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Discovered at Oxyrhynchus
FRAC:~IENTS FROM A PAPYRUS ROLL OF LATE THIRD CENTURY, CONTAINING ST. 10111' xv. 25-xv1. 2 ANO XVI. 21-31. Discovered at Oxyrhynchu s (Oxyrh. Pap. x. 1228), and gifted by the Egypt Exploration Society to Glasgow Univer:-tity Library HERE Y THERE AMONG THE PAPYRI BY GEORGE MILLIGAN D.D. (ABERDEEN), D.C.L. (DURHAM) PROFESSOR OP' DIVINITY AND BIBLICAL CRITICISM IN THB UNIVBRSITY OF GLASGOW WITH A FRONTISPIECE LONDON HODDER AND STOUGHTON LIMITED MCMXXIII PRINTED IN GREAT BRITAIN J. H. M. ..... ., ,.. ' Tep a"f«7r1'/Ttp ,ea, uvvep"f'!' µou evx,apt<r771pwJ1 Here and There among the Papyri Foreword THIS small book is addressed in the first instance to that wide and ever-increasing public who are keenly interested in the study of the New Testament, and are anxious to know more of the bearing of the papyrus discoveries, of which they hear so much, on its language and literature. Every effort has, therefore, been made to avoid unnecessary technicalities, and no Greek words or phrases have been used without their English equi valents. At the same time, even though it involves some repetition of matter I have published elsewhere, I have tried to give at least an indication of the principal points in the whole field of inquiry. For the sake of those who wish to pursue the subject further, full references are given in the Notes to the sources from which the documents made use of are drawn, and also to some of the most vii vm Here and There among the Papyri accessible literature dealing with the questions at issue. -
Freud on Time and Timelessness: the Ancient Greek In- fluence
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Repository of Birkbeck Institutional Theses ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Freud on time and timelessness: the ancient Greek in- fluence http://bbktheses.da.ulcc.ac.uk/71/ Version: Full Version Citation: Noel-Smith, Kelly Ann (2014) Freud on time and timelessness: the an- cient Greek influence. PhD thesis, Birkbeck, University of London. c 2014 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email Freud on Time and Timelessness: the Ancient Greek Influence A dissertation presented by Kelly Ann Noel-Smith in fulfilment of the requirements for the degree of Doctor of Philosophy Birkbeck College, University of London January 2014 Declaration I declare that the work presented in this thesis is my own. …………………………………………………… ………………… 2014 Kelly Ann Noel-Smith © 2014 Kelly Noel-Smith. All rights reserved. 2 Kelly Noel-Smith Freud on Time and Timelessness: the Ancient Greek Influence Abstract This thesis turns on two assumptions: first, that there is a current absence within the psychoanalytic library of a consolidated account of Freud's theories of time and timelessness; second, that there is compelling evidence of an influence by the ancient Greek canon on Freud's metapsychology of time. The thesis is that a detailed examination of this influence will bring additional clarity to our understanding of Freud’s thoughts about time and timelessness and permit the provision of the currently lacking systematic account of this part of his theory. -
An Online Textbook for Classical Mythology
Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it. -
Representations of Truth and Falsehood in Hellenistic Poetry
Representations of Truth and Falsehood in Hellenistic Poetry A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy In the Department of Classics Of the College of Arts and Sciences by Kathleen Kidder B.A. University of Texas at Austin February 2018 Committee Chair: Kathryn J. Gutzwiller, Ph.D. Abstract This dissertation examines how five Hellenistic poets represent the processes of evaluating truth and falsehood. Applying the philosophic concept of a criterion of truth, I demonstrate that each poetic persona interrogates truth by suggesting a different kind of criterion. Due to the indebtedness of Hellenistic poetry to previous literature, the second chapter summarizes the evolution of pertinent vocabulary for truth and falsehood, tracking the words’ first appearances in early poetry to their reappearance in Hellenistic verse. In my third chapter, I discuss notions concerning the relationship between truth and poetry throughout Greek literary history. The fourth chapter covers Aratus’ Phaenomena and Nicander’s Theriaca, two poems containing scientific subject matter framed as true. Yet, as I argue, the poems’ contrasting treatments of myths attest to the differences in the knowability of the respective material. In the Phaemomena, a poem about visible signs, Aratus’ myths offer a model for interpreting an ordered Stoic universe via regular and perceptible signs. By contrast, Nicander’s myths replicate the uncertainty of his subject matter (deadly creatures and remedies) and the necessity of direct experience as a criterion. The dichotomy between certainty and uncertainty applies also to the fifth chapter, which analyzes the narratorial voices of Callimachus in the Aetia and Apollonius of Rhodes in the Argonautica. -
Lovers' Legends
