celebre la funzione di censore per le grandi imprese di interesse pubblico da lui realizzate, ma il suo nome fu reso famoso dalla Via Appia che gli sopravvisse. Nel 1993 la Via Appia compie 2305 anni, Appio fece tracciare la strada all'epoca delle guerre contro i Sanniti, nel 312 a.C., da Roma a Capua, per una distanza di 124 miglia romane. Appio impiegò anche i suoi capitali personali laddove le tesorerie dello stato erano insufficienti. Al primo posto fra tutte le strade di Roma c'era la Via Appia, a suo tempo la più lunga, la più bella, la più imponente via che fosse mai stata tracciata in alcuna parte del mondo, al punto che i romani la chiamarono "Regina di tutte le vie". -
From the Via Appia Antica to the Park of the Via Latina
From the Via Appia Antica to the Park of the Via Latina Caffarella Valley / Park of the Via Latina / Via Appia Antica This itinerary crosses the Caffarella Valley, the backdrop of many of the myths and legends of Ancient Rome. Tradition had it that this was the home of the water nymph Egeria, a divine consort and counsellor of one of the kings of Rome, Numa Pompilius, to whom the Egeria spring is dedicated. From here you can visit the Valley, dotted with ancient, medieval and modern buildings, surrounded by an immensely evocative natural environment. The highlights of the Valley are the Valca Tower, a medieval watchtower built to defend a bridge across the POI Distance river Almone, a small affluent of the Tiber that crosses the Valley, and the so-called 9 3.28 Km Columbarium of Constantine. From Via dell’Almone, just north of the junction with Via Appia Nuova, you can reach the Park of the Via Latina, which preserves a long stretch of the Roman road lined with tombs, some of which feature marvellous interior decorations. Poi The itinerary enters the Caffarella Valley via the underpass of the Fonte Egeria mineral water plant, which is subject to opening times, as follows: Monday to Saturday, 9 am to 5 pm; 1 The Via Appia Antica Sunday and Holidays, 9 am to 1.30 pm. These hours, however, may change at the discretion 2 The Appia Pignatelli Artillery Fort of the plant. 3 Egeria Spring 4 Roman cistern 5 The Sacred Grove 6 Costantine's Colombarium 7 The Valca Tower 8 River Almone (South) Scan the QrCode to 9 The Archeological park of access the navigable the Tombs of the Via mobile version of the Latina itinerary Poi 1 The Via Appia Antica Roma / Place to visit - Ancient streets The long story of the Via Appia unfolds in space and time. -
Le Antiche Vie Pedonali Come Possibilità Di Valorizzazione Escursionistica Dei Territori
81,9(56,7$¶'(*/,678','(/3,(0217(25,(17$/( ³$0('(2$92*$'52´ )$&2/7$¶',6&,(1=(0)1 Corso di laurea in Scienze Ambientali e Gestione del Territorio TESI DI LAUREA LE ANTICHE VIE PEDONALI COME POSSIBILITÀ DI VALORIZZAZIONE ESCURSIONISTICA DEI TERRITORI Relatore: Prof.ssa Caterina RINAUDO Correlatore: Giuseppe SCAFARO Candidato: Stefano PROVERA Anno Accademico 2008/2009 Indice analitico Capitolo 1: Sentieri di ieri e di oggi 1.1: Il sentiero 5 1.2: Grandi vie escursionistiche europee 7 Capitolo 2: Classificazione dei sentieri in Italia 2.1: C.A.I. Club Alpino Italiano 13 2.2: F.I.E. Federazione Italiana Escursionismo 19 Capitolo 3: Attrezzature 3.1: G.P.S. Global Position System 20 3.1.1: 6LVWHPD*36HXURSHR³*DOLOHR´ 21 3.1.2: Utilizzo del GPS nel rilievo di sentieri 23 3.1.3: Il rilievo dei tracciati e dei punti notevoli della rete sentieristica regionale 24 3.1.4: Il rilievo delle tratte lineari 24 3.2: Abbigliamento 25 Capitolo 4: Lavoro sul campo 4.1: Rilievo del sentiero "Intorno al bric Castelvelli" 28 Capitolo 5: Le antiche vie 5.1: Le origini 34 5.2: Le vie del sale 35 5.2.1: Il passo del Turchino, principale via del sale 36 5.2.2: La via del sale lombarda 37 5.2.3: /¶2OWUHSR3DYHVHHOH7HUUH$OWH 37 5.3: Antiche vie militari 5.3.1: Le prime vie romane 39 5.3.2: Gli aspetti legislativi 43 5.3.3: Alcuni itinerari 46 2 5.4: Le vie di fede 52 5.4.1: Il cammino di Santiago di Compostela 55 5.4.2: I cammini verso Roma 63 5.4.3: La via Francigena 64 Capitolo 6 : Bibliografia 72 3 ´Uno speciale ringraziamento ad Annalisa Fiorentinoµ 4 CAPITOLO 1 SENTIERI DI IERI E DI OGGI 1.1 Il sentiero ³Il sentiero è una via stretta, a fondo naturale e tracciata dal frequente passaggio di uomini e animali, tra prati, boschi o rocce ed è normalmente presente sia in pianura, che collina o montagna.´ Camminare è un'attività praticabile da tutti, in qualunque stagione, a qualunque età, che non richiede costose attrezzature, che non inquina e non fa rumore. -
Lungo Le Vie Consolari- in Viaggio Sui Passi Dei Romani Tra Identità, Paesaggi E Cultura
