Ewm an Reviewvs -Uafs Year Cept Or Reject Rejlect the NDSL Loan Offered by the Financial Aid Office.A by J.G

Total Page:16

File Type:pdf, Size:1020Kb

Ewm an Reviewvs -Uafs Year Cept Or Reject Rejlect the NDSL Loan Offered by the Financial Aid Office.A by J.G `' ''' · .. :·· i 1 \·· . --····r..· ;;·· ------1 ' -- --- -- ---- -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Continuous News Service .Cambridge since 1881 Massachusetts Volume 99, Number 11 Friday, IVMarch 16, 1979 - - -- - --·- --·- -- I· __ . Finanial aidoffe bcosXB student equity IaIr--. -~I ~- m er By William Cimino The Financial Aid Office has raised the student equity level for the 1979-1980 academic year. For the past two academic years the equity level has been held at $2500. The new level, set at $2650, is a six percent increase from last year or a three percent increase from the last two years. Jack Frailey, the Director of the Student Financial Aid Office, stated that, "the equity level represents the amount of student need which we ask the student to provide with our help, either through term-time work or through loans."' If the financial need of a student is equal to or exceeds the equity level then a National -Direct Student-Loan (NDSL) will be automatically provided to the student. The student equity level includes the projected earnings from the' period beginning with the fall term to the end of the spring term. This earnings from IAP. "We know that $2650 is too much also includes any I" i to ask a student, a freshman for example, to earn during'the academic m, (nI year, but part of that may be in the form of an NDSL loan of up-toa ; . $1 100 to $1200 which he (the student) can either accept or reject. This leaves about $1500 which the student must provide." Frailey said. ,The -- sL , - -- --- ep --- _ I - -, _e --s -ra --· II , loan funds are allocated according to need and are automatically in- cluded as part of the financial aid package. Since a loan ultimately must be repaid, the students receiving such loans retain the right to either ac- ewm an reviewvs -UAFs year cept or reject rejlect the NDSL loan offered by the Financial Aid Office.a By J.G. Harrington quired of a UAP, Newmaan said Commenting on the achieve- "I loved it. The opportunities "An-ability to deal with pe-ople. I ments of his administration, The student equity level, one of the parameters used to calculate are phenomenal." said Barry think it's the only attributte, and Newman stated that a start had financial aid, has increased only six percent over the past two years, Newman, outgoing it's absolute." He also corm been made in opening up com- while tuition has gone from $4350 to $5 100, an increase of about seven- Undergraduate Association Presi- mented that, although the job of munication with the student body teen percent. The student- budget has gone from $8000 to $8900, an in- dent (UAP), speaking of his job in the, UAP is very challe -nging, and the MIT community as a an interview for The Tech. When crease of about eleven percent during the same period. everyone should get a chaonce at whole. He cited fragmentation as questioned as to the qualities re- something like it. a problem, noting that the living group is the primary boundary of interaction and that many living ;:-s:E~ai^:^J groups~~"'H~ake _.hadJr ~e., at- Fuller nu -- rnen filudes. He also mentioned, in connection with communication, ., By Michael Taviss and manv more. that "it would be nice if people Although he is over eighty To Rim, every invention, every were more resnonsive to their Ful- years of age, R. Buckminster idea or theory, every facet of our General Assembly (GA) reps," ler -is still going strong. At the planet and its inhabitants is noting that they are the primary LSC-sponsored lecture he gave something unique and wondrous. Input to the UA from the stu- Wednesday evening he had no "when I was thirty-two years dents- difficulty finding material to talk old," he said to his audience of a Specifically talking about the about. Rather, Fuller had trouble thousand, "I decided to experi- _ A, Newman said that it had "'a knowing when to stop. ment to try to find out what an in- The themes for the lecture was lot to offer," explaining that it has dividua- might be able to l.o.