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The Development and Validation of the Game User Experience Satisfaction Scale (Guess)
THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) A Dissertation by Mikki Hoang Phan Master of Arts, Wichita State University, 2012 Bachelor of Arts, Wichita State University, 2008 Submitted to the Department of Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © Copyright 2015 by Mikki Phan All Rights Reserved THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a major in Psychology. _____________________________________ Barbara S. Chaparro, Committee Chair _____________________________________ Joseph Keebler, Committee Member _____________________________________ Jibo He, Committee Member _____________________________________ Darwin Dorr, Committee Member _____________________________________ Jodie Hertzog, Committee Member Accepted for the College of Liberal Arts and Sciences _____________________________________ Ronald Matson, Dean Accepted for the Graduate School _____________________________________ Abu S. Masud, Interim Dean iii DEDICATION To my parents for their love and support, and all that they have sacrificed so that my siblings and I can have a better future iv Video games open worlds. — Jon-Paul Dyson v ACKNOWLEDGEMENTS Althea Gibson once said, “No matter what accomplishments you make, somebody helped you.” Thus, completing this long and winding Ph.D. journey would not have been possible without a village of support and help. While words could not adequately sum up how thankful I am, I would like to start off by thanking my dissertation chair and advisor, Dr. -
Semantic Network Analysis of Tweets About
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Hong, Yoorim Conference Paper How the discussion on a contested technology in Twitter changes: Semantic network analysis of tweets about cryptocurrency and blockchain technology 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018 Provided in Cooperation with: International Telecommunications Society (ITS) Suggested Citation: Hong, Yoorim (2018) : How the discussion on a contested technology in Twitter changes: Semantic network analysis of tweets about cryptocurrency and blockchain technology, 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018, International Telecommunications Society (ITS), Calgary This Version is available at: http://hdl.handle.net/10419/190383 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
Matthew Cannings Editor
Matthew Cannings Editor Agents Madeleine Pudney Assistant 020 3214 0999 Eliza McWilliams [email protected] 020 3214 0999 Credits Film Production Company Notes THE LAST RIGHT Cross Day Productions Dir: Aoife Crehan 2019 Prods: Pippa Cross, Casey Herbert, Paul Donovan THE GIRL WITH ALL Altitude Film Dir: Colm McCarthy THE GIFTS Prods: Camille Gatin, 2016 Angus Lamont QUARTET Headline Pictures/BBC Films/DCM Dir: Dustin Hoffman 2012 Productrions/Finola Dwyer Productions Prod: Finola Dwyer Editor: Barney Pilling Assistant Editor AN EDUCATION Finola Dwyer/Wildgaze Films Prod: Finola Dwyer, 2008 Amanda Posey Editor: Barney Pilling Assistant Editor Television Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] PILGRIM Lucasfilm 2021 BREXIT: THE UNCIVIL Channel 4 / House Dir: Toby Haynes WAR Productions Prod: Lynn Horsford 2019 THE INNOCENTS New Pictures/ Netflix Dir: Farren Blackburn 2018 Originals Prod: Chris Croucher Editor - Episodes 2, 4 & 8 LIVING THE DREAM Big Talk/ Sky Dir: Saul Metzstein 2017 Prod: James Dean Editor - Episodes 2 & 3 BLACK MIRROR: Channel 4/ Netflix Dir: Dan Trachtenberg PLAYTEST Prod: Laurie Borg 2017 THE A WORD Tiger Aspect/ BBC Dir: Sue Tully 2016 Prod: Marcus Wilson Editor Series 1, Episode 6 PEAKY BLINDERS 2 Tiger Aspect/Caryn Dir: Colm McCarthy 2014 Mandabach Prod: Lawrie Borg Editor - Episodes 2, 4 & 6 MUSKETEERS BBC Dir: Saul Metzstein 2013 Prod: Colin Wratten Editor - Episodes 3 & 5 DOCTOR WHO -
Black Mirror
Quote “The alienation of the spectator to the profit of the contemplated object [...] is expressed in the following way: the more he contemplates the less he lives; the more he accepts recognizing himself in the dominant images of need, the less he understands his own existence and his own desires. [...] This is why the spectator feels at home nowhere, because the spectacle is everywhere.” “L’aliénation du spectateur au profit de l’objet contemplé [...] s’exprime ainsi : plus il contemple, moins il vit ; plus il accepte de se reconnaître dans les images dominantes du besoin, moins il comprend sa propre existence et son propre désir. [...] C’est pourquoi le spectateur ne se sent chez lui nulle part, car le spectacle est partout. “ Guy Debord – The Society of the Spectacle Cultural and literary studies Satire of contemporary technocratic world Black Mirror • Netflix original series since 2014 • 4 seasons • Dystopian satire • Side effects of our addiction to new technologies Objects of study • Nosedive (episode 1 season 3) • USS Callister (episode 1 season 4) • The Waldo Moment (episode 3 season 2) Questions • How does this dystopian satire shed light on the current society of the spectacle? • Is the satirical impact impaired by the use of cinematographic genres with traditional techniques? • Does the genre, as a medium for satire, become itself an object of satire? Nosedive, satire of social hypocrisy • Political correctness • Superficiality and obsession • Dependence and competition • Role of media and politics Nosedive, satire of Hollywood -
