DOCSLIB.ORG

Here Are Pots in Texas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Here Are Pots in Texas September 1997 1 2 CERAMICS MONTHLY September 1997 Volume 45 Number 7 British potter John Leach stoking the wood-fired kiln at Muchelney Pottery. FEATURES 58 36 Mario Sarabia by Ryan Taylor Transition and Revival in Bolivian Ceramics 39 Gary Molitorby Glen R. Brown Slip-cast sculpture inspired by science fiction 43 Is Barium Carbonate Safe? by JeffZamek Porcelain vessel Separating fact from fiction sculpture by California 47 John Goodheart by Georgia Strange artist Gary Molitor. Rekindled enthusiasm for functional work 39 51 Jung-Ching Hsiau by Hsin-Lung Lai Abstract sculpture in rural Taiwan 53 Never Be Afraid to Play by Elaine Alt Serious about whimsy 58 John Leach: Conservationist Potter by Marian Edwards A personal response to preserving the landscape 65 Santa Cruz Clay by Karen Thuesen Massaro Tracing the development of area studio daywork by Roger Honey Earthenware vase with 104 Building a Budget-Conscious Fiber Kiln latex-resisted glazes From rough drawings to installing three layers of fiber and on-glaze brush- 107 Etched Porcelain by John R. Guenther work by Bolivian potter Mario Sarabia. Brushed shellac and elbow grease for relief patterning 36 110 Betty Spindler’s Full Harvest by Lisa Crawford Watson Oversized fruits and vegetables in vibrant colors Stoneware teapot by Mary Helen Chappell; from the exhibition “Time and Place: Fifty Years of Santa Cruz Studio Ceramics.” The cover: Massachusetts potter Elaine Alt; see 65 page 53. Photo: David Oxton. September 1997 3 UP FRONT 12 Lisa Stinson Thrown and altered ware at Collinsville (Connecticut) Artisans 12 Forms in Clay Anniversary exhibition at Many Hands Gallery, San Diego EditorRuth C. Butler 12 Cermatech Conference Associate EditorKim Nagorski Technical conference for production potters in Baltimore Assistant EditorConnie Belcher 14 Mindy Moore and Tatjana Krizmanic Editorial AssistantElaine Jebsen Collaborative work at Secord Gallery in Halifax, Nova Scotia Art Director Randy Wax 14 Bean Finneran Advertising ManagerSteve Hecker Ceramic sculpture at Braunstein/Quay Gallery, San Francisco Circulation AdministratorMary R. Hopkins 14 Barbara Sorensen by Teresa E. Robert Circulation AdministratorMary E. May errace Sculptural installation at Orlando City Hall T Gallery Publisher Mark Mecklenborg 16 Three Georgia Potters Show of works completed at Callanwolde Fine Arts Center, Atlanta Editorial, Advertising and Circulation Offices 735 Ceramic Place 18 Marion Askjaer Veld Post Office Box 6102 Earthenware sculpture on view at Galerie Amphora, Netherlands Westerville, Ohio 43086-6102 18 Lisa Conway Telephone: (614) 523-1660 Ceramic sculpture at Kimura Art Gallery in Anchorage, Alaska Fax: (614) 891-8960 E-mail: [email protected] 18 Raining Cats and Dogs [email protected] Exhibition of clayworks depicting animals at Baltimore Clayworks [email protected] 20 Fun, Funky and Functional circulation@ceramicsmonthly. org Touring exhibition of utilitarian and playful teapots Web site: www.ceramicsmonthly.org 22 Tea Party in Tempe Ceramics Monthly (ISSN 0009-0328) is published monthly, Exhibition of works for and about tea at Tempe Arts Center, Arizona except July and August, by The American Ceramic Society, 735 22 Australian Potters’ Directory Ceramic Place, Westerville, Ohio 43081. Periodicals postage Listings for over 130 artists and 50 galleries in Australia paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not 22 Alexandra Kochman by Carol Ann Bradley necessarily represent those of the editors or The American Coil-built sculpture at Ukrainian Institute of Modern Art, Chicago Ceramic Society. 24 Salt and Pepper Shakers Subscription Rates: One year $24, two years $44, three years “Great Shakes’ at Gallery Alexander in La Jolla, California $60. Add $10 per year for subscriptions outside the U.S.A. In Canada, add GST (registration number R123994618). 