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Year in Review 2014–2015 About Bard Graduate Center
Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years. -
Barbara Nessim: an Artful Life on View September 19, 2014–January 11, 2015
Barbara Nessim: An Artful Life On View September 19, 2014–January 11, 2015 Barbara Nessim. Beware of the Blue Sky Syndrome, 1967. Pen and ink, watercolor, collage. Courtesy of the artist. Barbara Nessim: On View An Artful Life September 19, 2014– January 11, 2015 FIRST RETROSPECTIVE IN THE U.S. TO EXAMINE A PIONEERING ARTIST AND ILLUSTRATOR A constant innovator for more than five decades, Barbara Nessim was one of the first professional illustrators to master the computer as an artistic tool. This exhibition examines her sketchbooks, hand-drawn and computer- generated illustrations, paintings, collages, textiles, and fashion. Barbara Nessim: An Artful Life presents an overview of the work of this pioneering American artist and designer from the 1960s to the present day. Nessim’s distinctive illustrations have appeared on the covers of nearly every major American magazine, including Time, Rolling Stone, and the New York Times Magazine. Her work ranges from provocative prints, drawings, and paintings that represent her feminist views to illustrations for advertising cam- Barbara Nessim. Superman paigns for companies such as Levi’s and Ralph Lauren. Carrying Girl with Green Shoes, from the series Coney Island in She employs a wide variety of techniques, including line the Winter, 1963. Monotype drawing, watercolor, printmaking, photography, and col- etching; hand-colored with oil. Victoria and Albert Museum, lage. In a career that spans more than fifty years, she is E.11-2013. still actively working on new projects. Barbara Nessim: An Artful Life is curated by Douglas Dodds, Beginnings Senior Curator in the Word and Image Department at the Victoria and Albert Museum, London. -
The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background. -
Barbara Nessim Is an Artist Whose Daring and Prolific Work, Spanning Five Decades, Defies Narrow Categorization
Barbara Nessim is an artist whose daring and prolific work, spanning five decades, defies narrow categorization. In its broadest sense, her artistic production has straddled fine art and illustration, all the while, pushing against and reshaping the boundaries of the often-rigid separation between the two fields. With her artworks on paper informing her commercial illustrations, Nessim’s work always begins with line or color, independent of medium, context or application. Her vibrant colorful imagery is figurative, conceptual and yet also symbolic and deeply intuitive. Its power and enduring relevance lies in its elegant fusion of skillful technique, deep cultural engagement and pop culture resonance. Nessim’s artworks, as her biography, are the story of New York City over the past five decades, the story of evolving gender equality and the story of shifting artistic and cultural landscapes. Her works have been exhibited and collected internationally, including recently at the V&A and the Bard Graduate Center Gallery. As a young, single, professional woman in the early 1960s, her career as an illustrator broke conventions of all sorts. Surrounded and supported early on by prominent illustrators, Nessim became part of a broadly defined milieu of socially minded individuals working within a publicly visible arena. A Bronx native, Nessim graduated from Pratt in 1960 where she studied Graphic Art and Illustration. At a time in which students were encouraged to emulate Abstract Expressionism, the era’s prevailing movement in art, Nessim privately made small- scale paintings with narrative emphasis— short visual stories evoking situations between people. With the encouragement and support of several key people, in particular Robert Weaver, Nessim’s professor at Pratt, she soon caught the attention of Milton Glaser, Seymour Chwast, Henry Wolf, Robert Benton, among others, who welcomed the much junior Nessim into their circle. -
Barbara Nessim: Stargirl
Barbara Nessim: Stargirl 20 April - 19 June, 2021 515 West 29th St., New York Malin Gallery is pleased to present an exhibition of paintings, ceramics and digital works by the New York-based artist Barbara Nessim. Stargirl will feature 14 large-scale paintings from a new series of work, The Wo/men In My Life, inspired by drawings from Nessim’s sketchbooks from the 1970s. The new paintings will be accompanied by selections from several of the artist’s other most important bodies of work stretching back to the 1960s, including work on paper, ceramics and early digital art. Barbara Nessim, Beret of Tongues, 2020, oil on canvas Born in the Bronx in 1939, Barbara Nessim’s career as a fine artist, a commercial illustrator and a pioneering digital artist spans five decades. Nessim learned textile design at a young age from her mother, a