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Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
BREAKING Newsrockville, MD August 19, 2019
MEDIA KIT BREAKING NEWS Rockville, MD August 19, 2019 THE BOYS by Garth Ennis and Darick Robertson Coming to GraphicAudio® A Movie in Your Mind® in Early 2020 GraphicAudio® is thrilled to announce a just inked deal with DYNAMITE COMICS to produce and publish all 6 Omnibus Volumes of THE BOYS directly from the comics and scripted and produced in their unique audio entertainment format. The creative team at GraphicAudio® plans to make the adaptations as faithful as possible to the Graphic Novel series. The series is set between 2006–2008 in a world where superheroes exist. However, most of the su- perheroes in the series' universe are corrupted by their celebrity status and often engage in reckless behavior, compromising the safety of the world. The story follows a small clandestine CIA squad, informally known as "The Boys", led by Butcher and also consisting of Mother's Milk, the French- man, the Female, and new addition "Wee" Hughie Campbell, who are charged with monitoring the superhero community, often leading to gruesome confrontations and dreadful results; in parallel, a key subplot follows Annie "Starlight" January, a young and naive superhero who joins the Seven, the most prestigious– and corrupted – superhero group in the world and The Boys' most powerful enemies. Amazon Prime released THE BOYS Season 1 last month. Joseph Rybandt, Executive Editor of Dynamite and Editor of The Boys says, “While I did not grow up anywhere near the Golden Age of Radio, I have loved the medium of radio and audio dramas almost my entire life. Podcasts make my commute bearable to this day. -
‚Every Day Is 9/11!•Ž: Re-Constructing Ground Zero In
JUCS 4 (1+2) pp. 241–261 Intellect Limited 2017 Journal of Urban Cultural Studies Volume 4 Numbers 1 & 2 © 2017 Intellect Ltd Article. English language. doi: 10.1386/jucs.4.1-2.241_1 MARTIN LUND Linnaeus University ‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics ABSTRACT KEYWORDS This article analyses three comics series: writer Brian K. Vaughan and artist Tony comics Harris’ Ex Machina (August 2004–August 2010); writer Brian Wood and artist Ground Zero Riccardo Burchielli’s DMZ (November 2005–February 2012); and writer Garth 9/11 Ennis and artist Darick Robertson’s The Boys (October 2006–November 2012). archifictions Taking literary critic Laura Frost’s concept of ‘archifictions’ as its starting point, the War on Terror article discusses how these series frame the September 11 attacks on New York and architecture their aftermath, but its primary concern is with their engagement with the larger social ramifications of 9/11 and with the War on Terror, and with how this engage- ment is rooted in and centred on Ground Zero. It argues that this rooting allows these comics’ creators to critique post-9/11 US culture and foreign policy, but that it also, ultimately, serves to disarm the critique that each series voices in favour of closure through recourse to recuperative architecture. The attacks on September 11 continue to be felt in US culture. Comics are no exception. Comics publishers, large and small, responded immediately and comics about the attacks or the War on Terror have been coming out ever since. Largely missing from these comics, however, is an engagement with Ground Zero; after depicting the Twin Towers struck or falling, artists and writers rarely give the area a second thought. -
Garth Ennis Battlefields: Dear Billy Volume 2 Free Ebook
FREEGARTH ENNIS BATTLEFIELDS: DEAR BILLY VOLUME 2 EBOOK Peter Snejbjerg,Garth Ennis | 88 pages | 07 Jul 2009 | Dynamic Forces Inc | 9781606900574 | English | Runnemede, United States Garth Ennis' Battlefields Volume 2: Dear Billy : Garth Ennis : Nurse Carrie Sutton is caught up in the Japanese invasion of Singapore, suffering horrors beyond her wildest nightmares- and survives. Now she attempts to start her life anew, buoyed up by a growing friendship with a wounded pilot- only for fate to deliver up the last thing she ever expected. Carrie at last has a chance for revenge In the midst of a world torn apart by war, you can fight and you can win- but you still might not get the things you truly want. Featuring the entire three issue series, a complete cover gallery, and a look at the layouts and pencil art of Peter Snejbjerg! This character has Garth Ennis Battlefields: Dear Billy Volume 2 appeared with the Green Hornet in film, television, book and comic book versions. Kato was the Hornet's With her ever-present pout and sassy disposition, Grumpy Cat has won the A number of Sniegoski's works have been related to the Buffyverse, the fictional universe established by TV series, All Rights Reserved. Privacy Policy. Kato is a character from The Green Hornet series. Frank Miller born January 27, is an American writer, Garth Ennis Battlefields: Dear Billy Volume 2 and film director best known for his dark, film noir-style comic book stories and graphic novels for Dark Horse Comics, Tom Sniegoski is a novelist, comic book writer and pop culture journalist. -