24 Smithsonian Craft Show Change of Address: Please give us four weeks advance notice. Juried sale of crafts by 120 exhibitors in Washington, D.C. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Department, PO Box 6102, 24 Murray Douglas, 1916-1997 Westerville, OH 43086-6102. Contributors: Writing and photographic guidelines are avail­ 24 Karl Martz, 1912-1997 able on request. Mail manuscripts and visual support (photo­ graphs, slides, transparencies, drawings, etc.) to Ceramics Monthly, 735 Ceramic PL, PO Box 6102, Westerville, OH 43086-6102. DEPARTMENTS We also accept unillustrated texts faxed to (614) 891-8960, or e-mailed to [email protected] 8 Letters Indexing: An index of each year s feature articles appears in 26 Video the December issue. Feature articles are also indexed in the 30 New Books Art Index, available through your local library. 72 Call For Entries Copies and Reprints: Searchable databases and document 72 International Exhibitions delivery are available through Information Access Company, 72 United States Exhibitions 362 Lakeside Dr., Foster City, CA 94404; and through Univer­ 74 Fairs, Festivals and Sales sity Microfilms, 300 N. Zeeb Rd., Ann Arbor, MI 48106. 80 Suggestions Authorization to photocopy items for internal or personal 84 Calendar use, or the internal or personal use of specific clients, is granted by The American Ceramic Society, provided the base fee of 84 Conferences $5.00 per copy, plus $0.50 per page, is paid directly to the 84 Solo Exhibitions Copyright Clearance Center, 222 Rosewood Dr., Danvers, MA 86 Group Ceramics Exhibitions 01923. Prior to copying items for classroom use, please contact 88 Ceramics in Multimedia Exhibitions the Copyright Clearance Center, 222 Rosewood Dr., Danvers, 90 Fairs, Festivals and Sales MA 01923; (508) 750-8400. The code for users of the Trans­ 92 Workshops actional Reporting Service is 0009-0328/97 US$5.00 + $0.50. 96 International Events Back Issues: When available, back issues are $5 each, postage 98 Questions paid. Write for a list. 114 Classified Advertising Postmaster: Send address changes toCeramics Monthly, PO Box 116 Comment: 6102, Westerville, OH 43086-6102. Form 3579 requested. A Rain of Gold Coins by Delia Robinson Copyright © 1997 The American Ceramic Society 120 Index to Advertisers All rights reserved 4 CERAMICS MONTHLY September 1997 5 information that may be of use in some could hardly work without them, as I no Letters future time, even if it seems unlikely right longer can kick a wheel, nor wedge a lot of now. As to Ft. Worth, I might also suggest clay. Cheating? I hope not. I make no claims that you don’t cut off your nose to spite your about my tools. And, traditionalist though I Misplaced Blame face. I am sure that there are pots in Texas. am, I see no real difference between an older Having recently finished my service as on­ Big ones! potter using machines and having apprentices site chair for the “Guilty Pleasures” NCECA In conclusion, each NCECA conference do the scut work. (From what I’ve read, Shoji conference in Las Vegas, I feel more than will continue to be different. The excitement Hamada and, I assume, other Japanese pot­ qualified to respond to Jane Mayer’s letter of change and challenge to every attendee is, ters, had the “heavy lifting” done by appren­ (“Wake-Up Call,” JunelJulylAugust CM) in my estimation, the magnet that draws tices.) I use several commercial stains because, castigating the organizers for the lack of artists, potters and students year after year. I while preparing my own is feasible, I be­ attention paid to functional potters. am convinced that if only two people showed grudge the time it consumes. A friend, who NCECA recognizes the ever-growing up at any given conference, one of them was a superb cook, used to say: “Know how