BLKJKS Are Still Soldierng On

Total Page:16

File Type:pdf, Size:1020Kb

BLKJKS Are Still Soldierng On Publication: Mail & Guardian - Friday Page: 34 Title: BLK JKS are still soldiering on Publish Date: 19 June 2020 AVE: 143293.75 Author: Kwanele Sosibo as.“ Blistering energy: The long—awaited album from the BLK JKS (pictured above with collaborator Morena Leraba), was recorded in three days at Downtown Studios Photo: Brett Rubin BLKJKS are still soldierng on Abantu: Bty‘breHumans captures the band’s are well versed in the world of push like this quietly for a long tirrre, right with Downtown Studios as the con- ing through. From Linda taking a up until our hard drives were stolen trol tower. It is an adult relearning strengths, weaknesses and sonic vision walk, to the hard drives being stolen .. It took us a year to recover from how to walk; that huge cipher in the at the Soweto Theatre [in 2018]. We that.“ middle nally being accounted for. part of that resided in that ver'tig'i- had a thing at some point at Market Alter a year of letting the setback You could bear with the dudes as K—wanoleSo norls feeling of the future suddenly Theatre where We were working on sink in, Mcata says he and bandmate they literally nd their voices, grunt- o—ldieringon." That' catching up with you. The sensa» a musical [which was being directed Tshepang Ramoba took a trip to ing, chanting and exchanging long- was the phrase It tiou that perhaps the sound you had by Lindiwe Matshikiza]. We were Mpurnalanga to reflect and conduct winded lyrics for declamatious, but was uttered nrid-set, been searching for your Whole life building this show and suddenly a series of spiritual interventions. at this point, it seems, they have run or perhaps towards may have already been there — in they stopped responding to our This was followed by nrore mouths out of fucks to give. the end, by BLK JKS Balsurni’s talking rhythms, in Black emails, and that‘s how that project of “urban” exile, until the requiem ”We were open to the material guitarist Mpumi Meata, Jack Johnson’s headrnodding riffs, died [in 2016] 7 and that would have was ruptured by playing the Fetish going to where it Wanted to go in It captured everything. Our stunned, in Dr Malombo’s cosmic channel- been our second album. We’ve been Party with King Tha at the Bassline that three-day period,” says Mcatal confused silence. Our unaskcd and ling, in IIR’s calculated madness. All dealing with things in late April 2019‘ “It was an immediate snapshot, qllite unanswered questions about former there. Shot through with imperfec- “Hanging out with FAKA, Sho raw.“ frontman Linda Buthelezi. Our fan» tions and half-formed songs, Corr» Madjozi, and Moonehild [SanellyJ Make What you will of ritual-invok- dom at its precipice. tained in one singularjar and backstage t was kind of electric; ing songs like 1Q(w)im: Machine This was eight, maybe seven released into the atmosphere, the energy of all of rrs being together Learning on! I, with its somnamhu- years ago. Alexander Theatre. live from Johannesburg. that night," says Mcata. “I had one list march and matching guttural Braarnfontein, Friday night. The The past 10 years haven't eons of the greatest hangovers I’ve ever guitar riffs, beefed up with hooks audience was shell-shocked, sure. stitirtcd a demise as much as a had in my life that night and waking and slurs like “latsh’ ingirha” But it was wounded too, on the deconstruction, not only of the up that morning, I was like, ‘I think (“hebamosha beyirnosha!"). band's behalf. It wasn’t so much that band's sound, per Se, blrt of the I know what we are gonna do.’ We The framing device of a prequel the Show was ”bad". or “tentative", idea that it was mlrltiprdnged. The took money from that show and put can also be a way of expelling the unveiling the new brass section for progeny, probably best not listed it together with some other money pall of a false start; like how Saul the rst time; the space in the middle here, seemed only to be picking at it and booked three days at Downtown Williams’ second album is self-titled of the stage empty and unaceounted one head at a time, proving nothing Studios. We went in and knocked because he couldn’t stand the mixing for. Not exactly. more than a provocation, as opposed out the album that you hear in three of his dcbutAmethyst Rack Slur, pro- It was that as fans, we had to to continuity in conversation. days — three songs a day, six-hour duced by the mighty Rick Rubin accept that the