- had two years of problems, in- change and man's place on this . for all humanity . that great cluding a president who never cal- planet. At least, that is the direc- nations ... could not do." This led meetings for it. He also noted tion that most of the subjects Ful- experiment" has taken up the rest that it was often difficult to get ler touched upon led in. But he of Fuller's life and led" him to enough GA representatives, didn't let himself get tied down to many fascinating discoveries elected by their living groups, at a specific topic for the entire even- about the world around us. meetings to have a quorum. This ing. .He told about how amazed he in his words made it "difficult to "I don't think there's ever been is that humans have come so far, Buckminster Fuller, generally considered one of the greatest tthinkers make it [the GA] a working a moment for humanity on our so fast, so well with so little going of this century, spoke to a large and appreciateve crowd in Kre sge last group." -planet that humans have come to for them. We aren't particularly Wednesday. (Photo by Gordon FS. Newman Indicated several fac- know so much about our pglanet skilled in.,any physical manner, in tors that affected the performance "We now have the capab ., and our local universe." Fuller fact, 'Lwith muscle we can't even 'we're doing more with less," and depend of his administration. Only a lack then proceeded to prove this compete with the donkey." But doing it better as time passes, Ful- make it, but it's going to dertpdof time hindered progress by the point by telling his audience somehow we have made it to the ler argued about how much we on your perso'nal -eff nort is.- UA. He also mentioned some everything that humanity now point where the standard of living could be doing if we weren't . Whether we make it or notlis problems with students not taking knows. A by no means complete of the inhabitants of ""spaceship devoting the better part of our ef- not a matter of how our leaders the UlA seriously enough. In bahave but is a matter list of all the topics that he discus- earth," as he calls our planet, has forts to devising new and better Birth Newman's view, the key factor sed includes humanity itself behaves. increased almost 112-fold during ways of killing each other off. His e of all. was the help offered -by Institute d energy this century., comment, '"This is an incredibly is the most dangerous time Vice-Presidenlt Simnonides, who environmental engineering "We must be very important to wasteful investment", was accom- We are at birth.' (Please turn to page 9) d spectroscopy be given this kind of access (to panied by loud applause. He went 0 astronomy knowledge ... Nature didn't on to say that, "I'm going to play * communications provide us with an instruction a game called world game instead l metallurgy manual." of world war game." The object *languag But after pointing out that of this game is to make the best use of our resources to Support everybody on the planet in a con- 8 tinually improving lifestyle. Ful- ler believes that this game can be I Current American foreign late Italian director Luchino won. "There's enough to go policy may be-edging Visconte, and destined to around; it's clearly dangerously toward involve, become a classic. Page 8. demonstrable." ment in another foreign war, He warned, however, that we according to ton Newman's This year's NCAA basketball only have about ten years to make it." column on today's opinion championship tournament is page. Page 4. winding to a close, but the way Fuller concluded the lecture by telling the audience that their con- rt* things'are going there's no way of immense impor- Two first rate movies open to- to be certain which team will tribution is come out on top. Page 12. tance in humnaity's continuing day in Boston. One is The -survival on earth. He beieves that China S8yndrome, an adventure in a short while the great nations movie produced-by Michael The MIT men's fencing team are going to disappear, along with Douglas, starring Jack Lem- placed fifth in the Eastern the large corporations and other mon and Jane Fonda.Page 7.. Championships, and placed three of its memnbers in the organizations, and it will be up to Jane Fonda spoke recently about her latest movie,Th in The Inrnocent, another five-star *NCDAA Championships being individual humans to keep things Syndrome. For a review of the movie, and Fonda's comments, of the held-next welk. Page 12. going. see page 7. (Photo by Joel West).. movie, is the final work I I -· . I I I .1 . 1 --- ,.- - i AL I,- I I a I . ------- ··----- ·····-· ·--··---- ··-·---·-----.···--'`'. · ····:··--.:.:- -··:·r···--·:- B p I _-D PAGE 2 THE TECH FRIDAY, -MARCH 16, 1979 r i i i E P i i i r~~~~~~~~~~~~~~~~~~~~~~~~~~O I - 0 - I ' 9S/iaun·II n 'a(or~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~jE i I L C e B i I c B a i i e r r I I L i F Oh sure, injured indignatio" "A quiz." you protest, feiging igoe.Well sir, r E what do you think these mountaineering' lessons have been al about? That's right- E n knavledge, anl the awumulationn thereof.