SCHEDA PROGETTO PER L’IMPIEGO DI VOLONTARI IN SERVIZIO CIVILE IN ITALIA Unpli SCN cod. Accr. UNSC NZ01922 Ufficio per il Servizio Civile Nazionale Via Provinciale, 88 - 83020 Contrada (Av) ENTE 1) Ente proponente il progetto: UNPLI NAZIONALE 2) Codice di accreditamento: NZ01922 3) Albo e classe di iscrizione: NAZIONALE 1^ CARATTERISTICHE PROGETTO 4) Titolo del progetto: LUNGO LE VIE CONSOLARI: IN VIAGGIO SUI PASSI DEI ROMANI TRA IDENTITÀ, PAESAGGI E CULTURA 5) Settore ed area di intervento del progetto con relativa codifica (vedi allegato 3): SETTORE PATRIMONIO ARTISTICO E CULTURALE D/03 – VALORIZZAZIONE STORIE E CULTURE LOCALI 1 6) Descrizione dell’area d’intervento e del contesto territoriale entro il quale si realizza il progetto con riferimento a situazioni definite, rappresentate mediante indicatori misurabili; identificazione dei destinatari e dei beneficiari del progetto : LUNGO LE VIE CONSOLARI: alcuni cenni storici La storia delle strade romane ha inizio con un fiume, e questo è già abbastanza strano. Comincia in un punto in cui l’acqua del fiume Tevere era bassa tanto da permettere il guado, e questo, dove appunto il traffico era più intenso, divenne un punto focale. Quando poi l’acqua era troppo alta, si adoperava la barca ed in seguito, col passare del tempo, il fiume stesso fu attraversato da un ponte. Fu proprio da quest’unico ponte che un popolo partì alla conquista di un impero. In trecento anni i Romani conquistarono, infatti tutta l’Italia ed il mondo allora conosciuto, solcando le terre di strade; cinquantatremila miglia di arterie, in pratica uno dei più grandiosi complessi monumentali che l’uomo abbia mai lasciato di se stesso. -
The Walled Town of Alife and the Solstices Amelia Carolina Sparavigna
The Walled Town of Alife and the Solstices Amelia Carolina Sparavigna To cite this version: Amelia Carolina Sparavigna. The Walled Town of Alife and the Solstices. Philica, Philica, 2017. hal-01464777 HAL Id: hal-01464777 https://hal.archives-ouvertes.fr/hal-01464777 Submitted on 10 Feb 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. PHILICA, Article number 962, 10 February 2017. The Walled Town of Alife and the Solstices Amelia Carolina Sparavigna Politecnico di Torino, Italy Abstract: Here we consider an astronomical orientation of the walled town of Alife, in Campania. This town has maintained its Roman original layout and the walls of that period. We will show, by means of SunCalc software, that the main street of Alife, its Decumanus, is aligned along the sunrise/sunset on solstices. Keywords: Italic Towns, Archaeology, Solstices, Saturnalia, Archaeoastronomy, SunCalc. Introduction Alife is a town in the province of Caserta, Campania, located in the Volturno valley. The settlement had a Samnite origin. The Romans rebuilt it as an oppidum, Allifae, with the typical layout based on two mains roads at right angles, that divided it in four parts [1]. -
The Masonry Bridges in Southern Italy: Vestige to Be Preserved
The masonry bridges in Southern Italy: vestige to be preserved M. Lippiello Second University of Naples, Department of Civil Engineering, Aversa,(CE),Italy L. Bove, L. Dodaro and M.R. Gargiulo University of Naples, Department of Constructions and Mathematical Methods in Architecture, Naples, Italy ABSTRACT: A previous work, “The Stone bridges in Southern Italy: from the Roman tradition to the Middle XIX century”, presented during the Arch Bridges IV, underlined the connection between bridge construction and street network. With the fall of the Roman Empire and the consequent breaking up of the territory into small free states, road construction was no longer a priority and many suburban bridges were abandoned as well. This survey focuses on the Sannio area. It will take into account the following: − ancient bridges still on use; − bridges of Samnite’ Age, adapted in the later centuries, nowadays in a marginal rule with respect to the roads net; − bridges cut off from the road system. The aim of this paper is to describe some of these structures and thereby propose a cataloguing methodology of structural, technologic and material aspects of masonry bridges. The planned methodology’s ultimate purpose is to preserve adequate evidence of this heritage and lay the foundations for its safeguarding in case, future sensibility towards these constructions will not depend exclusively on their utilization. 1 INTRODUCTION Located at about 80 Km N-NW from Naples, the Roccamonfina volcanic pile, extinct in pro- tohistoric era, divides the area in two ambits which differ not only from a geographic but also from a cultural point of view. -
Archaeology As a Renovation Element of the Railway Stations Areas
