Susan Unterberg Is Announced As Founder and Donor
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The Shed Presents the Most Comprehensive Retrospective Exhibition to Date
For more information, please contact: Sommer Hixson Director of Communications The Shed (646) 876-6933 [email protected] Christina Riley Publicist The Shed (646) 876-6865 Agnes Denes, Wheatfield—A Confrontation. Two acres of wheat planted and harvested by the artist on the [email protected] Battery Park landfill, Manhattan, Summer 1982. Commissioned by Public Art Fund. Courtesy the artist and Leslie Tonkonow Artworks + Projects. Amanda Domizio Polskin Arts & Communications The Shed Presents The Most Comprehensive Retrospective Exhibition To Date Counselors Of The Pioneering Work Of Agnes Denes (212) 583-2798 [email protected] Spanning Denes’s Wide-Ranging 50-Year Career at the Forefront of Conceptual and Environmental Art Agnes Denes: Absolutes and Intermediates On View October 9, 2019 – January 19, 2020 Press Preview: Tuesday, October 8, 2019, at 10:00 am - 12:00 noon NEW YORK, NY, September 5, 2019 —This fall, The Shed will present the most comprehensive retrospective exhibition to date of the work of Agnes Denes (b. 1931), a leading figure in Conceptual and environmental art. On view October 9, 2019 to January 19, 2020 across both of The Shed’s expansive galleries, Agnes Denes: Absolutes and Intermediates will bring together more than 150 works in a broad range of media spanning Denes’s 50-year career, including three new works commissioned by The Shed. Denes rose to international attention in the 1960s and 1970s, creating work influenced by science, mathematics, philosophy, linguistics, ecology, and psychology to analyze, document, and ultimately aid humanity. Her theories about climate change and life in an ever-changing, technologically-driven world demonstrate a deeply prescient understanding of society today. -
Museum of Arts and Design
SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry. -
FOR IMMEDIATE RELEASE Through September 30 Contact: Sandra Q
FOR IMMEDIATE RELEASE through September 30 Contact: Sandra Q. Firmin Curator, UB Art Galleries 716.645.0570 [email protected] UB Anderson Gallery is pleased to present Fifty at Fifty: Select Artists from the Gerald Mead Collection Opening Public Reception: Saturday, August 18, 6-8 pm The exhibition is free and open to the public and will be on view through September 30, 2012. Fifty at Fifty: Select Artists from the Gerald Mead Collection is a survey exhibition featuring 86 works in all media by 50 of the most significant historical and contemporary artists associated with Western New York. The selection by the collector was guided by the artists’ art historical imprint as measured by the inclusion of their artwork in several major museum collections worldwide such as the Whitney Museum of American Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Art Institute of Chicago, the J. Paul Getty Museum, the Tate Gallery, and the Centre Georges Pompidiou, among others. The exhibition has been organized on the occasion of noted collector and UB alumnus Gerald Mead’s 50th birthday. Since he began collecting in 1987, Mead has researched and assembled an art collection of more than 670 works by over 600 artists who were born or have lived in the Western New York region. His intent is to form an encyclopedic collection of noteworthy artists affiliated with organizations such as the Buffalo Society of Artists, Patteran Society, Hallwalls Contemporary Arts Center, CEPA, and Big Orbit Gallery. He also collects the work of educators and alumni of the Art Institute of Buffalo, University at Buffalo, and Buffalo State College. -
Society of Fellows News American Academy in Rome
SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City. -
Anonymous Was a Woman Awards $250,000 to Women Artists Over the Age of 40