Recommended publications
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • Proposed 13-Weeksemesternow Underinvestigation Committeef;Onnedto Analyzeprosandcons
    .'-:;),)1 \'.~ 0.:'· ... '...... '..t:» '~... ~ ~, ....: -_.- - ' . .. 1932 * The Students' Voice for 50 Years ·1982 .. Volume 83 No.4 Baruch College, CUNY October 25, 1982 Proposed 13-WeekSemesterNow UnderInvestigation CommitteeF;onnedto AnalyzeProsandCons. Committee members are con­ 198~. .By S~ven Appenzeller of Bragen pointed out that, tacting their colleagues at the in­ to compensate for the shorter se­ stitutions operating under the new A committee of faculty mem­ mester, class length and!or class schedule, and will present their bers and administration officials meeting frequency may be in­ findings at a committee meeting at is considering a proposal that creased. Classes presently meet­ the end of this month. A vote will would shorten the academic se­ ing twice a week may meet three be taken to decide the matter on mester at Baruch from 14 to 13 or four times a week.: January 6th. The committee is weeks. The 13-week semester is Dr. Ronald Aaron, Associate presently in use at four responsible for deciding whether Dean of Students, is concerned CUNY schools-Hostos Com­ to proceed with the plan, but not that, "presently some students munity, Kingsborough Communi­ for the actual implementation. have all their classes scheduled < 'Student input is important in ty, Manhattan Community, and for two days. As an educator. I deciding this issue," Dr. Henry Hunter Colleges. The impetus for don't think that is ideal." Wilson, Dean of Students, said at the change came from the CUNY At Hunter College where the Council of Faculty Senate a meeting of student representa­ program has already been in ef­ tives, where faculty and adminis­ Presidents, which recommended fect for a year, the students are ProfessorTracy Bragen will chair committee which will decide whetber to im­ tration representatives were also plement a 13-week semester.
    [Show full text]
  • Papa Vip. Esplode Al Teatro Di Bellaria Il Romanzo Fantateologico Su
    GIÙ IL CAPPELLO Nasce oggi Guido Reni pittore sublime ALBUM ci deliziò dal 1575 al 1642 MARTEDÌ 4. NOVEMBRE 2014 l contentino. Più che per farmi del teatro (è nel mito il suo Mercuzio nel Ro- contento, per contenermi. La sta- meo e Giulietta di Franco Zeffirelli), tra l’altro gione teatrale di Bellaria, quella che si volto cinematografico (ha lavorato per Marco attua al Teatro Astra, è la più snob del- Bellocchio, Liliana Cavani, Francesco Rosi, la Riviera. Mi piace? Ve lo dico dopo. Luigi Comencini, Pupi Avati, ne Il divo di Pao- Intanto vi dico che ci sono anche io. lo Sorrentino e nell’ultimo di Mario Martone, Sabato 10 gennaio 2015, nello stesso Il giovane favoloso) che non disdegna la fic- giorno in cui Giulio Cesare varca tion (attualmente è nel cast di Squadra anti- il Rubicone, io passo alla scena mafia), perfino riminese. Graziosi ha già letto con Rinuncio, ore 21,15. Sarà un il romanzo, quando gli telefono, stretto tra l’E- massacro. A firmare la stagione, Simone Bru- dipo in compagnia di Bassetti e Il ritorno a ca- scia, colto, dandy, efficace cavaliere delle feste. sa di Pinter, dice, in immensa generosità, yes. Che più di una volta ho pugnalato con la pen- Fuori scena. Cosa succederà sul palco? Che na. Vorrà darmi il contentino?, mi domando. un uomo, ai confini del tempo e del mondo, Mettermi la museruola, tenermi a bada con confida a una bolgia di morti il suo incontro un incarico. Non so. Sa bene che se pensa di straordinario con Benedetto XVI.
