The Concept of Vengeance in the Book of Revelation in Its Old Testament and Near Eastern Context
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The Prophet Jeremiah As Theological Symbol in the Book of Jeremiah╊
Scholars Crossing LBTS Faculty Publications and Presentations 11-2010 The Prophet Jeremiah as Theological Symbol in the Book of Jeremiah” Gary E. Yates Liberty Baptist Theological Seminary, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/lts_fac_pubs Part of the Biblical Studies Commons, Comparative Methodologies and Theories Commons, Ethics in Religion Commons, History of Religions of Eastern Origins Commons, History of Religions of Western Origin Commons, Other Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Yates, Gary E., "The Prophet Jeremiah as Theological Symbol in the Book of Jeremiah”" (2010). LBTS Faculty Publications and Presentations. 372. https://digitalcommons.liberty.edu/lts_fac_pubs/372 This Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in LBTS Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. ETS, Atlanta 2010 “The Prophet Jeremiah as Theological Symbol in the Book of Jeremiah” Gary E. Yates, Ph.D. Introduction Timothy Polk has noted, “Nothing distinguishes the book of Jeremiah from earlier works of prophecy quite so much as the attention it devotes to the person of the prophet and the prominence it accords the prophetic ‘I’, and few things receive more scholarly comment.”1 More than simply providing a biographical or psychological portrait of the prophet, the book presents Jeremiah as a theological symbol who embodies in his person the word of Yahweh and the office of prophet. 2 In fact, the figure of Jeremiah is so central that a theology of the book of Jeremiah “cannot be formulated without taking into account the person of the prophet, as the book presents him.”3 The purpose of this study is to explore how Jeremiah the person functions as a theological symbol and what these motifs contribute to the overall theology of the book of Jeremiah. -
Nosa 3S an Angel Sow Epitaphs from Crawford County, Pennsylvania William B
Nosa 3s an Angel Sow Epitaphs from Crawford County, Pennsylvania William B. Moore and Stephen C. Davies Part 3 McCLURE CEMETERY Tis finished, so the Savior cried And meekly bowed his head and died Tis finished :Yes my race is run Mybattle fought, my victory won. —SOLOMON ENGELHAUPT (1792 1853) McDowell cemetery My children dear assemble here Thy mother's grave to see ! Not long ago Idwelt with you But soon you'll dwell with me. —MARGARET McDOWELL (1793 1819) God my Redeemer lives And ever from the skies Looks down and watches all my dust Tillhe shall bid me rise. —ALEXANDER McDOWELL 2nd (1813 1846) Now Ilay me down to sleep Ipray the Lord my soul to keep IfIshould die before Iwake Ipray the Lord my soul to take. —HARRIET EMELINEMcDOWELL (1847 1851) My Home is above For Iknow that my Redeemer liveth AndinHeaven there is rest Farewell dear Robert, thou hast been a kind Husband, an af- fectionate Son, a dear Father and a good Brother Beloved when living and bemoaned [when dead?] —ROBERT WILLCOX (1822 1852) 328 WILLIAMB. MOORE AND STEPHEN C. DAVIES JULY Friends so dear both far and near Ifyou come this way this marble slab Willtell you where beneathe Ilay. —WILSON MYERS (1832-1856) Is Jesus precious Oh yes Take good care of the children —MARGARET BEAR (1822-1858) Private Co. I2nd Pa. Cavalry Died at Brandy Station, Va. Jan. 18, 1864 He sweetly sleeps whydo we mourn His toils on earth are done His life is hid with Christ in God Tillhis Redeemer comes. -
GCE Religious Studies
