DOCSLIB.ORG

170826 Zsat 285 Songs, 11.3 Hours, 2.26 GB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
170826 Zsat 285 Songs, 11.3 Hours, 2.26 GB Page 1 of 12 170826 zsat 285 songs, 11.3 hours, 2.26 GB Name Time Album Artist 1 Chromium Switch truncated 0:07 Firesign Theatre 2 Station Identification 0:07 Station ID Cara Dell'Apa 3 This is an extremely primative and paranoid cultu… 0:03 4 Horror and moral terror are your friends 0:06 Apocolypse Now Kurtz 5 YouMean 0:03 Waiting For The Electrician or Someone Like Him Firesign Theater 6 loadofcrap 0:05 7 ANNOUNCER BREAK SILENCE 2 MINUTES 2:00 ANNOUNCER BREAK SILENCE 2 MINUTES 8 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 9 My Big John <answer song New Orleans bourbo… 3:13 Dottie West 10 The Girl Who Stopped The Duke Of Earl <answer… 2:34 Little Star 111 Dorothy Berry 11 I'm No Runaround <answer song> 2:36 Teenage Kicks Volume 1 Ginger & The Snaps 12 Stop Running Around 2:09 Gladys Knight & The Pips 13 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 14 Let Your Hair Down Baby 2:36 Windy City Bop - Chicago Rockabilly (1954 - 195… Everett Carpenter 15 Speed Limit 2:07 Hot Rod Heaven: Volume 8 Tommy Lam 16 Bad Boy 1:59 Teenage Rebellion CD1 Floyd Dakil Four 17 Donny's Boogie 2:30 Miami Rockabilly Don Pate & The Rhythm Rpckets 18 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 19 Beer Bottle Boogie 2:54 DOCD-5683 Mr. Swing w Bobby Plater's Orchestra 20 Gonna Bring My Baby Back 2:21 DOCD-5683 Mr. Swing w Bobby Plater's Orchestra 21 The Easy Livin' Plan 2:46 DOCD-5683 Rufus ''Bear Cat'' Thomas w The Bearcats 22 I'll Be A Good Boy 2:49 DOCD-5683 Rufus Thomas 23 Married Woman 2:41 DOCD-5683 Rufus Thomas Jr. 170826 zsat Page 2 of 12 Name Time Album Artist 24 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 25 Voo-It! Voo-It! 2:46 The Specialty Story (Disc 1) The Blues Woman (Marion Abernathy) 26 Peek-a-Boo 2:12 Shake-O-Rama The Cadillacs 27 Sweet Thing 1:48 Sweet Sweet Girl: 50's and 60's Rock 'n' Roll Ding Dongs 28 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 29 The Hoochi Coochi Coo 2:36 Get On The Right Track: Mod R&B, Jazz & Ska C… Hank Ballard & The Midnighters 30 Oh Yeah 2:18 Rock and Roll Dance Party Vol 1 Guitar Slim 31 Midnight Ramblin' Tonight 2:19 King Rock'n'Roll H-Bomb Ferguson 32 My Brown Frame Baby 2:20 Still Stompin At The Savoy H-Bomb Ferguson 33 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 34 Mr. Highway Man 2:25 So-Cal Speed Shop's Hot Rod Classics CD2 Howlin' Wolf 35 Lindy Lou 2:21 Teenage Rebellion CD2 Huracanes <mexican rocanrol> 36 Bettyjean Rock 1:32 Windy City Bop - Chicago Rockabilly (1954 - 195… J. Mikel & The Hepcats 37 Katanga 2:18 Katanga & Ahbe Casabe Ike Turner & His Kings Of Rhyt 38 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 39 This Rock 'n' Roll 2:03 Sin Alley, Vol. 3 (Hot Fifties Rockabilly RnB Blast… Galaxies 40 Twixteen (alt. version) 2:11 Teenage Rebellion CD5 Gene Summers 41 Cindy Lou 2:05 Teenage Rebellion CD3 Gene Terry 42 Dance to the Bop 1:45 The Sullivan Years: Rock 'n' Roll Pioneers 1955-1… Gene Vincent 43 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 44 +Them There Eyes+Varetta Dillard+ 2:15 45 This Little Girl's Gone Rockin' - Janice Peters [Er… 1:47 The Axemen Cometh [Disc 1] Janice Peters 46 Wait A Minute 2:39 The London American Label Year By Year 1958 Jo-Ann Campbell 47 Boogie Woogie Country Girl 2:20 Rock and Roll Dance Party Vol 3 Jo ann Campbell 48 ANNOUNCER BREAK SILENCE 2 MINUTES 2:00 ANNOUNCER BREAK SILENCE 2 MINUTES 49 House Cat 2:34 Savvy Sugar Cd2 Romancers 170826 zsat Page 3 of 12 Name Time Album Artist 50 Slauson Sax 3:44 The Return Of The Del-Fi & Donna Story The Romancers 51 I Want You 1:59 I Want You Ron Berry 52 Women <warbly