diversity of American ceramics, and makes would be unhappy about what did or did not to make your own mayonnaise and hollan- every effort to showcase all facets of the field. occur, based on her or his own self-interests. daise—then buy the commercial.” Bravo! It is a logistical nightmare to attempt to cover My parting suggestion to all concerned is to I agree one “can’t say that wheel-thrown all aspects of ceramic endeavor during a become involved in the organization and work is inherently better than machine- single conference—a fact I know from first­ produce change where it counts—from pressed or jiggered.” Better isn’t the issue; hand experience. Therefore, during the past within. truth is. There is an essential difference be­ decade, NCECA has rightfully arranged the Mark Bums, Las Vegas, Nev. tween a pot made by machine and one made theme of the conference to utilize the unique by a person. A difference we can agree to call aspects of the host city. With the guidance of Exploration vs. Denigration “soul.” When a jiggered pot is “given” throw­ the on-site chair, the organizers solicit the The May Letters column was interesting ing lines, and potters object, as I do, it is membership to submit proposals that are with the debate about “grossly unusual con­ because of a perceived intention to make the reflective of the theme. The chosen proposals structions,” esoteric articles, etc. I subscribe pot look as though made by a human han­ then become the conference framework. to the nonspecialization train of thought dling clay, which it wasn’t. The most plau­ Ms. Mayer has placed the blame for the because input from all areas of ceramics and sible reason for this deception would be to bad taste in her mouth on the wrong indi­ its related fields is very important to its con­ obtain the higher price a thrown pot would viduals. It’s the members who compose the tinued development. It’s important to know bring. (I cannot believe “throwing lines” are key elements of the conference; the organizers exactly what you don’t like as well as what jiggered in because thrown pots fetch less.) only select the best proposals, and choreo­ you like.
Load more

Recommended publications
  • In-Person Screening
    THE NFB FILM CLUB FALL/WINTER 2020–2021 CONTACT Florence François, Programming Agent 514-914-9253 | [email protected] JOIN THE CLUB! The NFB Film Club gives public libraries the opportunity to offer their patrons free screenings of films from the NFB’s rich collection. In each Film Club program, you’ll find films for both adults and children: new releases exploring hot topics, timely and thought-provoking documentaries, award-winning animation, and a few timeless classics as well. The NFB Film Club offers free memberships to all Canadian public libraries. ORGANIZING A SCREENING STEP 3 Organize your advertising for the event—promote IN YOUR LIBRARY the screening(s) in your networks. (To organize a virtual screening, STEP 4 please refer to our online program.) Prior to your event, test the film format that was delivered to you (digitally or by mail) using your equipment (you have two weeks to download your STEP 1 film(s) from the day you receive the link). Decide which film(s) you’re interested in from the available titles, which can be found by clicking on the NFB Film Club page. STEP 2 Send your selection(s) by e-mail to [email protected] and include your screening date(s), time(s), and location(s), as well as the film format required for your venue. We can supply an electronic file (MP3, MOV) or can ship a physical copy. PROMOTIONAL MATERIALS ATTENDANCE FIGURES To help you promote your screenings, you’ll To assist us in tracking the outreach of the NFB’s also have access to our media space and all films, please make note of the number of people archived promotional materials (photos, posters, who attended each library or virtual screening.