PHIL 1950: Philosophy in Current Events, Text, and Film Instructors: David Cunning Carrie Swanson Office: 257 EPB, MW 11:30-1 O
PHIL 1950: Philosophy in Current Events, Text, and Film Instructors: David Cunning Carrie Swanson office: 257 EPB, MW 11:30-1 or by appt. office: 256 EPB, by appt. [email protected] [email protected] This is a 1 semester-hour course in which students take part in a combination of movie screenings, Philosophy Club discussions, and philosophy department talks. The course requirements are attendance and participation at any eight events over the course of the semester, and also a posting to the course ICON discussion board for each of those eight attended events. The course is for a letter grade, though of course students can opt to take the course P/NP. The theme for spring will be aligned with the UI theme semester – Our Lives Online – and will focus on social issues surrounding technology and the internet and will include Ghost in the Shell, Blade Runner, Ex Machina, Minority Report, The Train, Walkabout, Quest for Fire, and 2001: A Space Odyssey. The movie screening will be on technology and internet-related issues, and the philosophy club meetings will feature episodes of the Netflix show, Black Mirror. The movies will be shown on Tuesday evenings at 6:30pm on the following dates in the Franklin Miller Screening Room (AJB 105) – Jan 24, Feb 7, Feb 21, Mar 7, Mar 21, Apr 4, Apr 18, May 2 – and they are also referenced in the schedule below. The ICON discussion board for each event will open within a day of the event, and the posts will be due six days later – one week after the event itself – at which time the board will close. -
Navigating the Self in Near Future Science Fiction Films Film Studies
Navigating the Self in Near Future Science Fiction Films Film Studies Undergraduate Research Thesis Elizabeth Riggs Dr. Ryan Friedman 1 Introduction The genre of science fiction has been around almost since the advent of film itself, beginning with George Méliè’s Trip to the Moon (1902). For many decades, science fiction books and films have looked outward to explore the cultural anxieties that threatened a society, whether they be alien invasions, rapid advancements in technology, or tension between nations and ideologies. Science fiction is defined as a genre that emphasizes actual, speculative, or extrapolative science, which in turn, interacts in a social context; the genre attempts to reconcile the unknown and examine the given reality (Sobchak). This paper will build upon the definition of science fiction, focusing on the importance of emerging science in a social context to understand how individuals are defining themselves against or through the science of their reality. As a whole, science fiction films have largely focused on the effects of society as a whole, however there has been a shift towards the end of the 20th century and the beginning of the the 21st, toward a focus on what it means to be an individual in a futuristic world. The films under study are The Truman Show (1998), Never Let Me Go (2004), Black Mirror (2011-2016), Under the Skin (2013), Her (2013), and Ex Machina (2015). These films take the more personal side of technology--artificial intelligence--to the personal sides of media--reality television and social media--and explore projected near futures from a humanistic perspective. -
Customer Ratings As a Vector for Discrimination in Employment Relations? Pathways and Pitfalls for Legal Remedies
