September-October 1992 CAA News

Total Page:16

File Type:pdf, Size:1020Kb

September-October 1992 CAA News 5 Capital Campaign Charges Ahead Then and Now From 1942 to 1946 CAA offered grants­ in-aid of $1,000 or less funded by the Carnegie Corporation to outstanding graduate students. Phyllis Pray Bober, recently CAA president, received one of those Carnegie grants. Fifty years after CAA's first Judith K. Brodsky, chair of the Capital venture into fellowships, Larry Silver, Campaign, in her studio at the Center for CAA president, Judith K. Brodsky, vice­ Innovative Printmaking, Rutgers, State president and Capital Campaign chair, University of New Jersey and Susan Ball, executive director of CAA, have announced the CAA Professional Development Fellowships travel grants for many participants, and tions of $4,000-$5,000 from individual to be awarded annually starting in 1993. the National Endowment for the Arts CAA members-these new funds add A grant from the Nathan Cummings has awarded CAA $7,500 toward travel up to an extraordinary $250,000 over the Foundation of $90,000 will help to fund grants for artists to attend the 1993 last year and signal the beginning of the the first 15 recipients, who will be annual conference in Seattle. fulfillment of dreams for eAA," chosen over the next 3 years. Art Bulletin has been published comments Silver. In 1942 the annual conference had 4 continuously since 1913, with black­ These grants are the result of a sessions and 24 speakers. In 1943 the and-white illustrations. In June 1992 the major fund-raising effort begun a year membership was 877. Samuel H. Kress Foundation awarded ago. nCAA is in the midst of a Capital Today CAA has 13,000 individual CAA $50,000 to provide color illustra­ Campaign," reports Brodsky. 'We and 2,000 institutional members. In tions for Art Bulletin and to expand the haven't announced the campaign 1990,7,000 people attended the annual book reviews section. officially until now, because in the conference in New York. Subsequent "With $90,000 from the Nathan culture of fund raising you announce a conferences have had over 5,000 Cummings Foundation, $50,000 from campaign when you've achieved attendees. The recent conference in the Kress Foundation, a grant of $7,500 substantial success. It's that fund-raising Chicago had more than 100 sessions and from the National Endowment for the precept that has kept us so quiet about over 700 speakers. Today CAA provides Arts, and average matching contribu- our activities. But now we're ready to CONTINUED ON PAGE 4 Airlines. To be eligible, reservations of Directors and a ballot. Let me close by of practice for editing and publishing. must be made through American's Annual From the Executive Director reminding you to examine closely the Contact Janis Bell (Kenyon College), Contents meeting service desk and ticketed by list of candidates running for election [email protected] (Internet). Zenith Travel. For reservations, call 800/ and to read carefully the personal There are now many electronic 17, Volume Number 5 Conference 433-1790, and ask for Starfile #0113BD. statements prepared by each of them. organizations concerned with art September/October /992 Request that tickets be issued by Zenith Calls for Vote, and return the postage-paid ballot materials, techniques, teaching, and Travel. To receive your rebate, mail your by November 1, 1992. CANs Board of exhibitions that post information on Update boarding-pass stub to Zenith when Directors is an active, hard-working listservers on both Bitnet and Internet. It 1 Capital Campaign Charges Ahead travel is completed. Change in an board that makes crucial policy deci­ is worth checking the index every month Special discounts are also available sions that affect the future of the asso­ or so. Here are some entries from the on Continental Airways. A 5-percent ciation and have an impact on the disci­ current list for conferences in which you 2 Annual Conference Update savings is available off any discounted Election Year plines represented by the membership. can participate: ticket; or, the Saturday night stayover We encourage each of you to vote may be waived on any fare that nor­ From the Executive Director for the six candidates that you feel will ARTCRIT is an open discussion for mally has this restriction. Whether you Electronic Bulletin Board Session Added best represent your interests during their anyone in the visual arts, covering a 3 The following session will be presented fly American or Continental. using these four-year terms. range of art concerns and art-critical he word heard most often these jointly by the Women's Caucus for Art carriers assures that your ticket will be -Susan Ball discourse: postmodernism, Marxism, days is change; everyone, from and the Advocacy Committee of the at the lowest available price. feminism, curatorial practices, funding, the "would-bes," to the "have 6 Legal Update CAA Board of Directors at the 1993 T etc. (ARTCRIT@YORKVM1; or beens," and the "are nows," is calling for Seattle conference: uCulture War: The LISTSERV@YORKVMl). Battle to Define American Culture," Search Continues for change. For the past four years, CAA's Board of Directors and staff have been CAANews chaired by David Mendoza, National ARTNET deals with temporary, mobile, 7 1995 Program Chairs implementing changes demanded by the Campaign for the Freedom of Expres­ time-based, decentered art. Artists, art Nominations and self-nominations are membership and the Long Range Plan­ Electronic sion. administrators, writers, theorists, stu­ sought for CAA annual conference . ning Committee, and in this newsletter dents, and teachers should send con­ Solo Exhibitions by Artist Members program chairs in art history and studIO we proudly announce new programs 8 tributions on projects, events, collabora­ art to organize and coordinate the and funding awards (see page ]). Bulletin tions ([email protected]; Reception Reminder program for the 1995 conference to be On the national level, the cries for or [email protected]). People in the News Institutional members of the College Art held in San Antonio, Texas. change are deafening. Both the incum­ 10 Association are entitled to complimen­ Program chairs formulate, develop, Board bent and the hopeful candidate for tary space to hold a reunion or recep­ and produce the annual conference PHOTO-L is a forum for the discussion president as well as an unprecedented of all aspects of photography, including tion. For information: Melinda Klayman, program in consultation with the art . number of first-time candidates for the Grants, Awards, & Honors CAA, 275 Seventh Ave., New York, NY aesthetics, equipment, technique, etc. 11 history and studio art program commit­ Senate and House of Representatives are 10001. Deadline: November 2, 1992. tees and the Board of Directors, select (LlSlSERV%BUACCABlTN.EIOClJNYVM.­ urging change. In November voters have The growing interest in CUNY.EDU). and oversee sessions, and work with the a chance to make a difference in our digitized images as an art­ Conferences & Symposia 12 CAA conference coordinator to produce collective national future. Therefore, historical and artistic resource conference publications and ensure that T Electronic journals that you can receive Projectionists Sought before you make your individual was underlined at the CIHA 28th include: Applications are being accepted for sessions run smoothly during the choices, I urge you to take into consider­ International Congress in the History of Opportunities projectionists at the 1993 annual conference. These positions offer the 13 ation all candidates' statements on the Art in Berlin, July 15-20, 1992. One well­ ART COM, an on-line magazine conference. Projectionists are paid $6 per opportunity to draw together a variety issues that affect the future of the arts attended session was liThe Work of Art dedicated to the interface of contempo­ hour and receive complimentary of methodologies and topics to stimulate Information Wanted and humanities. in the Age of Digital Reproducibility." A rary art and new communication conference registration. Projectionists discussion within the field. 15 Datebook On the arts, for example, the 1992 meeting of the Visual Resources technologies ([email protected]). work a minimum of 3 sessions over the Applicants must fulfill the follow­ Democratic Platform states that Demo­ Association on liThe Images in Artistic course of the 3-day meeting and must ing requirements: CAA member; w~~e crats "believe in public support for the Exchange" produced two days of papers RD, a journal dedicated to publishing attend a training session on Wednesday knowledge of the field and its practltlon­ Classified Ads Arts, including the National Endowment on the movement, use, and management the work of graduate students in the 16 evening, February 3. Applicants must ers, as well as sensitivity to the needs for the Arts, that is free from political of images in the past and in the auto­ arts, fine arts, and humanities be able to operate a 35-mm slide projec­ and interests of CAA's diverse, 13,000 manipulation and firmly rooted in the mated future. Marilyn Aronberg Lavin ([email protected]). tor; familiarity with video projectors is members; strong verbal and written First Amendment's freedom of expres­ and Kirk Alexander demonstrated the helpful. There are also a number of communications skills; attention to eAA News, a publication of the sion guarantee." The Republican teaching and research capabilities of Ask your computer center how to openings for room monitors (no projec­ detail; and dedication. Chairs must live College Art Association, is published Platform does not contain a parallel digitized images in a powerful new find the index of all the listservers and six times a year. Material for tion skills required). If interested, and work in the southwestern United statement; however, the Bush-Quayle '92 workstation.
Recommended publications
  • Year in Review 2014–2015 About Bard Graduate Center
    Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years.