fashion designer in the Manhattan garment industry. In the early 1960s, Nessim was able to fund her own education at the Pratt Institute by working on the side as a fashion and textile designer. She credits her early experience working as fashion designer as a key influence in the development of her general aesthetic sensibility - yielding a “sense of economy” in her forms and an abiding interest in the infinite potential of simple, flowing lines. Clothing and shoes have also remained key subjects throughout Nessim’s career, particularly as they serve as indices for cultural, gender and sexual identity. Following graduation from Pratt in 1960, Nessim embarked on the artistic project that she has pursued without interruption for over 50 years: the daily sketchbooks which she considers her “forever books.” Aside from a number of volumes lost in a fire in 1974, Nessim’s sketchbooks remain a precise daily record of both her own life and her artistic evolutions, which she views as parallel, inseparable progressions. -
Norman Rockwell Museum Featured Illustrators, 1993–2008
Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Annual Report 2O11–2O12
annual report 2o11–2o12 1 FY 11/12 home of american illustration art president & chairman’s letter 4 director’s report fiscal year 2011-2o12 5 9 curatorial 10 acquisitions 20 exhibitions 23 education & visitor experience 25 measures of success 27 advancement 29 finance & administration contributors & donors 31 staff 35 in memoriam 36 3 FY 11/12 president & chairman’s letter Dear Friends of Norman Rockwell Museum, On behalf of our fellow Trustees, we are happy to present the 2011-2012 Annual Report of Norman Rockwell Museum. This comes with a magnificent account of the year’s exhibitions in Stockbridge and across the nation, educational and community programs, scholarship to advance illustration art, and curatorial achievements. This remarkable Museum does all of this and more, inspired by the values Norman Rockwell depicted in his iconic paintings. His works portray freedom, tolerance, humanity and kindness, integrity, honesty, and authenticity along with a joyfulness and celebration of life. These values inspire our visitors and staff alike. The Museum concluded its fiscal year on June 30, 2012 in a strong position. As noted a year ago, we eliminated our long-term debt. This year we are pleased to report that we have no short-term Norman Rockwell Museum President Anne Morgan borrowing on our balance sheet. Annual attendance at the Museum has generated good revenue, and and Chairman Thomas we saw nationwide interest and attendance grow for our traveling exhibition program as well. L. Pulling. We are especially grateful for the generosity of our members and donors who care so deeply for this national treasure in the Berkshires. -
Curriculum Vitae.Pdf
HEIDE FASNACHT (b. 1951, Cleveland, Ohio) SOLO EXHIBITIONS 2019-20 Past Imperfect, Martin Art Gallery, Muhlenberg Collage, PA (catalogue, Essay by Nancy Princenthal) 2015 Suspect Terrain, Socrates Sculpture Park, L.I.C., NY (catalogue) 2013 Little Murders, Q Box Gallery, Athens, Greece 2012 Loot. Kent Fine Art, New York 2009 The ERR Project, Kent Gallery, New York Impermanent Collection, QBox Gallery, Athens 2007 In Transit, Bernard Toale Gallery, Boston New City, Kent Gallery, New York 2006 Wild Blue 2001-2004, Pan American Gallery, Dallas 2005 Jump Zone, Bernard Toale Gallery, Boston Drawn to Sublime, Kent Gallery, New York 2004 Strange Attractors, Anderson Galleries, Virginia Commonwealth University, Richmond. 2003 Galeria Trama, Barcelona Precipitation, Kent Gallery, New York 2000 New Sculptures and Drawings, Bill Maynes Gallery, New York Bernard Toale Gallery, Boston Blowup: Recent Sculpture and Drawings by Heide Fasnacht, Worcester Art Museum, Worcester, Mass. 1999 Drawings, Hiestand Gallery, Miami University, Oxford, Ohio These Things Happen, Bill Maynes Gallery, New York Involuntary Actions, Southeastern Center for Contemporary Art, Winston-Salem, N.C. 1997 Fuzzy Logic, Bill Maynes Gallery, New York 1996 Atlantic Center for the Arts, New Smyrna Beach, Fla. Bernard Toale Gallery, Boston 1994 Ohio, Gallery 210, University of Missouri, St. Louis 1993 Atelier Liechtenstein, Triesen RAM Galerie, Rotterdam 1992 Cleveland Center for Contemporary Art, Cleveland, Ohio. Curated by David Rubin 1991 Eugene Binder Gallery, Dallas 1990 Germans van Eck Gallery, New York Dorothy Goldeen Gallery, Los Angeles 1989 Germans van Eck Gallery, New York Hill Gallery, Birmingham, Mich. 1988 Germans van Eck Gallery, New York 1987 Saxon-Lee Gallery, Los Angeles 1986 Hill Gallery, Birmingham, Mich. -
Pdf Download
