Suggested Itinerary

Total Page:16

File Type:pdf, Size:1020Kb

Suggested Itinerary Shanghai Suggested Itinerary Day 1 Yu Garden A garden created over 18 years by a government official of the Ming dynasty who wished to please his parents. A AM 9:00 gorgeous and delicate building is located within the garden. Each narrow alleyway, formed together like a maze, is packed with shops selling medicine, precious metals, antiques, traditional crafts, and a variety of other attractions. The Provisional Government of Korea in Chongqing PM 1:00 It was used as the provisional government building of the Republic of Korea from 1926 to 1932. You can get a sense of what it was like at the time through well preserved furniture and pictures on the walls. Xintiandi It would be good to enjoy the pleasures of traveling with a cup of tea, in a relaxed and sophisticated atmosphere, PM 2:30 as if you are on a European open-air café street. There are a lot of things to see, such as old-fashioned European-style buildings, fashion shops, stores selling charming and pretty trinkets, cafes, art galleries, restaurants and bars. Taikang Road, Tianzifang PM 5:00 It is an artistic street like Insadong in Korea. There are a lot of photographs, pottery, interior accessory shops, fashion shops, designer shops and galleries. Day 2 Oriental Pearl Tower AM 9:00 Located by Huangpu River, it stands 468 m tall. It is the tallest in Asia, and the third tallest broadcast control tower in the world. It is a representative building symbolizing Shanghai. You can see a panoramic view of Shanghai from the observation deck, accessible via a high speed elevator. Shanghai History Museum AM 10:00 Situated on the first and second floors of the Oriental Pearl Tower, the Shanghai Museum of History shows 100 years of the history of Shanghai. You can witness the history of Shanghai through wax figures and miniatures, as well as buildings. Jin Mao Tower AM 11:00 A high-rise building with 88 stories above ground and three stories below, symbolizing China’s reform and increasing openness. On the 88th floor observation deck, you can enjoy views of the city of Pudong and Puxi, along with the sunrise and sunset. Shanghai World Financial Center AM 11:30 A high-rise building with 101 floors above ground and three underground levels. It is a building that makes Shanghai feel like a world-class economic city, with shopping facilities, meeting facilities, offices, hotels and sightseeing facilities. Super Brand Mall PM 12:30 A large shopping mall located in Pudong. There are many famous brand shops and a variety of restaurants which are known to be popular with Korean tourists. People’s Square PM 2:30 Located in the center of Shanghai, the square symbolizes the development of Shanghai. Nearby are the Shanghai Government Office Building, Shanghai Museum, Shanghai Grand Theater, Shanghai Urban Planning Exhibition Center, Shanghai Museum of Art, and People’s Park. Shanghai Museum PM 3:00 It is one of the four major museums in China with 120,000 pieces of precious items depicting ancient Chinese civilization. The items are exhibited according to themes in the bronze hall, sculpture hall, pottery hall, calligraphy hall, painting hall, money hall, furniture hall, and ethnic crafts hall. The Bund PM 7:30 A tourist attraction that represents Shanghai, the night views are very beautiful. The Bund is surrounded by European modern architectural buildings. Through the buildings, you’ll be able to feel the charms of Shanghai. If you can, take a ferry to see Huangpu River, the best tourist attraction of Shanghai. Day 3 Lu Xun Park - Yun Bong-gil Memorial Hall AM 9:00 Now called Lu Xun Park, it is was here in 1932 that Yong Bong-gil threw a bomb to assassinate major figures of Japanese colonial rule. There is a Yun Bong-gil memorial hall called the ‘Plum Pavilion’ there and it is visited by many Korean tourists. Around Nan Jing Xi Lu PM 11:00 Around Nanjing Xi Lu, you’ll find shopping and culture. There is also the Jing’an Temple and various shopping locations. Madam Tussaud’s Wax Museum PM 1:00 The museum exhibits wax figures of world famous celebrities and entertainers. There are more Chinese celebrities and entertainers here than at Madame Tussaud’s in other countries. This is a recommended location for those traveling with children and a good place to take pictures. Nanjing Road PM 3:00 Shanghai’s main street is similar to Korea’s Myeongdong. There are no cars here, only tourist trains. Weekends are very crowded, so it is best to go on weekdays. The streets are very clean, as they are washed often. PM 7:30 Shanghai Circus World It is the most popular circus in Shanghai and boasts a strong story. Day 4 Shanghai Disneyland AM 8:00 Shanghai Disneyland, opened on June 16, 2016, is the largest Disneyland in Asia. Location: 310 Huangzhao Rd, Chuanshazhen Pudong Xinqu, Shanghai Shi Transportation: Subway Line 11, Disney Station Admissions: CNY500~CNY700 What to bring: Passport (required), extra battery, rain poncho ⓒ ASIANA AIRLINES. All rights reserved..