    [Show full text]
  • Greene Avenue Detail of Painting Depicting the Tollgate at East Entrance to the Village of Côte St
    The Westmount Historian NEWSLETTER OF THE WESTMOUNT HISTORICAL ASSOCIATION VOLUME 12 NUMBER 1 SEPTEMBER 2011 Greene Avenue Detail of painting depicting the tollgate at east entrance to the Village of Côte St. Antoine (1879-1890), which became Westmount in 1895. Greene Avenue was named on May 5, 1884. The Westmount Historian PRESIDENT’S MESSAGE NEWSLETTER OF THE WESTMOUNT n Westmount, history is everywhere. You walk down a HISTORICAL ASSOCIATION Istreet and ask yourself how did it start? Who named it? When and why? In this September issue of our newsletter September 2011 we explore Greene Avenue, which became Westmount’s Volume 12 • Number 1 first commercial centre. Every business and every street number has its story to tell. You will find maps and an ex- EDITOR: Doreen Lindsay planation of how the Grey Nuns (Les Sœurs Grise de Mon- tréal) acquired the entire west side of Greene Avenue CONTRIBUTORS: between Ste. Catherine and Sherbrooke Streets by 1858, how Doreen Lindsay Marie-Andrée Cantillon they used this property and to whom they eventually sold. Amongst the antique shops, jewellers, fashion designers, realtors, phar macies, Photos: WHA Archives unless otherwise indicated bookstores, health stores, and children’s stores two elements that have pre- dominated over the years are art galleries and restaurants. The West End Art Gallery was opened on the Avenue in 1964 by Florence WESTMOUNT HISTORICAL ASSOCIATION Millman, and is continued today by her son Michael Millman. BOARD OF DIRECTORS Westmounters have enjoyed many fine restaurants on Greene over the years. 2011 – 2012 The recent change of ownership of Bistro On The Avenue leads to the continu- Doreen Lindsay, president Caroline Breslaw, vice-president ation of this twenty-year-old French style restaurant that opened in 1991.
    [Show full text]
  • Arts and Culture Week in Québec Schools “Essor” Awards Contest Culture in Schools Program Financial Assistance for School Culture Committees
    February 13to20 2005 Arts and Culture Week in Québec Schools SPECIAL EDITION Schools and culture: a natural partnership Bringing students into contact with culture is possible in the school system. By integrating the cultural dimension into the educational mission of each school, young people are given an oppor- tunity to broaden their horizons and open up to the world. Schools and the arts and culture community are natural partners. By working together, they can offer students other ways to learn and make new discoveries. Since culture is a school in itself, several resources have been made available: Arts and Culture Week in Québec Schools “Essor” awards contest Culture in Schools program Financial assistance for school culture committees For more information, contact your local school board, MEQ regional office, or MCC regional office, or visit the following Web sites: www.meq.gouv.qc.ca www.mcc.gouv.qc.ca •Ministère de l’Éducation •Ministère de la Culture et des Communications Photographs of Masks: Richard-Max Tremblay © Gouvernement du Québec ISBN 2-550-43786-1 ARTS AND CULTURE WEEK IN QUÉBEC SCHOOLS February13to 20, 2005 he thirteenth annual Arts since it is linked to all subjects taught and Culture Week in Québec at school. By offering students Schools in 2005 has been activities based on the artistic, histori- declared a special edition! cal, literary, linguistic, territorial, tech- TAfter all, Arts Week is now officially a nological, scientific, media-related teenager! And to add some extra and other aspects of culture, we can energy to this annual event, designed help them gain a better under- to strengthen the bonds between standing of themselves as they build schools and the world of arts and relationships with other people and culture, we have decided to call it the world around them.