DOPE MENACE DOPE MENACE The Sensational World of Drug Paperbacks 1900–1975 BY STEPHEN J. GERTZ ILLUSTRATION BY CARLENE SCHNABEL AFTER ILLUSTRATION BY ALEXANDER KING FROM BLACK OPIUM • AND/Or Press — LUDLOW HIP POCKET 7415 • 1974 Feral House “…the mind-opening substances…are available for the first time in limitless, mass-produced quantities. What a threat! What a challenge! What a widespread menace!” Timothy Leary Richard Alpert [Ram Dass] The Politics of Consciousness Expansion ∂ This Book Is for “Adults of Low Ethical Standards.” .................................6 Dope Noir .............................................................................................64 Juvenile Delinquents on Dope ...............................................................90 Beatniks, Bebop, Boo ‘n Charge ...........................................................112 Peace, Love, LSD, etc... ........................................................................ 134 Sex, Drugs, Rock ‘n Read ......................................................................160 The International Trade .......................................................................184 Acknowledgements & Notes ................................................................ 218 Dope Menace © 2008 by Stephen J. Gertz A Feral House Original Publication. All Rights Reserved. ISBN: 978-1-932595-34-5 10 9 8 7 6 5 4 3 2 1 Feral House 1240 W. Sims Way Suite 124 Port Townsend, WA 98368 To browse our selection of visually rich titles, please log on to www.FeralHouse.com or send us -
Susan Unterberg Is Announced As Founder and Donor
FOR IMMEDIATE RELEASE Patron and founder of award program Anonymous Was A Woman reveals her identity Artist Susan Unterberg, who has anonymously given over $5.5 million in unrestricted grants to 220 women artists over the age of 40 through Anonymous Was A Woman, introduces a new chapter for the program July 20, 2018—Today, Susan Unterberg, a New York-based artist, revealed her identity as the founder and sole patron of the grant program Anonymous Was A Woman. Each year for the past 22 years, Anonymous Was A Woman has awarded unrestricted grants of $25,000 to ten under-recognized women artists over the age of 40, distributing over $5.5 million to 220 artists to date. Unterberg chose to come forward after over two decades of anonymity in order to serve as a more vocal advocate for women artists, to underscore the urgency for women to support women in the art world and beyond, and to provide a model for other philanthropists. The revelation ushers in a more public chapter for Anonymous Was A Woman. Unterberg founded Anonymous Was A Woman in 1996 in response to the National Endowment for the Arts’ decision to cease support for individual artists and in recognition of the challenges faced by women artists, particularly those in the middle stages of their careers. Each year, a group of distinguished women—curators from institutions including the Metropolitan Museum of Art, Brooklyn Museum, and New Museum; art writers; and previous winners—serve as anonymous nominators and panelists. The Award has often had a transformative impact on the lives and work of the recipients, many of whom received the grant at critical junctions in their careers or before they had received wider recognition. -
Spring / Summer 2007 Special Double
VOLUME 8 NUMBER 12-13 PUBLISHED by J. RUSSELL JINISHIAN © SPRING/SUMMER 2007 / $12.00 19th, 20th and 21st Century Marine Art VOLUME 6 NUMBER 8 - 9 PUBLISHED by J. RUSSELL JINISHIAN © FALL/WINTER 2006 / $12.00 Special Double Issue ™ An Insider’s Guide to Marine Art for Collectors and Historians What’s Inside: • Latest News from Today’s Premier Marine Artists, Learn What they’re Working on in their Studios right now • Latest Marine Art Sales & Prices • Marine Art Exhibitions Across the Country Bill Muller The French Liner ILE DE FRANCE Arriving in New York Following Her Trans-Atlantic Crossing Oil 22” x 30” $25,000 • Upcoming Auctions from La Havre, 1955 with the Lackawanna Railroad Ferry Boat ELMIRA Departing from Her Hoboken Slip • Book Reviews Wick Ahrens Keith Cardnell James Flood Michael Keane Stanley Meltzoff Marek Sarba Dimetrious Athas Marc Castelli Flick Ford Loretta Krupinski Leonard Mizerek Arthur Shilstone Christopher Atkins Scott Chambers Paul Garnett Richard Dana Kuchta William G. Muller Kathy Spalding John Atwater Terry Culpan William Gilkerson Robert LaGasse Rob Napier Robert Sticker Anthony Blake Steve Cryan James Griffiths Gerald Levey William Oakley Jr. John Stobart Robert Blazek R.B. Dance Robert Grimson Patrick Livingstone Russ Kramer David Thimgan Christopher Blossom William R. Davis Glen Hacker Ian Marshall Roberto Osti Tim Thompson Lou Bonamarte Don Demers James Harrington Nick Mayers Yves Parent Kent Ullberg Willard Bond Louis Dodd Cooper Hart Victor Mays Ed Parker Peter Vincent Peter Bowe William P. Duffy André Harvey Lloyd McCaffery Charles Peterson William Walsh Bernd Braatz Willem Eerland Geoff Hunt Joseph McGurl James Prosek Patricia Warfield Al Bross Carl Evers James Iams John Mecray Randy Puckett Robert Weiss James Buttersworth William Ewen Antonio Jacobsen Jerry Melton Keith Reynolds Bert Wright J.