50 Klassiker Comics

Total Page:16

File Type:pdf, Size:1020Kb

50 Klassiker Comics Das Auge ersetzt aile Lücken 50 6 MickyMaus 90 Superman Floyd Gottfredson Jerry Siegel - Joe Shuster 10 Monsieur Vieux Bois Rodolphe Tôpffer 54 Blondie 96 Batman Chic Young Bill Finger - Bob Kane 14 Max und Moritz Wilhelm Busch 58 DickTracy 102 The Spirit Chester Gould Will Eisner 18 The Yellow Kid Richard F. Outcault 64 Flash Gordon 108 Captain America Alex Raymond Jack Kirby - Joe Simon 22 The Katzenjammer Kids Rudolph Dirks 68 Li’l Abner 114 Donald Duck AI Capp Carl Barks 26 Little Nemo WinsorMcCay 72 Terry and the Pirates 120 Blake und Mortimer Milton Caniff Edgar P. Jacobs 32 The Kin-der-Kids Lyonel Feininger 78 Vater und Sohn 124 Spirou und Fantasio e. o. plauen André Franquin 36 Krazy Kat George Herriman 130 Lucky Luke . Morris 40 Tim und Struppi 86 Tarza/ ^$4 Pogo Burne ■£[ Walt Kelly *>/ 46 Popeye t.& a E. C. Segar •*^38 TalesBill Gainesfrom - theAI FeldsteinCrypt ^__ __ INHALTSVERZEICHNIS 5 144 Peanuts 186 Valerian 232 Auf der Suche nach Charles M. Schulz Pierre Christin - dem Vogel der Zeit Jean-Claude Mézières Serge LeTendre- 148 Nick Knatterton Regis Loisel Manfred Schmidt 192 Zap Comix Robert Crumb 236 Akira 152 Astro Boy Katsuhiro Otomo Osamu Tezuka 198 Green Lantern Dennis O’Neil - Neal Adams 240 Maus 158 Asterix Art Spiegelman René Goscinny- 202 Barfuß durch Hiroshima Albert Uderzo Keiji Nakazawa 246 Watchmen Alan Moore - Dave Gibbons 164 Barbarella 206 Die Frustrierten Jean-Claude Foresi Claire Bretécher 252 Understanding Comics Scott McCloud 168 Spider-Man 210 Adeles ungewöhnliche Stan Lee - Steve Ditko Abenteuer 256 Comic und Literatur Jacques Tardi 174 Blueberry 258 Comic und bildende Kunst Jean-Michel Charlier — 216 Reisende im Wind Jean Ciraud François Bourgeon 260 Comic und Film 180 Corto Maltese 220 Alexander Nikopol 262 Comic und Neue Medien Hugo Prati Enki Bilal 264 Kleines Comic-Glossar 226 John Difool Alexandra Jodorowsky- 266 Personenregister Moebius 268 Werkregister.
Recommended publications
  • Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
    Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35
    [Show full text]
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • The Charismatic Leadership and Cultural Legacy of Stan Lee
    REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary.
    [Show full text]
  • Les Reprints Made in U.S
    Pas d'équivoques pour BD/VF chez Glénat qui s'intitule elle-même la BD de papa. La série les reprints des Rip Kirby d'Alex Raymond constitue une excellente initiation au bon vieux roman poli- made in U.S. cier de derrière les fagots pour adolescents en quête de suspense. Malheureusement le format des vignettes la rend difficile à lire alors que la par Claude-Anne Parmegiani, parution en album broché permet un prix de la Joie par les livres vente abordable pour un public jeune. Chez Futuropolis, la présentation soignée de la col- Ils s'appellent Pim, Pam, Poum, Terry, Po- lection « Copyright » la destine aux pères et aux peye, Illico, Blondie ou bien Flash Gordon, Rip grands frères. Dommage que le format en lon- Kirby, Mandrake, Superman, Prince Valiant... gueur et l'épais cartonnage ne facilitent pas la Ils sont tantôt petits, moches, rigolos et dé- manipulation des trois volumes de Popeye (Se- brouillards, tantôt grands, beaux, forts et invin- gar) ou de Superman (Siegel et Shuster), qui cibles. Ils sont tous supers ! mais ce sont quand plairaient dès douze ans sous une forme plus même les copains d'enfance de nos parents. populaire et à un prix plus abordable. Car à cet Alors pourquoi cette brusque nostalgie de l'âge âge-là, on lit et on relit « ses » BD jusqu'à les d'or de la BD américaine chez les éditeurs ? savoir par cœur, et pour ça pas d'autre moyen Pierre Horay avait déjà ouvert la voie en réé- que les acheter ; on peut pas compter sur les ditant depuis une dizaine d'années les classi- parents pour vous les offrir ! Quand ils les ques de la BD dont le chef-d'œuvre de Windsor aiment, ils les gardent pour eux, sinon ils trou- Me Cay : Little Nemo.
