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H. G. Wells Time Traveler
Items on Exhibit 1. H. G. Wells – Teacher to the World 11. H. G. Wells. Die Zeitmaschine. (Illustrierte 21. H. G. Wells. Picshua [sketch] ‘Omaggio to 1. H. G. Wells (1866-1946). Text-book of Klassiker, no. 46) [Aachen: Bildschriftenverlag, P.C.B.’ [1900] Biology. London: W.B. Clive & Co.; University 196-]. Wells Picshua Box 1 H. G. Wells Correspondence College Press, [1893]. Wells Q. 823 W46ti:G Wells 570 W46t, vol. 1, cop. 1 Time Traveler 12. H. G. Wells. La machine à explorer le temps. 7. Fantasias of Possibility 2. H. G. Wells. The Outline of History, Being a Translated by Henry-D. Davray, illustrated by 22. H. G. Wells. The World Set Free [holograph Plain History of Life and Mankind. London: G. Max Camis. Paris: R. Kieffer, [1927]. manuscript, ca. 1913]. Simon J. James is Head of the Newnes, [1919-20]. Wells 823 W46tiFd Wells WE-001, folio W-3 Wells Q. 909 W46o 1919 vol. 2, part. 24, cop. 2 Department of English Studies, 13. H. G. Wells. Stroz času : Neviditelný. 23. H. G. Wells to Frederick Wells, ‘Oct. 27th 45’ Durham University, UK. He has 3. H. G. Wells. ‘The Idea of a World Translated by Pavla Moudrá. Prague: J. Otty, [Holograph letter]. edited Wells texts for Penguin and Encyclopedia.’ Nature, 138, no. 3500 (28 1905. Post-1650 MS 0667, folder 75 November 1936) : 917-24. Wells 823 W46tiCzm. World’s Classics and The Wellsian, the Q. 505N 24. H. G. Wells’ Things to Come. Produced by scholarly journal of the H. G. Wells Alexander Korda, directed by William Cameron Society. -
Shanghai at the Asian Art Museum Discipline: Visual Art
I EDUCATOR GUIDE Subject: Shanghai at the Asian Art Museum Discipline: Visual Art SECTION I - OVERVIEW ......................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................6 SECTION IV – ENGAGING WITH SPARK .........................................................................................7 Vestiges of a Process: Shanghai Garden, by Zhang Jianjun. Still image from the SPARK story, 2010. SPARK Educator Guide – Shanghai at The Asian Art Museum 1 SECTION I - OVERVIEW SUBJECT • Hands‐on individual projects in which students Shanghai exhibition at The Asian Art Museum work independently • Hands‐on group projects in which students GRADE RANGES assist and support one another 6‐12 & Post‐secondary • Critical reflection on personal expressions and how they are seen and received by others CURRICULUM CONNECTIONS INSTRUCTIONAL OBJECTIVES Visual Arts & Language Arts • To introduce students to historical and OBJECTIVE contemporary artwork from Shanghai -
Inside January/February 2018 Volume 17, Number 1
JANUARY/FEBRUARY 2018 VOLUME 17, NUMBER 1 INSIDE Shanghai: Its Galleries and Museums Conversations with Artists in the KADIST Collection Artist Features: Pak Sheung Chen, Tsang Kin Wah, Zhu Fadong, Zhang Huan US$12.00 NT$350.00 PRINTED IN TAIWAN 1 Vol. 17 No. 1 8 VOLUME 17, NUMBER 1, JANUARY/FEBRUARY 2018 CONTENTS 30 4 Editor’s Note 6 Contributors 8 Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale John Clark 30 (Inter)Dependency: Privately Owned Art Museums in State-Sponsored West Bund 46 Xing Zhao 46 Out of Sight: Conversations with Artists in the KADIST Collection Biljana Ciric 66 Pak Sheung Chuen: Art as a Personal Journey in Times of Political Upheaval Julia Gwendolyn Schneider 80 Entangled Histories: Unraveling the Work of Tsang Kin-Wah 66 Helen Wong 85 Zhu Fadong: Why Art Is Powerless to Make Social Change Denisa Tomkova 97 Public Displays of Affliction: On Zhang Huan’s 12m2 Chan Shing Kwan 108 Chinese Name Index 80 97 Cover: In memoriam, Geng Jianyi, 1962–2017. Courtesy of Zheng Shengtian. Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu Mainland China’s museum and gallery scene FOUNDING EDITOR Ken Lum has evolved rapidly over the past decade. Yishu EDITOR-IN-CHIEF Keith Wallace MANAGING EDITOR Zheng Shengtian 84 opens with two essays examining Shanghai, EDITORS Julie Grundvig a city that is taking strategic approaches Kate Steinmann in its recognition of culture as an essential Chunyee Li CIRCULATION MANAGER Larisa Broyde component of a vibrant urban experience. -
2019 Year Book.Pdf