    [Show full text]
  • Lunedì 05 Martedì 13 Mercoledì 25 Giovedì 35 Venerdì 45 Sabato 57
    lunedì 05 martedì 13 mercoledì 25 giovedì 35 venerdì 45 sabato 57 Una iniziativa promossa da Regione Lazio Associazione Produttori Televisivi Camera di Commercio di Roma In collaborazione con Provincia di Roma Sviluppo Lazio ICE RAI e MEDIASET RomaFictionFest Il festival È da qualche anno che circola l’idea di organizzare anche in Italia un festival interamente dedicato alla fiction televisiva italiana e internazionale. Io stesso fui artefice, nel 2001, del progetto di creare al Lido di Venezia un evento del genere. Nacque nel marzo del 2002, e anche allora coinvolse l’APT, l’associazione dei produttori televisivi. Un discreto programma di telefilm, serie e miniserie, molta buona volontà ma scarsissimi mezzi. Durò una sola edizione. Venezia forse non era la città più adatta, la stagione era certamente sbagliata e, soprattutto, i finanziamenti risultarono risibili. Quando la Regione Lazio e l’APT decisero di dar vita su solide basi al festival della televisione a Roma - la città del cinema, ma anche, e sempre di più, della fiction televisiva, un’industria che nel Lazio dà lavoro a quasi centomila persone: da qui soprattutto l’attenzione della Regione - compresi che era stata fatta, finalmente, la scelta giusta. E a fine gennaio scorso accettai l’invito a dirigerlo. Ed ecco il RomaFictionFest, alla sua prima difficile, come tutte le prime, ma esaltante edizione con qualche centinaio di titoli - prescelti con un immenso lavoro fra le oltre tremila ore pervenuteci da tutto il mondo - inseriti in un programma intenso e variegato che consente di cogliere e mettere a confronto le tendenze, le tematiche, i linguaggi, le potenzialità e le differenti culture delle televisioni di gran parte del globo.
    [Show full text]
  • Teatro Astra Bellaria Igea Marina
    stagione teatrale per 14.15 aspera ad astratemporary emporium of the arts Bellaria Igea Marina info abbonamenti e biglietteria Teatro Astra Isola dei Platani Viale Paolo Guidi 77/E Bellaria Igea Marina (Rimini) mobile 339 4355515 [email protected] sabato 15 novembre 2014 spettacolo venerdì 26 dicembre 2014 docufilm | Bellaria Film Festival SIMONE CRISTICCHI AETERNA MAGAZZINO 18 Requiem Op. KV. 626 di W. A. Mozart di e con Simone Cristicchi di Leonardo Carrano (Italia, 2012 - 58’) per aspera Antonio Calenda regia opening act, live set Al Porto Vecchio di Trieste c’è un luogo della memoria che racconta una pa- LUCA QUADRELLI. LACRIMOSA gina dolorosa della storia d’Italia, affidata non a un monumento ma a tante piccole, umili testimonianze di quotidianità. Una sedia porta un nome, una Nella serata di Santo Stefano, il Teatro Astra presenta un ambizioso progetto che unisce sigla, un numero e la scritta Servizio Esodo. E poi armadi, materassi, stoviglie, il cinema di animazione e uno dei capolavori della musica di tutti i tempi. Si tratta fotografie, giocattoli ammucchiati in quel luogo al Porto, dove gli esuli - senza casa, di Aeterna, film che traduce in immagini lo splendido Requiem di Mozart. Per prossimi a lunghi periodi in campo profughi o a estenuanti viaggi verso mete lontane ciascuno dei quattordici movimenti della celebre Messa è stata realizzata una - lasciavano le loro proprietà, in attesa di poterne rientrare in possesso: il Magazzino 18. Appartenevano video-animazione sperimentale, così da comporre un insieme organico ma va- ad astra a quegli italiani costretti all’esodo in seguito al trattato di pace di Parigi del 1947, che sottraeva Istria e la riegato quanto a tecniche d’animazione e linguaggi espressivi.