GCE CCEA GCE AS Exemplifying Examination Performance Religious Studies AS 3: An Introduction to Themes in the Old Testament This is an exemplification of candidates’ performance in GCE AS examinations (Summer 2017) to support the teaching and learning of the Religious Studies specification. Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. EXEMPLIFYING EXAMINATION PERFORMANCE GCE Religious Studies Introduction These materials illustrate aspects of performance from the 2017 summer AS examination series of CCEA’s revised GCE Specification in 2016. Students’ grade A responses are reproduced verbatim and are accompanied by commentaries written by senior examiners. The commentaries draw attention to the strengths of the students’ responses and indicate, where appropriate, deficiencies and how improvements could be made. It is intended that the materials should provide a benchmark of candidate performance and help teachers and students to raise standards. For further details of our support package, please visit our website at www.ccea.org.uk Best wishes Education Manager, Religious Studies Email: [email protected] Telephone: 028 9026 1200 ext. 2105 GCE: AS Religious Studies SRE31: An Introduction to Themes in the Old Testament Grade: A Exemplar 1 CCEA EXEMPLIFYING EXAMINATION PERFORMANCE Section A Answer one question from Section A. Q1a Examine the significance of Isaiah’s call and his criticisms of Judah. [25] Student’s response Isaiah was called to be a true prophet by Yahueh and remind the people that they needed to change their sinful ways and make a return to the mosaic covenant. -
The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
Congratulations! UUI/GCI Scholarships 150 Awarded
2013-2014 Congratulations! UUI/GCI Scholarships 150 Awarded Akiachak: Erma Peter, Dominick Ekomrak. Mekoryuk: Erin Kiokun Alakanuk: Donovan Phillip Mountain Village: Elena Beans, Denise Hunter, Daniel Wasky Arctic Village: Tisheena Frank Napaskiak: Francis Nicholai, Zacnarias Evan, Jerome Williams, Jonica Williams, Howard Nicholai, Atmautluak: Jamie Jacob Amber Riley Bethel: Tracy Asicksik, Chelsey Beans-Polk, Mary Dyment, Newtok: Gilbert Charles, Megan John Emerie Fairbanks, Lauren Forbes, Erin Fox, Jolene Herron, Patrick Hopstad, Tillie Kaiser, Isaac Nightmute: Christina Tulik Kalistook, Audrey Leary, Krystal Lincoln, Rebecca Nunapitchuk: Tamara Tobeluk, Zechariah Chaliak III Lupie, Elin McWilliams, Ashleigh Naneng, Christian Osentoski, Peri Sanders, Andrea Allen, Oscarville: Nick Joekay Rosheille Benlot, Helen Roehl, Trevour Chavez, Pilot Station: Steven Alick, Carolyn Heckman, Alexie Nick, Jbruce Crow, Mitchell Forbes, Willie Green, Elliott Emery Alick Hoffman, Jesse Kiejka, Sabrina Moses, Emma Pitkas Point Gwendolyn Francis, Josehine Wasky Reichard-Finger, Taylor Richards, Carly Romer, Charles Strickland, Ashley Johnson, Jaclyn Nelson, Quinhagak: Lynn Church, Zane DeBitt, Lonny Strunk, Wilson Naneng. Reha Cleveland, Linda Hansen Central: Matthew Symons Russian Mission: Daniel Edwards, Kimberly Minock Chefornak: Janelle Kinegak, Eric Tunuchuk, Jeffery Agimuk, Scammon Bay: Felicia Wassillie, Shelaya Kaganak. Jacqueline Mathew. Chevak: Clarissa Tall, Susie Friday-Tall St. Mary’s: Andrea Alstrom, Katelyn Johnson, Stefan Eek: Miranda -
(#) Indicates That This Book Is Available As Ebook Or E
ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Scholars' Transcription
Jan. 1836. 60 To the Hon. Senate & House of Representatives, in General Court assembled, As we, the Undersigned, Proprietors & Inhabitants of the District of Marshpee, are informed, that request is made to you, by part of our people to alter the Parsonage, Meeting House, &c– We wish, respectfully to raize our voice against it, in your hearing. We believe it will do most good as it now is. Our Fathers, being as capable of discerning what is good as any of us, solemnly set this off for a good end!