Ebook Download the Boys Volume 6: Self-Preservation Society Limited
THE BOYS VOLUME 6: SELF-PRESERVATION SOCIETY LIMITED EDITION PDF, EPUB, EBOOK Garth Ennis | 192 pages | 26 Apr 2011 | Dynamic Forces Inc | 9781606901410 | English | Runnemede, United States The Boys Volume 6: Self-Preservation Society Limited Edition PDF Book This book contains "secret origin" stories for three of The Boys, although two of those origins come from a highly unreliable narrator. Issue 3S- 1ST. Written by Garth Ennis. Add to cart Very Fine. Can I cancel or get a refund on my order? Volume 3 - 1st printing. One of the world's most powerful superteams decides to hit our heroes, all guns blazing, and the Female is the first to fall into their lethal trap. Plus, the Boys origins That's when you call in The Boys! Add to wishlist. Add to cart Very Fine. Volume 2 - 1st printing. Pulping teenage supes is one thing, but how will our heroes fare against Soldier Boy, Mind-Droid, Swatto, the Crimson Countess, and the Nazi juggernaut known as Stormfront? Issue ST. Limited Signed Edition - Volume 2 - 2nd and later printings. Dynamite is celebrating our 5th anniversary and is proud to present a special anniversary hardcover edition of the comic book series everyone is talking about! All kinds of secrets await our hero, beginning with the terrible story of the first supes to see action in World War Two. JavaScript must be enabled to use this site. No library descriptions found. From tragedy in Harlem to the slaughter on the Brooklyn Bridge, from the festival of Les Saints De Haw-Haw to the horror lurking under Tokyo, this is a journey of discovery like no other - with only the flickering lamp of insanity to light the way. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning. -
Three Icelandic Outlaw Sagas
THREE ICELANDIC OUTLAW SAGAS THREE ICELANDIC OUTLAW SAGAS THE SAGA OF GISLI THE SAGA OF GRETTIR THE SAGA OF HORD VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2004 Selection, introduction and other critical apparatus © J. M. Dent 2001 Translation of The Saga of Grettir and The Saga of Hord © J. M. Dent 2001 Translation of The Saga of Gisli © J. M. Dent 1963 This edition first published by Everyman Paperbacks in 2001 Reissued by Viking Society for Northern Research in 2004 Reprinted with minor corrections in 2014 ISBN 978 0 903521 66 6 The maps are based on those in various volumes of Íslensk fornrit. The cover illustration is of Grettir Ásmundarson from AM 426 fol., a late seventeenth-century Icelandic manuscript in Stofnun Árna Magnússonar á Íslandi, Reykjavík Printed by Short Run Press Limited, Exeter CONTENTS Preface ............................................................................................ vii Chronology .................................................................................... viii Introduction ..................................................................................... xi Note on the Text .......................................................................... xxvi THE SAGA OF GISLI ..................................................................... 1 THE SAGA OF GRETTIR ............................................................. 69 THE SAGA OF HORD ................................................................ 265 Text Summaries ........................................................................... -
THE PUNISHER WAR JOURNAL by Luis Filipe Based on Marvel Comics