    [Show full text]
  • October 2020
    2020 Newsletter ACCLAIM HEALTH – ACTIVITY NEWSLETTER FAMOUS OCTOBER BIRTHDAYS October 1st, 1924 – Jimmy Carter was the 39th President of the United States of America, turns 95 this year! October 18th, 1919 – Pierre Trudeau was the former Prime Minister of Canada from 1980 – 1984. October 25th 1881 – Pablo Picasso was the world famous Spanish painter. He finished his first painting, The Picador at just 9 years old! ? October, 10th month October 29th 1959 – Mike Gartner, Famous Ice of the Gregorian calendar. Its name is hockey player turns 60! derived from octo, Latin for “eight,” an indication of its position in the early Roman calendar., Happy Birthday to our club membersAugustus, in celebrating their birthday’s in October 8BC,!! naming it after himself. Special dates in October Flower of the October 4th – World Smile Day month October 10th – National Cheese Day th The Flower for the October 15 – National I Love Lucy Day month is the October 28th – National Chocolate Marigold. It blooms Day in a variety of colours like red, yellow, white and orange. It stands for Creativity and symbolizes Peace and Tranquility. The Zodiac signs for October are: Libra (September 22 – October 22) Scorpio (October 23 – November 21 Movie Releases The Sisters was released on October 14th, 1938. Three daughters of a small-town pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908. This film starred Bette Davis, Errol Flynn and Anita Louise. Have you seen it?! Songs of the month! (Click on the link below the song to listen) 1. Autumn in New York by Ella Fitzgerald and Louis Armstrong https://www.youtube.com/w atch?v=50zL8TnMBN8&featu Remember Charlie re=youtu.be Brown? “It’s the Great Pumpkin 2.
    [Show full text]
  • Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
    $39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation.
    [Show full text]
  • Michael Tierney
    Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting
    [Show full text]
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Check All That Apply)
    Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers.
    [Show full text]
  • Apatoons.Pdf
    San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp.
    [Show full text]
  • MAY 4 Quadracci Powerhouse
    APRIL 8 – MAY 4 Quadracci Powerhouse By David Bar Katz | Directed by Mark Clements Judy Hansen, Executive Producer Milwaukee Repertory Theater presents The History of Invulnerabilty PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Assistant With contributions by Margaret Bridges Education Intern • Play Guide edited by Jenny Toutant Education Director MARK’S TAKE Leda Hoffmann “I’ve been hungry to produce History for several seasons. Literary Coordinator It requires particular technical skills, and we’ve now grown our capabilities such that we can successfully execute this Lisa Fulton intriguing exploration of the life of Jerry Siegel and his Director of Marketing & creation, Superman. I am excited to build, with my wonder- Communications ful creative team, a remarkable staging of this amazing play that will equally appeal to theater-lovers and lovers of comic • books and superheroes.”” -Mark Clements, Artistic Director Graphic Design by Eric Reda TABLE OF CONTENTS Synopsis ....................................................................3 Biography of Jerry Siegel. .5 Biography of Superman .....................................................5 Who’s Who in the Play .......................................................6 Mark Clements The Evolution of Superman. .7 Artistic Director The Golem Legend ..........................................................8 Chad Bauman The Übermensch ............................................................8 Managing Director Featured Artists: Jef Ouwens and Leslie Vaglica ...............................9
    [Show full text]