    [Show full text]
  • Situé Sur La Rue Du Rivage, Ce Parc Emblématique Fut Nommé En L
    Situé sur la rue Du Rivage, ce parc emblématique fut nommé en l’honneur de Madame Miyuki Tanobe, artiste peintre et résidente de la Municipalité de Saint-Antoine-sur-Richelieu depuis plus de quarante ans. La plantation d’arbres emblématiques dans ce parc a eu lieu le samedi, 19 août 2017. Il fut inauguré le samedi, 16 septembre 2017. Saint-Antoine-sur-Richelieu, septembre 2018 Ce cahier est un hommage à madame Miyuki Tanobe dont le nom a été donné au parc d’arbres embléma- tiques créé en 2017, symbolisant nos origines diverses et notre enracinement en terre antonienne. Madame Tanobe a accepté que son nom soit donné à ce parc et nous en sommes très fiers. Cette grande artiste de chez nous originaire du Japon a peint des scènes illustrant la vie, notre culture, nos traditions, notre plaisir de vivre dans un milieu rural ou urbain. Son parcours, son œuvre, son enracinement dans notre communauté correspondent au sens profond du parc d’arbres emblématiques. La création de ce parc le 19 août a été un moment de partage de nos origines et un témoignage de notre atta- chement à notre milieu de vie, les participants ont livré avec fierté le schéma de leur vie traduisant leur senti- ment d’appartenance symbolisé par la plantation de dix-huit arbres emblématiques. L’inauguration du parc, le 16 septembre, a été un moment empreint de poésie et de spiritualité avec les rituels du chef spirituel des Abénakis et du curé de notre paroisse, des prises de parole de nos élus et des lectures poé- tiques sur la thématique des arbres par les planteurs revenus admirer leur arbre.
    [Show full text]
  • MSS2573 Vols. 1
    Fonds Alain Stanké R15713 Instrument de recherche no. MSS2573 vols. 1--44 Finding aid no. MSS2573 Code Date de Support Dossier d'accès Titre Portée et contenu Étendue Modalités d'utilisation Lieu de création Langue Volume rappel Notes Dates Media File Access Title Scope and Content Extent Terms of Use Place of creation Language BF date code Fonds Alain Stanké Série Écriture, discours et publications Droits d'auteur s'appliquent. Aucune Textuel 1 1 Ouvert Articles reproduction sans le Inconue Français s.d. consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Textuel 1 2 Ouvert Articles reproduction sans le Inconue Français s.d. consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Textuel 1 3 Ouvert Articles reproduction sans le Inconue Français [2003] consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Textuel 1 4 Ouvert Allocutions (conférences ‐ présidence d'honneur) reproduction sans le Inconue Français s.d. consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Textuel 1 5 Ouvert Allocutions reproduction sans le Inconue Français s.d.; [198‐?] consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Textuel 1 6 Ouvert Allocutions ‐ (conférences et événements) reproduction sans le Inconue Français s.d.; [1990‐2000] consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Allocutions ‐ (conférences et événements) ‐ La Maison Textuel 1 7 Ouvert reproduction sans le Inconue Français 13 février 1997 française de Wellesley College consentement d'Alain Stanké Droits d'auteur s'appliquent. Aucune Textuel 1 8 Ouvert Allocutions reproduction sans le Inconue Français [2001‐2010] consentement d'Alain Stanké Droits d'auteur s'appliquent.
    [Show full text]
  • Une Interprétation Culturelle Japonaise
    ---l UNIVERSITÉ DU QUÉBEC À MONTRÉAL MISES EN SCÈNE DU QUÉBEC PAR LE NIHONGA DANS TROIS ŒUVRES DE MIYUKI TANOBE : UNE INTERPRÉTATION CULTURELLE JAPONAISE .MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN HISTOIRE DE L'ART PAR RIRATAKITA AOÛT 2014 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522- Rév.01 -2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l 'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l 'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l 'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire. » REMERCIEMENTS Je tiens d'abord à remercier vivement Monia Abdallah qui, en tant que directrice de mémoire, s' est toujours montrée à l'écoute et disponible et qui m'a orienté et conseillé tout au long de mes études de maîtrise.
