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Italy General information: - Full name: Italian Republic - Capital city: Rome - Surface area: 301 336 km2 - Population: 60 589 445 hab. - Official language: Italian - Currency: Euro - National holiday: 2nd June, Republic Day What to visit depending on the cities? - Rome: Coliseum, Pantheon, Trevi Fountain - Nearby: Vatican where you can see the Saint Peter’s Square, Saint Peter Basilica and Sixtine Chapel - Venice: Saint Marc’s Square and its basilica, Bridge of Sighs in a gondola, Murano and Burano islands - Florence: Duomo and its piazza, Uffizi gallery, San Miniato al Monte Basilica … very artistic - Pisa: Piazza deil miracoli (Leaning Tower of Pisa, Cathedral Notre-Dame of the Assumption, Baptistry Saint John of Pisa - Milan: Piazza del Duomo and its cathedral, La Scala Theatre, Vittorio Emmanuel II Gallery - Naples: historical center, Piazza del plebiscito, National Archaeological museum - Capri, near Naples by ferry: Marina Grande Port, Piazzetta, Blue Grotto - Turin: Castello Square, Museum of cinema (Mole Antonelliana), Museum of Egyptology - Cinq Terre: five villages of Liguria visitable by foot, train or boat - Sicily, Sardinia, Tuscany, Pompei Advice: - In the country, especially in the south, cash is the main payment method - Beware of pickpocketing - Natural hazards: earthquakes, eruptions, high tides in Venice… - In the historical centers of big cities, there are restricted-traffic areas that require a special permit that include a fee. To know more about it: http://urbanaccessregulations.eu/countries-mainmenu-147/italy-mainmenu-81 - In case of emergencies → police: 113, firefighters: 115, paramedics: 118 - When to go? North South Center Jan Feb Mar Apr May June July Aug Sept Oct Nov Dec .

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The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of ﬁgural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig.
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The Five Orders of Architecture
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1 Classical Architectural Vocabulary
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Ancient Greece and Its Influence on American Architecture 8Th Grade Do Now! Do Now! Today’S Agenda!
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