joyr'ide we had taken “As a band we have been dealing sessions. After 10 years plus of tr '» After all the tightly managed pro- as a givcn was nally over, We were with things like this from the begin- ing to get this shit together, it came ductions that constituted American being asked to believe iii a new faith. ning,” says guitarist and vocalist down to three days." releases like After Robots, the Thinking about it now, that night Mpurni Mcata of the band's stop- Released on June 16 on limited Mystery and Zol! EPs, in which, in something was buried. In the inter- start Career. edition Vinyl (by Permanent Record some places, the band was swim- ruittent absences, we had already it is late April. South Africa is in in Cape Town, and awaiting larger ming against torrents of effects, been forced to confront what it Iockdown. We are connecting via release with a new label in 2021) Abantu is about as representative meant to believe in a hand. To believe WhatsApp from France, where he Abantu: Before Humzms is being of the band's strengths, weaknesses without question. ”Soldiering on," at is preparing for the birth of his sec- branded by the group as a prequel to and sonic vision as you will get to that moment, seemed more like an ond child. “Some people don’t know Aer Robots. Whereas Aer Robots hear. There is still that blistering ultimatum than spin. We had to face that it took us six to eight years to was a space-age freak, recorded in energy of early classics like SKI, but reality or leave it the fuck alone. get to our debut album After Robots Wilmington, Indiana, as Alejandro there is also the wider palette of It‘s hard to pill down the band‘s [released in 2009], That whole story Jodorowsky‘s unsettling The Holy having travelled the world, rubbed significance in verbal, or even musi- for some people was like an over- Mountain played on a loop.Abantr1: shoulders with the likes of Viuex cal terms, for there was always a night thing, brrt it was also a story of Before Humans is exteniporaneons Farka Touré and come back home to tension in being a 13HK JKS fan. A setbacks and pushing through. We exorcism; a pan~African expedition reect on what it all means. www.marketiq.co.za | Tel: 011 884 7847 | [email protected] The copyright act of 1978 (as amended) prohibits the reproduction of this copy IN ANY FORMAT, without prior permission of the original publisher. Page 1 of 1 Powered by TCPDF (www.tcpdf.org).
Recommended publications
  • Market-Buzz-V2n23-Website
    28 May - 10 June 2018 1 2 MARKET BUZZ Volume 2 No 23 12 A Partnership that Grows to National Scale Looking back at the partnership between the Market Theatre Foundation and the French Institute of South Africa 14 Celebrate 7 Years of Free Music for All with the Fête De La Musique Looking back at the history of the Fête de la Musique and what exciting developments are coming this year 22 Live Music and Cinema A new soundtrack for this masterpiece of the adverture film genre 23 Zimbabwean Play Set To Take Stage at the Market Theatre The Eye In The Sand aims to revive African folklore and the culture of family storytelling 5 26 Editor’s Note Film Focus at the In this week’s Market BUZZ, we look back at the Africa Day Market Theatre celebration at the Windybrow Foundation Arts Centre and celebrate our 6 Information about Sembene!, partnershop with the French Xala and The Black Panthers: institute of South Africa and Ideas Cross Borders at Vanguard of the Revolution, also look at more of the 2018 Africa Day which is to be screened at the exciting developments at the The Windybrow Arts Centre Market Theatre Foundation Market Theatre. hosts Africa Day 2018 this June 28 May - 10 June 2018 1 THE MARKET BUZZ 30 44 TEAM The Market Theatre: Market Theatre Going Places Tours WRITERS: Information on the Market Participants from Oakfield’s Lusanda Zokufa-Kathilu Theatre Foundation staff College share their thoughts (Senior Publicist) members’ recent travels about the Market Theatre Zama Sweetness Buthelezi Tours (Brand and Communications Manager) Clara
    [Show full text]
  • Xango Music Distribution Release #10 – 2021 Pagina | 1