2019 Contents Preface / P_05> Overview / P_07> SICA Profile / P_15> Cultural Performances and Exhibitions, 2019 / P_19> Foreign Exchange, 2019 / P_45> Academic Conferences, 2019 / P_67> Summary of Cultural Exchanges and Visits, 2019 / P_77> 「Offerings at the First Day of Year」(detail) by YANG Zhengxin Sea Breeze: Exhibition of Shanghai-Style Calligraphy and Painting Preface This year marks the 70th anniversary of the founding of the People’s Republic of China. Over the past 70 years, the Chinese culture has forged ahead regardless of trials and hardships. In the course of its inheritance and development, the Chinese culture has stepped onto the world stage and found her way under spotlight. The SICA, established in the golden age of reform and opening-up, has been adhering to its mission of “strengthening mutual understanding and friendly cooperation between Shanghai and other countries or regions through international cultural exchanges in various areas, so as to promote the economic development, scientific progress and cultural prosperity of the city” for more than 30 years. It has been exploring new modes of international exchange and has been actively engaging in a variety of international culture exchanges on different levels in broad fields. On behalf of the entire staff of the SICA, I hereby would like to extend our sincere gratitude for the concern and support offered by various levels of government departments, Council members of the SICA, partner agencies and cultural institutions, people from all circles of life, and friends from both home and abroad. To sum up our work in the year 2019, we share in this booklet a collection of illustrated reports on the programs in which we have been involved in the past year. -
The Future of Robotics an Inside View on Innovation in Robotics
The Future of Robotics An Inside View on Innovation in Robotics FEATURE Robots, Humans and Work Executive Summary Robotics in the Startup Ecosystem The automation of production through three industrial revolutions has increased global output exponentially. Now, with machines increasingly aware and interconnected, Industry 4.0 is upon us. Leading the charge are fleets of autonomous robots. Built by major multinationals and increasingly by innovative VC-backed companies, these robots have already become established participants in many areas of the economy, from assembly lines to farms to restaurants. Investors, founders and policymakers are all still working to conceptualize a framework for these companies and their transformative Austin Badger technology. In this report, we take a data-driven approach to emerging topics in the industry, including business models, performance metrics, Director, Frontier Tech Practice and capitalization trends. Finally, we review leading theories of how automation affects the labor market, and provide quantitative evidence for and against them. It is our view that the social implications of this industry will be massive and will require a continual examination by those driving this technology forward. The Future of Robotics 2 Table of Contents 4 14 21 The Landscape VC and Robots Robots, Humans and Work Industry 4.0 and the An Emerging Framework Robotics Ecosystem The Interplay of Automation and Labor The Future of Robotics 3 The Landscape Industry 4.0 and the Robotics Ecosystem The Future of Robotics 4 COVID-19 and US Manufacturing, Production and Nonsupervisory Workers the Next 12.8M Automation Wave 10.2M Recessions tend to reduce 9.0M employment, and some jobs don’t come back. -
A NEW SOCIAL COMPACT for Work and Workers
FUTURE OF WORK IN CALIFORNIA A NEW SOCIAL COMPACT for work and workers RE OF W TU OR FU K CO N M MISSIO E OF W TUR OR FU K CO N M MISSIO Commissioners Produced by Institute for the Future (IFTF) for the California Future of Members of the Future of Work Commission were appointed by Governor Work Commission, with the support Gavin Newsom to help create inclusive, long-term economic growth and ensure from The James Irvine Foundation, Californians share in that success. Blue Shield of California Foundation, the Ford Foundation and Lumina Mary Kay Henry, Co-Chair Ash Kalra Foundation. President, Service Employees State Assemblymember, California International Union District 27 James Manyika, Co-Chair Stephane Kasriel Chairman & Director, McKinsey Former CEO, Upwork Global Institute Commission Staff Fei-Fei Li Roy Bahat Professor & Co-Director, Human- Anmol Chaddha, Head, Bloomberg Beta Centered Artificial Intelligence Manager Institute, Stanford Doug Bloch Alyssa Andersen Political Director, Teamsters Joint John Marshall Julie Ericsson Council 7 Senior Capital Markets Economist, United Food and Commercial Ben Gansky Soraya Coley Workers President, California Polytechnic Georgia Gillan State University, Pomona Art Pulaski Executive Secretary-Treasurer Marina Gorbis Lloyd Dean & Chief Officer, California Labor CEO, CommonSpirit Health Jean Hagan Federation Jennifer Granholm* Lyn Jeffery Maria S. Salinas Former Governor, State of Michigan President & CEO, Los Angeles Area *Resigned from Commission Ilana Lipsett Chamber of Commerce upon nomination -