    [Show full text]
  • Persons Nominated for Foreign Language (Non-English) Performances
    PERSONS NOMINATED FOR FOREIGN LANGUAGE (NON-ENGLISH) PERFORMANCES * Denotes winner [Updated thru 88th Awards (2/16)] 1961 (34th) * Sophia Loren – Actress, Two Women [Italian] 1962 (35th) Marcello Mastroianni – Actor, Divorce - Italian Style [Italian] 1964 (37th) Sophia Loren – Actress, Marriage Italian Style [Italian] 1966 (39th) Anouk Aimee – Actress, A Man and a Woman [French] Ida Kaminska – Actress, The Shop on Main Street [Czech] 1972 (45th) Liv Ullmann – Actress, The Emigrants [Swedish] 1974 (47th) Valentina Cortese – Supporting Actress, Day for Night [French] * Robert De Niro – Supporting Actor, The Godfather Part II [Italian] 1975 (48th) Isabelle Adjani – Actress, The Story of Adele H. [French] 1976 (49th) Marie-Christine Barrault – Actress, Cousin, Cousine [French] Giancarlo Giannini – Actor, Seven Beauties [Italian] Liv Ullmann – Actress, Face to Face [Swedish] 1977 (50th) Marcello Mastroianni – Actor, A Special Day [Italian] 1978 (51st) Ingrid Bergman – Actress, Autumn Sonata [Swedish] 1986 (59th) * Marlee Matlin – Actress, Children of a Lesser God [American Sign Language] 1987 (60th) Marcello Mastroianni – Actor, Dark Eyes [Italian] 1988 (61st) Max von Sydow – Actor, Pelle the Conqueror [Swedish] 1989 (62nd) Isabelle Adjani – Actress, Camille Claudel [French] 1990 (63rd) Gerard Depardieu – Actor, Cyrano de Bergerac [French] Graham Greene – Supporting Actor, Dances With Wolves [Lakota Sioux] 1992 (65th) Catherine Deneuve – Actress, Indochine [French] 1995 (68th) Massimo Troisi – Actor, The Postman (Il Postino) [Italian] 1998 (71st) * Roberto Benigni – Actor, Life Is Beautiful [Italian] Fernanda Montenegro – Actress, Central Station [Portuguese] 2000 (73rd) * Benicio Del Toro – Supporting Actor, Traffic [Spanish] 2004 (77th) Catalina Sandino Moreno – Actress, Maria Full of Grace [Spanish] 2006 (79th) Penélope Cruz – Actress, Volver [Spanish] Rinko Kikuchi – Supporting Actress, Babel [Japanese Sign Language] 2007 (80th) * Marion Cotillard – Actress, La Vie en Rose [French] © Academy of Motion Picture Arts and Sciences.
    [Show full text]
  • They're Tasty! L.L.C
    The Goodland Star-News / Tuesday, September 16, 2003 5 abigail Pick up the phone and inform the A few months ago, I told my If you are not employed or do not it’s “his” money, he can give it away Teenager may be police that your underage daughter mother that I think I need to see a have health insurance, you may as he sees fit. He seems to be on van buren is being stalked by an Internet doctor. She acted concerned, but qualify for Medicaid. Contact your everyone’s list. He spreads the let- predator. He belongs in jail. And never mentioned it again. I am get- state or county medical assistance ters out in a semicircle around his victim of sexual they can help to ensure that he winds ting worse every day. Some days I office to see if you meet the eligi- chair every day and sends them all •dear abby up there. Pronto. wish I would die. I know this isn’t bility requirements. $50 checks! Help! — GOING predator DEAR ABBY: I am 20 and used normal. What can I do? Whom do I DEAR ABBY: My 85-year-old BROKE IN MARYLAND DEAR ABBY: I am the mother of stand that this relationship won’t to be an outgoing, smart and attrac- see? — BARELY HERE IN INDI- husband is a cash cow for charities. DEAR G.B.: Talk to an accoun- a 15-year-old girl who is in ninth work. She insists they are both wait- tive female. I planned to attend col- ANA For years, he has given away all of tant or a trusted lawyer and explain grade.