    Xango Music celebrating 24 years distributing local music from all over the world Office: Singelstraat 1, 3513 BL Utrecht, NL www.xmd.nl - [email protected] - +31 6 260 263 60 Warehouse: Berenkoog 53 C, 1822 BN, Alkmaar (NL) e: [email protected] t: +31 (0)72 - 567 3030 NEW RELEASES NO. 10 – 2021 BLK JKS: Abantu / Before Humans GBCD 108 / € 10,45 / 4030433610824 / label: Glitterbeat Records / format: CD / South Africa – Popular GBLP 108 / € 13,45 / 4030433610817 / label: Glitterbeat Records / format: LP / South Africa – Popular Monster grooves meet guitar and brass driven afro-rock. Echoes of spiritual jazz, post-apocalyptic funk, renegade dub and kwaito. Features Malian guitarist Vieux Farka Touré and Beastie Boys accomplice Money Mark on the track 'Maiga'. 'Now with Abantu/ Before Humans' this present has a fiercely retro-futuristic fresh moniker: Afropunk. These brothers just want to jam. To say BLK JKS poured gas on the fire down below or lit the flames that created the soundtrack for the nascent Afropunk movement in their home country of South Africa especially... would not be too far off the mark. Listen to a track. Khaira Arby: Live In New York 2010 (LP release June 18th, 2021) CLECD 33 / € 9,95 / 0711574917822 / label: Clermont Music / format: CD / Mali – Popular CLELP 33 / € 17,45 / 0711574917815 / label: Clermont Music / format: LP / Mali – Popular As the lights dim and Malian diva Khaira Arby steps into the spotlight, the audience jumps up with shouts and cheers. People loved the late Khaira Arby for the fire and passion of her voice. Pushing boundaries, Khaira triumphs as this recently restored concert recording testifies.
    [Show full text]
  • Fête De La Musique Media Pack
    FÊTE DE LA MUSIQUE MEDIA PACK MEDIA CONTACTS Prisca Cerneaux Claire Metais Lance McCormack Communication Coordinator Communication Officer Director - Marketing and New Business Alliance française of Johannesburg French Institute of South Africa Bassline E: [email protected] E: [email protected] E:[email protected] T: 011 646 1169 T: 011 403 0458 T: 011 838 9145 Caroline Hillary Thato Tholo Artist PR Artist PR E: [email protected] E: [email protected] T : 011 447 8283 T : 011 447 8283 FÊTE DE LA MUSIQUE MEDIA PACK The 5th edition of Fête de La Musique in Newtown Junction is presented by the Alliance Francaise of Johannesburg, the French Institute of South Africa and the Bassline with the support of Total South Africa. FÊTE DE LA MUSIQUE MEDIA PACK PRESENTATION The Alliance Française of Johannesburg, the French Institute of South Africa and Bassline are proud to announce the 5th edition of the Fête de La Musique, taking place on Saturday June 18th 2016. Last year over 6,000 people gathered in Newtown Junction to enjoy this celebration of music in all its forms as well as dance and street performance. With its previous success, Newtown Junction confirmed its position as the ideal location for this festive day. In 2016, 6 stages will be set up to offer a wide panel of free shows. This edition represents a new opportunity to encourage local musicians and discover new ones from around the world. The Johannesburg general public – families, visitors, tourists, professionals – will enjoy ideal conditions in terms of security, parking and food to make the most of this festival.
    [Show full text]
  • Earwax Final.Indd
    page 22 the paper november 18, 2009 it shrugs its shoulders.” Easing the acerbity, she repeats these lines to end the record peace- fully, its storm having passed. With this consistent mix of tur- bulence and sweetness, Holy Ghost! sustains a simple rich- ness throughout, seamlessly meandering between folk and soul, fast and slow, and melan- choly and playful. LIL’ WAYNE No Ceilings by Alex Blalock “Okay! No ceilings! Moth- er fucker good mornin’! Dick in your mouth while you’re yawnin’, I’m goin’ in!” These opening lines off the track Namaste. We’re back to 33 unreleased tracks by artists of course, the timeless 3/4-4/4 of strings culminate as Laura “Watch My Shoes” set the normal here at the ‘Wax, and (some famous, others not so polyrhythm. This is cultural ap- tests her larynx’s limits by the mood for Lil’ Wayne’s newest because Fearwax had no new much) primarily in the Highlife propriation done right: a blend- chorus. Punctuated pauses dra- mixtape, No Ceilings. Sched- releases, we have a backlog of genre. Highlife is a combination ing of all of the best bits of the matize her voice as it trills up- uled to drop on Halloween, the new material to get to. Yours of traditional African music and popular musical lexicon of the wards, and violins whine with mixtape was leaked on sites truly staked claim to the lead American funk with a distinctly time rolled up into one neat and a guitar riff that seems to tell such as Datpiff and Biggy Jiggy article this time around, re- Afro-Cuban sentimentality.