Athens Journal of Architecture - Volume 2, Issue 2 – Pages 92-106 Archaeology as a Renovation Element of the Railway Stations Areas By Pasquale Miano The construction of the railway lines in archaeological sites is featured extensively in the European territory. In many cases it was a destructive and upsetting presence. Only recently we have spoken about "living together", so the issue has been approached in terms of functional but also cultural integration. Today this attitude has become common, above all when the question about the building of new railway lines arises. But, there is also another problem relating to the renewal of railway areas, and in particular the station areas, which is more complex and complicated. This new requirement imposes a different perspective on the archaeological areas subject to past destructions, which are involved and that can take on a completely different role than in the past. This idea starts from the finding that the overlap of nodal infrastructure levels to the ruins of ancient settlements is not random, but derives from the strategic vocation of the particular area, invested over time by different urbanizations and constructions. It is also important to realize that the railways, with their stations, represent an important potential element of connection between the archaeological areas, which in a wide territory can be interpreted as a network. On this basis, this research identifies some areas of the southern Italian territory, in which these aspects are particularly clear and significant to define a project of an integrated urban and territorial renewal. Through this in-depth analysis we intend to evaluate the archaeological potential as a factor able to restore the configuration and the functional contents of the station areas and at the same time to give a new impulse and a new role to the railway line in crisis or undergoing decommissioning. -
Katie Hillery Hillsdale College [email protected]
Philomathes Advancing an Eschatological Conversation: An Interpretation of the Via Latina’s “Hercules Cycle” through the Eyes of a Late Antique Roman Viewer he wall-paintings in the Via Latina catacomb present a Tunique case study of the interaction between Christian and polytheistic icons in the third and fourth centuries.1 In particular, the “Hercules Cycle,” which is unique to Via Latina, invites its viewers to consider the emerging Judeo-Christian doctrines as in conversation with Greco-Roman tradition.2 Because of the ambiguity surrounding burial type in Via Latina, the 1 John Lowden, Early Christian & Byzantine Art, London: Phaidon (1997), 44. For a more detailed description of iconoclasm in the early church, see Troels Myrup Kristensen, Making and Breaking the Gods: Christian Responses to Pagan Sculpture in Late Antiquity, Aarhus: Aarhus University Press (2013), 255; and Laura Salah Nasrallah, Christian Responses to Roman Art and Architecture: The Second- century Church amid the Spaces of Empire. Cambridge: Cambridge University Press (2010), 198-206. Conflicting historical accounts address the fundamental tension between Judaism’s prohibitions against idolatry and the Roman Empire’s grand displays of religious art, presenting Christians both as iconoclasts and preservers of the classical heritage. According to Kristensen, the mixed attitude of the early Church toward classical tradition represents a selective destruction and reuse of images for the purpose of creating a new iconography to express its blossoming theology. The archaeological record presents Christian artifacts that syncretize classical and biblical images, but some of the most striking examples appear in catacomb wall art. See Reita J. Sutherland, “Prayer and Piety: The Orans-Figure in the Christian Catacombs of Rome,” Thesis, University of Ottawa, (2013), 7-8 for specific examples of religious syncretism in other archeological artifacts. -
From Vicolo Di Sant'urbano to the Via Appia Antica
From Vicolo di Sant'Urbano to the Via Appia Antica Caffarella Valley This itinerary explores the Caffarella Valley, the setting of many myths and legends of the Roman people, where nature, art, history and archaeology come together in an exciting mix, to the Via Appia Antica. The itinerary begins in Vicolo di Sant’Urbano; the first monument you come to is the Temple of Ceres and Faustina, built in a dominant position overlooking the valley, and which, in the Middle Ages, was converted into the church of Sant’Urbano. Opposite the church, on the top POI Distance of a little hill, are three holm oak trees, which are all that remains of a centuries-old wood 7 2.13 Km called the Sacred Grove, which was the alleged setting of the trysts between the nymph Egeria and king Numa Pompilius, the second king of Rome, although the tradition is now thought to be wrong. Further on you come to a monumental water cistern, which almost certainly belonged to a Poi Roman villa, the rest of which, unfortunately, has entirely disappeared. Continuing eastwards, you leave the Caffarella Valley via an underpass leading to the Egeria mineral water bottling 1 The Caffarella Valley – plant and, from here, continuing along Via dell'Almone, you eventually reach the Appian Way, Vicolo di Sant’Urbano where you'll find many other itineraries to continue exploring the Via Appia and the environs of 2 Temple of Ceres and Rome. Faustine - Church of Sant'Urbano 3 The Sacred Grove Plan this itinerary around the opening hours of the underpass to the Fonte Egeria bottling 4 Roman cistern plant, Monday to Saturday, from 9 am to 5 pm; Sunday and holidays from 9 am to 1.30 pm.