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Shanghai at the Asian Art Museum Discipline: Visual Art
I EDUCATOR GUIDE Subject: Shanghai at the Asian Art Museum Discipline: Visual Art SECTION I - OVERVIEW ......................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................6 SECTION IV – ENGAGING WITH SPARK .........................................................................................7 Vestiges of a Process: Shanghai Garden, by Zhang Jianjun. Still image from the SPARK story, 2010. SPARK Educator Guide – Shanghai at The Asian Art Museum 1 SECTION I - OVERVIEW SUBJECT • Hands‐on individual projects in which students Shanghai exhibition at The Asian Art Museum work independently • Hands‐on group projects in which students GRADE RANGES assist and support one another 6‐12 & Post‐secondary • Critical reflection on personal expressions and how they are seen and received by others CURRICULUM CONNECTIONS INSTRUCTIONAL OBJECTIVES Visual Arts & Language Arts • To introduce students to historical and OBJECTIVE contemporary artwork from Shanghai -
Inside January/February 2018 Volume 17, Number 1
JANUARY/FEBRUARY 2018 VOLUME 17, NUMBER 1 INSIDE Shanghai: Its Galleries and Museums Conversations with Artists in the KADIST Collection Artist Features: Pak Sheung Chen, Tsang Kin Wah, Zhu Fadong, Zhang Huan US$12.00 NT$350.00 PRINTED IN TAIWAN 1 Vol. 17 No. 1 8 VOLUME 17, NUMBER 1, JANUARY/FEBRUARY 2018 CONTENTS 30 4 Editor’s Note 6 Contributors 8 Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale John Clark 30 (Inter)Dependency: Privately Owned Art Museums in State-Sponsored West Bund 46 Xing Zhao 46 Out of Sight: Conversations with Artists in the KADIST Collection Biljana Ciric 66 Pak Sheung Chuen: Art as a Personal Journey in Times of Political Upheaval Julia Gwendolyn Schneider 80 Entangled Histories: Unraveling the Work of Tsang Kin-Wah 66 Helen Wong 85 Zhu Fadong: Why Art Is Powerless to Make Social Change Denisa Tomkova 97 Public Displays of Affliction: On Zhang Huan’s 12m2 Chan Shing Kwan 108 Chinese Name Index 80 97 Cover: In memoriam, Geng Jianyi, 1962–2017. Courtesy of Zheng Shengtian. Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu Mainland China’s museum and gallery scene FOUNDING EDITOR Ken Lum has evolved rapidly over the past decade. Yishu EDITOR-IN-CHIEF Keith Wallace MANAGING EDITOR Zheng Shengtian 84 opens with two essays examining Shanghai, EDITORS Julie Grundvig a city that is taking strategic approaches Kate Steinmann in its recognition of culture as an essential Chunyee Li CIRCULATION MANAGER Larisa Broyde component of a vibrant urban experience. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
2019 Year Book.Pdf
2019 Contents Preface / P_05> Overview / P_07> SICA Profile / P_15> Cultural Performances and Exhibitions, 2019 / P_19> Foreign Exchange, 2019 / P_45> Academic Conferences, 2019 / P_67> Summary of Cultural Exchanges and Visits, 2019 / P_77> 「Offerings at the First Day of Year」(detail) by YANG Zhengxin Sea Breeze: Exhibition of Shanghai-Style Calligraphy and Painting Preface This year marks the 70th anniversary of the founding of the People’s Republic of China. Over the past 70 years, the Chinese culture has forged ahead regardless of trials and hardships. In the course of its inheritance and development, the Chinese culture has stepped onto the world stage and found her way under spotlight. The SICA, established in the golden age of reform and opening-up, has been adhering to its mission of “strengthening mutual understanding and friendly cooperation between Shanghai and other countries or regions through international cultural exchanges in various areas, so as to promote the economic development, scientific progress and cultural