Anonymous Was A Woman awards $250,000 to women artists over the age of 40 Ten artists receive unrestricted awards of $25,000 apiece in recognition of their work Virginia Jaramillo, Site No. 15 13.5099 S, 71.9817 W, 2018. Acrylic on canvas. Photo by Stan Narten. / Juana Valdés, Colored China Rags, 2017. Porcelain bone china. November 18, 2020—Anonymous Was A Woman today announced the ten recipients of its 2020 awards, which recognize women-identifying artists over 40 years of age who have made significant contributions, while continuing to create new work, and who are each at a critical juncture in their practice. Each recipient receives an unrestricted award of $25,000. This marks the award’s 25th year, with more than $6 million awarded to 250 artists since 1996. The 2020 award recipients are: D.Y. Begay, 67 Linda Goode Bryant, 71 Barbara Chase-Riboud, 81 Elena Del Rivero, 71 Chitra Ganesh, 45 Karen Gunderson, 77 Virginia Jaramillo, 81 Claudia Joskowicz, 52 Karyn Olivier, 52 Juana Valdés, 56 Winners were chosen from among a competitive pool of applicants recommended by a group of distinguished art historians, curators, writers, and artists who serve as anonymous nominators. The 2020 award recipients range in age from 45 to 81, and work in mediums including painting, installation, performance, photography, film, and social practice. The “no strings-attached” award is intended to provide them freedom to continue development of their creative vision. Bios of each recipient follow. Anonymous Was a Woman was founded by artist Susan Unterberg in 1996. In 2018, after more than two decades of anonymity, Unterberg revealed her identity as the founder and sole patron of the award program. -
At the Met, Baby Boomers Leap Onstage
Philip Martin Gallery ART & DESIGN | ART REVIEW | 'THE PICTURES GENERATION' At the Met, Baby Boomers Leap Onstage By HOLLAND COTTER APRIL 23, 2009 Apart from a few years in the 1960s when the New York culture czar Henry Geldzahler tossed some stardust around, the Metropolitan Museum was a fusty backwater for contemporary art, and an object of scorn in the art world. New work seemed to arrive only in bland job-lot batches. Exhibitions kept being awarded to angsty British painters who had peaked before World War II. A few years ago things began to sharpen up. Modest but on-the-ball displays of recent photography quietly appeared, and, for the first time, video. Damien Hirst’s silly shark arrived. Kara Walker was invited in as a guest curator. And now with “The Pictures Generation, 1974-1984,” the museum has finally made a big leap into the present, or near- present. A decades-long snooze may be over. The show is a winner. It tackles a subject — an innovative and influential body of art produced between two major American economic booms — that has been begging for museum attention. It does so at a time when the work in question has particular pertinence to what’s being made today. And it gives the subject something like classic old master treatment (decent space, big catalog) at probably a fraction of old master cost. As for the art itself — painting, drawing, sculpture, photography, video, installation, prints and books by 30 artists, most of them still active and caught young here — it looks terrific. -
Environmental Art)
io-magazine (environmental art) SUMMER 1998 file:///C|/www-site/root/io98/index.html [9.7.2001 11:42:42] What is Environmental Art? Stephanie Ross Rooted Art?: Environmental Art and our Attachment to nature Emily Brady Kissing the Mess Aesthetic Engagement with Ideas of Nature Hester Reeve Hans Haacke- Environmental Artist with Sociopolitical Concerns Anita Seppä Environmental Art. A New Sanctification Jale Erzen Highway, Art and Environment Olli Immonen The Highway Number Four Roadside Art Project Antero Toikka Thoughts about "Art in nature" Hermann Prigann file:///C|/www-site/root/io98/articles.html [9.7.2001 11:42:43] IO_contents file:///C|/www-site/root/io98/contents.html [9.7.2001 11:42:44] IO contributors CONTRIBUTORS Emily Brady is a Lecturer in Philosophy at Lancaster University, England. Agnes Denes is an American artist of international renown. She also lectures at the universities in U.S and abroad. Jale Erzen is a painter and Secretary-General of the International Association for Aesthetics. Olli Immonen is Secretary of the International Institute of Applied Aesthetics. Hanna Johansson is a Ph.D. student at Helsinki University, Finland. Hermann Prigann is an artist who also teaches in Bauhaus, Dessau, Germany. Hester Reeve is a performance artist who is completing her MA in Values and the Environment at Lancaster University, England. Stephanie Ross teaches in the Philosophy Department at the University of Missouri, St. Louis. Anita Seppä is a Ph.D. student at Helsinki University, Finland. file:///C|/www-site/root/io98/contribu.html [9.7.2001 11:42:45] IO bibliography BIBLIOGRAPHY Art in the Land: A Critical Anthology of Environmental Art, ed. -
