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Nosa 3S an Angel Sow Epitaphs from Crawford County, Pennsylvania William B
Nosa 3s an Angel Sow Epitaphs from Crawford County, Pennsylvania William B. Moore and Stephen C. Davies Part 3 McCLURE CEMETERY Tis finished, so the Savior cried And meekly bowed his head and died Tis finished :Yes my race is run Mybattle fought, my victory won. —SOLOMON ENGELHAUPT (1792 1853) McDowell cemetery My children dear assemble here Thy mother's grave to see ! Not long ago Idwelt with you But soon you'll dwell with me. —MARGARET McDOWELL (1793 1819) God my Redeemer lives And ever from the skies Looks down and watches all my dust Tillhe shall bid me rise. —ALEXANDER McDOWELL 2nd (1813 1846) Now Ilay me down to sleep Ipray the Lord my soul to keep IfIshould die before Iwake Ipray the Lord my soul to take. —HARRIET EMELINEMcDOWELL (1847 1851) My Home is above For Iknow that my Redeemer liveth AndinHeaven there is rest Farewell dear Robert, thou hast been a kind Husband, an af- fectionate Son, a dear Father and a good Brother Beloved when living and bemoaned [when dead?] —ROBERT WILLCOX (1822 1852) 328 WILLIAMB. MOORE AND STEPHEN C. DAVIES JULY Friends so dear both far and near Ifyou come this way this marble slab Willtell you where beneathe Ilay. —WILSON MYERS (1832-1856) Is Jesus precious Oh yes Take good care of the children —MARGARET BEAR (1822-1858) Private Co. I2nd Pa. Cavalry Died at Brandy Station, Va. Jan. 18, 1864 He sweetly sleeps whydo we mourn His toils on earth are done His life is hid with Christ in God Tillhis Redeemer comes. -
The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities. -
NVS 1-1 A-Williamson
“The Dead Man Touch’d Me From the Past”: Reading as Mourning, Mourning as Reading in A. S. Byatt’s ‘The Conjugial Angel’ Andrew Williamson (The University of Queensland, Australia) Abstract: At the centre of nearly every A. S. Byatt novel is another text, often Victorian in origin, the presence of which stresses her demand for an engagement with, and a reconsideration of, past works within contemporary literature. In conversing with the dead in this way, Byatt, in her own, consciously experimental, work, illustrates what she has elsewhere called “the curiously symbiotic relationship between old realism and new experiment.” This symbiotic relationship demands further exploration within Possession (1990) and Angels and Insects (1992), as these works resurrect the Victorian period. This paper examines the recurring motif of the séance in each novel, a motif that, I argue, metaphorically correlates spiritualism and the acts of reading and writing. Byatt’s literary resurrection creates a space in which received ideas about Victorian literature can be reconsidered and rethought to give them a new critical life. In a wider sense, Byatt is examining precisely what it means for a writer and their work to exist in the shadow of the ‘afterlife’ of prior texts. Keywords: A. S. Byatt, ‘The Conjugial Angel’, mourning, neo-Victorian novel, Possession , reading, séance, spiritualism, symbiosis. ***** Nature herself occasionally quarters an inconvenient parasite on an animal towards whom she has otherwise no ill-will. What then? We admire her care for the parasite. (George Eliot 1979: 77) Towards the end of A. S. Byatt’s Possession (1990), a group of academics is gathered around an unread letter recently exhumed from the grave of a pre-eminent Victorian poet, the fictional Randolph Henry Ash. -
The Concept of Vengeance in the Book of Revelation in Its Old Testament and Near Eastern Context
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 1986 The Concept of Vengeance in the Book of Revelation in its Old Testament and Near Eastern Context Joel Nobel Musvosvi Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Biblical Studies Commons, Near Eastern Languages and Societies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Musvosvi, Joel Nobel, "The Concept of Vengeance in the Book of Revelation in its Old Testament and Near Eastern Context" (1986). Dissertations. 103. https://digitalcommons.andrews.edu/dissertations/103 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Sample Poem Book
The Lord is My Shepherd; I shall not Our Father which art in want. He maketh me to lie down in green heaven, Hallowed be thy I’d like the memory of me pastures; He leadeth me beside the still name. Thy kingdom come. To be a happy one, waters. He restoreth my soul. He leadeth I’d like to leave an afterglow me in the path of righteousness for His Thy will be done in earth, as it Of smiles when day is done. name’s sake. Yea, though I walk through is in heaven. Give us this day I’d like to leave an echo the valley of the shadow of death, I will Whispering softly down the ways, fear no evil; for Thou art with me; Thy our daily bread. And forgive Of happy times and laughing times rod and Thy staff they comfort me. Thou us our debts, as we forgive And bright and sunny days. preparest a table before me in the our debtors. And lead us not I’d like the tears of those who grieve presence of mine enemies. Thou To dry before the sun anointest my head with oil; my cup into temptation, but deliver us Of happy memories that I leave behind, runneth over. Surely goodness and from evil: For Thine is the When the day is done. mercy shall follow me all the days of my life; and I will dwell in the house of the kingdom, and the power, and -Helen Lowrie Marshall Lord forever. the glory, for ever. -