Customer ratings as a vector for discrimination in employment relations? Pathways and pitfalls for legal remedies Marco Biagi Conference “Assessing Worker performance in a Changing Technological and Societal Environment”, Modena, 19-21 March 2018 ROSSANA DUCATO*, MIRIAM KULLMANN† and MARCO ROCCA‡ “[phone beeps] [gasps] ‘Two stars?! Two stars?’ ‘Wasn't a meaningful encounter’” --NOSEDIVE, BLACK MIRROR SEASON 3, EP. 1 1. Introduction Screenwriters1 and novelists2 have already explored the dystopian prospects of a society where human interactions are constantly submitted to ratings. This is inspired by the growing presence in our daily lives of the possibility of rating work performances, mostly through the well-known system of 1-5 “stars”. This practice is particularly widespread in the gig- economy, with the case of Uber being the most visible example3. In the words of the well- known UK Aslam and Ferrar v Uber case4, this “amounts to a performance management/disciplinary procedure”, as customer ratings are directly used by the platform to decide upon the relationship with the given driver, up to the deactivation of his or her account. However, the use made by Uber of customer’s ratings has also been described as a vehicle for workplace discrimination, in light of the high potential for biases to creep into evaluations for drivers.5 * Ph.D., Postdoctoral researcher at Université Catholique de Louvain and Université Saint-Louis – Bruxelles (Belgium). † Ph.D., Assistant Professor at Vienna University of Economics and Business (WU) (Austria). ‡ Ph.D., Postdoctoral researcher at Hasselt University, Lecturer at Université de Liège and Université Libre de Bruxelles (Belgium). 1 Shteyngart, Super Sad True Love Story, Random House, 2010. -
Valuaton Studies 4(2)
Valuation Studies 1(1) 2013: xx–xx Valuation Studies vol. 4(2) 2016 Contents: Editorial Note: Folded Valuations? ...................................................... 93-102 Claes-Fredrik Helgesson Exemplary Goods: Exemplars as Judgment Devices .......................... 103-124 Erwin Dekker The Organizational Valuation of Valuation Devices. Putting Lean whiteboard management to work in a hospital department ............... 125-151 Amalie Martinus Hauge Handling Rejection as Failure: Aspiring Writers Getting the Rejection Slip .................................................................................................... 153-176 Henrik Fürst Conference note: Classifcation Situations—A New Field of Research for Valuation Studies? ............................................................................. 177-189 Julian Jürgenmeyer and Karoline Krenn LiU Electronic Press http://valuationstudies.liu.se Valuation Studies logo by Rebecca Elfast Valuation Studies is a peer reviewed open access journal connecting several vibrant research felds working on the study of valuation as a social practice. Editors: Claes-Fredrik Helgesson, Technology and Social Change, Linköping University, Sweden Fabian Muniesa, Centre de Sociologie de l’Innovation, Mines ParisTech, France Board of editors: Editorial board (continued): Liliana Doganova, Mines ParisTech, FR Klaus Høyer, University of Copenhagen, DK Martin Giraudeau, London School of Peter Karnøe, Aalborg University, DK Economics and Political Science, UK Paul Kockelman, Columbia University, US -
Gender, Society and Technology in Black Mirror
Aditya Hans Prasad WGSS 7 Professor Douglas Moody May 2018. Gender, Society and Technology in Black Mirror The anthology television show Black Mirror is critically acclaimed for the manner in which it examines and criticizes the relationship between human society and technology. Each episode focuses on a specifically unnerving aspect of technology, and the topics explored by it range from surveillance to mass media. These episodes may initially provide a cynical perspective of technology, but they are far more nuanced in that they provide a commentary on how human technology reflects the society it is produced for and by. With that in mind, it is evident that Black Mirror is an anthology series of speculative fiction episodes that scrutinizes the darker implications of these technologies. Often, these implications are products of particular social constructs such as race, socioeconomic class and gender. It is particularly interesting to analyze the way in which Black Mirror presents the interaction between gender and technology. Many of the television show’s episodes highlight the differences in the way women interact with technology as compared to men. These intricacies ultimately provide viewers with an understanding of the position women often hold in a modern, technologically driven society. Black Mirror is renowned for the unsettling way it presents the precarious situations that come up when technology begins to reflect the flaws of a society. The episode “Fifteen Million Merits” explores, among other things, the hyper-sexualized nature of modern mass media. The episode takes place in a simulated world, where humans exist inside a digital world where all they do is cycle to earn credits, spend credits on products of the media and sleep. -
Black Mirror