    [Show full text]
  • November 3, 1977
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-3-1977 Kenyon Collegian - November 3, 1977 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 3, 1977" (1977). The Kenyon Collegian. 976. https://digital.kenyon.edu/collegian/976 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The mm, i mm Collegian Established IS56 CV, Number 9 Kenyon College, Volume Gambier, Ohio 43022 Thursday, November 3, 1977 Grant Spurs KPAF Revival r , - 1 .? r BY CHERYL RIR1E The KPACC was an annual program," Frame added. The 0 ROBERT RUBIN conference where and the participants seminar was taught by Goldwin in discussed and ' debated current issues the second semester, and focused on spell of several years, over a After a dry three day period. Conference the topic of the conference. During Affairs Forum the Kenyon Public members were asked by Goldwin to the semester, at least three well be on its way a write essays (KPAF) may to on their subjects prior to distinguished people would visit the a grant of $20,205 the comeback. Due to meetings. All participating campus for periods of two days to and Gamble from the Proctor members were then given copies of two weeks. The visitors would give a Foundation, distinguished speakers the essays to prepare for the debates; public lecture, talk to the seminar, and politicians may once again be after the conference a book con- and informally get together with brought in from across the nation to taining the essays and new points of students and faculty in various issues J discuss contemporary for the interest brought up during the three-da- y situations.
    [Show full text]
  • Calendar of Events
    Calendar of Events Film Festival Diva\Divo: Gender in a Generation of Italian Film 1950-1980 SEPTEMBER 26 - NOVEMBER 21 A cinematic journey in postwar Italy through movie genres, history, models, myths, and images of femininity and masculinity. The Directors highlighted in this series are: Vittoria De Sica, Federico Fellini, Luchino Visconti, Dino Risi, Lina Wertmuller and Ettore Scola. SEPTEMBER 26 time: 7:30pm L'oro di Napoli di Vittoria De Sica (Sophia Loren, Vittorio De Sica, Paolo Stoppa, Toto', Silvana Mangano) 1954 - Italy Guest Speaker: Nelson Moe BIO: Nelson Moe is an associate professor of Italian at Barnard College, Columbia University. He recently published “The View from Vesuvius: Italian Culture and the Southern Question” (California University Press, 2002). He is currently writing a book on the representation of the south in Italian cinema, as well as a study of Antonio Gramsci and the Southern Question. OCTOBER 2 time: 7:30pm Lo sciecco bianco di Federicao Fellini (Alberto Sordi, Giulietta Masina) 1951 - Italy Guest Speaker: Alexander Stille BIO: Alexander Stille is a free-lance writer who lives in New York. His latest book, “The Future of the Past” (Farrar, Straus & Giroux) is an exploration of the cultural impact of technological change and its effect on our relation to the historical past. He is also the author of “Benevolence and Betrayal: Five Italian-Jewish Families Under Fascism” (Penguin), which won the 1992 Los Angeles Times Book Award for best work of General Non- Fiction; and “Excellent Cadavers: The Mafia and the Death of the First Italian Republic” (Vintage), which came out in 1995.
    [Show full text]
  • Discover Our Complete Catalogue, Click Here!
    2 TABLE OF CONTENTS NEW FILMS 4 IN PRODUCTION 42 LIBRARY 48 RESTORED MASTERPIECES 54 SPAGHETTI WESTERN 66 ACTION 70 HORROR/SCI-FI 76 ADVENTURE 82 DRAMA 86 COMEDY 90 EROTIC 94 CONTACTS 101 3 4 NEW FILMS 5 Directed by Alessio Liguori Cast: Andrei Claude (Game of Thrones), David Keynes (Pirates of the Carribean), Jack Kane (Dragonheart Vengeance / The A List), Zak Sutcliffe, Sophie Jane Oliver, Terence Anderson Year of Production: 2019 Country: Italy, Germany (English spoken) Genre: Mistery, Fantasy, Coming of Age Duration: 76’ 6 SHORTCUT A group of five teenagers is trapped inside their school bus after a mysterious creature invade the road. Time runs and every passing minute decreases their survival chances against the constant threats of that unknown entity. 7 Directed by Marco Coppola Cast: Charlie Hofheimer (24: Legacy /Mad Men / Black Hawk Down), Leticia Peres, Natalia Dyer (Stranger Things) Year of Production: 2019 Country: USA Genre: Romance, Drama, Comedy Duration: 80’ 8 THE NEAREST HUMAN BEING Devin's struggles between an office job he hates and a pitiful career as an actor. Things get worse when his beautiful girlfriend Jasmine decides to stop hoping he could ever turn into serious 'relationship material'. She seizes the opportunity to try new experiences but soon her reckless single life induces Jasmine to question herself. Will she give Devin a second chance? 9 Directed by Simone Isola and Fausto Trombetta Original Title: Se c'è un Aldilà sono Fottuto. Vita e Cinema di Claudio Caligari Cast: Claudio Caligari, Alessandro Borghi (Romolus & Remus - The First King / On my Skin / Naples in Veils / Suburra), Valerio Mastandrea (Euforia / Perfect Strangers / Pasolini), Luca Marinelli (They call me Jeeg / Don’t be Bad / Martin Eden) Year of production: 2019 Country: Italy Genre: Documentary Duration: 104' 10 NO FILTERS.