prosperity of the city” for more than 30 years. It has been exploring new modes of international exchange and has been actively engaging in a variety of international culture exchanges on different levels in broad fields. On behalf of the entire staff of the SICA, I hereby would like to extend our sincere gratitude for the concern and support offered by various levels of government departments, Council members of the SICA, partner agencies and cultural institutions, people from all circles of life, and friends from both home and abroad. To sum up our work in the year 2019, we share in this booklet a collection of illustrated reports on the programs in which we have been involved in the past year. -
China in 50 Dishes
C H I N A I N 5 0 D I S H E S CHINA IN 50 DISHES Brought to you by CHINA IN 50 DISHES A 5,000 year-old food culture To declare a love of ‘Chinese food’ is a bit like remarking Chinese food Imported spices are generously used in the western areas you enjoy European cuisine. What does the latter mean? It experts have of Xinjiang and Gansu that sit on China’s ancient trade encompasses the pickle and rye diet of Scandinavia, the identified four routes with Europe, while yak fat and iron-rich offal are sauce-driven indulgences of French cuisine, the pastas of main schools of favoured by the nomadic farmers facing harsh climes on Italy, the pork heavy dishes of Bavaria as well as Irish stew Chinese cooking the Tibetan plains. and Spanish paella. Chinese cuisine is every bit as diverse termed the Four For a more handy simplification, Chinese food experts as the list above. “Great” Cuisines have identified four main schools of Chinese cooking of China – China, with its 1.4 billion people, has a topography as termed the Four “Great” Cuisines of China. They are Shandong, varied as the entire European continent and a comparable delineated by geographical location and comprise Sichuan, Jiangsu geographical scale. Its provinces and other administrative and Cantonese Shandong cuisine or lu cai , to represent northern cooking areas (together totalling more than 30) rival the European styles; Sichuan cuisine or chuan cai for the western Union’s membership in numerical terms. regions; Huaiyang cuisine to represent China’s eastern China’s current ‘continental’ scale was slowly pieced coast; and Cantonese cuisine or yue cai to represent the together through more than 5,000 years of feudal culinary traditions of the south. -
Great Wall Bibliography, Authors
China Heritage Quarterly, No. 6 (June 2006) Great Wall Bibliography (III) © China Heritage Quarterly www.chinaheritagequarterly.org College of Asia and the Pacific The Australian National University Authors L-N Lan Yong 蓝勇, Zhongguo lishi dili xue 中国历史地理学 (Chinese historical geography), Beijing: Gaodeng Jiaoyu Chubanshe 高 等教育出版社, 2002. Li Bingcheng 李并成, 'Han Lingjucheng ji qi fujin Han changcheng yizhi de diaocha yu kaozheng' 汉令居城及其附近汉长 城遗址的调查与考证 (A survey and textual study of the Han dynasty Lingjucheng and the adjacent ruins of the Han dynasty Great Walls), Changcheng xuekan 长城学刊 (Great wall studies), 1991, issue no. 1. Li Bingcheng 李并成, Hexi zoulang lishi dili 河西走廊历史地理 (The historical geography of the Hexi corridor), Lanzhou: Gansu Renmin Chubanshe 甘肃人民出版社, 1995. Li Bingcheng 李并成, 'Hexi zoulang xibu Han changcheng yiji jiqi xiangguan wenti kao' 河西走廊西部汉长城遗迹及其相关问题考 (Sites of the Great Walls of the Han dynasty in the western Hexi corridor and related issues), Dunhuang yanjiu 敦煌研究 (Dunhuang research), 1995:2, pp 135-145. Li Bingcheng 李并成, 'Hexi zoulang dongbu xin faxian de yitiao Han changcheng: Han Xuci xian zhi Aowei xian duan changcheng kaocha' 河西走廊东部新发现的一条汉长城: 汉揟次县至媪围县段长城考察 (The recent discovery of a section of the Han dynasty Great Walls in the eastern part of the Hexi corridor: A survey of the section of wall from Xuci to Aowei counties), Dunhuang yanjiu 敦煌研究 (Dunhuang research), 1996:4, pp 129-131, 112. Li Fangzhun 李方准, 'Changcheng xue yanjiu de yici shenghui: Shoujie changcheng guoji xueshu yantaohui gaishu' 长城学研究 的一次盛会: 首届长城国际学术研讨会概述 (A celebration of research in Great Walls studies: A summary of the 1st international conference of Great Walls studies), Wenshi zhishi 文史知识 (Chinese literature and history), 1995:3, pp 50-57. -
Congressional-Executive Commission on China Annual
CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2016 ONE HUNDRED FOURTEENTH CONGRESS SECOND SESSION OCTOBER 6, 2016 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PUBLISHING OFFICE 21–471 PDF WASHINGTON : 2016 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Mar 15 2010 19:58 Oct 05, 2016 Jkt 000000 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 U:\DOCS\AR16 NEW\21471.TXT DEIDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate CHRISTOPHER H. SMITH, New Jersey, MARCO RUBIO, Florida, Cochairman Chairman JAMES LANKFORD, Oklahoma ROBERT PITTENGER, North Carolina TOM COTTON, Arkansas TRENT FRANKS, Arizona STEVE DAINES, Montana RANDY HULTGREN, Illinois BEN SASSE, Nebraska DIANE BLACK, Tennessee DIANNE FEINSTEIN, California TIMOTHY J. WALZ, Minnesota JEFF MERKLEY, Oregon MARCY KAPTUR, Ohio GARY PETERS, Michigan MICHAEL M. HONDA, California TED LIEU, California EXECUTIVE BRANCH COMMISSIONERS CHRISTOPHER P. LU, Department of Labor SARAH SEWALL, Department of State DANIEL R. RUSSEL, Department of State TOM MALINOWSKI, Department of State PAUL B. PROTIC, Staff Director ELYSE B. ANDERSON, Deputy Staff Director (II) VerDate Mar 15 2010 19:58 Oct 05, 2016 Jkt 000000 PO 00000 Frm 00004 Fmt 0486 Sfmt 0486 U:\DOCS\AR16 NEW\21471.TXT DEIDRE C O N T E N T S Page I. Executive Summary ............................................................................................. 1 Introduction ...................................................................................................... 1 Overview ............................................................................................................ 5 Recommendations to Congress and the Administration .............................. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
Copyrighted Material
INDEX Aodayixike Qingzhensi Baisha, 683–684 Abacus Museum (Linhai), (Ordaisnki Mosque; Baishui Tai (White Water 507 Kashgar), 334 Terraces), 692–693 Abakh Hoja Mosque (Xiang- Aolinpike Gongyuan (Olym- Baita (Chowan), 775 fei Mu; Kashgar), 333 pic Park; Beijing), 133–134 Bai Ta (White Dagoba) Abercrombie & Kent, 70 Apricot Altar (Xing Tan; Beijing, 134 Academic Travel Abroad, 67 Qufu), 380 Yangzhou, 414 Access America, 51 Aqua Spirit (Hong Kong), 601 Baiyang Gou (White Poplar Accommodations, 75–77 Arch Angel Antiques (Hong Gully), 325 best, 10–11 Kong), 596 Baiyun Guan (White Cloud Acrobatics Architecture, 27–29 Temple; Beijing), 132 Beijing, 144–145 Area and country codes, 806 Bama, 10, 632–638 Guilin, 622 The arts, 25–27 Bama Chang Shou Bo Wu Shanghai, 478 ATMs (automated teller Guan (Longevity Museum), Adventure and Wellness machines), 60, 74 634 Trips, 68 Bamboo Museum and Adventure Center, 70 Gardens (Anji), 491 AIDS, 63 ack Lakes, The (Shicha Hai; Bamboo Temple (Qiongzhu Air pollution, 31 B Beijing), 91 Si; Kunming), 658 Air travel, 51–54 accommodations, 106–108 Bangchui Dao (Dalian), 190 Aitiga’er Qingzhen Si (Idkah bars, 147 Banpo Bowuguan (Banpo Mosque; Kashgar), 333 restaurants, 117–120 Neolithic Village; Xi’an), Ali (Shiquan He), 331 walking tour, 137–140 279 Alien Travel Permit (ATP), 780 Ba Da Guan (Eight Passes; Baoding Shan (Dazu), 727, Altitude sickness, 63, 761 Qingdao), 389 728 Amchog (A’muquhu), 297 Bagua Ting (Pavilion of the Baofeng Hu (Baofeng Lake), American Express, emergency Eight Trigrams; Chengdu), 754 check -
Fine Chinese Classical Paintings and Calligraphy Hong Kong, 25 November 2013, Sale 3260 [All Sold Prices Include Buyer’S Premium]
Fine Chinese Classical Paintings and Calligraphy Hong Kong, 25 November 2013, Sale 3260 [All sold prices include buyer’s premium] 193 lots sold Total: HK$150,615,000/ US$19,519,704/ £ 12,094,385/ €14,474,102 93% sold by lot 208 lots offered HK$1 = US$0.1296/ £ 0.0803/ €0.0961 92% sold by value Estimate Lot Description Price Realised Buyer (HK$) HK$32,600,000 DONG BANGDA (1699-1769) 1,000,000- US$4,224,960 987 Asia Private Waterfalls in the Rocky Mountains 1,500,000 £ 2,617,780 €3,132,860 HK$15,640,000 ZHAO ZHIQIAN (1829-1884) 1,500,000- US$2,026,944 1099 Asia Private Flowers in Classical Style 2,000,000 £ 1,255,892 €1,503,004 HK$7,720,000 DONG QICHANG (1555-1636) 1,500,000- US$1,000,512 962 Asia Private Landscape After Huang Gongwang 2,000,000 £ 619,916 €741,892 HK$5,800,000 LIU JUN (16TH CENTURY) 600,000- US$751,680 959 Asia Private The Four Immortals 800,000 £ 465,740 €557,380 HK$5,560,000 HUANG SHEN (1687-1770) 600,000- US$720,576 992 Asia Private Landscapes, Figures and Flowers 800,000 £ 446,468 €534,316 HK$4,600,000 FOUR WANGS OF THE QING DYNASTY 600,000- US$596,160 946 (17TH CENTURY) Asia Private 800,000 £ 369,380 Landscapes €442,060 HK$3,400,000 XIANG SHENGMO (1597-1658) 120,000- US$440,640 960 Asia Private Reverie 150,000 £ 273,020 €326,740 HK$3,280,000 ZHAO ZHIQIAN (1829-1884) 2,000,000- US$425,088 1034 Asia Private Eight-character Couplet in Seal Script 3,000,000 £ 263,384 €315,208 HK$2,800,000 REN YU (1853-1901) 50,000- US$362,880 1103 Asia Trade Flowers 70,000 £ 224,840 €269,080 HK$2,320,000 WANG E (1488-1505) 300,000- US$300,672 -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Settlement Patterns, Chiefdom Variability, and the Development of Early States in North China
JOURNAL OF ANTHROPOLOGICAL ARCHAEOLOGY 15, 237±288 (1996) ARTICLE NO. 0010 Settlement Patterns, Chiefdom Variability, and the Development of Early States in North China LI LIU School of Archaeology, La Trobe University, Melbourne, Australia Received June 12, 1995; revision received May 17, 1996; accepted May 26, 1996 In the third millennium B.C., the Longshan culture in the Central Plains of northern China was the crucial matrix in which the ®rst states evolved from the basis of earlier Neolithic societies. By adopting the theoretical concept of the chiefdom and by employing the methods of settlement archaeology, especially regional settlement hierarchy and rank-size analysis, this paper introduces a new approach to research on the Longshan culture and to inquiring about the development of the early states in China. Three models of regional settlement pattern correlating to different types of chiefdom systems are identi®ed. These are: (1) the centripetal regional system in circumscribed regions representing the most complex chiefdom organizations, (2) the centrifugal regional system in semi-circumscribed regions indicating less integrated chiefdom organization, and (3) the decentral- ized regional system in noncircumscribed regions implying competing and the least complex chief- dom organizations. Both external and internal factors, including geographical condition, climatic ¯uctuation, Yellow River's changing course, population movement, and intergroup con¯ict, played important roles in the development of complex societies in the Longshan culture. As in many cultures in other parts of the world, the early states in China emerged from a system of competing chiefdoms, which was characterized by intensive intergroup con¯ict and frequent shifting of political centers.