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WE Need a MIDI Basics Section on The Mode d’emploi Rédigé par Craig Anderton et Roger Linn Roger Linn Design • Berkeley, CA • www.rogerlinndesign.com Tested To Comply With FCC Standards FOR OFFICE USE Cet appareil se conforme à la Partie 15 de la réglementation FCC. Son emploi rempli les deux conditions suivantes : (1) Cet appareil ne peut pas causer d’interférence nuisible et (2) cet appareil doit accepter toute interférence reçue, y compris pouvant causer un fonctionnement indésirable. This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada. AdrenaLinn – Mode d’emploi © 2001-2002 Roger Linn Design Date de révision : Jeudi 7 mars 2002 Table des Matières Introduction.........................................................................................1 Table des Matières.................................................................................................................................3 Bienvenue.........................................................................................................................................1 Je veux l’utiliser tout de suite!.........................................................................................................2 Chapitre 1: Bases du fonctionnement de l’AdrenaLinn............................................................................................4 Les modes de fonctionnement.........................................................................................................5 Entrée (Input) / sorties (Outputs)......................................................................................................6 A propos des Presets.......................................................................................................................7 A propos des Drumbeats..................................................................................................................7 Chapitre 2: Commandes et fonctions du mode Main ..............................................................................................8 Les commandes...............................................................................................................................9 Autres fonctions des commandes.................................................................................................10 Pédales Start et Bypass.................................................................................................................12 Initialisation de toutes les données................................................................................................13 Chapitre 3: Mode Edit – Edition des Presets...............................................................................................................................14 Bases de l’édition d’un Preset........................................................................................................15 Trajet du signal dans l’AdrenaLinn.................................................................................................16 Synoptique de l’AdrenaLinn..........................................................................................................20 Modulation du filtrage.....................................................................................................................22 Ligne 1: Volume, Pan, Filter Mode et Sequence Timebase .........................................................25 Ligne 2: Filtrage et Modulation ......................................................................................................28 Ligne 3: Générateur d’enveloppe & LFO.......................................................................................30 Ligne 4: Amp Drive, Bass, Mid & Treble........................................................................................34 Ligne 5: Delay & Amp Model..........................................................................................................35 Edition de la séquence de filtrage..................................................................................................37 Effacement de données de séquence...........................................................................................40 Sauvegarde et copie de Presets ...................................................................................................40 Création d’effets célèbres ..............................................................................................................41 Chapitre 4: Mode Edit – Edition des Drumbeats.................................................................................43 Ligne 6: Volume, Pan, To Delay/Filter et Timebase......................................................................44 Drumbeats traités par le filtre.........................................................................................................45 Ligne 7: Volume et choix des sons de la batterie..........................................................................46 Edition de la séquence Drumbeat .................................................................................................47 Effacement de données de séquence...........................................................................................50 Sauvegarde et copie de Drumbeats..............................................................................................50 Chapitre 5: Mode Edit – Edition des réglages MIDI............................................................................53 Ligne 8: Réglages MIDI..................................................................................................................54 Synchronisation MIDI.....................................................................................................................56 Appendice.............................................................................................................................................57 Questions fréquentes.....................................................................................................................58 Edition sous PC/Mac avec Emagic SoundDiver............................................................................60 Support technique et réparations...................................................................................................62 Remerciements...............................................................................................................................63 Index...............................................................................................................................................64 Introduction Bienvenue Merci d’avoir choisi l’AdrenaLinn, le premier produit de ma nouvelle société, Roger Linn Design. Bien que mon nom soit habituellement associé à l’invention de la première boîte à rythmes numérique ou “groove box”, je suis guitariste et particulièrement heureux d’avoir créé ce produit innovant pour guitaristes et bassistes. Qu’est-ce que l’AdrenaLinn? C’est le premier processeur du commerce pour guitariste (ou bassiste ou clavier) qui puisse produire les séquences de sons rythmiques jusqu’à maintenant propres aux synthétiseurs avec séquenceur. Jouez, juste avec la boîte à rythmes interne de l’AdrenaLinn, et entendez votre jeu transformé en une séquence rythmique, filtrée dynamiquement – le tout en synchronisation avec la batterie! D’autres processeurs sonores changent juste votre son, mais l’AdrenaLinn peut même changer votre son de façon différente pour chaque note. Et cela ne s’arrête pas là; l’AdrenaLinn vous permet de passer au travers de ses modélisations d’ampli et de son delay numérique synchronisé sur le tempo pour obtenir un son absolument incroyable. L’AdrenaLinn peut aussi créer tremolo, vibrato, flanger, variation de volume, wah-wah automatique, wah-wah à enveloppe, et de nombreux autres effets. Enfin, l’AdrenaLinn aime jouer en groupe. Pilotez-la par MIDI depuis une groovebox, un séquenceur de clavier, une boîte à rythmes, ou un enregistreur numérique. Vous pouvez même brancher une pédale via MIDI. Bonne lecture, et ouvrez à votre instrument les portes d’un univers sonore encore inconnu. 1 Introduction Je veux l’utiliser tout de suite! Pour faire face à l’impatience généralement manifestée par tout nouvel acquéreur, voici comment utiliser immédiatement l’appareil: 1 Branchez l’alimentation électrique dans une prise secteur. Branchez son autre extrémité en prise 7.5 VDC de l’AdrenaLinn. 2 Connectez votre instrument en prise d’entrée INPUT. 3 Connectez la prise de sortie MONO/LEFT à votre ampli. 4 En jouant de votre instrument, ajustez la commande INPUT pour que la diode CLIP ne s’allume que quand vous jouez fort. 5 Pressez (et relâchez rapidement) le bouton MAIN. 6 Sélectionnez le Preset d’usine 00 en tournant la commande PRESET vers la gauche jusqu’à ce que l’afficheur indique “F00”. 7 Pressez une fois la pédale commutateur START et jouez un accord tenu sur votre instrument. (Notez que le son de votre instrument change rythmiquement dans le temps, en synchronisation avec la batterie.) Pressez-la à nouveau pour arrêter. 8 Essayez de sélectionner un autre Preset, motif rythmique (Drumbeat) ou tempo en tournant leurs commandes respectives. Je veux éditer un Preset/Drumbeat maintenant! 1 Trouvez le paramètre à éditer dans la section EDIT. 2 Pressez les boutons flèches HAUT ou BAS jusqu’à ce que la diode située à gauche du paramètre voulu s’allume.
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