Mildred Howard Ned Smyth
MILDRED HOWARD INTERIN THE LINE OF FIRE NED SMYTH VENMOMENTS OF MATTER AND LIFE TIONS SHIRLEY FITERMAN ART CENTER BOROUGH OF MANHATTAN COMMUNITY COLLEGE, CUNY INTER VEN TIONS INTERVENTIONS JUNE 3 – SEPTEMBER 25, 2021 MILDRED HOWARD IN THE LINE OF FIRE NED SMYTH MOMENTS OF MATTER AND LIFE Mildred Howard, In the Line of Fire, 1996, (installation view, 2021, Shirley Fiterman Art Center). © Mildred Howard. Photo Jason Mandella. James Holl, Elizabeth Diller, Kaylynn Sullivan, Civic Plots 2, Art on the Beach 5, 1983, presented by Creative Time. Courtesy of Creative Time. Photo by Thomas Griesel. INTERVENTIONS is a project organized in partnership with Battery Park City Authority that focuses on parallel exhibitions of the work of Mildred Howard and Ned Smyth. Both are noted artists who have created distinguished bodies of work and have extensive histories of creating public art works, and each currently have works on view in the public parks and open spaces of Battery Park City. The role of public art in New York City has evolved dramatically from early state- sanctioned monuments. The 1960s and 70s saw a fundamental rethinking of the role of public art as New York began to adopt its use as a way to reshape urban spaces. John Lindsay (who became mayor of New York City in 1966) and members of his administration played a critical role as proponents of public art, embracing the free and democratic exhibition of artworks throughout the city’s parks and civic spaces. They felt that sculpture played a crucial role in revitalizing streets and plazas and promoting public spaces as inviting and safe. -
NANCY DWYER Born in New York City, NY Lives and Works in New
NANCY DWYER Born in New York City, NY Lives and works in New Paltz, NY EDUCATION 1972-74 State University College, New Paltz, NY 1975 Empire State College, “Studio Program”, NYC 1974-76 B.F.A., Cum Laude, State University of New York, Buffalo, NY 2000-2002 Masters degree in Interactive Telecommunications, New York University SOLO EXHIBITIONS 2017 Western New York Collects: Nancy Dwyer, Castellani Art Museum, Niagara University, NY 2015 Nancy Dwyer, Sandra Gering Inc., New York, NY 2014 What, David Richard Gallery, Santa Fe, NM 2013 Painting & Sculpture, 1982-2012, Fisher Landau Center for Art, Long Island City, NY 2006 New Work, Sandra Gering Gallery, New York, NY Nancy Dwyer, Firehouse Gallery, Burlington City Arts, Burlington, VT 2001 Coming Up Next…, Dunedin Public Art Gallery, Dunedin, New Zealand 1998 Cristinerose Gallery, New York, NY 1997 Galerie Xippas, Paris, France 1996 Cristinerose Gallery, New York, NY Say What?, Burchfield-Penny Art Center, Buffalo, NY 1995 Galleria Emi Fontana 1994 Gallerie Renos Xippas, Paris, France 1992 Less Is Less, Galerie Renos Xippas, Paris, France Empty Promises, Josh Baer Gallery, NYC Galleria Emi Fontana, Milan, Italy 1991 Linda Cathcart Gallery, Santa Monica, CA 1990 Josh Baer Gallery, NYC 1989 Rhona Hoffman Gallery, Chicago, IL 1988 Meyers/Bloom, Santa Monica, CA Josh Baer Gallery, NYC 1987 Josh Baer Gallery, NYC 1986 Josh Baer Gallery, NYC Cash/Newhouse, NYC 1985 Semaphore Gallery, NYC 1984 Texas Gallery, Houston, Texas Cash/Newhouse, NYC 1983 Semaphore Gallery, NYC (January) Semaphore Gallery, -
Here the Fourth-Floor Galleries Are Named for Her, and Where She Serves on the Board of Trustees
STUDIO TRAVELER WEATHERSPOON ART MUSEUM CONTEMPORARY COLLECTORS GROUP TRIP New York, New York April 4 to 7, 2013 The Warwick is expecting individual group members to arrive the morning of the 7th. If your room is not yet ready, bags can be checked with the front desk. We are to gather on the 53rd Street side of the Museum of Modern Art lobby across from the admissions desks anytime after 12:30 p.m. If you are a member please remember to bring your membership card. Important: If you are to arrive later than 12:50 p.m., please be in touch, 336.312.5654 or [email protected]. Thursday, April 4 12:50 p.m. Tour of Inventing Abstraction: 1910-1925, Museum of Modern Art, 11 West 53rd, NYC If you wish to travel by taxi to our next stop please be in ‘our’ meeting area in the lobby no later than 2:40 p..m.. For those who wish to walk, please allow 15 minutes transit time. 3:00 p.m. Tour of Playing With Fire: 50 Years of Contemporary Glass, Museum of Art and Design, 2 Columbus Circle, NYC If you wish to travel by taxi to our next stop please be in the lobby no later than 4:35p.m. For those who wish to walk, please allow 20 minutes transit time. 5:00 -6:00p.m. Private collection tour and cocktails Friday, April 5 Please gather in the lobby as early as 9:00 a.m. and no later than 9:10 a.m. to allow for loading time. -