Near-Death Experiences and the Theory of the Extraneuronal Hyperspace
Near-Death Experiences and the Theory of the Extraneuronal Hyperspace Linz Audain, J.D., Ph.D., M.D. George Washington University The Mandate Corporation, Washington, DC ABSTRACT: It is possible and desirable to supplement the traditional neu rological and metaphysical explanatory models of the near-death experience (NDE) with yet a third type of explanatory model that links the neurological and the metaphysical. I set forth the rudiments of this model, the Theory of the Extraneuronal Hyperspace, with six propositions. I then use this theory to explain three of the pressing issues within NDE scholarship: the veridicality, precognition and "fear-death experience" phenomena. Many scholars who write about near-death experiences (NDEs) are of the opinion that explanatory models of the NDE can be classified into one of two types (Blackmore, 1993; Moody, 1975). One type of explana tory model is the metaphysical or supernatural one. In that model, the events that occur within the NDE, such as the presence of a tunnel, are real events that occur beyond the confines of time and space. In a sec ond type of explanatory model, the traditional model, the events that occur within the NDE are not at all real. Those events are merely the product of neurobiochemical activity that can be explained within the confines of current neurological and psychological theory, for example, as hallucination. In this article, I supplement this dichotomous view of explanatory models of the NDE by proposing yet a third type of explanatory model: the Theory of the Extraneuronal Hyperspace. This theory represents a Linz Audain, J.D., Ph.D., M.D., is a Resident in Internal Medicine at George Washington University, and Chief Executive Officer of The Mandate Corporation. -
Struktur Kurikulum (Curriculum Structure) 2018-2023
STRUKTUR KURIKULUM (CURRICULUM STRUCTURE) 2018-2023 DEPARTEMEN ARSITEKTUR (DEPARTMENT OF ARCHITECTURE) , FADP - ITS PROGRAM STUDI SARJANA (UNDERGRADUATE PROGRAM) SMT SKS ETIKA DAN PRAKTEK VIII TUGAS AKHIR 8 BERARSITEKTUR 2 10 144 Final Project Ethics and the Practice of Architecture DA184801 DA184802 ARSITEKTUR PERANCANGAN ASAS PERANCANGAN PROPOSAL TUGAS VII MK. PILIHAN III 3 KONTEMPORER 3 ARSITEKTUR 5 6 ARSITEKTUR 5 2 AKHIR 4 TECHNOPRENEUR 2 20 134 Elective III Contemporary Architecture Architectural Design 5 Architectural Design Principles 5 Final Project Proposal Technopreneurship DA184704 DA184701 DA184702 DA184703 UG184915 PERANCANGAN PERANCANGAN ASAS PERANCANGAN WAWASAN DAN VI BERKELANJUTAN 3 MK. PILIHAN II 3 SEJARAH ARSITEKTUR 3 ARSITEKTUR 4 6 ARSITEKTUR 4 2 MK. PENGAYAAN 3 APLIKASI TEKNOLOGI 3 20 114 Sustainable Design Elective II History of Architecture Architectural Design 4 Architectural Design Principles 4 Enrichment Course Concept of Technology DA184604* DA184603 DA184601 DA184602 UG184916 ARSITEKTUR PERANCANGAN ASAS PERANCANGAN ARSITEKTUR V MK. PILIHAN I 3 NUSANTARA 3 ARSITEKTUR 3 6 ARSITEKTUR 3 2 EKSPERIMENTAL 3 EKOLOGI ARSITEKTUR 3 20 94 Elective I Nusantara Architecture Architectural Design 3 Architectural Design Principles 3 Experimental Architecture Architectural Ecology DA184505 DA184501 DA184502 DA184503 DA184504 DASAR PERANCANGAN PERANCANGAN ASAS PERANCANGAN ARSITEKTUR IV KOTA 2 TEORI ARSITEKTUR 3 ARSITEKTUR 2 6 ARSITEKTUR 2 2 LANSEKAP 3 UTILITAS BANGUNAN 3 19 74 Introduction to Urban Design Architectural Theory -
Anachronism in Early French Futuristic Fiction