    [Show full text]
  • Standard Resolution 21MB
    The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast.
    [Show full text]
  • Collins Chabane
    TRIBUTE EDITION May 2010 New Copyright Laws Owen Dean & others explain Kippie Moeketsi Remembered Nkosi sikelel’ iAfrika Unleashing the Power of Song Collins Chabane His Musical Journey Message from the CEO to ensure that the juristic form of simply: we propose a separate law companies limited by guarantee, an that is designed, from start to finish, to old but important form of a not-for- protect traditional knowledge. profit public company, is appropriately Furthermore, it is our contention that translated and/or accommodated in copyright legislation is fast becoming the new Companies Act. The effect of a “suitcase” of things that are loosely not having that done would have been related but are not necessarily a complete paralysis of entities such as coherent. Needless to say, that this kind eadership as a concept is SAMRO in that they would not have a of approach is dangerous in that the one of the most debated and legal mechanism to distribute income law, by its nature, has to be interpreted probably one of the most by way of royalties and other forms to as a whole and not as a conglomeration written-about subjects. Since their members. That would have gone Ltimewis for that reason that we have of stand-alone concepts and principles. to the heart of collective administration Forcing the protection of traditional dedicated this issue of SAMRO Notes as we know it. to celebrate the leadership success of knowledge into the existing copyright one of our own, the Minister in the Other examples of such active legislation, disjointed as it already is, is Presidency, Collins Chabane.
    [Show full text]
  • Lifestyle 05.05.2019 Lifestyle 29.12.2019 Lifestyle 21.07.2019 Lifestyle 03.03.2019
    Sunday Times Combined Metros 1 - 30/04/2019 06:17:59 PM - Plate: Sunday Times Combined Metros 1 - 17/07/2019 07:09:50 PM - Plate: Sunday Times Combined Metros 1 - 27/12/2019 12:34:33 PM - Plate: Sunday Times Combined Metros 1 - 27/02/2019 05:51:45 PM - Plate: Sunday Times Sunday Times Sunday Times Sunday Times LifeStyle 05.05.2019 LifeStyle 29.12.2019 LifeStyle 21.07.2019 LifeStyle 03.03.2019 IT’S 2020 GET YOUR THE GLITTER ON TALENTED THE MAIN DRAG MR MALEK BADLY-BEHAVED BROADS Find out what’s under the wig Three women disrupting their industries MEDIA KIT 2020 2020 Media Kit Media Kit CONTENTS Note from the Editor 1 Lifestyle Audience 2 Digital Audience 3 Content Breakdown 4 Lifestyle Sections: Fashion & Beauty 5 Lifestyle Sections: Food & Drink 6 Lifestyle Sections: Travel 7 Lifestyle Sections: Home 8 Lifestyle Sections: Books 9 Lifestyle Sections: Reviews 10 Lifestyle Sections: Motoring 11 2020 Special Editions 12 Special Editions 14 Special Projects 15 Rates & Specifications 16 Advertising Opportunities & Events 17 Sunday Times Lifestyle Contacts 20 2 Media kit 2020 | NOTE FROM THE EDITOR ED’s noteunday Times Lifestyle is an established, much-loved, Sunday supplement that provides an upbeat, intelligent and insightful break from the main body of the newspaper. Aimed at a wide demographic that includes all South Africans, Lifestyle speaks to a range of readers whoS love the variety of fun and in-depth stories in our pages. We give our readers backstage access to the best entertainment stories and offer them great book reviews as well as series and movie reviews, the inside track on the art world, a quirky take on pop culture and profiles of interesting humans from all walks of life.
    [Show full text]
  • Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013
    Popular Communication The International Journal of Media and Culture ISSN: 1540-5702 (Print) 1540-5710 (Online) Journal homepage: http://www.tandfonline.com/loi/hppc20 Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013 Julian Schaap To cite this article: Julian Schaap (2015) Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013, Popular Communication, 13:4, 272-287, DOI: 10.1080/15405702.2014.914519 To link to this article: http://dx.doi.org/10.1080/15405702.2014.914519 Published online: 10 Nov 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hppc20 Download by: [Erasmus University] Date: 19 November 2015, At: 04:15 Popular Communication, 13: 272–287, 2015 Copyright © Taylor & Francis Group, LLC ISSN: 1540-5702 print / 1540-5710 online DOI: 10.1080/15405702.2014.914519 Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013 Julian Schaap Erasmus University Rotterdam Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investi- gates (i) to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and (ii) to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regard- ing ethno-racial classifications in their reception of rock music.
    [Show full text]
  • Quarterly Programming Report the Current October-December, 2009
    QUARTERLY PROGRAMMING REPORT THE CURRENT OCTOBER-DECEMBER, 2009 In studio performances on The Current from October 1 to December 31, 2009 Peter Wolf Crier performs in The Current studios Peter Wolf Crier is a new two-piece rooted in the Twin Cities music scene. Peter Pisano formerly of The Wars of 1812 and Brian Moen of the Laarks join forces in this gritty, folk-rock masterpiece.December 24, 2009 Romantica performs in The Current studios Romantica's latest EP Control Alt Country Delete, was recorded on March 23rd 2009 in Austin Texas one day after the chaos of South by Southwest.December 18, 2009 Pictures of Then perform in The Current studios Indie quintet Pictures of Then has commanded a lot of attention in '09 including a new album, extensive touring, and heaps of press.December 11, 2009 Curtiss A performs in The Current studios Tried and true Twin Cities rocker Curtiss A stopped by the Current studios in support of his annual John Lennon Tribute Show. December 11, 2009 Doomtree performs live in The Current studios The local hip-hop collective and record label Doomtree have been combining beats and MCs for the last five years. In addition to the collaborative EPs, several members including P.O.S., Dessa, Sims, and Cecil Otter have released solo albums. December 3, 2009 The XX performs in The Current studios The XX have accomplished something few other groups have: critical raves, a sellout worldwide tour, and unexpectedly stellar album sales. The best part? They're all 20 years old. November 30, 2009 The Big Pink performs live in The Current studios Electronic-rock duo The Big Pink celebrated their second birthday earlier this year with quite a bash: the release of their new album, "A Brief History of Love," charted on thousands of radio stations, and its lead single, "Velvet," was added to Pitchfork Media's "Top 500 Songs of the 2000s" list.
    [Show full text]
  • Why Are Blk Jks Being Outlawed for Playing Rock
    ww PUBLIC ENEMIES Dressed in fresh trainers, crisp jeans and an WHY ARE BLK JKS BEING expensive-looking leather jacket, Mpumelelo Mcata OUTLAWED FOR PLAYING looks like the consummate pop star. As the lead guitarist in the Johannesburg band BLK JKS, he’s ROCK’N’ROLL? getting ready to perform at the Trans Musicales de CORTESY BLK JKS Rennes music festival in north-western France. It’s WORDS AND PHOTOGRAPHY BY HELENE DANCER the band’s final gig of their European tour. “It’s been mad,” says Mcata, pushing up his lens- less, thick-rimmed spectacles. He surveys the band’s PHOTOGRAPHY cubicle backstage at the festival venue, which is pretty tidy apart from a few empty beer cans on the INDWE FEBRUARY 2010 77 BLK JKS table. BLK JKS’ bass player, Molefi Makananise, sits the boys are very proud of. It veers from jazz to prog down next to him. He appears the more serious of rock and ska, underpinned by lots of guitar the two but there’s a twinkle in those brown eyes. distortion and frequent Afro rhythms. Ramoba’s “We haven’t travelled like this before,” Mcata drumming is mesmerising. continues. “It’s been intense.” Despite pop-star appearances, successful tour dates and growing The African TV on the Radio critical acclaim, there’s still a touching vulnerability “As a band, we come from different influences of to the band. They seem overawed by how their lives music,” says Makananise. “But however different have moved on from the days of playing tiny gigs at our inspirations, we found ourselves always loving home to people who didn’t quite get their unique one thing, which was music.” brand of rock.