THE PUNISHER THE PUNISHER WARWAR JOURNALJOURNAL by Luis Filipe Based on Marvel Comics character Copyright (c) 2017 This is just a fan made [email protected] OVER BLACK The sound of a POLICE RADIO calling. RADIO All units. Central Park shooting, requiring reinforcements immediately. CUT TO: CELL PHONE POV: Filming towards of Central Park alongside more people. Everyone horrified, but we don't know for what yet. CUT TO: VIDEO FOOTAGE: Now in Central Park where the police and CSI surround an entire area that is filled with CORPSES. A REPORTER talks to the camera. REPORTER Today New York witnessed the biggest outdoor massacre. It is speculated that the victims are members of the Mafia or even gangs, but no confirmation from the police yet. CUT TO: ANOTHER FOOTAGE: With the cameraman zooming in the forensic putting some bodies in black bags. One of them we notice that it's a little girl, and another a woman. REPORTER (O.S.) Apparently there was only one survivor. The victim is in serious condition but the paramedics doubt that he will hold it for long. CUT TO: SHAKY FOOTAGE: The only surviving man being taken on the stretcher to an ambulance. An oxygen mask on his face. His body covered in blood. He still uses his last forces to murmur. MAN My family... I want my... family. He is placed inside the ambulance. As the paramedics slam the ambulance doors - CUT TO BLACK: 2. Then - FADE IN: INT. CASTLE'S APARTMENT - DAY A small place with little furniture. The curtain blocks the sun from the single window of the apartment, allowing only a wispy sunlight to enter. -
Punisher Max: the Complete Collection Vol. 4: Vol
PUNISHER MAX: THE COMPLETE COLLECTION VOL. 4: VOL. 4 PDF, EPUB, EBOOK Garth Ennis,Goran Parlov,Howard Chaykin | 544 pages | 27 Dec 2016 | Marvel Comics | 9781302902445 | English | New York, United States Punisher Max: the Complete Collection Vol. 4: Vol. 4 PDF Book But when he's left with six hours to live, that only means he has time to kill! Punisher Vol. Product details Format Paperback pages Dimensions x x Great few series of Punisher but not a big fan of the last one. Please enter a valid email address. Following upon the events in Long Cold Dark , this arc pulls in all the loose plot threads and subplots of Ennis' entire run including the Born mini series, which opened the first of these complete collections , and delivers in an absolutely stunning way. And the only good thing I can say about it is that the great Richard Corben draws it. Appearing in the short-lived but critically-acclaimed British anthology Crisis and illustrated by McCrea, it told the story of a young, apolitical Protestant man caught up by fate in the violence of the Irish 'Troubles'. Another very clear five stars piece to close this truly epic run. There's a good sense of bookends here that marks the end of Ennis' work on the character, I'm interested in seeing where future collections will go following his departure. I loved that he was former special forces and did a few tours in Vietnam. Whatever though I n the waning days of the Vietnam War Learn More. Less a Punisher story and more the author writing out his frustration about how a few rich a-holes control too much of the world. -
Punisher: War Machine Part Three Chernayap, a Rogue State in Eastern Europe, Is Operating Under the Militaryr Regime of General Petrov
220 ROSENBERG VILANOVA LOUGHRIDGE 2 2 0 1 1 PARENTAL ADVISORY $3.99US MARVEL.COM 7 59606 08811 9 MARVEL COMICS PROUDLY PRESENTS: FRANK CASTLE WAS A DECORATED MARINE, AN UPSTANDING CITIZEN, AND A FAMILY MAN. THEN HIS FAMILY WAS TAKEN FROM HIM WHEN THEY WERE ACCIDENTALLY KILLED IN A BRUTAL MOB HIT. FROM THAT DAY, HE BECAME A FORCE OF COLD, CALCULATED RETRIBUTION AND VIGILANTISM. FRANK CASTLE DIED WITH HIS FAMILY. NOW, THERE IS ONLY… THE UNISHEFRANK CASTLE in PUNISHER: WAR MACHINE PART THREE CHERNAYAP, A ROGUE STATE IN EASTERN EUROPE, IS OPERATING UNDER THE MILITARYR REGIME OF GENERAL PETROV. PETROV WAS ABLE TO TAKE POWER USING RESOURCES AND PERSONNEL FROM A FORMER S.H.I.E.L.D. OUTPOST, SET UP IN SECRET BY NICK FURY, THAT WENT SOUR AFTER THE GLOBAL SPY ORGANIZATION WENT UNDER. NICK FURY’S GOT A PROBLEM—FRANK CASTLE IS THE SOLUTION. FURY FILLED CASTLE IN ON THE SITUATION AND LED HIM TO THE HARDWARE THAT’S GOING TO ENABLE HIM TO STAND A CHANCE AGAINST THIS LARGE-SCALE THREAT—THE WAR MACHINE ARMOR! NEWLY EQUIPPED, THE PUNISHER HAS DRAWN FIRST BLOOD AGAINST THE REGIME, BUT THE WAR IS JUST BEGINNING… WRITER... MATTHEW ROSENBERG ARTIST... guiu VILANOVA COLORIST... LEE LOUGHRIDGE LETTERER... VC’s CORY PETIT COVER ARTIST... CLAYTON CRAIN SPECIAL THANKS MITCH MONTGOMERY DESIGNER ANTHONY GAMBINO ASSOCIATE EDITOR MARK BASSO EDITOR JAKE THOMAS EDITOR IN CHIEF C.B. Cebulski CHIEF CREATIVE OFFICER JOE QUESADA PRESIDENT DAN BUCKLEY EXECUTIVE PRODUCER ALAN FINE THE PUNISHER No. 220, March 2018. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. -
Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard .