DOCSLIB.ORG

Harvest Private School Read the Magazine Article Below. Then Answer the Questions. a Short History of the Comic Book I. the Hist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Harvest Private School Read the Magazine Article Below. Then Answer the Questions. a Short History of the Comic Book I. the Hist Harvest Private School Name:------------------------------------- --------------- - Class:-8/----------- Paper 2 (Reading & Writing) P.O.BOX : 4328 Subject:-English-First Evaluation-First Term Ras Al Khaimah , Scholastic year:-2017-2018 United Arab Emirates Vision of the school :To be the best choice for any parent who seeks to achieve the best educational service for his/ her children Read the magazine article below. Then answer the questions. A Short History of the Comic Book i. The history of the comic book really begins in the early part of the 20th century. At that time, full color newspaper comics were very popular in the United States. By the 1920s, businessmen and artists such as Will Eisner began to re-print newspaper comics in the form of small magazines, or comic books. Later on, comic book publishers began hiring artists to create original art and stories for their comic books. ii. In 1938, Jerry Siegel and Joe Shuster created Superman, the world's first superhero. Others soon followed, including a hero created by Will Eisner called The Spirit. By the 1950s stories about superheroes dominated the comic book field. This dominance became much greater in the early 1960s when Marvel Comics, led by Stan Lee, created such famous superheroes as Spider-Man, The Incredible Hulk, and Daredevil. iii. In the late 1970s and early 1980s the next major development in the history of comic books took place: the graphic novel. Unlike the typical 20-page stories found in older comics, graphic novels, such as Alan Moore's Watchmen, and Frank Miller's The Dark Knight, were boo k length stories in comic form created for adults. iv. Comic books and graphic novels have continued to grow in popularity, and have expanded to other art forms. Movies based on comic book characters, such as Spider-Man (2002) and The Dark Knight (2008) rank in the top 10 movies of all time in terms of ticket sales. In fact, comic book heroes are so popular, that the Walt Disney Company recently purchased Marvel Comics for $4 billion dollars, just so it could have access to the company's 5,000 different characters. 1-According to the article, around what year did comics first become popular? a. around 1900 b. around 1920 c. around 1930 d. around 1940 2- According to the article, which of the following characters was the first superhero? a. Batman b. Superman c. Spider -Man d. The Incredible Hulk Harvest Private School Name:------------------------------------- ---- ----------- - Class:-8/----------- Paper 2 (Reading & Writing) P.O.BOX : 4328 Subject:-English-First Evaluation-First Term Ras Al Khaimah , Scholastic year:-2017-2018 United Arab Emirates Vision of the school :To be the best choice for any parent who seeks to achieve the best educational service for his/ her children 3- According to the article, which of the following authors has written a graphic novel? a. Stan Lee b. Joe Shuster c. Jerry Siegel d. Alan Moore 4- According to the article, why did the Walt Disney Company buy Marvel Comics? a. because they wanted to own all of Marvel's superheroes b. because they wanted to produce comic books and graphic novels c. because movies based on comic book heroes make a lot of money d. because comic books and graphic novels are becoming more popular 5- Based on the information in the article, which of the following people is PROBABLY the most important person in the history of comic books? a. Stan Lee b. Wi l l Eisner c. Alan Moore d. Frank Miller 6- According to the article, how are graphic novels and comic books different? a. Graphic novels are longer than comic books b. Graphic novels are not as popular as comic books c. Comic books are cheaper than graphic novels d. Comic books are easier to read than graphic novels 7-. In which paragraph would the following sentence belong? "Newspaper comics were especially popular with children." a. Paragraph I b. Paragraph 2 c. Paragraph 3 d. Paragraph 4 .
Load more

Recommended publications
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • The Charismatic Leadership and Cultural Legacy of Stan Lee
    REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary.
    [Show full text]
  • MAY 4 Quadracci Powerhouse
    APRIL 8 – MAY 4 Quadracci Powerhouse By David Bar Katz | Directed by Mark Clements Judy Hansen, Executive Producer Milwaukee Repertory Theater presents The History of Invulnerabilty PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Assistant With contributions by Margaret Bridges Education Intern • Play Guide edited by Jenny Toutant Education Director MARK’S TAKE Leda Hoffmann “I’ve been hungry to produce History for several seasons. Literary Coordinator It requires particular technical skills, and we’ve now grown our capabilities such that we can successfully execute this Lisa Fulton intriguing exploration of the life of Jerry Siegel and his Director of Marketing & creation, Superman. I am excited to build, with my wonder- Communications ful creative team, a remarkable staging of this amazing play that will equally appeal to theater-lovers and lovers of comic • books and superheroes.”” -Mark Clements, Artistic Director Graphic Design by Eric Reda TABLE OF CONTENTS Synopsis ....................................................................3 Biography of Jerry Siegel. .5 Biography of Superman .....................................................5 Who’s Who in the Play .......................................................6 Mark Clements The Evolution of Superman. .7 Artistic Director The Golem Legend ..........................................................8 Chad Bauman The Übermensch ............................................................8 Managing Director Featured Artists: Jef Ouwens and Leslie Vaglica ...............................9
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • Famous Cartoon Characters and Creators
    Famous Cartoon Characters and Creators Sr No. Cartoon Character Creator 1 Archie,Jughead (Archie's Comics) John L. Goldwater, Vic Bloom and Bob Montana 2 Asterix René Goscinny and Albert Uderzo 3 Batman Bob Kane 4 Beavis and Butt-Head Mike Judge 5 Betty Boop Max Flasher 6 Bugs Bunny, Daffy Duck and Porky Pig Tex Avery 7 Calvin and Hobbes Bill Watterson 8 Captain Planet and the Planeteers Ted Turner, Robert Larkin III, and Barbara Pyle 9 Casper Seymour Reit and Joe Oriolo 10 Chacha Chaudhary Pran Kumar Sharma 11 Charlie Brown Charles M. Schulz 12 Chip 'n' Dale Bill Justice 13 Chhota Bheem Rajiv Chilaka 14 Chipmunks Ross Bagdasarian 15 Darkwing Duck Tad Stones 16 Dennis the Menace Hank Ketcham 17 Dexter and Dee Dee (Dexter's Laboratory) Genndy Tartakovsky 18 Doraemon Fujiko A. Fujio 19 Ed, Edd 'n' Eddy Danny Antonucci 20 Eric Cartman (South Park) Trey Parker and Matt Stone 21 Family Guy Seth MacFarlane Fantastic Four,Hulk,Iron Man,Spider-Man,Thor,X- 22 Stan Lee Men and Daredevil 23 Fat Albert Bill Cosby,Ken Mundie 24 Garfield James Robert "Jim" Davis 25 Goofy Art Babbitt 26 Hello Kitty Yuko Shimizu 27 Inspector gadget Jean Chalopin, Bruno Bianchi and Andy Heyward 28 Jonny Quest Doug Wildey 29 Johnny Bravo Van Partible 30 Kermit Jim Henson Marvin Martian, Pepé Le Pew, Wile E. Coyote and 31 Chuck Jones Road Runner 32 Mickey Mouse, Donald Duck and Pluto Walt Disney 33 Mowgli Rudyard Kipling 34 Ninja Hattori-kun Motoo Abiko 35 Phineas and Ferb Dan Povenmire and Jeff “Swampy” Marsh 36 Pinky and The Brain Tom Ruegger 37 Popeye Elsie Segar 38 Pokémon Satoshi Tajiri 39 Ren and Stimpy John Kricfalusi 40 Richie Rich Alfred Harvey and Warren Kremer Page 1 of 2 Sr No.
    [Show full text]
  • The Imperial Superhero
    ............................................................................................................................................................................................................................................... SYMPOSIUM ............................................................................................................................................................................................................................................... The Imperial Superhero Chris Gavaler, Washington and Lee University ............................................................................................................................................................................................................................................... et in 1978, the year Edward Said published Orien- THE FIRST SUPERHERO talism, Salman Rushdie’s Midnight’s Children The superhero’s constituent genres—fantasy, adventure, sci- depicts “magic children” born in the first hour of ence fiction, and detective fiction—originated and developed August 15, 1947, “within the frontiers of the infant in direct relationship to nineteenth-century British colonial- sovereign state of India” (1981, 226, 224). Through ism, and by absorbing their elements, the superhero consoli- Ssome “freak of biology” or “preternatural power,” the children dates a myriad of imperial attitudes into a single character receive “miraculous” abilities, including such superhero sta- type. The earliest manifestation is Spring-Heeled Jack who, ples
    [Show full text]
  • 50 Klassiker Comics
    Das Auge ersetzt aile Lücken 50 6 MickyMaus 90 Superman Floyd Gottfredson Jerry Siegel - Joe Shuster 10 Monsieur Vieux Bois Rodolphe Tôpffer 54 Blondie 96 Batman Chic Young Bill Finger - Bob Kane 14 Max und Moritz Wilhelm Busch 58 DickTracy 102 The Spirit Chester Gould Will Eisner 18 The Yellow Kid Richard F. Outcault 64 Flash Gordon 108 Captain America Alex Raymond Jack Kirby - Joe Simon 22 The Katzenjammer Kids Rudolph Dirks 68 Li’l Abner 114 Donald Duck AI Capp Carl Barks 26 Little Nemo WinsorMcCay 72 Terry and the Pirates 120 Blake und Mortimer Milton Caniff Edgar P. Jacobs 32 The Kin-der-Kids Lyonel Feininger 78 Vater und Sohn 124 Spirou und Fantasio e. o. plauen André Franquin 36 Krazy Kat George Herriman 130 Lucky Luke . Morris 40 Tim und Struppi 86 Tarza/ ^$4 Pogo Burne ■£[ Walt Kelly *>/ 46 Popeye t.& a E. C. Segar •*^38 TalesBill Gainesfrom - theAI FeldsteinCrypt ^__ __ INHALTSVERZEICHNIS 5 144 Peanuts 186 Valerian 232 Auf der Suche nach Charles M. Schulz Pierre Christin - dem Vogel der Zeit Jean-Claude Mézières Serge LeTendre- 148 Nick Knatterton Regis Loisel Manfred Schmidt 192 Zap Comix Robert Crumb 236 Akira 152 Astro Boy Katsuhiro Otomo Osamu Tezuka 198 Green Lantern Dennis O’Neil - Neal Adams 240 Maus 158 Asterix Art Spiegelman René Goscinny- 202 Barfuß durch Hiroshima Albert Uderzo Keiji Nakazawa 246 Watchmen Alan Moore - Dave Gibbons 164 Barbarella 206 Die Frustrierten Jean-Claude Foresi Claire Bretécher 252 Understanding Comics Scott McCloud 168 Spider-Man 210 Adeles ungewöhnliche Stan Lee - Steve Ditko Abenteuer 256 Comic und Literatur Jacques Tardi 174 Blueberry 258 Comic und bildende Kunst Jean-Michel Charlier — 216 Reisende im Wind Jean Ciraud François Bourgeon 260 Comic und Film 180 Corto Maltese 220 Alexander Nikopol 262 Comic und Neue Medien Hugo Prati Enki Bilal 264 Kleines Comic-Glossar 226 John Difool Alexandra Jodorowsky- 266 Personenregister Moebius 268 Werkregister.
    [Show full text]
  • Superheroes in Gotham,” the Exhibition of Comic Book New York… Gotham City… Metropolis… at the New-York
    By James D. Balestrieri NEW YORK CITY — Disclosure: I still have my comic book collection, books from the early 1970s for the most part, from what is referred to as the Silver Age of Comics, silver calling to mind the silver bullets that plagued the Werewolf By Night, calling to mind the Silver Surfer, that most cerebral and cosmic of the superheroes, calling to mind the Fantastic Four and the silver temples of their leader, Reed Richards (mine are silver, too, though my ability to stretch, as opposed to his, seems to be on the wane). My children marvel at my Marvel Comics and Classics Illustrated — now bagged and boarded in acid-free Mylar. Batman (No.1, Spring 1940), Bob Kane and Bill Finger. Published by Detective Comics, Inc, New York. Serial and Government Publications Division, Library of Congress, Washington D.C. Full disclosure: you may well see, somewhere in this essay, a photo of attendees at the 2012 Comic Con in New York. I was there, with my family, and was in a kind of makeshift getup as the Shadow, that 1930s pulp hero — “Who knows what evil lurks in the hearts of men…” — who was the inspiration for Batman. Deep disclosure: the brief bio that closes my writing in Antiques and The Arts Weekly alludes to the plays, screenplays and stories I write. It doesn’t mention the graphic novel I’ve been composing for the past three years. So I come at “Superheroes in Gotham,” the exhibition of comic book New York… Gotham City… Metropolis… at the New-York Ms.
    [Show full text]
  • A Pictorial History of Comic-Con
    A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years.