    [Show full text]
  • Barbara Nessim: an Artful Life on View September 19, 2014–January 11, 2015
    Barbara Nessim: An Artful Life On View September 19, 2014–January 11, 2015 Barbara Nessim. Beware of the Blue Sky Syndrome, 1967. Pen and ink, watercolor, collage. Courtesy of the artist. Barbara Nessim: On View An Artful Life September 19, 2014– January 11, 2015 FIRST RETROSPECTIVE IN THE U.S. TO EXAMINE A PIONEERING ARTIST AND ILLUSTRATOR A constant innovator for more than five decades, Barbara Nessim was one of the first professional illustrators to master the computer as an artistic tool. This exhibition examines her sketchbooks, hand-drawn and computer- generated illustrations, paintings, collages, textiles, and fashion. Barbara Nessim: An Artful Life presents an overview of the work of this pioneering American artist and designer from the 1960s to the present day. Nessim’s distinctive illustrations have appeared on the covers of nearly every major American magazine, including Time, Rolling Stone, and the New York Times Magazine. Her work ranges from provocative prints, drawings, and paintings that represent her feminist views to illustrations for advertising cam- Barbara Nessim. Superman paigns for companies such as Levi’s and Ralph Lauren. Carrying Girl with Green Shoes, from the series Coney Island in She employs a wide variety of techniques, including line the Winter, 1963. Monotype drawing, watercolor, printmaking, photography, and col- etching; hand-colored with oil. Victoria and Albert Museum, lage. In a career that spans more than fifty years, she is E.11-2013. still actively working on new projects. Barbara Nessim: An Artful Life is curated by Douglas Dodds, Beginnings Senior Curator in the Word and Image Department at the Victoria and Albert Museum, London.
    [Show full text]
  • The Illustration Game: Quotes & Notes
    Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background.
    [Show full text]
  • Barbara Nessim Is an Artist Whose Daring and Prolific Work, Spanning Five Decades, Defies Narrow Categorization
    Barbara Nessim is an artist whose daring and prolific work, spanning five decades, defies narrow categorization. In its broadest sense, her artistic production has straddled fine art and illustration, all the while, pushing against and reshaping the boundaries of the often-rigid separation between the two fields. With her artworks on paper informing her commercial illustrations, Nessim’s work always begins with line or color, independent of medium, context or application. Her vibrant colorful imagery is figurative, conceptual and yet also symbolic and deeply intuitive. Its power and enduring relevance lies in its elegant fusion of skillful technique, deep cultural engagement and pop culture resonance. Nessim’s artworks, as her biography, are the story of New York City over the past five decades, the story of evolving gender equality and the story of shifting artistic and cultural landscapes. Her works have been exhibited and collected internationally, including recently at the V&A and the Bard Graduate Center Gallery. As a young, single, professional woman in the early 1960s, her career as an illustrator broke conventions of all sorts. Surrounded and supported early on by prominent illustrators, Nessim became part of a broadly defined milieu of socially minded individuals working within a publicly visible arena. A Bronx native, Nessim graduated from Pratt in 1960 where she studied Graphic Art and Illustration. At a time in which students were encouraged to emulate Abstract Expressionism, the era’s prevailing movement in art, Nessim privately made small- scale paintings with narrative emphasis— short visual stories evoking situations between people. With the encouragement and support of several key people, in particular Robert Weaver, Nessim’s professor at Pratt, she soon caught the attention of Milton Glaser, Seymour Chwast, Henry Wolf, Robert Benton, among others, who welcomed the much junior Nessim into their circle.
    [Show full text]
  • Barbara Nessim: Stargirl
    Barbara Nessim: Stargirl 20 April - 19 June, 2021 515 West 29th St., New York Malin Gallery is pleased to present an exhibition of paintings, ceramics and digital works by the New York-based artist Barbara Nessim. Stargirl will feature 14 large-scale paintings from a new series of work, The Wo/men In My Life, inspired by drawings from Nessim’s sketchbooks from the 1970s. The new paintings will be accompanied by selections from several of the artist’s other most important bodies of work stretching back to the 1960s, including work on paper, ceramics and early digital art. Barbara Nessim, Beret of Tongues, 2020, oil on canvas Born in the Bronx in 1939, Barbara Nessim’s career as a fine artist, a commercial illustrator and a pioneering digital artist spans five decades. Nessim learned textile design at a young age from her mother, a fashion designer in the Manhattan garment industry. In the early 1960s, Nessim was able to fund her own education at the Pratt Institute by working on the side as a fashion and textile designer. She credits her early experience working as fashion designer as a key influence in the development of her general aesthetic sensibility - yielding a “sense of economy” in her forms and an abiding interest in the infinite potential of simple, flowing lines. Clothing and shoes have also remained key subjects throughout Nessim’s career, particularly as they serve as indices for cultural, gender and sexual identity. Following graduation from Pratt in 1960, Nessim embarked on the artistic project that she has pursued without interruption for over 50 years: the daily sketchbooks which she considers her “forever books.” Aside from a number of volumes lost in a fire in 1974, Nessim’s sketchbooks remain a precise daily record of both her own life and her artistic evolutions, which she views as parallel, inseparable progressions.