– The Committee of your Hon. Body, who looked into our affairs, and, as we thought, settled them, say of this Property, that, "the former Acts respecting it, would operate as a dedication of it, with which it would be inexpedient for the Legislature to interfere," and, we hope your Honours are still of the same mind. We know not what pretence our Opposites have set forth, but we assure your Honours, that if this property goes back to Commons, it will soon be over consumed, & a very few, will feel the benefit–or–if it is once divided, there will be no end to the like doings,– & we shall be left without a provision for Religious Means. We declare our Satisfaction with what our Fathers have done, and wish that our Teacher be left to the un- disturbed use of his privileges. We are of the same mind with our Fathers. we have not changed as many have done, - & we beg this Hon. Court not to put us to the sorrow of seeing this sad change in our affairs, but that you will afford us firm support against the restless attempts of some, at home & abroad, who, we fear, are seeking their own selfish ends, and not the general good. -
STUDIES in MALACHI No
STUDIES IN MALACHI No. 6 February 23, 2003 Review Tonight we begin our study of the third of Malachi’s six disputations, or stylized conversations between God and his people. In each case the prophet is exposing some way in which Israel is being unfaithful to the Lord and so bringing down upon herself the threat of God’s judgment. The first disputation concerned unfaithful and half-hearted worship. The second concerned the infidelity of the priests who were not only allowing the people to worship God in a disobedient and irreverent way, but were actually encouraging them in their worldliness. Now comes the third disputation which concerns marital unfaithfulness among the people of God. We are going to familiarize ourselves with the text tonight and with one problem of translation and then, next Lord’s Day evening, God willing, we will take up the main burden of Malachi’s message. Text Comment v.10 In the third disputation, Malachi returns to the sins of the people in general. The same format is followed that we have seen in the previous disputations: The Lord asserts through his prophet that his people have violated the covenant (vv. 10-13); the people’s questioning reply (v. 14a); the Lord’s response (v. 14b); and the implication or application (vv. 15-16). Malachi begins by reminding the people of their special relationship to God. He is their father, their only father. That means that Israel must live in obedience to God. But, it also may imply several things. Fathers had much to do with arranging marriages in that culture and so disobedience to the Lord in the matter of choosing a marriage partner would be a serious violation of filial trust and duty. -
Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities. -
Give Me Something to Sing About": Intertextuality and the Audience in "Once More, with Feeling"
Chapter 12 "Give Me Something to Sing About": Intertextuality and the Audience in "Once More, with Feeling" Amy Bauer "I love all musicals." (Joss Whedon, audio commentary to "Once More, with Feeling.") Critics hailed "Once More, with Feeling" (6.7) as a brilliant example of the television musical. Its musical numbers flow from the narrative, yet prove integral to the seven-year arc of the series, and its eclectic but unified score was written expressly for the talents of a cast (mostly) new to the genre. Notably, its book, score, and concept all sprang from one mind, that of the Buffyverse's primary architect, Joss Whedon. Although untrained in musical composition, Whedon's affection for and knowledge of the American musical are everywhere evident, even if we did not have John Kenneth Muir's admission that he is a "virtual encyclopedia of musical film history."1 Analogous to the combined cinematic genres-from horror to religious epic-that mark Buf/Y the