Lovers’ Legends The Gay Greek myths Lovers’ Legends The Gay Greek Myths Restored and retold by Andrew Calimach HAIDUK PRESS Haiduk Press, LLC. PO Box 1783 New Rochelle, NY USA 10802-1783 www.haidukpress.com Copyright © Andrew Calimach, 2002 Without limiting the rights under copyright reserved above, no part of this book may be used or reproduced in any manner whatsoever without the written permission of Haiduk Press, LLC., except for brief quotations embodied in critical articles and reviews. However, it is the policy of Haiduk Press to freely grant requests for partial reproductions and/or dramatic rights to educational institutions and non-profit organizations. Please direct all such inquiries to [email protected]. “Old Love Story” from WHITE SHROUD: POEMS 1980-1985 by ALLEN GINSBERG Copyright © Allen Ginsberg, 1986 Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved Printed in the United States of America This edition is printed on acid-free paper with recycled content. Library of Congress Control Number: 2001119267 Publisher’s Cataloging-in-Publication Data (Provided by Quality Books, Inc.) Calimach, Andrew Lovers’ legends : the gay Greek myths / Andrew Calimach — 1st ed. p. cm. Includes bibliographical references and index. ISBN 0-9714686-0-5 1. Homosexuality—Mythology. 2. Mythology, Greek. I. Title. BL795.H6C35 2001 292’.178257662 QB101-701 196 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. To Allen Ginsberg, dharma brother -
Hippocratic Recipes; Oral and Written Transmission of Pharmacological Knowledge in Fifth- and Fourth- Century Greece
Hippocratic Recipes; Oral and Written Transmission of Pharmacological Knowledge in Fifth- and Fourth- Century Greece Laurence Marie Victoria Totelin University College London Doctor of Philosophy 1 UMI Number: U592442 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592442 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis examines the earliest extended collections of recipes preserved in Greek, the recipes of the so-called Hippocratic Corpus (late fifth or early fo^rrA century BC). I study the ways and formats in which pharmacological knowledge was transmitted in classical Greece. The compilers of the Hippocratic collections of recipes drew on a variety of sources, written and oral, including small catalogues of recipes comparable to those found on papyri from Hellenistic Egypt. Much pharmacological knowledge may have been transmitted orally from generation to generation before assuming written form in medical treatises. But following the social anthropologist Jack Goody, I distinguish between the medical knowledge the recipes reflect and the written form in which they have been transmitted. I also assess the socio-economic context in which the recipes were produced and used. -
The Greek Myths 1955, Revised 1960
Robert Graves – The Greek Myths 1955, revised 1960 Robert Graves was born in 1895 at Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers. His principal calling is poetry, and his Selected Poems have been published in the Penguin Poets. Apart from a year as Professor of English Literature at Cairo University in 1926 he has since earned his living by writing, mostly historical novels which include: I, Claudius; Claudius the God; Sergeant Lamb of the Ninth; Count Belisarius; Wife to Mr Milton (all published as Penguins); Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That (a Penguin Modem Classic), in 1929. His two most discussed non-fiction books are The White Goddess, which presents a new view of the poetic impulse, and The Nazarene Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He has translated Apuleius, Lucan, and Svetonius for the Penguin Classics. He was elected Professor of Poetry at Oxford in 1962. Contents Foreword Introduction I. The Pelasgian Creation Myth 2. The Homeric And Orphic Creation Myths 3. The Olympian Creation Myth 4. Two Philosophical Creation Myths 5. The Five Ages Of Man 6. The Castration Of Uranus 7. The Dethronement Of Cronus 8. The Birth Of Athene 9. Zeus And Metis 10. The Fates 11. The Birth Of Aphrodite 12. Hera And Her Children 13. Zeus And Hera 14. -
Erotic Letters
Erotic Language and Representations of Desire in the Philostratean Erotic Letters Erotic Language and Representations of Desire in the Philostratean Erotic Letters Antonios Pontoropoulos Dissertation presented at Uppsala University to be publicly examined in Humanistiska Teater, Thunbergsvägen 3 (Campus Engelska Parken), Uppsala, Saturday, 21 September 2019 at 14:00 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Associate Professor (Dr.) Owen Hodkinson (University of Leeds, School of Languages, Cultures and Societies). Abstract Pontoropoulos, A. 2019. Erotic Language and Representations of Desire in the Philostratean Erotic Letters. 240 pp. Uppsala: Department of Linguistics and Philology, Faculty of Languages, Uppsala. ISBN 978-91-506-2781-7. This doctoral dissertation focuses on a corpus of seventy-three prose letters from the Imperial period, titled Erotic Letters and attributed to Philostratus. In this letter collection, different anonymous letter writers address male and female recipients who are mostly anonymous. I contextualize the Philostratean erotic discourse in terms of Greek Imperial literature and the rhetorical culture of the Second Sophistic. Unlike the letter corpora of Aelian and Alciphron, the Philostratean Letters take a strong interest in ancient pederasty. Furthermore, the ancient Greek novel provides a fruitful comparison for the study of this particular letter corpus. The Philostratean erotic discourse employs a series of etiquettes and erotic labels which trace back to earlier (classical or Hellenistic) periods of Greek literary history. In this sense, the Philostratean Erotic Letters situate themselves in a long-standing Greek erotic tradition and draw from the prestigious classical past. In the context of individual Philostratean letters, pederastic motifs are often employed in heterosexual narratives and subvert the expected erotic discourse. -