From Me to Ca, These Tracks Are Gone but Not Forgotten
SUNDAY, NOVEMBER 15, 2020 FROM ME TO CA, THESE MO TOWN COLT LEADS THE WAY INTO BOOK 4 AT KEENELAND TRACKS ARE GONE BUT by Brian DiDonato A total of 265 head changed hands for gross receipts of NOT FORGOTTEN $6,278,400 Saturday during the first of two Book 4 sessions of the Keeneland November Breeding Stock Sale. The average price was $23,692 and median was $15,000. The RNA rate was a notably low 16.4%. While year-to-year comparisons are perhaps slightly inexact due to a smaller KEENOV catalog this year, during last year=s corresponding sixth session the average was $29,426 and median was $20,000 with a 24.7% buyback rate. Topping the day=s trade Saturday was hip 1913, a colt from the first crop of Mo Town purchased by agent Davant Latham for $185,000. Consigned by Alliance Sales Agency, the Jan. 18 foal hails from the female family of recent local GII Lexus Raven Run S. heroine Venetian Harbor (Munnings) and Hall of Fame sprinter Safely Kept. Cont. p5 IN TDN EUROPE TODAY What remains of the Great Barrington Fair, one of the 28 now- defunct tracks where Bill Finley saw racing | T.D. Thornton AUDARYA ENHANCES FANSHAWE’S PORTFOLIO James Fanshawe reflects on his Breeders’ Cup success with by Bill Finley Audarya (Fr) (Wootton Bassett {GB}), his first runner at the Do you remember Bowie? The Marshfield Fair? Or, how about meeting. Click or tap here to go straight to TDN Europe. Liberty Bell? I do. I've been to them all. -
THE FOUNTAINHEAD by Ayn Rand
THE FOUNTAINHEAD by Ayn Rand To Frank O’Connor Copyright (c) 1943 The Bobbs-Merrill Company Copyright (c) renewed 1971 by Ayn Rand. All rights reserved. For information address The Bobbs-Merrill Company, a division of Macmillan, Inc., 866 Third Avenue, New York, New York 10022. Introduction to the Twenty-fifth Anniversary Edition Many people have asked me how I feel about the fact that The Fountainhead has been in print for twenty-five years. I cannot say that I feel anything in particular, except a kind of quiet satisfaction. In this respect, my attitude toward my writing is best expressed by a statement of Victor Hugo: "If a writer wrote merely for his time, I would have to break my pen and throw it away." Certain writers, of whom I am one, do not live, think or write on the range of the moment. Novels, in the proper sense of the word, are not written to vanish in a month or a year. That most of them do, today, that they are written and published as if they were magazines, to fade as rapidly, is one of the sorriest aspects of today’s literature, and one of the clearest indictments of its dominant esthetic philosophy: concrete-bound, journalistic Naturalism which has now reached its dead end in the inarticulate sounds of panic. Longevity-predominantly, though not exclusively-is the prerogative of a literary school which is virtually non-existent today: Romanticism. This is not the place for a dissertation on the nature of Romantic fiction, so let me state--for the record and for the benefit of those college students who have never been allowed to discover it--only that Romanticism is the conceptual school of art. -
Émigrés and the Film Noir: Expressionism and the Dispossessed
LATEST NO STOCKS DVD NO SPORTS NEWS ™ ALL NOIR www.noircity.com www.filmnoirfoundation.org VOL. I NUMBER 11 CCCC**** A PUBLICATION OF THE FILM NOIR FOUNDATION MONTHLY 2 CENTS FEBRUARY, 2007 Noir’s Not-So-Nice Guys Universal buys Chandler novels for Brit Star NEVILLE CLIVE OWEN BRINGS BRAND By Eric Beetner MARLOWE BACK TO Special to the Sentinel MOVIE SCREENS eville Brand came out of WWII as a highly decorated hero, and with the It’s been nearly thirty years since Philip The plan is to keep the spirit of the money he had saved from his G.I. Marlowe has been a movie headliner (Robert Chandler books, and (best of all) keep the bill he took acting classes with Stella Adler. N Mitchum’s valiant but slightly tired rendition mysteries set in 1940s Los Angeles, with Working in several films for the Army Signal of Chandler’s knight-errant in a disappoint- Marlowe remaining in character as a hard- Corps, Brand had become comfortable in ing remake of The Big Sleep.) drinking, wisecracking gumshoe. front of the camera. In no time at all, But all that is about to change, thanks Owen is exactly the right age (42), Hollywood beckoned. The face of the new Philip Marlowe. to British actor Clive Owen, Universal and, for our money at least, possesses both When your film debut has you brutal- Pictures and Strike Entertainment. the looks and acting chops to pull off a satis- izing an already-dying Edmond O’Brien in Strike made a deal with Phil Clymer at fying portrayal of noir’s most potent icon. -