    [Show full text]
  • 4 Dec Afropunk Press Release (89.63
    AFROPUNK JOBURG TO BE HOSTED BY NANDI MADIDA SOWETO BATTLE OF THE BANDS WON BY AUTOMATIC LIVE, RAINBOW ABOMINATION WIN IN PRETORIA BATTLE OF THE BANDS NEXT SEMI FINALS 8 & 9 DECEMBER AT CARFAX IN NEWTOWN, SHO MADJOZI, RUDEBOYZ, DJ KENZHERO & K -$ TO FEATURE THE HOUSE OF MARTELL EXPERIENCE ANNOUNCED CONSTITUTION HILL LAUNCHES TOURISM COLLECTIVE I AM JOZI ACTIVISM ROW PRESENTED BY THE AIDS HEALTH CARE FOUNDATION With less than a month to go till the first AFROPUNK in Africa on the 30th and 31st of December, AFROPUNK Joburg has announced that singer and TV personality Nandi Madida will host the event at Johannesburg’s Constitution Hill.The House of Martell Experience will bring festival goers a special experience and The AIDS Healthcare Foundation will collaborate with AFROPUNK on Activism Row. Just in time for AFROPUNK, Constitution Hill has launched a unique tourism collective: "I am Joburg". On the 8th and 9th of December at Carfax in Newtown, eight bands will compete to be the next two finalists in The Battle Of The Bands powered by EDGE, that sees the winner performing at AFROPUNK. On the night Sho Madjozi, Rudeboyz and DJ Kenzhero will join the rising stars on stage. Nandi Madida is thrilled to host AFROPUNK Joburg “I am particularly ecstatic and honored to be hosting Afropunk because it is not only a festival but a movement that I've followed for many years, one that encouraged me to go out there and be unashamedly myself in a world that is constantly trying to make us conform to certain social norms.
    [Show full text]
  • L'afrique Électrique De Mdou Moctar
    ONC’est maintenant, EN et c’est de l’art, de la culture, PARLE de la mode, du design et du voyage Le musicien (en noir) entouré de L’AF R IQ U E son groupe. BLUES ROCK ÉLECTRIQUE DE MDOU MOCTAR Avec son nouvel album enthousiasmant, le GUITARISTE ET COMPOSITEUR TOUAREG de 35 ans confirme qu’il fait partie des artistes sahéliens à suivre. « L’AFRIQUE EST VICTIME de tant de dont il est capable. Depuis, même crimes / Si nous nous taisons, ce sera des créateurs de mode comme notre fin », affirme-t-il dans son nouvel Virgil Abloh ne jurent que par lui. album. Mdou Moctar sait de quoi il Aujourd’hui, Afrique Victime parle, lui, le natif d’Agadez, village enfonce le clou de ses velléités perdu au cœur du désert nigérien. Lui, punk, loin d’être incompatibles avec l’un des jeunes héritiers du patrimoine l’électrique contagieuse qui résonne lors touareg, qui a grandi en écoutant aussi des fêtes de mariages d’Agadez. Entre bien la musique traditionnelle morceaux sous tension que le hard rock d’Eddie (« Chismiten », «Asdikte Van Halen. Et sa musique, Akal ») et ballades brillant il l’incarne en tamasheq par la simplicité de leurs (langue touarègue). mélodies (« Ya Habibti », En 2015, Moctar « Tala Tannam »), il illuminait le premier film bénéficie de l’expertise touareg, Akounak Tedalat sonore de Mikey Coltun, Taha Tazoughai (« Pluie de à la production, et MDOU MOCTAR, couleur bleue avec un peu de d’Ahmoudou Madassane, Afrique victime, rouge » en français), remake qui a également lancé Matador. décalé du Purple Rain de le premier groupe Prince réalisé par Christopher Kirkley.
    [Show full text]