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Pablo Villegas and Madcámara at Festival Casals
MUSIC Pablo Villegas and SAN JUAN, PR MADCámara at Festival Wed, March 04– Casals Wed, March 11, 2015 Venue Centro de Bellas Artes Luis A. Ferré, Sala Sinfónica Pablo Casals, Ponce de León Ave., San Juan, PR View map Phone: 787-918-1106 Admission Buy tickets More information Festival Casals Credits Organized by the Corporation of Musical Arts of Puerto Rico. Supported by Cooperación Española Founded in 1956 by the famous cellist, conductor, and and the General Consulate of Spain composer Pablo Casals, the festival brings together the most in Puerto Rico. outstanding musical talent in the world. MADCÁMARA ■ On March 4 at 8 pm. Free event. ■ At Teatro Bertita y Guillermo L. Martínez, Sala Jesús María Sanromá. The musical trio MADCámara, which consists of a cello, a clarinet and a piano, will play a repertoire based on compositions by Mozart (K. 498 Kegelstatt), Nino Rota and the eight pieces of clarinet, cello and piano, Op. 83 of Max Bruch. The trio was born as result of the professional relationship of its members in various conservatories from the Community of Madrid. MADCámara’s repertoire ranges from classical music to specially-commissioned works by recognized Spanish composers of contemporary music. PABLO VILLEGAS, GUITAR ■ On March 11 at 8 pm. ■ At Sala Sinfónica Pablo Casals. Pablo Villegas is celebrated by the international press as an ambassador of Spanish culture, with performances in more than 30 countries. Since his Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C. 20009 | Tel: (202) 728-2334 View this event online: https://www.spainculture.us/city/san-juan-puerto-rico/pablo-sainz-villegas-at-festival-casals/ Created on 09/27/2021 | Page 1 of 2 auspicious debut with the New York Philharmonic under Rafael Frühbeck de Burgos at Avery Fisher Hall, he has performed with such orchestras as the Israel and Los Angeles philharmonics and the San Francisco and Boston symphonies. -
Iplffll. Tubeless Or Tire&Tube
THE EVENING STAR, Washington, D. C. M Billy Meyer Dead at 65; Lead Stands Up MONDAY. APBIL 1, 1957 A-17 Long Famous in Baseball , i Gonzales Quitting Pro Tour . - May Injured - ' • •• As 'v Palmer Wins mEBIIHhhS^^s^hESSHSI KNOXVILLE, Term., April. 1 ¦ In to Heal Hand V9T (VP).—Death has claimed William MONTREAL, April 1 (VP).—Big : wall to pro to give Adam (Billy) Meyer, major turn Gonzales Oonzales, king of profes- some competition, avail- league “manager of the year” Pancho ¦ was not Azalea Tourney sional tennis, today decided to -1 able for comment but it could ; with the underdog Pittsburgh quit Kramer’s troupe after : as any surprise Pirates in 1948 and of the Jack not have come one WILMINGTON, N. C.. April 1 May . best-known minor league man- Its last American match 26. to him. (VP).—Although he outshot only Plagued by a cyst on his racket ; When the American segment ! agers of all time. four of the 24 other money win- hand, Gonzales said: of the tour opened in New Yorl The 65-yfear-old veteran of 46 ners in the Azalea Open golf “Ineed a rest. I’ve been play- February 17, Gonzales was ljl years player, ¦ as manager, scout tournament’s final round, Arnold ing continuously for 18 months > pain and he said that if this and “trouble shooter” died in a Palmer’s 54-hole lead stood up and I want to give my hand a injury not heal, he miglit and i did hospital yesterday of a heart and ” he eased out with a one- chance to heal.” have to quit. -
Highlighted = Needs to Be Written/Included
Seeing and Hearing Music COMBINING GENRES IN FILM VERSIONS OF BACH’S SIX SUITES FOR SOLO CELLO SENIOR THESIS FOR MUSIC SIMON LINN-GERSTEIN APRIL 20, 2009 TABLE OF CONTENTS TABLE OF CONTENTS 2 LIST OF MUSIC EXAMPLES 3 LIST OF VIDEO CLIPS 4 INTRODUCING BACH SUITE FILMS 5 PART I: DIAGRAMMING MUSIC: MONTAGE AND SHOWING MUSICAL FORMS/GENRES 7 Introduction to Montage and Links to Sound Recording 7 Comparing Audio and Visual Methods 12 Montage Case Studies 14 PART II: GENERIC CROSSOVER: INFLUENCES FROM OTHER FILM TRADITIONS ON BACH SUITE MONTAGE 25 Documentary Film and Didactic Montage 25 Music Video: Illustrating Both Structure and Gesture 28 Case Studies: Comparing the Influence of Music Video on Two Bach Films 35 PART III: THE HISTORICAL BACH: REPRESENTING SOCIAL AND HISTORICAL CONTEXT/GENRES 41 Showing and Telling History 41 The Myth of Bach’s Spirituality: A History, and its Influence on Bach Suite Films 46 Cautious Avoidance of Historical Context 54 From Dances to DVDs: Melding New and Old Contexts and Genres 55 CONCLUSION 59 WORKS CITED/BIBLIOGRAPHY 61 2 MUSIC EXAMPLES 68 Example 1: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, exposition Glenn Gould’s editing 68 Example 2: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, conclusion Glenn Gould’s editing 69 Example 3: Bach Suites for Solo Cello, Suite No. 1 in G major, Allemande Pablo Casals and Wen-Sinn Yang’s editing 70 Example 4: Bach Suites for Solo Cello, Suite No. 3 in C major, Prelude Mstislav Rostropovich’s editing 71 Example 5: Bach Suites for Solo Cello, Suite No. -
