Cliff White Speaks. . . a Lot Tony Papard Listens to the Radio Tony Annis on the Dublin Castle Mr Angry Gets Profiled

Total Page:16

File Type:pdf, Size:1020Kb

Cliff White Speaks. . . a Lot Tony Papard Listens to the Radio Tony Annis on the Dublin Castle Mr Angry Gets Profiled December 2014 December 82 ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Earl Jackson gets them jiving at the Dublin Castle (photos © Tony Annis) Cliff White speaks. a lot Tony Papard listens to the radio Tony Annis on the Dublin Castle Mr Angry gets profiled - not a pretty sight Soul Kitchen, Jazz Junction, Blues Rambling And more... 1 Hi Keith, I'm not sure you were alive in 1971 when the first issue of our first mag appeared. I thought you and TFTW might be interested (and even amused) to see a sample of it. Extract from my editorial: "Why do we call it "THE ROCK"? Because the music of the fifties/early sixties to us is "THE ROCK", not the so-called "Rock" of today. Because our interest in and love of it is as steady and as strong as a Rock." (Cringe) We hope you feel the same way." Well, we received some strange feedback. For example, the Blackpool Striped Rock Confectionery Co. wrote to us asking for free samples. Also, the Armada Club in Gibraltar requested copies to present to the Spanish Ambassador. Only joking... 43 years ago!! Yours, Neil Foster 2 That doggie in the window says: “ HOLD THE THIRD PAGE! and how much would you pay? ” Hi Gang. It is with much sadness that I commence my column for Issue 82. I know I speak for all the loyal attendees of our annual 2is Reunion/British Rock’n’Roll Heritage Show that we were so looking forward to having rhythm guitarist, singer and founding member of the Liverpool institution which is The Undertakers, Geoff Nugent, joining us for what would have been his debut on a Tales From The Woods show at the Borderline on Sunday 1st February 2015. Sadly Geoff died on October 12th at the age of 71. It is not too many issues past that this magazine paid tribute to another founding member of this legendary band, Jackie Lomax, who passed away last year. At the time of writing we have as yet not decided upon a replacement. TFTW will be paying tribute to Geoff later within these pages. On a happier note it was indeed rewarding for both Radio Sutch and TFTW to receive so much favourable coverage for our one-off gig at the Dublin Castle on Sunday 28th September which featured Earl Jackson, Smiley Jacks and bowler-hatted eccentric DJ Wheelie-Bag, who provided a night of entertainment rarely seen at this legendary music venue in London’s calculatingly trendy area known as Camden Town. This venue’s rich heritage stretches back to the seventies and beyond, certainly one of the very few venues to survive from what was once a thriving scene. Earl Jackson deservedly made the front cover of two rockin’ magazines, one of which gave a mention to the venue. I have no idea if the Dublin Castle management were pleased with the plug delivered from unusual quarters as a reply to my email advising them was not forthcoming. Many articles and photos contained within the aforementioned magazines carried many words of praise for the event, humbled too to by the compliments that Tales From The Woods is bringing Rock’n’Roll, rhythm and blues and quality roots music back to central London for the first time in many years. Naturally we had to replace all our posters upon arrival at the venue in the hours leading up to show time; obviously the promotions company who dictate the music policy six days a week are quite happy to keep "live music live"… providing it's their own. Reviews of the gig can be found contained within this No 82 Issue, so no need to say more here except to hand out a few special “thank you”s to those back room people who helped to make the evening the special occasion that it became. To Radio Sutch whose dedication to Tales From The Woods cannot be measured; to the soundman Fuzz Duprey who did such an excellent job with the sound for a style of music that he would, for the most part, be unfamiliar with; to TFTW transport manager Cliff Stevens who on the night wore another hat as that of Stage Manager, offering a word or two of assistance to Fuzz if required; in particular a special mention to our © Tony Annis merchandise/cashier lady of many years standing, Elena who sat in near total darkness at a table having to sell tickets and calculate change with just a tiny pencil torch for light - I was advised that the wall light provided for that very purpose has not worked for many years and there appear to be no imminent plans for a repair; to the reviewers who kindly spread the word for TFTW so that we were able to proudly appear on those covers along with complimentary words inside; to the 3 photographers who captured so many wonderful images and to the dancers who helped to make those very images, I say “Thank You”. It would indeed take something very special for Tales From The Woods to be tempted to promote a gig during the Christmas period, and if you were at our last boogie-woogie evening back in sun kissed June at the Spice Of Life in the heart of London’s bustling west end, then I am sure you will understand the reason for doing so. Even if you were not able to make it but read the many compliments or simply heard through the musical grapevine I am sure you will make sure not to miss out this time. On Sunday 28th December we shall be spending an evening in the company of James Goodwin. this consummate musician will be sitting at the piano entertaining us with the fascinating history of the often overlooked genre that is boogie woogie, and its many off-shoots from ragtime through to rhythm and blues and Rock’n’Roll, accompanied by often rare footage of the legends of the style that would influence countless musicians amongst the generations yet to be born. A special screen will be erected for this unique occasion. Tickets went on sale via the usual channels from Monday 3rd November. 