Vampire Slayer and Angel, "Once More, with Feeling" alludes to Sondheim and Loesser alongside the sardonic charm of 1940s music, 1950s swing jazz, 1970s arena rock, 1980s power ballads, and 1990s soft-rock confessionals, all within a lean, swift-moving structure that performs the dramatic functions of the classic American musical. Much has already been written regarding the novelty, influence, and intertextual richness of the Buf/Y musical.2 My contribution to that literature analyzes the musical structure of the songs themselves and places it in a dialogic relationship to the sources they summon. Such intertextual richness acknowledges fans' devotion to and knowledge of both the show's history and cultural references to the John Kenneth Muir, Singing a New Tune: The Rebirth ofthe Modern Film Musical, from Evita to De-Lovely and Beyond (New York, 2005), p. -
The Order and Significance of the Sealed Tribes of Revelation 7:4-8
Andrews University Digital Commons @ Andrews University Master's Theses Graduate Research 2011 The Order and Significance of the Sealed ribesT of Revelation 7:4-8 Michael W. Troxell Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/theses Recommended Citation Troxell, Michael W., "The Order and Significance of the Sealed ribesT of Revelation 7:4-8" (2011). Master's Theses. 56. https://digitalcommons.andrews.edu/theses/56 This Thesis is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Master's Theses by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. ABSTRACT THE ORDER AND SIGNIFICANCE OF THE SEALED TRIBES OF REVELATION 7:4-8 by Michael W. Troxell Adviser: Ranko Stefanovic ABSTRACT OF GRADUATE STUDENT RESEARCH Thesis Andrews University Seventh-day Adventist Theological Seminary Title: THE ORDER AND SIGNIFICANCE OF THE SEALED TRIBES OF REVELATION 7:4-8 Name of researcher: Michael W. Troxell Name and degree of faculty adviser: Ranko Stefanovic, Ph.D. Date completed: November 2011 Problem John’s list of twelve tribes of Israel in Rev 7, representing those who are sealed in the last days, has been the source of much debate through the years. This present study was to determine if there is any theological significance to the composition of the names in John’s list. -
Timberland High School HONOR ROLL
Timberland High School 2018-2019 Term 1 HONOR ROLL Requirements: (1) Earn a 3.0 GPA or better; (2) Carry a minimum of 4 classes; (3) Not receive an “I”, “D”, or “F” in any class for the quarter. *4.0 or Better 9TH GRADE BROWN, LILLY DODD, BLAKE *BRUEGENHEMKE, CARLY DONALDSON, CARYS ADAMS, ALIYAH BRUEMMER, ALEXIS DOWNES, DYLAN *AHMAD, SASHA BRYANT, COURTNEY DUTT, GABRIELLA *ALBANO, MORGAN BUESSE, ETHAN *EDWARDS, ANNA ALDAG, KAILYN *BURCHAM, BROOKLYN EHLMANN, MATTHEW ALLMEYER, PHOENYX *BUSATERI, LUKE *ELLSWORTH, DESTINY ANDERSON, AYDEN BUSATERI, BREANNA ENGELBRECHT, JOSHUA *AURINGER, MAKAYLA BUSKEN, TREVOR ESTILL, JESSE *AUSTIN, KEEGAN BYNUM, ETHAN *EYSTER, BROCK BAKER, ZACHARY CABRERA, LUIS FALLON, EVYN BALDUCCI, SAMANTHA CALHOUN, MADISON FISHER, MAX BALLARD, CARSON CALLAHAN, JACOB FISHER, MARGUERITE BARNES, JOSHUA *CAPLINGER, EMMA *FISHER, HALLIE BARRON, EPIFANIA *CARROLL, MADISON *FLORES, FAITH *BAUER, CALEB CHELLEVOLD, MACKENZIE FOUSE, LANDON BAUMGARTNER, JOSHUA *CHIODINI, DREW FRAME, RILEY BAUTISTA-AMAYA, MARIA *CHRISTIAN, AVA FREINER, TYLER BEBE, EMMA CICOTTE, CHANDLER GARDINER, DANIEL BECK, MIKAH CLARK, SHELBY GAVRILOV, ILYA BECKER, CAYDEN CLARK, HAILEY GENTILI, MIA *BEHRENS, WILLIAM *COLBURN, KILEY GEORGEVICH, HAILEY BELASKA, DYLAN COLLIER, JAXSON GERA, NOLAN BENNE, BROOKE CONNER, JOSHUA GERSTENECKER, ELISE *BERNDT, TYLER *COOK, AIDAN GIBBS, MIA BERTHOLD, LEAH COPELAND, KANNON GIBBS, JOSHUA *BESSIE, ANNA *COUCH, AIDAN *GILLHAM, CAYDEN *BHATNAGAR, NIPUN *COZZONI, ALYSSA *GLENDINNING, CARLY BLAKE, COOPER *CRAFT, MORGAN GOFORTH, SYDNEY