2006 Media Guide.Indd
TThunderinghundering HerdHerd RRecordsecords aandnd HHistoryistory Naismith Basketball Hall of Fame Member Hal Greer Marshall ‘58 Greer is one of only 258 basketball players to * Photo courtesy of the Naismith be enshrined in the Naismith Basketball Hall Basketball Hall of Fame. of Fame in Springfi eld, Mass. 9977 r “Consistency,” Hal Hal Greer was named one of the NBA’s Top e Greer once told the e 50 Players in the late 90’s. He averaged 19 r Philadelphia Daily points, fi ve rebounds, and four assists in his G News. “For me, that was l NBA career. a the thing … I would like H Hal Greer to be remembered as a great, consistent player.” Over the course of rebounds and 4.4 assists per contest. With injuries limiting the 15 NBA seasons Schayes to 56 games, Greer took over the team’s scoring turned in by the slight, mantle. He ranked 13th in the NBA in scoring and ninth soft -spoken Hall of in free-throw percentage (.819). In the 1962 NBA All-Star Fame guard from West Game, Greer racked up a team-high nine assists - one more Virginia, consistency than the legendary Bob Cousy - and hauled in 10 rebounds, was indeed the thing. just two fewer than another legend, Bill Russell. Greer led He turned in quality the Nationals to the playoff s, where they fell to Warriors in performances almost every night, scoring 19.2 points the Eastern Division Semifi nals. per game during his career, playing in 1,122 games, and The smooth guard broke into the ranks of the top 10 racking up 21,586 points (14th on the all-time list). -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
09 Gould G. PIANIST GLENN GOULD's OFTEN DISMAL
UDK 821.111(71).09 Gould G. PIANIST GLENN GOULD'S OFTEN DISMAL WRITING Jason Blake Abstract Glenn Gould was known to the world primarily as a pianist. His Bach interpretations were lauded, his Mozart generally lamented, and his often curious musical views met with suspicion. Despite the fact that it was his primary occupation, Gould considered himself to be much more than a pianist. He produced a number of radio and television documentaries on subjects ranging from musical topics, to life in the north of Canada. He considered himself to be only a part time pianist, and he longed to be recognized also as a writer. Aft_er briefly introducing Glenn Gould as a Canadian culturalicon, this paper examines the lesser-known part of his oeuvre, and points out some of the stylistic shortcomings of his writing, before addressing the following question: "Why bother to read him?" The Anthology From Ink Lake: Canadian stories selected by Michael Ondaatje reveals some questionable editorial choices. The problem is not the "Canadian," since Canadian literary tradition has always found room for those with tenuous links to Canada. Indian-born writer Bharati Mukherjee long ago chose the United States over Canada, her work regularly appears in anthologies of both American and Canadian literature. If Canadian pedantic types point out that Carol Shields and even Ondaatje were not born in Canada, it is generally to prove a point about a multicultural nation. The problem lies with the "stories" part of the title -Alice Munro and Mavis Gallant, two short story magicians, are included, but many of the works in From Ink Lake are extracts from novels rather than short stories proper. -
Favorite Chamber Music Week 3
Marist CLS Favorite Chamber Music – week 3 Fall 2020 Paul Stoddard Pre-class listening What other people have to say about favorite chamber music. Many of this weeks pieces could probably be described as “poignant”. ✢ Sara Fishko talk about the Bach Chaconne. ○ To listen to the Chaconne, choose one of these: Itzhak Perlman or Joshua Bell or the Eastman Saxophone Project. ○ Optional: Rapper Dessa talks about how the Chaconne influenced her in Open Ears Project #28. ✢ Open Ears Project #7 (scroll down the page to #7 and click on “Listen”) Eric Jacobsen talks about Schubert’s Piano Trio No. 1. The talk is sad, but touching. The full moVement is played after Eric’s 5 minute talk. If you want to hear all the moVements, go here. ✢ In this TED talk the Ahn Trio plays "Skylife" by David Balakrishnan and "Oblivion" by Astor Piazzolla. 