Recommended publications
  • Shanghai at the Asian Art Museum Discipline: Visual Art
    I EDUCATOR GUIDE Subject: Shanghai at the Asian Art Museum Discipline: Visual Art SECTION I - OVERVIEW ......................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................6 SECTION IV – ENGAGING WITH SPARK .........................................................................................7 Vestiges of a Process: Shanghai Garden, by Zhang Jianjun. Still image from the SPARK story, 2010. SPARK Educator Guide – Shanghai at The Asian Art Museum 1 SECTION I - OVERVIEW SUBJECT • Hands‐on individual projects in which students Shanghai exhibition at The Asian Art Museum work independently • Hands‐on group projects in which students GRADE RANGES assist and support one another 6‐12 & Post‐secondary • Critical reflection on personal expressions and how they are seen and received by others CURRICULUM CONNECTIONS INSTRUCTIONAL OBJECTIVES Visual Arts & Language Arts • To introduce students to historical and OBJECTIVE contemporary artwork from Shanghai
    [Show full text]
  • Inside January/February 2018 Volume 17, Number 1
    JANUARY/FEBRUARY 2018 VOLUME 17, NUMBER 1 INSIDE Shanghai: Its Galleries and Museums Conversations with Artists in the KADIST Collection Artist Features: Pak Sheung Chen, Tsang Kin Wah, Zhu Fadong, Zhang Huan US$12.00 NT$350.00 PRINTED IN TAIWAN 1 Vol. 17 No. 1 8 VOLUME 17, NUMBER 1, JANUARY/FEBRUARY 2018 CONTENTS 30 4 Editor’s Note 6 Contributors 8 Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale John Clark 30 (Inter)Dependency: Privately Owned Art Museums in State-Sponsored West Bund 46 Xing Zhao 46 Out of Sight: Conversations with Artists in the KADIST Collection Biljana Ciric 66 Pak Sheung Chuen: Art as a Personal Journey in Times of Political Upheaval Julia Gwendolyn Schneider 80 Entangled Histories: Unraveling the Work of Tsang Kin-Wah 66 Helen Wong 85 Zhu Fadong: Why Art Is Powerless to Make Social Change Denisa Tomkova 97 Public Displays of Affliction: On Zhang Huan’s 12m2 Chan Shing Kwan 108 Chinese Name Index 80 97 Cover: In memoriam, Geng Jianyi, 1962–2017. Courtesy of Zheng Shengtian. Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu Mainland China’s museum and gallery scene FOUNDING EDITOR Ken Lum has evolved rapidly over the past decade. Yishu EDITOR-IN-CHIEF Keith Wallace MANAGING EDITOR Zheng Shengtian 84 opens with two essays examining Shanghai, EDITORS Julie Grundvig a city that is taking strategic approaches Kate Steinmann in its recognition of culture as an essential Chunyee Li CIRCULATION MANAGER Larisa Broyde component of a vibrant urban experience.