Not Forgotten: the Korean War in American Public Memory, 1950-2017
NOT FORGOTTEN: THE KOREAN WAR IN AMERICAN PUBLIC MEMORY, 1950-2017 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Levi Fox May 2018 Examining Committee Members: Dr. Seth Bruggeman, Temple University Department of History Signature_______________________________________Date_______________ Dr. Hilary Iris Lowe, Temple University Department of History Signature_______________________________________Date_______________ Dr. Jay Lockenour, Temple University Department of History Signature_______________________________________Date_______________ Dr. Carolyn Kitch, Temple University Department of Media and Communication Signature_______________________________________Date_______________ ii ABSTRACT The “forgotten war” is the label most frequently used to recall the conflict that took place in Korea from June 25, 1950 to July 27, 1953, with variations of this phrase found in museum exhibitions and monuments across the country. Since the widespread presence of so many mentions of Korea clearly demonstrates that the Korean War is not forgotten, this project critically evaluates several forms of public memory (including museum exhibitions, historical scholarship, films and television shows, state and local monuments, and memorial infrastructure including bridges, highways, buildings, and trees) in order to explore how the war has come to be called forgotten. This project also seeks to examine the foreign policy issues of labeling the Korean War as -
AT a DISTANCE of YEARS: the NOVEL of AGING in the SHADOW of AUSCHWITZ by Anthony C. Wexler a Dissertation Submitted to Johns
AT A DISTANCE OF YEARS: THE NOVEL OF AGING IN THE SHADOW OF AUSCHWITZ by Anthony C. Wexler A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland January 2015 © 2015 Anthony C. Wexler All Rights Reserved ABSTRACT “At a Distance of Years: The Novel of Aging in the Shadow of Auschwitz” considers a group of Vollendungsromane, or novels of old age, written at the end of the twentieth century that all depict the subjective experience of old age so as to reckon with a larger historical development: the end of the “era of witnessing” connected to the aging and death of the community of Holocaust survivors. Contrary to depictions of late life that focus exclusively on the personal or universal aspects of the aging process, the works considered in this study reflect on, and respond to, the ways in which the memory of traumatic events begins to erode or become distorted with the passage of time. In works that disrupt the Vollendungsroman genre, Primo Levi, Philip Roth, Saul Bellow and J.M. Coetzee chronicle the exhaustion of testimonial authority in contemporary Holocaust discourse. These post-Holocaust Vollendungsromane, with their marked entwinement of personal and historical categories of experience, anticipate and resist the Holocaust’s fading from memory. At the same time, they self-consciously posit literature’s unique advantages in combatting the potential obsolescence of testimony. While the genre of the Vollendungsroman has not displaced the Bildungsroman in the postwar period, it has proven to be uniquely suited to writers at the end of the twentieth century struggling to make sense of what traumatic events like the Holocaust can and should mean in a world without witnesses. -
1 Year Later, UBC Pastor Not Forgotten Minor, Too
PAST AND PRESENT: A JOURNEY THROUGH SIGNIFICANT POINTS IN BAylor’s historY SECTION B ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT FRIDAY, OCtoBER 20, 2006 1 year later, UBC pastor not forgotten minor, too. are “finally getting out of sur- Adam Horton, a Waynesville, Wife, friends reflect Then came the real news: vival mode.” N.C., graduate student, said on Lake’s devotion Kyle Lake, the pastor of UBC, She said Lake’s death brought Lake’s marriage was “almost had been electrocuted in the a barrage of changes for them. like a storybook relationship.” to serving others waters of the baptistery during “This year I’ve had to rede- One of the things that gave a service and was on his way to fine what normal and what hap- Lake the most joy in life was his By Lauren Hightower the hospital. piness is,” Jennifer said. relationship with his children, Reporter Last year, the congregation She described changes in Jennifer said. She said he was al- of UBC was in disbelief. Lake’s everything from her role at Uni- ways looking forward to life, but Craig Nash was sitting in the death left behind his wife, three versity Baptist Church to her would tear up at the thoughts of nursery when a mother came in children, countless friends and personal identity. his children growing up. and took her daughter out. a legacy that is still remembered Now, nearly a year after his Nash, one of Lake’s closest He said he heard someone in by everyone he knew.