    [Show full text]
  • ED398161.Pdf
    DOCUMENT RESUME ED 398 161 SO 026 871 TITLE Arts Education: A Bibliography for Grade 9. INSTITUTION Saskatchewan Education, Training and Employment, Regina. Curriculum and Instruction Branch. PUB DATE Sep 92 NOTE 169p. AVAILABLE FROMSaskatchewan Education, Resource Centre, 2220 College Ave., Regina, Saskatchewan, Canada S4P 3V7. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFOI/PC07 Plus Postage. DESCRIPTORS *Art Education; Audiovisual Aids; Canada Natives; *Dance Education; Foreign Countries; Grade 9; High Schools; Human Resources; Instructional Materials; Interdisciplinary Approach; Musical Composition; *Music Education; Resource Materills; *Theater Arts; Visual Arts IDENTIFIERS *Canada ABSTRACT This bibliography, organized in six sections, provides a comprehensive overview of Canadian arts education resources for use with 9th grade students.(1) "Titles and Descriptions" provides information, sources, annotations, and suggested subject use for alphabetically arranged items. (2) "Community Resources/Magazines" lists community organizations, periodicals, and art galleries of interest to arts education students or teachers. Included in this section is a list of Aboriginal organizations whose elders may be available for participation or consultation.(3) "Author Index" is a list of titles arranged alphabetically by the author's surname.(4) "Strand Index" and (5) "Media Index" list titles alphabetically under each media designation.(6) "Distributor Directory" includes full names and addresses of companies along with telephone
    [Show full text]
  • Bydealers, 6 NOV. 2017, Montréal
    Vente aux enchères / Auction Montréal 6 NOVEMBRE 2017, 19 H ART D’APRÈS-GUERRE & CONTEMPORAIN NOVEMBER 6, 2017, 7 PM POST-WAR & CONTEMPORARY ART 2 ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART Exposition/Preview Exposition/Preview Toronto Montréal 26-29 OCTOBRE / 2-6 NOVEMBRE / OCTOBER 26-29 NOVEMBER 2-6 InterContinental Toronto Centre Théâtre St-James 222, Front Street West, Toronto 265, rue St-Jacques, Montréal Jeudi 26 octobre, 16 h à 21 h Jeudi 2 novembre, 17 h à 21 h Thursday October 26, 4 pm to 9 pm Thursday November 2, 5 pm to 9 pm Vendredi 27 oct. et samedi 28 oct., 10 h 30 à 20 h 30 Vendredi 3 nov. au dimanche 5 nov., 10 h à 18 h Friday Oct. 27 and Saturday Oct. 28, Friday Nov. 3 to Sunday Nov. 5, 10 am to 6 pm 10:30 am to 8:30 pm Lundi 6 novembre, 9 h à 13 h Dimanche 29 octobre, 10 h 30 à 18 h 30 Monday November 6, 9 am to 1 pm Sunday October 29, 10:30 am to 6:30 pm 2 ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART Vente aux enchères / Auction Montréal LUNDI 6 NOVEMBRE 2017, 19 H / MONDAY NOVEMBER 6, 2017, 7 PM Théâtre St-James 265, rue St-Jacques, Montréal Stationnement disponible / Parking available 220, rue St-Jacques Demandez un coupon de stationnement gratuit au comptoir d’accueil / Ask for a free parking voucher at the reception desk ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART LUNDI 6 NOVEMBRE 2017 / MONDAY NOVEMBER 6, 2017, MONTRÉAL 3 Les enchères BYDealers Catalogue Inscription au catalogue / Auction House Catalogue subscriptions Éditrice et rédactrice / Pour recevoir le catalogue des futures enchères, visitez 610-5333, Avenue Casgrain Editor and writer notre site Internet pour remplir le formulaire d’inscription Montréal (Québec) H2T 1X3 Annie Lafleur (A.