    [Show full text]
  • 2019 Year Book.Pdf
    2019 Contents Preface / P_05> Overview / P_07> SICA Profile / P_15> Cultural Performances and Exhibitions, 2019 / P_19> Foreign Exchange, 2019 / P_45> Academic Conferences, 2019 / P_67> Summary of Cultural Exchanges and Visits, 2019 / P_77> 「Offerings at the First Day of Year」(detail) by YANG Zhengxin Sea Breeze: Exhibition of Shanghai-Style Calligraphy and Painting Preface This year marks the 70th anniversary of the founding of the People’s Republic of China. Over the past 70 years, the Chinese culture has forged ahead regardless of trials and hardships. In the course of its inheritance and development, the Chinese culture has stepped onto the world stage and found her way under spotlight. The SICA, established in the golden age of reform and opening-up, has been adhering to its mission of “strengthening mutual understanding and friendly cooperation between Shanghai and other countries or regions through international cultural exchanges in various areas, so as to promote the economic development, scientific progress and cultural prosperity of the city” for more than 30 years. It has been exploring new modes of international exchange and has been actively engaging in a variety of international culture exchanges on different levels in broad fields. On behalf of the entire staff of the SICA, I hereby would like to extend our sincere gratitude for the concern and support offered by various levels of government departments, Council members of the SICA, partner agencies and cultural institutions, people from all circles of life, and friends from both home and abroad. To sum up our work in the year 2019, we share in this booklet a collection of illustrated reports on the programs in which we have been involved in the past year.
    [Show full text]
  • Shanghai, China Overview Introduction
    Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction k dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversee materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WU CHANGSHI AND THE SHANGHAI ART WORLD IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Kuiyi Shen, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor John C.
    [Show full text]
  • Insights Into Re-Opening Museums Post COVID-19
    WEBINARS FOR THE MUSEUM ROUNDTABLE DISCLAIMER Copyright to these presentation slides belong to the National Heritage Board (NHB) and/or third parties. The contents of these presentation slides are not to be circulated or reproduced without the prior written permission of NHB and/or such third parties. The views expressed in these presentation slides are the presenters’ own and do not represent the views of NHB. While every care has been taken to ensure that the information contained in the presentations slides is accurate, NHB and the presenters do not warrant the accuracy or completeness of such information, and disclaim all liability for loss or damage arising from reliance on the same. WEBINARS FOR THE MUSEUM ROUNDTABLE Monday 22 June 2020 | 3pm - 4pm Insights into Re-Opening Museums Post COVID-19 Alvin Tan Deputy Chief Executive (Policy & Community) National Heritage Board ABOUT THE WEBINAR The COVID-19 pandemic has an unprecedented impact on museums operations, visitor behaviour and content consumption – not only for the period when all our museums are closed but for months and years to come. Conducted via Zoom, this webinar will share insights into visitors’ intentions to visit museums and cultural organisations, general guidelines for museum re-openings and what constitutes the “new normal” for museums in a post-COVID-19 world. ABOUT THE SPEAKER Alvin is the Deputy Chief Executive of Policy & Community at the National Heritage Board. In his role, he oversees strategies, operations and projects pertaining to heritage impact assessment and mitigation, National Monuments and heritage sites (including UNESCO), the National Collection, collections care and management, community outreach and education, volunteer engagement, the heritage institutions (comprising Sun Yat Sen Nanyang Memorial Hall, Malay Heritage Centre and Indian Heritage Centre), heritage grants, language campaigns, international relations, as well as the Museum Roundtable.
    [Show full text]
  • Making the Shanghai History Museum / Shanghai Revolution Museum
    Shanghai History Museum / Shanghai Revolution Museum Report #1 A City, its History, and its Museum(s): Making the Shanghai History Museum / Shanghai Revolution Museum By: Laura Pozzi (University of Warsaw) A City, its History, and its Museum(s): Making the Shanghai History Museum/Shanghai Revolution Museum Dr. Laura Pozzi University of Warsaw Introduction This report was developed within the Horizon2020 project ECHOES: European Colonial Heritage Modalities in Entangled Cities as part of its work package 3 on ‘City Museums and Multiple Colonial Pasts.’ This work package conducts in-depth, qualitative, comparative analyses of three city museums, each representing distinct positions within colonial history. The Shanghai History Museum/Shanghai Revolution Museum (Shanghai shi lishi bowuguan/Shanghai shi lishi geming lishi bowuguan, 上海市历史博物馆 上海市革命历史博物馆) (SHM/SRM) is one of these three case studies. The aim of this report is to reconstruct the history of the museum and illustrate the current state of this institution. The permanent exhibition of the SHM/SRM, which re-opened in spring 2018, is the newest among those displayed in other city museums in the People’s Republic in China (PRC), and as such it provides us with valuable data on contemporary practices of heritage preservation and on the contemporary interpretation of colonial history in the country. The SHM/SRM provides a case study from a city museum located in East Asia. The first reports on the Amsterdam Museum (Ariese 2019) and the Museum of Warsaw (Bukowiecki 2019) prepared in parallel present case studies of city museums from two different geo-political zones (Western Europe and Central and Eastern Europe).