    [Show full text]
  • Marco Bellocchio and His Renown Actor Pierfrancesco Favino
    NOVEMBER NEWNEW YORKYORK 21ST/23RD/24TH Associazione DECEMBER Culturale 12TH/13TH/14TH Artistic Soul MIAMIMIAMI Thanks to the contribution of the Ministry of Culture and Tourism – General Administration of Cinema, with the support of the Italian Consulate of New York, the Italian Institute of Culture, in collaboration with Sony Pictures Classics, RAI Cinema, Mercer Hotel, the Italian Culture Committee of New York, Stony Brook University, Your Italian Hub and the patronage of APA (Associa- zione Produttori Audiovisivo) we welcome the fourth edition of ITALY ON SCREEN TODAY – New York & Miami, the film festival created and directed by Loredana Commonara for the Artistic Soul Association. The festival will run from Nov 21ST to Nov 24TH at the Walter Reade Theater (Lincoln Center) and at the Wang Center of Long Island, with a curated selection of movies showcasing the best of contemporary Italian cinema: over the course of four days we offer great authors, young directors, US and New York premieres and indepth movie analysis. Over the course of the few last years, Italian cinema has become more and more eclectic, able to surprise and renew itself, both in regards of themes and language, while the productions keep making room for new authors, which is a constant stimulus for the spectators and the industry alike. This is why the effort we put into promoting Italian cinema abroad turns into true pleasure. The most awaited appointment of this edition will take place at the Walter Reade Theater (Lincoln Center), where we proudly host the maestro Marco Bellocchio and his renown actor Pierfrancesco Favino.
    [Show full text]
  • Gli Insulti Cinematografici. I Film Degli Anni Sessanta
    Quaderns d’Italià 25, 2020 27-46 Gli insulti cinematografici. I film degli anni Sessanta Marco Gargiulo Universitet i Bergen [email protected] Riassunto In questo articolo, concentrandomi sui film degli anni Sessanta, vorrei presentare la prima parte di una ricerca più ampia sugli insulti nel cinema italiano. Cominciando con La dolce vita (1960) e alcuni dei più famosi e importanti film del decennio, come Accattone, Mamma Roma e Rocco e i suoi fratelli, cercherò di mostrare come gli insulti cinematografici seguano l’evoluzione della società e della cultura italiane. In altre parole, la mia analisi evidenzia come l’interpretazione dei mutamenti occorsi nel passaggio dalla tradizione alla modernità si riflettano nella morale e nei tabù. Per fare ciò, mi concentrerò su alcuni tabù legati alla sessualità, alla famiglia e al genere e sugli insulti legati a tali tabù, e la loro rappresentazione nel nuovo cinema drammatico neorealista e nella cosiddetta “commedia all’italiana”. Parole chiave: tabù; insulti; turpiloquio; lingua del cinema; film. Abstract. Cinematic insults. The films of the 60’s In this article, focusing on Italian films of the 60’s, I would like to present the first results of a wider research project on the use of insults in the Italian cinema. Starting from La dolce vita (1960) and some of the most famous and important films of the decade, such as Accattone, Mamma Roma and Rocco e i suoi fratelli, I will try to show how cinematic insults follow the evolution of the Italian society and culture. In other words, my analysis stresses out that the interpretation of the significative changes occurred in the shift from tradition to modernity are reflected in moral behavior and taboos.
    [Show full text]