    [Show full text]
  • 26727 Consignor Auction Catalogue Template
    CONSIGNOR CANADIAN FINE ART AUCTIONEERS & APPRAISERS Auction of Important Canadian Art November 20, 2018 FALL AUCTION OF IMPORTANT CANADIAN ART LIVE AUCTION TUESDAY, NOVEMBER 20TH AT 7:00 PM GARDINER MUSEUM 111 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario Yorkville Anenue Bedford Rd. Bedford AVENUE RD. AVENUE Cumberland Street ST. GEORGE ST. ST. BLOOR STREET WEST ROYAL GARDINER ONTARIO MUSEUM MUSEUM QUEENS PARK Charles Street West ON VIEW CONSIGNOR GALLERY 326 Dundas Street West, Toronto, Ontario NOVEMBER 1ST TO 17TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm NOVEMBER 18TH TO 20TH Sunday, November 18th: 11:00 am to 5:00 pm Monday, November 19th: 9:00 am to 5:00 pm Tuesday, November 20th: 9:00 am to 1:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 4 CONSIGNOR CANADIAN FINE ART | Fall Auction 2018 Rob Cowley President Canadian Art Specialist 416-479-9703 [email protected] Consignor Canadian Fine Art presents an innovative partnership within the Canadian art industry. The venture acts to bridge the services of the retail gallery and auction businesses in Canada with a team of art industry professionals who not only specialize in Lydia Abbott consultation, valuation, and professional presentation of Canadian Vice President art, but who also have unparalleled reputations in providing Canadian Art Specialist exceptional service to the specialized clientele. Mayberry Fine Art 416-479-9703 partner Ryan Mayberry and auction industry veterans Rob Cowley [email protected] and Lydia Abbott act as the principals of Consignor Canadian Fine Art, a hybridized business born in response to the changing landscape of the Canadian art industry.
    [Show full text]
  • Grade 2, Lesson 2, Tanobe
    1 Second Grade Print Monday Washing Day, 1972 By Miyuki Tanobe (1939-) (Ta - no - ba) Technique: Nihonga (Japanese method) Size: 11 ½” x 8 ¾” Collection: private collection Art Genre: Urban landscape OBJECTIVES: ✦The students will be introduced to the art of Miyuki Tanobe. ✦The students will define the term “Nihonga”. ✦The students will analyze the students use of space in the composition. ✦The students will create their own personal neighborhood scene. ABOUT THE ARTIST: Miyuki Tanobe is a Japanese-Canadian artist who paints stories of places where people live. Her narrative style and painting technique are a traditional Japanese way of working called Nihonga. Miyuki Tanobe was born in Morioka, Japan and received her formal training as a Nihonga painter at the Guedai University of Fine Arts in Tokyo. Unhappy with the traditional roles of both women and artists in Japan, Tanobe decided to leave her native land permanently in 1963. She moved to France to continue her art education; then, following a brief return to her homeland, Tanobe emigrated to Montreal, Quebec in 1971. Tanobeʼs art is more than mere a snapshot representations of street scenes. She intentionally combines events from different times, alters perspectives and creates images that show specific culture, architecture and history that are the essence of a place. Since moving to Canada, Tanobe has painted many lively immigrant neighborhoods in Montreal, Toronto, and in New York City. ABOUT THE ART: In Monday, Washing Day, Tanobe depicts the bustle of a Montreal East End back alley on washing day. A group of children play joyfully on a small patch of grass, heedless of their mothersʼ toils, while the latter take a brief rest from their labors, all the while keeping a watchful eye on their charges.
    [Show full text]
  • Les 4 Arts Arts Plastiques, Danse, Musique Et Théâtre Notr NoEa Catalogu  Arriv !