4 More 'hot news off the press'. Dave Travis, musician, publisher, writer and good friend to us all here at TFTW, will be celebrating a milestone birthday during the month of March 2015, and we are throwing a party like only we can, Monday 16th March to be precise, at the Spice Of Life. Linda Gail Lewis will be rockin’ the keyboard like only she can, along with her UK backing band, Some Like It Hot. Promises to be one hell of a party. Linda Gail needs no introduction from me, nor will you need any reminding that she is the sister of Rock’n’Roll/country legend from Ferriday Louisiana, Jerry Lee Lewis. I know both Woodies and Linda Gail fans were bitterly disappointed when our virtually sold out show at London’s Water Rats Theatre was cancelled (sabotaged?) with barely a week to go a couple of years ago. This is a truly wonderful way for Dave to celebrate his birthday, equally for us to make it up to the legions of Lewis family fans. Many of you good folks have asked whilst in conversation, or emailed, texted even, "When are we going to have another theatre show?" The question has been asked virtually since the last curtain fell on a Tales From The Woods show at the Empire Theatre, Halstead, Essex. The reply was generally "When a suitable opportunity presents itself." We at TFTW HQ are proud to say that much waited for opportunity has presented itself, for on Sunday May 17th 2015, you will find us all at the grand location of Woodville Halls Theatre, Gravesend, with a line-up that is nothing short of amazing, featuring Cliff Bennett and the Original Rebel Rousers, Chris Farlowe and the Norman Beaker Band, Matchbox, Beryl Marsden, the singing link man will be none other than Jess Conrad. We shall soon be preparing the publicity, press release, flyers etc. for this extravaganza, no doubt by the time this magazine appears on your screens, or lands on your doormats, that will have already happened. "Watch this space" as we often say, for we shall be announcing how to apply for tickets, and news of this exciting project in the weeks and months ahead. Last Issue we ran considerable coverage on 2is Reunion/British Rock’n’Roll Heritage Show 10 part 1, on Sunday 1st February at London’s Borderline in the heart of the west end. Suffice to say, there’s little else to add at this stage, other than tickets went on sale on October 14th, and can be bought through us or direct from the Borderline box office, which is open from 11am through to 7pm daily, on 0844 847 2465. If tickets are purchased directly from the Borderline box office during these hours there will not be a booking fee for either card or cash sales. Tickets I am pleased to say, are selling well already, so don't leave it too long before you get your considerably reduced Woodie price ticket. We will return for part 2 during the balmy summer days of late June, Sunday 28th. making his debut on a TFTW stage will be that man with "Deep Feeling" 5 on HMV back in 1960, Mike Sagar, along with his lifelong collaborator, the iconic guitarist Richard Harding, who will also be doing a solo guest spot.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Robyn Rihanna Fenty and Others -V- Arcadia Group Brands Limited And
    Neutral Citation Number: [2015] EWCA Civ 3 Case No: A3/2013/2087 & A3/2013/2955 IN THE COURT OF APPEAL (CIVIL DIVISION) ON APPEAL FROM THE HIGH COURT OF JUSTICE CHANCERY DIVISION INTELLECTUAL PROPERTY The Hon Mr Justice Birss [2013] EWHC 2310 (Ch) Royal Courts of Justice Strand, London, WC2A 2LL Date: 22/01/2015 Before: LORD JUSTICE RICHARDS LORD JUSTICE KITCHIN and LORD JUSTICE UNDERHILL - - - - - - - - - - - - - - - - - - - - - Between: (1) Robyn Rihanna Fenty Claimants/ (2) Roraj Trade LLC Respond- (3) Combermere Entertainment Properties, LLC ents - and - (1) Arcadia Group Brands Limited Defendants/ (2) Topshop/Topman Limited Appellants - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Martin Howe QC and Andrew Norris (instructed by Reed Smith) for the Claimants/Respondents Geoffrey Hobbs QC and Hugo Cuddigan (instructed by Mishcon de Reya) for the Defendants/Appellants Hearing dates: 18/19 November 2014 - - - - - - - - - - - - - - - - - - - - - Approved Judgment Judgment Approved by the court for handing down. Fenty & Ors v Arcadia & Anr Lord Justice Kitchin: Introduction 1. These proceedings concern a complaint by Rihanna, the world famous pop star, about the sale of fashion garments bearing her image. 2. The appellants (collectively “Topshop”) own and operate the well known Topshop retail fashion stores. In 2012 Topshop began to sell in its stores and through its website a fashion t-shirt displaying a clearly recognisable image of Rihanna. The image was derived from a photograph of Rihanna which was taken when she was on a video shoot for a single from her “Talk That Talk” album. Rihanna is looking directly at the camera with her hair tied above her head with a headscarf. It is, as the judge thought, a striking image and similar images had been used by Rihanna in connection with the Talk That Talk album.
    [Show full text]
  • Jerry Williams Jr. Discography
    SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968.