September-October 1992 CAA News
5 Capital Campaign Charges Ahead Then and Now From 1942 to 1946 CAA offered grants in-aid of $1,000 or less funded by the Carnegie Corporation to outstanding graduate students. Phyllis Pray Bober, recently CAA president, received one of those Carnegie grants. Fifty years after CAA's first Judith K. Brodsky, chair of the Capital venture into fellowships, Larry Silver, Campaign, in her studio at the Center for CAA president, Judith K. Brodsky, vice Innovative Printmaking, Rutgers, State president and Capital Campaign chair, University of New Jersey and Susan Ball, executive director of CAA, have announced the CAA Professional Development Fellowships travel grants for many participants, and tions of $4,000-$5,000 from individual to be awarded annually starting in 1993. the National Endowment for the Arts CAA members-these new funds add A grant from the Nathan Cummings has awarded CAA $7,500 toward travel up to an extraordinary $250,000 over the Foundation of $90,000 will help to fund grants for artists to attend the 1993 last year and signal the beginning of the the first 15 recipients, who will be annual conference in Seattle. fulfillment of dreams for eAA," chosen over the next 3 years. Art Bulletin has been published comments Silver. In 1942 the annual conference had 4 continuously since 1913, with black These grants are the result of a sessions and 24 speakers. In 1943 the and-white illustrations. In June 1992 the major fund-raising effort begun a year membership was 877. Samuel H. Kress Foundation awarded ago. nCAA is in the midst of a Capital Today CAA has 13,000 individual CAA $50,000 to provide color illustra Campaign," reports Brodsky. -
SUSAN UNTERBERG Born 1941, New York City EDUCATION 1985 New York University, M.A. 1977 Sarah Lawrence College SELECTED SOLO EX
SUSAN UNTERBERG Born 1941, New York City EDUCATION 1985 New York University, M.A. 1977 Sarah Lawrence College SELECTED SOLO EXHIBITIONS 2006 Chrysler Museum, Norfolk, VA 2005 Wayne State University, Detroit, MI 2004 The Contemporary Arts Center, Cincinnati, OH 2004 The Contemporary Arts Center, Cincinnati 2004 Nichido Contemporary Art, Tokyo, Japan 2004 Yancey Richardson Gallery, New York, NY 2002 Yancey Richardson Gallery, New York, NY 2000 Anderson Gallery of Contemporary Art, Santa Fe, NM The Wirtz Gallery, San Francisco, CA Robert Klein Gallery, Boston, NY Fotofest 2000, Houston, TX 1999 Yancey Richardson Gallery, New York, NY 1998 Yancey Richardson Gallery, New York, NY Robert Klein Gallery, Boston, MA 1995 Maryland Institute College of Art, MD 1994 New Museum of Contemporary Art, New York, NY Hobart and William Smith Colleges, Geneva, NY 1990 Lawrence Miller Gallery, New York, NY 1987 Sarah Lawrence College, Bronxville, NY Lawrence Miller Gallery, New York, NY 1985 Lawrence Miller Gallery, New York, NY 1982 Washington Square East Galleries, New York, NY Midtown Y Gallery, New York, NY 1977 International Center of Photography, Education Gallery, New York, NY SELECTED GROUP EXHIBITIONS 2008 Contemporary Abstractions, Yancey Richardson Gallery, New York, NY 2007 Art Under Glass Fall 2007, Window at Macy’s 2007 The New York Public Library, NY, Making the Scene: The MidTown Y Photography Gallery 2006 ICP, New York, NY Ten Years Later 2005 Houghton House Gallery, Geneva, NY Art Speaks 2003 H20, Museum of Sante Fe, Sante Fe, NM 2003 H20, Denver Art Museum, Denver, CO 2003 H20, Hobart & William Smith Colleges, Geneva, NY 2002 Metropolitan Museum of Art, New York, NY Yancey Richardson Gallery, New York, NY Horses: A History in Art, Winston Wachtner, Meyer, New York, NY 2000 From Here to There, Yancey Richardson Gallery, New York, NY The Hyde Collection, Glens Falls, N.Y.