    [Show full text]
  • Norman Rockwell Museum Featured Illustrators, 1993–2008
    Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Annual Report 2O11–2O12
    annual report 2o11–2o12 1 FY 11/12 home of american illustration art president & chairman’s letter 4 director’s report fiscal year 2011-2o12 5 9 curatorial 10 acquisitions 20 exhibitions 23 education & visitor experience 25 measures of success 27 advancement 29 finance & administration contributors & donors 31 staff 35 in memoriam 36 3 FY 11/12 president & chairman’s letter Dear Friends of Norman Rockwell Museum, On behalf of our fellow Trustees, we are happy to present the 2011-2012 Annual Report of Norman Rockwell Museum. This comes with a magnificent account of the year’s exhibitions in Stockbridge and across the nation, educational and community programs, scholarship to advance illustration art, and curatorial achievements. This remarkable Museum does all of this and more, inspired by the values Norman Rockwell depicted in his iconic paintings. His works portray freedom, tolerance, humanity and kindness, integrity, honesty, and authenticity along with a joyfulness and celebration of life. These values inspire our visitors and staff alike. The Museum concluded its fiscal year on June 30, 2012 in a strong position. As noted a year ago, we eliminated our long-term debt. This year we are pleased to report that we have no short-term Norman Rockwell Museum President Anne Morgan borrowing on our balance sheet. Annual attendance at the Museum has generated good revenue, and and Chairman Thomas we saw nationwide interest and attendance grow for our traveling exhibition program as well. L. Pulling. We are especially grateful for the generosity of our members and donors who care so deeply for this national treasure in the Berkshires.
    [Show full text]
  • Curriculum Vitae.Pdf
    HEIDE FASNACHT (b. 1951, Cleveland, Ohio) SOLO EXHIBITIONS 2019-20 Past Imperfect, Martin Art Gallery, Muhlenberg Collage, PA (catalogue, Essay by Nancy Princenthal) 2015 Suspect Terrain, Socrates Sculpture Park, L.I.C., NY (catalogue) 2013 Little Murders, Q Box Gallery, Athens, Greece 2012 Loot. Kent Fine Art, New York 2009 The ERR Project, Kent Gallery, New York Impermanent Collection, QBox Gallery, Athens 2007 In Transit, Bernard Toale Gallery, Boston New City, Kent Gallery, New York 2006 Wild Blue 2001-2004, Pan American Gallery, Dallas 2005 Jump Zone, Bernard Toale Gallery, Boston Drawn to Sublime, Kent Gallery, New York 2004 Strange Attractors, Anderson Galleries, Virginia Commonwealth University, Richmond. 2003 Galeria Trama, Barcelona Precipitation, Kent Gallery, New York 2000 New Sculptures and Drawings, Bill Maynes Gallery, New York Bernard Toale Gallery, Boston Blowup: Recent Sculpture and Drawings by Heide Fasnacht, Worcester Art Museum, Worcester, Mass. 1999 Drawings, Hiestand Gallery, Miami University, Oxford, Ohio These Things Happen, Bill Maynes Gallery, New York Involuntary Actions, Southeastern Center for Contemporary Art, Winston-Salem, N.C. 1997 Fuzzy Logic, Bill Maynes Gallery, New York 1996 Atlantic Center for the Arts, New Smyrna Beach, Fla. Bernard Toale Gallery, Boston 1994 Ohio, Gallery 210, University of Missouri, St. Louis 1993 Atelier Liechtenstein, Triesen RAM Galerie, Rotterdam 1992 Cleveland Center for Contemporary Art, Cleveland, Ohio. Curated by David Rubin 1991 Eugene Binder Gallery, Dallas 1990 Germans van Eck Gallery, New York Dorothy Goldeen Gallery, Los Angeles 1989 Germans van Eck Gallery, New York Hill Gallery, Birmingham, Mich. 1988 Germans van Eck Gallery, New York 1987 Saxon-Lee Gallery, Los Angeles 1986 Hill Gallery, Birmingham, Mich.