    [Show full text]
  • 1 Court of Appeal Found No Love for Topshop Tank
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK Court of Appeal found no love for Topshop tank: theimage right that dare not speak its name Susan Fletcher Senior Lecturer in Law, University of Central Lancashire Justine Mitchell Associate Lecturer in Law, University of Central Lancashire Subject:Passing Off. Other related subjects: Torts. Image rights.Personalityrights.Publicityrights.Passing off. Tradeconnections.Intellectual property. Keywords:passing off, image rights, personality rights, publicity rights, trade marks, goodwill, misrepresentation, merchandising, endorsements, English law, comparative law, unfair competition, freeriding, unjust enrichment, dilution, monopoly, social media, photograph, Rihanna, Topshop, Fenty, Arcadia Abstract:This article contains an analysis of the first instance and appeal decisions of the “Rihanna case”.In particular, the authors consider the substantive law of passing off in the context of the unauthorised use of a celebrity's image on a Topshop tank vest top. This is followed by a discussionof the consequences of the caseforcelebrities, consumers and stakeholders in theentertainmentand fashion industries. Every time you see me it's a different colour, a different shape, a different style. ....because it really...I/we just go off of instinct. Whatever we feel that very moment, we just go for it. Creatively, fashion is another world for me to get my creativity out.12 1Rihanna quote from the Talk That Talk music video available at www.youtube.com/watch?v=cVTKxwO2UnU
    [Show full text]
  • M-Phazes | Primary Wave Music
    M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft.
    [Show full text]
  • Understanding District Citizens and Business Community Attitudes Towards Litter and Responses to Anti-Litter Messaging and Strategies
    Clean Land, Safe Water, Healthy Lives Getting to the Source: Understanding District Citizens and Business Community Attitudes Towards Litter and Responses to Anti-litter Messaging and Strategies Non-Engineering Solutions for Trash Reduction in the Anacostia Watershed October 31, 2011 Alice Ferguson Foundation DDOE ID #: 10G-10-So654-WPD04 Award Period: March 20, 2010- September 30, 2011 Reporting Period: March 20, 2010- September 30, 2011 Primary contact: Laura Chamberlin Program Manager 2001 Bryan Point Rd Accokeek, MD 20607 Clean Land, Safe Water, Healthy Lives Table of Contents Page Summary 1 Research and message development 1 Campaign Materials and Toolkits 4 Pilot Outreach in Deanwood 5 Lessons Learned 8 Next Steps 11 Appendix A. Opinion Survey Executive Summary from Opinionworks 12 B. Creative Brief from Noral Group International 21 C. Campaign Communication Toolkit from Ruder Finn 44 D. First Image- Sandbox 65 E. 5 year Communication Plan 66 F. Monitoring Survey Final Report 71 G. New June 2011 Images 116 H. Deanwood outreach brochure 119 I. Budget 121 J. Outcomes Chart 122 Alice Ferguson Foundation 2 Final Report, October 31, 2011 Summary: The Alice Ferguson Foundation (AFF) conducted social research in order to develop a regional public outreach and education campaign to understand the root causes of littering, and change littering behaviors. Media and message consultants were hired to research, develop and implement campaign plans and materials. The Campaign was piloted with grassroots outreach strategies in the community of Deanwood. Visual Trash Survey monitoring was conducted to measure the effectiveness of the campaign in this pilot community. The goal was to not only find a message that will motivate litterers to care, but to also find effective outlets for disseminating that message.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.
    [Show full text]
  • 1579181439 15725322263267.Pdf
    SHARED OWNERSHIP SHARED OWNERSHIP First Class Living Relax And Unwind ISLINGTON IN YOUR BRAND NEW HOME Penny Black Apartments is found in the heart of Islington Square, an enticing mixed-use quarter located on the site of the former North London Royal Mail sorting and delivery centre. These high-spec apartments along with existing chic boutiques and buzzing culture will further enhance this part of town, featuring a tree-lined boulevard, brand-new shopping arcades, a luxury cinema and an upscale gym. Living, lifestyle, leisure – all delivered in one dream location. Everything blends seamlessly and sympathetically with the unspoilt fabric of the area. World-class contemporary architecture jostles with original Edwardian red-brick. Beautiful period features are juxtaposed with slick and innovative interiors. The Penny Black Apartments, offered through Shared Ownership, are located across two blocks. The first (17 Esther Anne Place) is a new build block that retains the redbrick façade of the old sorting office at ground level, with a striking zinc-clad frame above, and the second (5 Esther Anne Place) an entirely original build, with its sleek sinuous shape set to become a design icon. Both fully integrated into this unique development with the added convenience of a concierge service available. You’re home at last. Relax. 2 Apartment 202, 17 Esther Anne Place APARTMENTS Computer generated image indicative only Immerse Yourself IN LONDON’S COFFEE CULTURE Urban Chic BIG CITY VILLAGE Upper Street is one of London’s most sought after stretches; a thriving mile of shops, restaurants and bars connecting leafy Highbury with historic Angel.
    [Show full text]
  • Samantha Fish Homemade Jamz Jarekus Singleton
    Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • In the Studio: the Role of Recording Techniques in Rock Music (2006)
    21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con­ sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]