2 Your favorites Mike’s favorite by Lili Boulanger – Nocturne (5 minute YouTube video about Lili’s life) Some of the favorites you mentioned in week 1: Schubert Trout quintet – heard last week Bach cello suites – today Dvorak American Quartet – next week Mozart quartets and quintets – heard 1 last week, but there’s lots more Haydn Emperor Quartet – played by the Calidore Quartet (they performed at Bard last year) Pachelbel Canon in D major Ravel Quartet – this week Chopin – He wrote mostly for piano alone, but according to Wikipedia he also wrote a variations for flute and piano, 3 pieces for cello and piano, and a trio for Violin, cello and piano. 3 Mozart Scene from Amadeus (based on the play by Peter Shaffer) Mozart Serenade for Winds No. -
(631) 632-7233 Photo Attached – Flip Fabrique – Catch Me! Credit: Michelle Bates
Contact: [email protected] (631) 632-7233 Photo attached – Flip Fabrique – Catch Me! Credit: Michelle Bates Emerson String Quartet, Flip Fabrique-Catch Me! and David Sedaris, humorist and author start the Staller Center for the Arts season at Stony Brook University September 5, 2017, Stony Brook, NY -- Looking for a special date night? Want to do something new with your children? Looking for live entertainment close to home? Staller Center for the Arts at Stony Brook University is featuring unique performances starting in October. The entire season through May 2018 is online at stallercenter.com. Emerson Quartet The Staller Center season begins with a concert by the Emerson String Quartet, performing on Wednesday, October 11 at 8:00 pm in the 400-seat Recital Hall. The Emerson will have returned to the U.S. after acclaimed concerts in Austria; Brazil; and Colombia. They continue as Quartet in Residence at Stony Brook University and then tour once again. The Emerson Quarter’s October concert features pieces by Beethoven and Shostakovich. An all-Beethoven program by Emerson is scheduled for Thursday, December 7. Tickets are $48. Flip Fabrique- Catch Me! The young acrobats of Flip Fabrique bring their show “Catch Me!” to Staller Center Main Stage on Saturday, October 11 at 4:00 pm. Their circus skills, learned from performers from Cirque du Soleil and Cirque Eloize, include tricks that take the audience’s breath away. Tickets are $20 for this family entertainment. David Sedaris David Sedaris, the award-winning humorist and bestselling author, comes to Staller Center Main Stage on Friday, October 20 at 8:00 pm. -
Anthony Newman, Organ
THE SCARSDALE CONGREGATIONAL CHURCH CONCERT SERIES PRESENTS The Glory of the Organ Anthony Newman Sunday, April 17th, 2016 5:00 p.m. Reception follows One Heathcote Road Scarsdale, New York THREE FRENCH BAROQUE TRUMPET TUNES Charpentier, Lully, Dandrieu Toccata Adagio and Fugue in C major, BWV 564 – J. S. BACH Cantabile – C. FRANCK Three Sonatas – W. A. MOZART (Intermission) Romantic Adagio and Fantasia on Te Deum – A. NEWMAN Soeur Monique – F. COUPERIN Le Coucou – L. C. DAQUIN Fantasia and Fugue in G minor, BWV 542 – J. S. BACH THREE FAMOUS TRUMPET TUNES Purcell, Clarke, Purcell FUGUE IN G major, BWV 565 – J. S. BACH These six trumpet tunes are taken from many standard French baroque trumpet pieces and indeed from famous English Baroque works. Some of you will recognize them from the “Masterpiece Theatre Show” and Britain's “Young Persons Guide to the Orchestra.” The Bach works are amongst his most celebrated and well-known works for the organ. The toccata in C features a lengthy pedal solo followed by a beautiful adagio made famous by Pablo Casals in transcription, and an extremely joyful fugue. The work by Cesar Frank is unabashedly romantic, quiet, and lyrical. Mozart's church sonatas were used to get the Archbishop from the epistle side of the Salzburg Cathedral to the gospel side. They are short wonderful little gems of pieces, and I have transcribed the three you will hear today as organ solos. My own work is based on the opening four notes of the Gregorian Te Deum and is one of my most successful works, having transcriptions for solo piano and violin. -
All-Time Roster — 2018-19 USC Trojans Men's Basketball Media