    [Show full text]
  • Pdf Download
    DOPE MENACE DOPE MENACE The Sensational World of Drug Paperbacks 1900–1975 BY STEPHEN J. GERTZ ILLUSTRATION BY CARLENE SCHNABEL AFTER ILLUSTRATION BY ALEXANDER KING FROM BLACK OPIUM • AND/Or Press — LUDLOW HIP POCKET 7415 • 1974 Feral House “…the mind-opening substances…are available for the first time in limitless, mass-produced quantities. What a threat! What a challenge! What a widespread menace!” Timothy Leary Richard Alpert [Ram Dass] The Politics of Consciousness Expansion ∂ This Book Is for “Adults of Low Ethical Standards.” .................................6 Dope Noir .............................................................................................64 Juvenile Delinquents on Dope ...............................................................90 Beatniks, Bebop, Boo ‘n Charge ...........................................................112 Peace, Love, LSD, etc... ........................................................................ 134 Sex, Drugs, Rock ‘n Read ......................................................................160 The International Trade .......................................................................184 Acknowledgements & Notes ................................................................ 218 Dope Menace © 2008 by Stephen J. Gertz A Feral House Original Publication. All Rights Reserved. ISBN: 978-1-932595-34-5 10 9 8 7 6 5 4 3 2 1 Feral House 1240 W. Sims Way Suite 124 Port Townsend, WA 98368 To browse our selection of visually rich titles, please log on to www.FeralHouse.com or send us
    [Show full text]
  • Susan Unterberg Is Announced As Founder and Donor
    FOR IMMEDIATE RELEASE Patron and founder of award program Anonymous Was A Woman reveals her identity Artist Susan Unterberg, who has anonymously given over $5.5 million in unrestricted grants to 220 women artists over the age of 40 through Anonymous Was A Woman, introduces a new chapter for the program July 20, 2018—Today, Susan Unterberg, a New York-based artist, revealed her identity as the founder and sole patron of the grant program Anonymous Was A Woman. Each year for the past 22 years, Anonymous Was A Woman has awarded unrestricted grants of $25,000 to ten under-recognized women artists over the age of 40, distributing over $5.5 million to 220 artists to date. Unterberg chose to come forward after over two decades of anonymity in order to serve as a more vocal advocate for women artists, to underscore the urgency for women to support women in the art world and beyond, and to provide a model for other philanthropists. The revelation ushers in a more public chapter for Anonymous Was A Woman. Unterberg founded Anonymous Was A Woman in 1996 in response to the National Endowment for the Arts’ decision to cease support for individual artists and in recognition of the challenges faced by women artists, particularly those in the middle stages of their careers. Each year, a group of distinguished women—curators from institutions including the Metropolitan Museum of Art, Brooklyn Museum, and New Museum; art writers; and previous winners—serve as anonymous nominators and panelists. The Award has often had a transformative impact on the lives and work of the recipients, many of whom received the grant at critical junctions in their careers or before they had received wider recognition.
    [Show full text]
  • Spring / Summer 2007 Special Double
    VOLUME 8 NUMBER 12-13 PUBLISHED by J. RUSSELL JINISHIAN © SPRING/SUMMER 2007 / $12.00 19th, 20th and 21st Century Marine Art VOLUME 6 NUMBER 8 - 9 PUBLISHED by J. RUSSELL JINISHIAN © FALL/WINTER 2006 / $12.00 Special Double Issue ™ An Insider’s Guide to Marine Art for Collectors and Historians What’s Inside: • Latest News from Today’s Premier Marine Artists, Learn What they’re Working on in their Studios right now • Latest Marine Art Sales & Prices • Marine Art Exhibitions Across the Country Bill Muller The French Liner ILE DE FRANCE Arriving in New York Following Her Trans-Atlantic Crossing Oil 22” x 30” $25,000 • Upcoming Auctions from La Havre, 1955 with the Lackawanna Railroad Ferry Boat ELMIRA Departing from Her Hoboken Slip • Book Reviews Wick Ahrens Keith Cardnell James Flood Michael Keane Stanley Meltzoff Marek Sarba Dimetrious Athas Marc Castelli Flick Ford Loretta Krupinski Leonard Mizerek Arthur Shilstone Christopher Atkins Scott Chambers Paul Garnett Richard Dana Kuchta William G. Muller Kathy Spalding John Atwater Terry Culpan William Gilkerson Robert LaGasse Rob Napier Robert Sticker Anthony Blake Steve Cryan James Griffiths Gerald Levey William Oakley Jr. John Stobart Robert Blazek R.B. Dance Robert Grimson Patrick Livingstone Russ Kramer David Thimgan Christopher Blossom William R. Davis Glen Hacker Ian Marshall Roberto Osti Tim Thompson Lou Bonamarte Don Demers James Harrington Nick Mayers Yves Parent Kent Ullberg Willard Bond Louis Dodd Cooper Hart Victor Mays Ed Parker Peter Vincent Peter Bowe William P. Duffy André Harvey Lloyd McCaffery Charles Peterson William Walsh Bernd Braatz Willem Eerland Geoff Hunt Joseph McGurl James Prosek Patricia Warfield Al Bross Carl Evers James Iams John Mecray Randy Puckett Robert Weiss James Buttersworth William Ewen Antonio Jacobsen Jerry Melton Keith Reynolds Bert Wright J.
    [Show full text]