Who's Who in Classical Mythology
Who’s Who in Classical Mythology The Routledge Who’s Who series Accessible, authoritative and enlightening, these are the definitive biographical guides to a diverse range of subjects drawn from literature and the arts, history and politics, religion and mythology. Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Christianity Lavinia Cohn-Sherbok Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Contemporary Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in Contemporary Women’s Writing Edited by Jane Eldridge Miller Who’s Who in Contemporary World Theatre Edited by Daniel Meyer-Dinkegräfe Who’s Who in Dickens Donald Hawes Who’s Who in Europe 1450–1750 Henry Kamen Who’s Who in Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in the Greek World John Hazel Who’s Who in Jewish History Joan Comay, revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Modern History Alan Palmer Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in the Roman World John Hazel Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who of Twentieth-Century Novelists Tim Woods Who’s Who in Twentieth-Century World Poetry Edited by Mark Willhardt -
6144 Del Lucchese.Indd 17 29/08/19 1:55 PM 18 MONSTROSITY and PHILOSOPHY
Monstrosity and Philosophy Radical Otherness in Greek and Latin Culture Filippo Del Lucchese 66144_Del144_Del LLucchese.indducchese.indd i 224/08/194/08/19 112:332:33 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Filippo Del Lucchese, 2019 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 10.5/13 Goudy Old Style by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 5620 3 (hardback) ISBN 978 1 4744 5623 4 (webready PDF) ISBN 978 1 4744 5622 7 (epub) The right of Filippo Del Lucchese to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66144_Del144_Del LLucchese.indducchese.indd iiii 224/08/194/08/19 112:332:33 PPMM Contents Acknowledgements v Introduction 1 1. The Myth and the Logos 8 Order and Chaos 13 Mythical Battlefi elds: Monstrosity as a Weapon 19 Causality and Monstrosity: Challenging Zeus 35 2. The Pre-Platonic Philosophers 56 Anaxagoras: A Material Origin for Life and Monstrosity 56 Empedocles: Wonders to Behold 63 Democritus: Agonism within Matter 70 3. -
Signs in the Song: Scientific Poetry in the Hellenistic Period" (2015)
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Signs in the Song: Scientific oetrP y in the Hellenistic Period Kathryn Dorothy Wilson University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classical Literature and Philology Commons Recommended Citation Wilson, Kathryn Dorothy, "Signs in the Song: Scientific Poetry in the Hellenistic Period" (2015). Publicly Accessible Penn Dissertations. 1162. https://repository.upenn.edu/edissertations/1162 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1162 For more information, please contact [email protected]. Signs in the Song: Scientific Poetry in the Hellenistic Period Abstract My dissertation examines the works of three poets, Aratus, Apollonius of Rhodes, and Nicander, as scientific poetry. Rather than focusing on either literary or scientific material within them, I show that such a distinction is artificial and both literary and scientific interests are reflected in all aspects of these works. I argue that we should view the poems as serious attempts to discuss scientific matters, and that their intent to do so also impacts their own understanding of their poetry. In the introduction, I establish the parameters of my project, explain my definition of science, and discuss the lines of argumentation ancient scholars used to address the question of a poetâ??s authority to speak about scientific subjects. In my first chapter, I address Aratusâ?? Phaenomena as a poem about signs. Aratus ties his astronomical and meteorological information together through the unifying theme of semiology, and he focuses on the human ability to recognize signs and use them for practical purposes. -
Monsters in Our Minds: the Myth of Infanticide and the Murderous Mother in the Cultural Psyche
MONSTERS IN OUR MINDS: THE MYTH OF INFANTICIDE AND THE MURDEROUS MOTHER IN THE CULTURAL PSYCHE INGRID LANA SCHER A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Law University of New South Wales, Sydney MARCH 2005 ©Copyright 2005 by Ingrid Lana Scher All Rights Reserved ii Originality Statement ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgment is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged’. Ingrid Lana Scher 31 March 2005 Faculty of Law The University of New South Wales iii Abstract If, as author Toni Morrison believes, we tell stories about what we find most terrifying, then our cultural narratives suggest an overwhelming preoccupation with the murderous mother – the monster in our minds. This dissertation examines some of the most powerful and enduring stories told about the murderous mother and considers how these stories are shaped by the unconscious fears and fantasies that dominate the cultural psyche.