AT a DISTANCE of YEARS: the NOVEL of AGING in the SHADOW of AUSCHWITZ by Anthony C. Wexler a Dissertation Submitted to Johns
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Nosa 3S an Angel Sow Epitaphs from Crawford County, Pennsylvania William B
Nosa 3s an Angel Sow Epitaphs from Crawford County, Pennsylvania William B. Moore and Stephen C. Davies Part 3 McCLURE CEMETERY Tis finished, so the Savior cried And meekly bowed his head and died Tis finished :Yes my race is run Mybattle fought, my victory won. —SOLOMON ENGELHAUPT (1792 1853) McDowell cemetery My children dear assemble here Thy mother's grave to see ! Not long ago Idwelt with you But soon you'll dwell with me. —MARGARET McDOWELL (1793 1819) God my Redeemer lives And ever from the skies Looks down and watches all my dust Tillhe shall bid me rise. —ALEXANDER McDOWELL 2nd (1813 1846) Now Ilay me down to sleep Ipray the Lord my soul to keep IfIshould die before Iwake Ipray the Lord my soul to take. —HARRIET EMELINEMcDOWELL (1847 1851) My Home is above For Iknow that my Redeemer liveth AndinHeaven there is rest Farewell dear Robert, thou hast been a kind Husband, an af- fectionate Son, a dear Father and a good Brother Beloved when living and bemoaned [when dead?] —ROBERT WILLCOX (1822 1852) 328 WILLIAMB. MOORE AND STEPHEN C. DAVIES JULY Friends so dear both far and near Ifyou come this way this marble slab Willtell you where beneathe Ilay. —WILSON MYERS (1832-1856) Is Jesus precious Oh yes Take good care of the children —MARGARET BEAR (1822-1858) Private Co. I2nd Pa. Cavalry Died at Brandy Station, Va. Jan. 18, 1864 He sweetly sleeps whydo we mourn His toils on earth are done His life is hid with Christ in God Tillhis Redeemer comes. -
The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities. -
Ideological Tension in Four Novels by Saul Bellow
Ideological Tension in Four Novels by Saul Bellow June Jocelyn Sacks Dissertation submitted in fulfilmentTown of the requirements of the degree of Master of Arts atCape the Universityof of Cape Town Univesity Department of English April 1987 Supervisor: Dr Ian Glenn The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Contents Page. Abstract i Acknowledgements vi Introduction Chapter One Dangling Man 15 Chapter Two The Victim 56 Chapter Three Herzog 99 Chapter Four Mr Sammler's Planet 153 Notes 190 Bibliography 212 Abstract This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existenti'alism, or by "wasteland" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. -
NVS 1-1 A-Williamson
“The Dead Man Touch’d Me From the Past”: Reading as Mourning, Mourning as Reading in A. S. Byatt’s ‘The Conjugial Angel’ Andrew Williamson (The University of Queensland, Australia) Abstract: At the centre of nearly every A. S. Byatt novel is another text, often Victorian in origin, the presence of which stresses her demand for an engagement with, and a reconsideration of, past works within contemporary literature. In conversing with the dead in this way, Byatt, in her own, consciously experimental, work, illustrates what she has elsewhere called “the curiously symbiotic relationship between old realism and new experiment.” This symbiotic relationship demands further exploration within Possession (1990) and Angels and Insects (1992), as these works resurrect the Victorian period. This paper examines the recurring motif of the séance in each novel, a motif that, I argue, metaphorically correlates spiritualism and the acts of reading and writing. Byatt’s literary resurrection creates a space in which received ideas about Victorian literature can be reconsidered and rethought to give them a new critical life. In a wider sense, Byatt is examining precisely what it means for a writer and their work to exist in the shadow of the ‘afterlife’ of prior texts. Keywords: A. S. Byatt, ‘The Conjugial Angel’, mourning, neo-Victorian novel, Possession , reading, séance, spiritualism, symbiosis. ***** Nature herself occasionally quarters an inconvenient parasite on an animal towards whom she has otherwise no ill-will. What then? We admire her care for the parasite. (George Eliot 1979: 77) Towards the end of A. S. Byatt’s Possession (1990), a group of academics is gathered around an unread letter recently exhumed from the grave of a pre-eminent Victorian poet, the fictional Randolph Henry Ash. -
THE QUEST OP the HERO in the NOVELS OP SAUL BELLOW By