Master Thesis in Public Service Audiovisual Communication Reality approach on Social Media through fictional series Black Mirror Author: Helena Rigabert Duque Tutor: Dr. Manuel Castro Gil Faculty of Philology UNED Academic Year 2019/2020 – June call To my students, who have encouraged me to pursue this research and whose participation made the study possible. 3 INDEX 0. Index of Tables and Figures………………………………………………..…………..5 1. Abstract and keywords…………………………………………………...…………….9 2. Introduction……………………………………………………..................................10 3. Goals and Hypothesis…………………………………………………………….…..12 4. Theoretical Framework…………………………………………………………….…13 4.1. Audiovisual fiction as a learning resource……………………………...…….13 4.2. Influence of fiction on the perception of reality………………………………15 4.3. A brief approach on Social Media…………………………………………….16 5. Methodology…………………………………………………………………………18 5.1. Mixed research……………………………………………..………………...20 5.2. Designing questionnaires………………………………………………….….21 6. Case study: Black Mirror……………………………………………………………..24 6.1. Episode 1 Season 3 – Nosedive……………………………………………….25 6.2. Episode 2 Season 5 – Smithereens………………………………………..…..38 6.3. Episode 6 Season 3 – Hated in the Nation…………………………………….49 7. Results analysis……………………………………………………………….………58 7.1. Episode 1 Season 3 – Nosedive………………………………………….……59 7.2. Episode 2 Season 5 – Smithereens……………………………………...…….69 7.3. Episode 6 Season 3 – Hated in the Nation…………………………………….77 8. Conclusions and further research……………………………………………………..83 9. References……………………………………………………………...…………….85 10. Annexes……………………………………………………………………………...90 11. About the author………………………………………………………………..…..115 4 INDEX OF TABLES Table 1. Examples of data for which quantitative or qualitative assessment was used………..20 Table 2. Examples of each type of question and their methodological approach………….…..23 Table 3. Existing social media identified in Nosedive………………………………………...59 Table 4. Breakdown of votes belonging to social media and participants who selected more than one option………………………………………………………………………………..60 Table 5. -
Black Mirrors: Reflecting (On) Hypermimesis
Philosophy Today Volume 65, Issue 3 (Summer 2021): 523–547 DOI: 10.5840/philtoday2021517406 Black Mirrors: Reflecting (on) Hypermimesis NIDESH LAWTOO Abstract: Reflections on mimesis have tended to be restricted to aesthetic fictions in the past century; yet the proliferation of new digital technologies in the present century is currently generating virtual simulations that increasingly blur the line between aes- thetic representations and embodied realities. Building on a recent mimetic turn, or re-turn of mimesis in critical theory, this paper focuses on the British science fiction television series, Black Mirror (2011–2018) to reflect critically on the hypermimetic impact of new digital technologies on the formation and transformation of subjectivity. Key words: mimesis, Black Mirror, simulation, science fiction, hypermimesis, AI, posthuman he connection between mirrors and mimesis has been known since the classical age and is thus not original, but new reflections are now appearing on black mirrors characteristic of the digital age. Since PlatoT first introduced the concept ofmimēsis in book 10 of the Republic, mir- rors have been used to highlight the power of art to represent reality, generating false copies or simulacra that a metaphysical tradition has tended to dismiss as illusory shadows, or phantoms, of a true, ideal and transcendental world. This transparent notion of mimesis as a mirror-like representation of the world has been dominant from antiquity to the nineteenth century, informs twentieth- century classics on realism, -
The Class of 2018 CAREERSTV Fair
January 2018 The class of 2018 CAREERSTV Fair 6 February 10:00am-4:00pm Business Design Centre, London N1 0QH Journal of The Royal Television Society January 2018 l Volume 55/1 From the CEO Welcome to 2018. In With luck, some of these industry Hector, who recalls a very special this issue of Television leaders will be joining RTS events in evening in Bristol when a certain we have assembled the coming months, so we can hear 91-year-old natural history presenter a line-up of features from them directly. was, not for the first time, the centre that reflects the new Following the excesses – and per- of attention. Did anyone mention TV landscape and haps stresses – of Christmas, our Janu- Blue Planet II? its stellar class of 2018. ary edition contains what I hope read- Our industry map looks like it’s Pictured on this month’s cover are ers will agree is some much-needed being redrawn dramatically. Disney’s some of the sector’s leaders who are light relief. Don’t miss Kenton Allen’s historic $52.4bn bid for 21st Century certain to be making a big splash in pulsating review of 2017. I guarantee Fox is among a number of moves the year ahead – Tim Davie, Ian Katz, that it’s laugh-out-loud funny. responding to the need for scale. We Jay Hunt, Carolyn McCall, Alex Mahon, Also bringing a light touch to this will be looking at this trend in the Simon Pitts and Fran Unsworth. month’s Television is Stefan Stern’s coming months.