    [Show full text]
  • SHANGHAI JOURNEY in December of 2009
    SHANGHAI JOURNEY JOHN BAILLIEUL In December of 2009, CDC will be held in China – in the historically important city of commerce, Shanghai. Shanghai has been a nexus in space and time linking important points and events in the world’s oldest civilization. Located in the Yangze River delta, it has served as a gateway connecting the vast and fertile interior to points outside of China. Today, with more than twenty million inhabitants (according to the China Daily—http://www.chinadaily.com.cn/en/doc/2003- 12/05/content 287714.htm), it is the largest city in China, and it ranks as the world’s eleventh largest city. Part of the allure of modern Shanghai is the way it blends the urban landscape of ultramodern skyscrapers with a vast collection historically important sites. 1. CIVILIZATION AND TECHNOLOGY IN ANCIENT CHINA The history of Shanghai is inextricably tied to the much older history of all of China. Extend- ing backwards in time nearly five thousand years, this history is unlike any other. While the great civilizations of Greece, Rome and various middle eastern empires went through standard stages of expansion, imperial influence, and decay, China has risen and fallen repeatedly, only to rise again. It now seems that China is once again on the rise and destined for prominence in the twenty-first century. There are clear accounts of major accomplishments in science, engineering, and other indicia of civilization that significantly predated similar developments in Europe and the rest of the world. That the Chinese were the first to invent printing was discovered by the British Hungarian explorer Marc Aurel Stein, who traveled to Dunhuang in 1907 where he unearthed (somewhat literally) the Diamond Sutra, an early Budhist book that had been printed in 868 AD, essentially 600 years before Gutenberg and the first printed books in Europe.
    [Show full text]
  • Shanghai Times
    Urbanatomy Electronic Urban Future Pamphlets Series 1: Time Sequence (2011-13), #1 Shanghai Times CEO: Leo Zhou. Text: Nick Land. Cover image: Anna Greenspan. Cover design: Ivy Zhang. Shanghai Times Contents 1. Introduction 2. Eternal Return and After 3. Neomodernity 4. A Time-Traveler’s Guide to Shanghai 5. Twisted Times Introduction Urban Future Pamphlets bundle short essay length pieces and series from the first two years of the Urban Future blog together with introductions that provide a retrospective overview and commentary. The first pamphlet series from this period, to be published in three parts, gathers every substantial post primarily focused upon the topic of time. The pieces selected for this first pamphlet were written between March 2011 and February 2013. With the exception of the first essay (which restricts itself to the time-structure of modernity in general) they all explore the intersection between the shape of time and the city of Shanghai. The integration of urban and temporal analysis, towards which they tend, envisages the city as a spontaneously self-assembling time-machine, which is to say: as a process that cannot simply be included within a general history. Time is warped by urban density, with a predictability that would be no less reliable than the curving of space by mass, were it not that predictability (even in its most minimalistic conception) has internal dependency upon an untangled time-line. Eternal Return and After (March 2011) poses modernity as a problem, at the highest level of abstraction. ‘Modernity’ describes an unprecedented cultural enterprise, which is that of leaving the nursery of eternal recurrence, propelling history onto an inconclusive path between cyclical and progressive time.