USC • Letterwinners All-Time A Claridge, Philip ....................................... 1931 Aaron, Shaqquan............................... 2017, 18 Clark, Bruce ................................. 1972, 73, 74 Adamson, Chuck ..................................... 1948 Clark, Darion...................................... 2015, 16 Ainley, Charles ................................... 1920, 21 Clemo, Robert Webster .................... 1968, 69 Albrecht, Bob ........................................... 1980 Cobb, Leroy ............................................ 1971 Alleman, Rodney ......................... 1965, 66, 67 Coleman, Ronnie .................. 1988, 89, 90, 91 Allen, Greg............................................... 2012 Connolly, William .................................... 1967 Anchrum, Tremayne ................... 1992, 93, 94 Cooper, Duane ..................... 1988, 89, 91, 92 Anderson, Carl............................. 1936, 37, 38 Craven, Derrick...................... 2002, 03, 04, 05 Anderson, Clarence .................... 1931, 32, 33 Craven, Errick ........................ 2002, 03, 04, 05 Anderson, Dan ............................ 1972, 73, 74 Crenshaw, Donald Ray ..................... 1969, 70 Anderson, Dwight ............................. 1981, 82 Cromwell, RouSean..................... 2006, 07, 08 Anderson, Norman ........................... 1923, 24 Crouse, David ....................... 1993, 95, 96, 97 Androff, Abe ................................ 1947, 48, 49 Cunningham, Kasey .................... 2008, 09, 10 Appel, -
The 2009/10 Concert Season Marks the 200Th Anniversary of the Births of Both Felix Mendelssohn and Robert Schumann
May 5, 2010 at 9:00 on PBS Emanuel Ax, Yo-Yo Ma, Itzhak Perlman @ the Penthouse The 2009/10 concert season marks the 200th anniversary of the births of both Felix Mendelssohn and Robert Schumann. Musicians everywhere have been commemorating those anniversaries all season long. Our next Live From Lincoln Center, on Wednesday evening May 5, will join the world-wide celebration with a very special program originating in Lincoln Center's unique Kaplan Penthouse. More about the program and performers in a moment. Some 70 years ago RCA Victor Records brought together three of its reigning instrumental masters for the purpose of recording some of the cornerstones of the Trio literature for piano, violin and cello. They were violinist Jascha Heifetz, pianist Artur Rubinstein, and cellist Emanuel Feuermann. So important was that pairing that a feature article about their collaboration appeared in what was then the leading weekly publication in the country, Life Magazine. The writer dubbed the Heifetz-Rubinstein-Feuermann combination "The Million Dollar Trio", and the resultant recordings are regarded as classics to this day. And another spectacular threesome played together in the White House during the Presidency of John F Kennedy: violinist Isaac Stern; cellist Pablo Casals; and pianist Mieczyslaw Horszowski. If one were to try to emulate those combinations with artists of today, the choices inevitably would be Itzhak Perlman, violin; Emanuel Ax, piano; and Yo-Yo Ma, cello. And it is precisely those three who will form our Trio on May 5! The three of them are old friends who enjoy each others company socially as well as musically. -
Lunchtime Concert Slava Grigoryan Guitar Sharon Grigoryan Cello
Sharon Grigoryan has been the cellist with the Australian String Quartet since 2013, and has been invited to be Guest Principal Cellist with the Melbourne, Adelaide and Tasmanian Symphony Orchestras. She is the current Artistic Director of the Barossa, Baroque and Beyond music festival, which recently completed its fifth year. In 2019 Sharon curated a chamber music series, Live at the Quartet Bar, for the Adelaide Festival Centre, and made her debut as a radio presenter on ABC Classic. Regarded as a wizard of the guitar, Slava Grigoryan has forged a prolific reputation as a classical guitar virtuoso. Born in Kazakhstan, he immigrated with his family to Australia in 1981 and began studying the guitar with his violinist father Edward at the age of 6. By the time he was 17 he was signed to the Sony Classical Label. His relationship with Sony Classical, ABC Classic in Australia, ECM in Germany and his own label Which Way Music has led to the release of over 30 solo and collaborative albums – four of which have won ARIA Awards – spanning a vast range of musical genres. Since 2009 Slava has been the Artistic Director of the Adelaide Guitar Festival. Lunchtime Concert Slava Grigoryan guitar Sharon Grigoryan cello Friday 25 September, 1:10pm Throughout, Bach’s contrapuntal genius shows in his ability to project multiple PROGRAM voices and implied harmonies with what is often considered a single-line Jobiniana No. 4 Sergio Assad instrument. Maurice Ravel’s Pièce en forme de Habanera was actually originally written as a Sarabande from Cello Suite No.