THE QUEST OP THE HERO IN THE NOVELS OP SAUL BELLOW by BETTY JANE TAAPPE, B.A. A THESIS IN ENGLISH Submltted to the Graduate Paculty of Texas Technologlcal College In Partial Pulfillment of the Requirements for the Degree of MASTER OP ARTS 4e T3 I9CL /\/o. m Cop. Z ACKNOWLEDGEMENT I am <Jeeply lndebte<J to Professor Mary Sue Carlock for her dlrectlon of this thesls. 11 CONTENTS Page ACKNOWLEDGpENT. 11 INTRODUCTÍON 7 . 1 Chapter I. PAILURE IN ISOLATION . 6 II. EXPERIENCE AS A TEST POR EXISTENCE. 25 III. "THE TRUTH COMES IN BLOWS". .... 5k IV. STATEMENT OP EXTERNAL EXPERIENCE AND INTELLECTUALITY 78 CONCLUSION 100 iii INTRODUCTION Many novels of the past few decades have been characterized by theraes which eraphasize human freedom, rebellion, fatalism, mechanical necessity, and obsession, and because of the tendency of the "raodern hero" to vacil- late in a somewhat precarious way between the prevalent themes of Promethean defiance and Sisyphean despair, there seems to have developed a pattern in modern literature, ironic and paradoxical, that involves the hero in a struggle for identity in a world that almost always is rejected by him as incoraprehensible or absurd. Because of the omnivorous nature of the novel as a literary form, both the intellectual therae of defiance and the raetaphysical "anguish" are presented not only in sophisticated, cosraopolitian, intellectual set- tings, but also in provincial atraospheres, where daily rou- tines, sounds, and sraells are very familiar. Therefore, the raodern novel or, as Howe prefers, the "post-raodem" novel, in raany ways serves as a docuraent on raan and his attempt to elicit meaning frora a world that alraost always proves to be irremediably absurd. -
The Representation of Jewish Americanness and Identity in Saul Bellow’S the Victim, Seize the Day, and Herzog
T.C. BAŞKENT ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ AMERİKAN KÜLTÜRÜ VE EDEBİYATI ANABİLİM DALI TEZLİ YÜKSEK LİSANS PROGRAMI Bellow’s Assimilated Protagonists: The Representation of Jewish Americanness and Identity in Saul Bellow’s The Victim, Seize the Day, and Herzog YÜKSEK LİSANS TEZİ HAZIRLAYAN İNANÇ PİRİMOĞLU TEZ DANIŞMANI Assist. Prof. Dr. DEFNE TUTAN ANKARA - 2017 T.C. BAŞKENT ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ AMERİKAN KÜLTÜRÜ VE EDEBİYATI ANABİLİM DALI TEZLİ YÜKSEK LİSANS PROGRAMI Bellow’un Assimile Olmuş Ana Karakterleri: Saul Bellow’un The Victim, Seize the Day ve Herzog eserlerinde Amerikan Yahudiliği ve Kimliği Temsili YÜKSEK LİSANS TEZİ HAZIRLAYAN İNANÇ PİRİMOĞLU TEZ DANIŞMANI Yrd. Doç. Dr. DEFNE TUTAN ANKARA –2017 Republic of Turkey Başkent University Institute of Social Sciences We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in American Culture and Literature. Assist. Prof. Dr. Defne Tutan (Başkent University) (Advisor) Prof. Dr. Himmet Umunç (Başkent University) (Committee Member ) Assist. Prof. Dr. Ayça Germen (Hacettepe University) (Committee Member) Approved for the Institute of Social Sciences 28.02.2017 Prof. Dr. Doğan Tuncer ABSTRACT Jewish-Americanness is an overwhelming and recurrent theme in Saul Bellow’s fiction. Three of his novels — The Victim (1947), Seize the Day (1956), and Herzog (1964) — affirm the author’s sustained interest in placing the stories of the protagonists within the context of their social and cultural in-betweenness. Asa Leventhal in The Victim, Tommy Wilhelm in Seize the Day, and Herzog in Herzog lack father figures, and they internalize American culture as they accept it as the moral authority. -
1. Harold Bloom (Ed.), Saul Bellow: Modern Critical Views (New York: Chelsea House Publishers, 1986), P
Notes 1. Harold Bloom (ed.), Saul Bellow: Modern Critical Views (New York: Chelsea House Publishers, 1986), p. 1. 2. Saul Bellow (ed.), Great Jewish Short Stories (New York: Dell Publishing, 1963), p. 13. 3. Quoted in Stanley Kunitz (ed.) Twentieth Century Authors, First Supple ment (New York: H.W. Wilson Company, 1955), p. 72. 4. Jo Brans, 'Common Needs, Common Preoccupations', in Stanley Trachtenberg (ed.) Critical Essays on Saul Bellow (Boston: G.K. Hall & Co., 1979), p. 67. 5. Saul Bellow, in his foreword to Allan Bloom, The Closing of the American Mind (New York: Simon and Schuster Inc., 1987), p.14. 6. Alfred Kazin, 'My Friend Saul Bellow', Atlantic Monthly, Jan. 1965, p.51. 7. Mark Harris, Saul Bellow: Drumlin Woodchuck (Athens, GA: University of Georgia Press, 1980), p. 182. 8. Joyce Illig, 'An Interview with Saul Bellow', Publishers Weekly, 22 Oct. 1973, p. 77. 9. Saul Bellow, 'The Thinking Man's Waste Land', Saturday Review, 3 April 1965, p. 20. 10. Saul Bellow, The Last Analysis (London: Weidenfeld and Nicolson, 1966), p. vii. 11. Quoted in Mary Bruccoli (ed.), Dictionary of Literary Biography, Documentary Series, vol. 3 (Detroit: Gale Research Co., 1983), p. 62. 12. Joseph Epstein, 'A Talk with Saul Bellow', New York Times Book Review, 5 Dec. 1976, p. 3. 13. Noam Chomsky, 'Bellow's Israel', New York Arts Journal, Spring 1977, pp.29-32. 14. Saul Bellow, 'I Haven't Hung up My Gloves Yet', Toronto Star, 11 March 1990, p. D6. 15. Saul Bellow, Foreword to Allan Bloom, The Closing of the American Mind, p. -
Dalrev Vol62 Iss1 Pp14 35.Pdf (6.976Mb)