    [Show full text]
  • 2019-Shanghai Basic Facts
    SHANGHAI BASIC FACTS 2019 Editorial Board Adviser: Zhou Huilin, Zhu Yonglei Editors-in-Chief: Xu Wei, Zhou Ya, Tang Huihao Deputy Editors-in-Chief: Yin Xin, Chen Yongqi, Qian Fei Editor: Cao Meifang SHANGHAI BASIC FACTS 2019 Compiled by: Information Office of Shanghai Municipality Shanghai Municipal Statistics Bureau ZHONGXI BOOK COMPANY SHANGHAI Located at the estuary of the Yangtze River in eastern China and facing the Pacific Ocean, Shanghai sprawls across an area of over 6,340.5 square kilometers with a population of 24.2378 million in 2018. Shanghai is China’s most thriving economic center, with GDP per capita climbing to US$20,398 by the end of 2018. Shanghai is a pioneer in China’s reform and opening- up, as well as innovation. A total of 670 multinational enterprises have set up regional headquarters in the city, and 441 foreign- invested R&D centers have also been established here. Shanghai is one of the world’s financial centers with its financial markets generating a total transaction volume of 1,645.78 trillion yuan and trading volumes of several products ranked top among global markets. An RMB products center, which matches the currency’s international status, has taken form in the city. Shanghai is an important shipping center, handling 730.4794 million tons of goods in 2018. On top of that, its international container volume reached 42.0102 million TEUs, the highest in the world for nine straight years. When it comes to the number of cruise ship passengers, the city ranked fourth in the world. Some 771,600 flights were processed at Shanghai Pudong and Hongqiao international airports, reaching 117.6343 million inbound and outbound trips.
    [Show full text]
  • Where Is Oriental Pearl TV Tower ? the Oriental Pearl Radio & TV Tower Is Located Beside Huangpu River, at the Tip of Lujiazui in Pudong District, of Shanghai, China
    Oriental Pearl TV Tower, Shanghai Oriental Pearl Tower is a must visit tourist attraction in Shanghai The Oriental Pearl TV Tower is a popular tourist spot in Shanghai. The oriental culture is reflected in its style and architecture. The body of the tower comprises one delicate sphere that is small in size as well as two large glittering spheres. The upper sphere offers a panoramic view of the city. The level from which sightseeing can be enjoyed in the upper sphere is 263 meters in height and 45 meters in circumference. There are several characteristic features of the Oriental Pearl TV Tower in Shanghai. This includes the 11 spheres in the structure that are of varied sizes. These spheres are placed on different levels, hanging from above and falling down on to the green lawns, looking like precious stones being dropped on a green plate. A science fiction city is located inside the architectural base of the Oriental Pearl TV Tower, Shanghai. There is a space city inside the lower sphere of Oriental Pearl TV Tower. You would enjoy strolling in mid-air along the unique, one-and-only, all-glass paneled, 360° observatory in the world. At the Shanghai history museum, you can gain knowledge about the development of Shanghai via the multi-media exhibition. The other facilities offered at the tower include shopping, accommodation, catering, broadcasting, recreation and TV transmission. There is a revolving restaurant in the upper sphere that revolves once in every hour. Visitors can also enjoy a pleasant time at the piano-bar and, the disco ball inside the tower.
    [Show full text]
  • History of China's Early Museums
    20 LIFE | Culture Tuesday, July 24, 2018 CHINA DAILY HONG KONG EDITION Veteran Korean artist debuts work in Beijing By LIN QI Lee says he is not painting [email protected] with his brain but his body. He thus produces paint­ Lee Kun­yong, hailed as ings of unsophisticated beau­ one of the foremost figures of ty, while showing to his performance art in South audience the physical limits Korea, is known for fusing and possibilities of the the act of painting with his human body, and how that own body movements, creat­ can influence the relation­ ing works that examine the ship between a person and interactions between the their surroundings. human body and its external Lee’s works often render space. meaning to everyday move­ His performance is simple, ments, while his thoughts yet engaging and thought­ and methods are derived provoking, often overturning from many years of studying the audience’s preconcep­ philosophy, logic and history. tions that performance art is His path to pioneering South absurd and incomprehensi­ Korea’s avant­garde and per­ ble. formance art scene started At a recent performance, when he was in high school the 76­year­old artist stood in and would search for things front of a wall, facing a blank to read in his father’s study. piece of paper side on. He Lee says, because his swung a paint brush around father spent a lot of money his body to draw several on books, his family some­ curves on the paper. Then he times had to go without stopped to pick different col­ meat, clothes or jewelry; but ors, turned his other side to he remembers the books at The specimen and skull of a leopard collected in East China’s Fujian province in 1909 is displayed at an ongoing exhibition at the Shanghai History Museum.
    [Show full text]