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 7-2016 Anachronism in Early French Futuristic Fiction Arthur B. Evans DePauw University, [email protected] Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the French and Francophone Literature Commons Recommended Citation Evans, Arthur B. "Anachronism in Early French Futuristic Fiction." Science Fiction Studies Vol. 43, no. 2, #129 (July 2016), pp. 194-206. Print. This Article is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. 194 SCIENCE FICTION STUDIES, VOLUME 43 (2016) Arthur B. Evans Anachronism in Early French Futuristic Fiction Pawe³ Frelik, in his essay “The Future of the Past: Science Fiction, Retro, and Retrofuturism” (2013), defined the idea of retrofuturism as referring “to the text’s vision of the future, which comes across as anachronistic in relation to contemporary ways of imagining it” (208). Pawe³’s use of the word “anachronistic” in this definition set me to thinking. Aren’t all fictional portrayals of the future always and inevitably anachronistic in some way? Further, I saw in the phrase “contemporary ways of imagining” a delightful ambiguity between two different groups of readers: those of today who, viewing it in retrospect, see such a speculative text as an artifact, an inaccurate vision of the future from the past, but also the original readers, contemporary to the text when it was written, who no doubt saw it as a potentially real future that was chock-full of anachronisms in relation to their own time—but that one day might no longer be. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
Robert Venturi & Denise Scott Brown. Architecture As Signs and Systems
Architecture as Signs and Systems For a Mannerist TIme Robert Venturi & Denise Scott Brown THE BELKNAP PRESS OF HARVARD UNIVERSITY PRESS· CAMBRIDGE, MASSACHUSETTS· LONDON, ENGLAND· 2004 Art & Arch e'J' ,) re Library RV: Washington u:'li \/(H'si ty Campus Box 1·,):51 One Brookin18 Dr. st. Lg\li,s, !.:0 &:n:W-4S99 DSB: RV, DSB: Copyright e 2004 by Robert Venturi and Denise Scott Brown All rights reserved Printed in Italy Book Design by Peter Holm, Sterling Hill Productions Library of Congress Cataloging-in-Publication Data Venturi, Robert. Architecture as and systems: for a mannerist time I Robert Venturi and Denise Scott Brown. p. em. - (The William E. Massey, Sr. lectures in the history of American civilization) Includes bibliographical references and index. ISBN 0-674-01571-1 (alk. paper) 1. Symbolism in architecture. 2. Communication in architectural design. I. Scott Brown, Denise, 1931- II. Title. ill. Series. NA2500.V45 2004 nO'.I-dc22 200404{)313 ttext," for show his l them in lied "that le most of 'espitemy to be an me of our 19 studies, mth these Architecture as Sign rather than Space ecause if I New Mannerism rather than Old Expressionism 1geswon't ROBERT VENTURI ,the com :tronger ::ople who . work and lity to the _~.'n.•. ~~~,'~'"'.".'."_~ ____'_''''"'«'''.'''''',_",_.""",~",-,-" ".,-=--_""~ __ , ..... """'_.~~"',.._'''''_..._,,__ *' ...,',.,..,..... __ ,u~.,_~ ... mghai, China. 2003 -4 -and for Shanghai, the mul A New Mannerism, for Architecture as Sign . today, and tomorrow! This of LED media, juxtaposing nbolic, and graphic images at So here is complexity and contradiction as mannerism, or mannerism as ing. -
Souvenirs Du Futur Le Robot Dans Le Steampunk Français
Souvenirs Du futur Le robot dans le Steampunk Français SOREAU CAROLINE MEMOIRE DE MASTER 2 – SOUTENU EN MAI 2014 SOUS LA DIRECTION DE NICOLAS DEVIGNE ET EDDIE PANIER 1 Université de Valenciennes et du Hainaut-Cambrésis Faculté de Lettres Langues Arts et Sciences Humaines Département Arts Plastiques Page de garde : Didier Graffet, Notre Dame 1900, Acrylique sur toile 65 x 100 cm, 2013 2 3 Remerciements En préambule de ce mémoire, je tiens d'abord à remercier M. Nicolas DEVIGNE, qui s’est montré d’une grande disponibilité et d’une aide précieuse tout au long de mon Master et aux différentes étapes de la réalisation de ce mémoire. Pour sa rigueur et son exigence, aussi, qui m’ont poussée à toujours plus de réflexion. M. Eddie PANIER, pour sa confiance en mes capacités, ses encouragements et les lectures précieuses qu’il a pu me conseiller tout au long de ces deux années de travail. Mme. CHOMARAT-RUIZ, pour son engagement au sein du Master Recherche et ses nombreux conseils. Mes parents et mon compagnon, toujours présents, y compris quand je peine à avoir confiance en mon travail et à croire en moi, au point d’en devenir invivable (je plaide coupable !) Pour leurs longues heures passées à relire ces pages et à essayer de comprendre « l’obscur » mouvement steampunk dans le but de pouvoir toujours dialoguer avec l’automate que je deviens lorsque je travaille. Pour leur présence, tant dans les bons que dans les mauvais moments. Mes différents relecteurs, qui ont pris le temps de relever nombre de mes coquilles.