David Kerner The Incomplete Dialectic of Humboldt's Gift The theme of all Bellow's work is the possibility of resistance to the forces of victimization. In Humboldt's G{ft the source of that possibil ity is called the soul-Charlie Citrine, the narrator, believes "that there's something in human beings beyond the body and brain and that we have ways of knowing that go beyond the organism and its senses" (pp. 227-28; and seep. 286). 1 But what this apparently transcendental psychology and epistemology amount to, pragmatically, we see in Charlie's figures of speech for Humboldt's last-minute reprieve: "it may have been as hard for him [to break out of his case of hardened madness] as it might be for someone-myself, for instance-to go from this world to the spirit world .... he made a Houdini escape" (pp. 372-73). Since Charlie decides that no one, not even Houdini, escapes from the grave (pp. 436, 487) and that "life on this earth [is] actually everything else as well, provided that we [learn] how to apprehend it" (p. 350), those figures of speech mean that Humboldt's miraculous return to sanity-entering the story like a resurrection, seven years after his death-identifies the immortal soul as man's capacity for spiritual rebirth or self-determination: boxed in by pre fabricated biology, chained by conditioning and circumstance, all but buried, still the spirit breaks out, like Houdini- "Where did Walt Whitman come from, and where did he get what he had? It was W. -
M.A. Klug Saul Bellow: Tbe Hero in the Middle
M.A. Klug Saul Bellow: Tbe Hero In the Middle Saul Bellow has been something of a resident alien among recent American novelists. While his work is soaked in American experience, it does not appear to develop out of the tradition of any of his immediate predecessors in American fiction. He has said some kind words about Dreiser, but he is not a direct descendant of Dreiser or of any of the other naturalists. His work does not emerge out of the generation of Fitzgerald and Hemingway, nor does it spring from the social reaJism that Bellow grew up with in the thirties. Critics, trying to locate Bellow in a literary context, usuaHy Jink him with French or Russian novelists or with a Jewish tradition that is not specifically American. While Bellow has certainly been more cosmopolitan than most American noveJists, he has not simply turned away from the American tradition. From the beginning of his career, he has consciously tried to avoid what he sees as the extremes of the modern American tradition and at the same time to contain those extremes as the central conflict within his own work. Bellow has described American literature as a "succession of encounters between rival claimants".' As Bellow sees it, the "unfortunate result of this progress by contrasts in American literature is that it always produces exaggeration".2 From his point of view, this impulse toward exaggeration was built into origins of modern American fiction. It was in part generated by a reaction against the "orthodox optimism" of post-Civil-War American life and its expression in literature. -
The Quotidian, Childhood Memory and the Changing Tone of Comedy As The
Urszula Joanna Woroniecka The quotidian, childhood memory and the changing tone of comedy as the elements of Saul Bellow's humanistic vision in Herzog Master thesis written at the Department of Culture and Literature at the University of Tromsø under the supervision of Stephen Frank Wolfe Tromsø, June 2010 Table of contents ACKNOWLEDGMENTS.............................................................................................. 4 INTRODUCTION .......................................................................................................... 6 CHAPTER 1: THE EXISTENTIALIST "FALL INTO QUOTIDIAN" AND HERZOG'S HARD-WON AFFIRMATION OF LIFE ............................................ 22 1.1. INTRODUCTION ..................................................................................................... 22 1.2. PRELIMINARIES : THE DEFINITION OF THE ORDINARY ............................................. 24 1.3. A MASS OF LEARNING VERSUS ORDINARY HUMAN EXPERIENCE ............................ 28 1.4. HEIDEGGER AND "THE FALL INTO QUOTIDIAN " ..................................................... 34 1.5. EXISTENTIALISM AND HERZOG 'S RESPONSE TO SUFFERING , DEATH AND EVIL ....... 45 1.6. CONCLUSION ......................................................................................................... 51 CHAPTER 2: THE ISSUE AND ROLE OF MEMORY IN HERZOG ................... 53 2.1. INTRODUCTION ..................................................................................................... 53 2.2. HERZOG AS AN ANTI -BILDUNGSROMAN -
The Concept of Vengeance in the Book of Revelation in Its Old Testament and Near Eastern Context
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 1986 The Concept of Vengeance in the Book of Revelation in its Old Testament and Near Eastern Context Joel Nobel Musvosvi Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Biblical Studies Commons, Near Eastern Languages and Societies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Musvosvi, Joel Nobel, "The Concept of Vengeance in the Book of Revelation in its Old Testament and Near Eastern Context" (1986). Dissertations. 103. https://digitalcommons.andrews.edu/dissertations/103 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.