    REVUE TRIMESTRIELLE DE L’ASSOCIATION D’ÉDUCATION PRÉSCOLAIRE DU QUÉBEC Revue Vol. 52, n o 2 / printemps 2014 Dossier Les 4 arts arts plastiques, danse, musique et théâtre Notr noea catalogu arriv ! Découvrez : ± Plus de 1200 nouveautés; ± Des gammes de produits bonifiées en arts plastiques, en besoins particuliers, en motricité; ± et plus encore. Magasinez différemment, 700, avenue Beaumont Ensembl pour passez nous voir en boutique Montréal (Québec) H3N 1V5 ou visitez ± www.bb.ca 514 273-9186 / 1 800 361-0378 apprendr, jouer, créer! Métro Acadie Boutique ouverte tous les jours Pour l’horaire, consultez notre site Sommaire Revue Vol. 52, no 2 / printemps 2014 Dossier Revue trimestrielle publiée par l’Association d’éducation Les 4 arts : arts plastiques, danse, musique et théâtre préscolaire du Québec C.P. 99039, CSP du Tremblay L’AÉPQ est un organisme à but non 4 Avis de recherche | Les membres du C.A. de l’AÉPQ Longueuil (Québec) J4N 0A5 lucratif qui vise à offrir des formations Tél. : (514) 343-6111, poste 49157 de qualité à ses membres, à fournir des L'AÉPQ en action | Changements au C.A. de l’AÉPQ 5 Courriel : [email protected] outils aux enseignants et à soutenir Découvrir la littérature de jeunesse au préscolaire | Catherine Massie Site : www.aepq.ca les différentes communautés de 6 pratique par l’entremise de groupes de Le développement du cerveau de nos jeunes au préscolaire : y a-t-il Les textes apparaissant dans la Revue coperfectionnement. De plus, elle agit 9 une différence entre les filles et les garçons? | Patrick L’Heureux préscolaire n’engagent que la responsabilité comme un porte-parole actif et entendu À vos plumes, jeunes écrivains! | Jennifer Baril, Marie Dupin de des auteurs et, à moins de mention auprès des organismes suivants : 11 contraire, ne constituent pas une prise Saint-André, Isabelle Montésinos-Gelet de position de l’Association d’éducation • MELS préscolaire du Québec (AÉPQ).
    [Show full text]
  • Vente Aux Enchères / Auction Montréal
    LES ENCHÈRES | BYDealers | AUCTION HOUSE ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART 5 NOVEMBRE / NOVEMBER 5, 2018 – MONTRÉAL Vente aux enchères / Auction Vente NOVEMBER 5, 2018, 7 PM 5,2018, NOVEMBER 5 NOVEMBRE 2018, 19 H 2018, 5 NOVEMBRE Montréal POST-WAR & CONTEMPORARY ART CONTEMPORARY & POST-WAR CONTEMPORAIN & D’APRÈS-GUERRE ART Exposition/Preview Exposition/Preview Toronto Montréal 1-5 NOVEMBRE / NOVEMBER 1-5 25-28 OCTOBRE / OCTOBER 25-28 Palais des congrès de Montréal Innovation Centre 1001, place Jean-Paul-Riopelle 325, Front Street West (Salle 210D) Jeudi 25 octobre, 14 h à 21 h Jeudi 1er novembre, 17 h à 21 h Thursday, October 25, 2 pm to 9 pm Thursday, November 1, 5 pm to 9 pm Vendredi 26 octobre à dimanche 28 octobre, Vendredi 2 novembre à dimanche 4 novembre, 10 h à 18 h 10 h à 18 h Friday, October 26, to Sunday, October 28, Friday, November 2, to Sunday, November 4, 10 am to 6 pm 10 am to 6 pm Lundi 5 novembre, 10 h à 14 h Monday, November 5, 10 am to 2 pm 2 ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR & CONTEMPORARY ART Vente aux enchères / Auction Montréal LUNDI 5 NOVEMBRE 2018, 19 H / MONDAY, NOVEMBER 5, 2018, 7 PM Palais des congrès de Montréal 1001, place Jean-Paul-Riopelle (Salle 210C) ART D’APRÈS-GUERRE & CONTEMPORAIN / POST-WAR AND CONTEMPORARY ART LUNDI 5 NOVEMBRE 2018 / MONDAY, NOVEMBER 5, 2018, MONTRÉAL 3 Les enchères BYDealers / Associés fondateurs / Inscriptions au catalogue / Auction House Founding partners Catalogue Subscriptions Pour recevoir le catalogue des futures enchères, visitez 610-5333, avenue Casgrain Marc-Antoine Longpré notre site Internet pour remplir le formulaire d’inscription Montréal (Québec) H2T 1X3 Louis Lacerte ou écrivez-nous à [email protected].
    [Show full text]