    [Show full text]
  • Distinguished LECTURES 2018
    Florida Atlantic University, Boca Raton LECTURES 2018 Distinguished Gateway to the Underworld | BRIAN E. MCCONNELL A Series of Lectures Professor of Art History and Classical Archaeology Sunday, February 18, 2 pm – Forces of Nature and Human Imagination come together in the life and culture of southern Italy and Sicily. McConnell, Presented by FAU Faculty a Registered Professonal Archaeologist, will explore celebrated stories from Homer’s “Odyssey” and Vergil’s “Aeneid” and their very real relation to natural wonders in the Campi Flegrei (Burning Fields) west of Naples, the Mefite near Avellino, and the Napthia Lakes and related phenomena in Sicily, where he has conducted fieldwork for more than thirty years. The Secret World of James Bond | OLIVER S. BUCKTON Professor of English Sunday, February 25, 2 pm – James Bond – 007 – is one of the best loved characters in modern literature and film. This lecture will look at the life of Bond’s creator, Ian Fleming, including his dramatic wartime covert experiences in Naval Intelligence during World War II and his numerous relationships with women who became transformed into the “Bond Girls.” We will also travel through lecture and photos to Jamaica, where Fleming wrote the Bond novels at his clifftop home “Goldeneye.” Kryptonians Keep Kosher!: Jews and Comic-Book Superheroes | ERIC BERLATSKY Professor of English Sunday, March 4, 2 pm – The creators of nearly all of the most famous and enduring superheroes were Jewish. These include Jerry Siegel and Joe Shuster, creators of Superman; Bob Kane, creator of Batman; and Joe Simon, Jack Kirby and Stan Lee, creators of Captain America, the Avengers, Spider-Man, Iron Man, Thor, the Hulk, and the X-Men.
    [Show full text]
  • Great Comic, Charlie Brown! in Time, Peanuts Became One of the Most Popular and Well-Known Comic Strips
    History of David Smith and Jodene Smith For inspection teachers' Table of Contents The Beginning of Comics ...........4 ONLY The Golden Age of Comics .........8 The Silver Age of Comics .........14 Punk Rock 80s ..................24 The Death of Comics? ............30 Comic Books Are Forever .........38 Glossary ........................44 Index ..........................45 Check It Out! ....................46 Try It! .........................47 About the Authors ................48 3 For inspection teachers' The Beginning of Comics Bam! Pow! Zing! What do these words makeONLY you think of? If you answered “a comic,” then you already know a bit about comics. But there is so much more. Political cartoons could be considered the first comics. They were used to make fun of political figures such as King George of England or President Abraham Lincoln. The cartoons also questioned authority. Artists drew these authority figures with weird bodies or exaggerated heads to make fun of them. King George was often drawn with a big behind. Imagine the popularity of that cartoon! Sometimes political cartoons were used to draw attention to injustices or to highlight current events. This style of comic still exists in newspaper editorial pages and magazines. Color Is King The Sunday comic pages began printing in color in the late 1800s. This was a big deal because the rest of thehe newspaper was black andd white. Even movies were black and white back then!en! 4 For inspection teachers' o Why are comics so much fun to read? o Are comic books true art or just entertainment? ONLY o Who is your favorite comic character? Why? What Is a Comic? Comics are stories told using pictures.
    [Show full text]
  • Awards Edition
    Issue 3: Thursday, 30 July Afternoon Awards Edition Retro Hugo Awards Best Novelette Best Dramatic Presentation, Short Form “City” by Clifford D. Simak Tie: (​Astounding Science Fiction, ​ May 1944) The Canterville Ghost ​​ screenplay by Edwin Harvey Blum from a story by Oscar Best Short Story Wilde, directed by Jules Dassin “I,Rocket” (Metro-Goldwyn-Mayer by Ray Bradbury (​Amazing (MGM)) Stories,​ May 1944) The Curse of the Cat People ​​ Best Series written by DeWitt Bodeen, directed by Gunther V. The Cthulhu Mythos​​ Fritsch and Robert Wise by H. P. Lovecraft, August (RKO Radio Pictures) Derleth, and others The winners of the 1945 Best Editor, Short Form Retro Hugo Awards: Best Related Work John W. Campbell, Jr. “The Science-Fiction Field” Best Novel by Leigh Brackett (​Writer's Digest​, July 1944) Best Professional Artist “Shadow Over Mars” (​​The Nemesis from Terra​​) Margaret Brundage by Leigh Brackett (​​Startling Best Graphic Story or Stories​​, Fall 1944) Comic Best Fanzine Superman​: “The Mysterious Best Novella Mr. Mxyztplk” Voice of the Imagi-Nation ​ by Jerry Siegel and Joe edited by Forrest J. “Killdozer!” Shuster (Detective Comics, Ackerman and Myrtle R. by Theodore Sturgeon Inc.) Douglas (​Astounding Science Fiction​, November 1944) Best Fan Writer Fritz Leiber Add your newsletter items to #log-entries Sir Julius Vogel Awards Best Short Story Best Fan Writing "A Shriek Across the Sky" "Sitrep" by Casey Lucas (Sponge Alex Lindsay Magazine) Best Collected Work Special Awards: Year's Best Aotearoa New Zealand Science Fiction
    [Show full text]