sound> 2:25 Sin Alley, Vol. 3 (Hot Fifties Rockabilly RnB Blast… Emmett Lord 53 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 54 29 - The Evergreens - Guitar Player 2:04 Florida Box Vol. 2 Various 55 30 - Roy Gaines - Loud Mouth Lucy 3:02 Florida Box Vol. 2 Various 56 14 - The Blue Aces - Rugged 2:16 Florida Box 1 Various 57 10 - Sammy Early - I'm Gonna Find Me A Girl 1:56 Florida Box Vol. 5 Various 58 ANNOUNCER BREAK SILENCE 2 MINUTES 2:00 ANNOUNCER BREAK SILENCE 2 MINUTES 59 Nobody's Lonesome for Me 2:14 Just a Moment: Ace Ms. Recordings Stone, Roland 60 My Heart Cries 2:25 Wicked Oldies: Volume 2 The Romancers 61 Sad Fool 2:19 Los Angeles Vocal Groups From The 50's The Rollettes 62 I'm Coming In 2:11 Dancin' In D-Town Romeo Rand 63 Soldier Of Love 2:20 Wuschel Boys Archives: Volume 6 Roland Storm 64 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 65 Occapella 2:35 Yes We Can Dorsey, Lee 66 Johnny 1:50 Caddy 107 Dots (1) (BF Jeanette Baker) 67 Mister Sam 2:07 ''my Doo-Wopp Collection'' - The Black Group So… Rommels 68 Gone Gone Getaway 2:20 Doowops Of RnR 7 Romeos 69 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 70 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 71 Crazy Daisy 2:31 San Antonio Rock-The Harlem Recordings 1957 -… Doug Sahm & The Knights 72 She About A Mover 2:24 Classic Rock 1965: The Beat Goes On Sir Douglas Quintet 73 Linda Lou (bonus track) 3:36 Sir Douglas Quintet + 2 = [Honkey Blues] Sir Douglas Quintet 74 Mystery Train <bo diddley style guitar> 2:07 1963-1968 - The Complete Wooly Bully Years Vol.2 Sam The Sham & The Pharaohs 75 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 170826 zsat Page 4 of 12 Name Time Album Artist 76 ANNOUNCER BREAK SILENCE 2 MINUTES 2:00 ANNOUNCER BREAK SILENCE 2 MINUTES 77 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 78 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 79 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 80 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 81 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 82 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 83 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 84 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 85 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 86 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 87 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 88 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 89 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 90 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 91 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 92 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 93 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 94 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 95 Chromium Switch 0:03 96 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 97 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 98 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 99 A 16 anni tu vuoi amare 2:04 Neil Sedaka - Oh Carol [Bear Family], Disc 6 Neil Sedaka 100 Miami Beach Rhumba 3:17 Sentimental Journey 17 Cugat, Xavier 101 Guaglione 2:28 Play Man Play! 30 Embassy Instrumentals Gordon Franks & His Orchestra 170826 zsat Page 5 of 12 Name Time Album Artist 102 Hoots Mon 2:15 Play Man Play! 30 Embassy Instrumentals Gordon Franks & His Orchestra 103 Red River Rock 2:09 Play Man Play! 30 Embassy Instrumentals The Gordon Franks Sextet 104 Melancholy Serenade 3:14 Ultra-Lounge, Vol. 13: TV Town Jackie Gleason 105 Patricia 2:11 Ultra-Lounge, Vol. 11: Organs in Orbit Joe Bucci Trio 106 ANNOUNCER VOICE OVER 3.5 MINUTES 3:31 107 The Continental Walk 2:21 Land Of 1,000 Dances: The Ultimate Compilation… The Rollers 108 Track 25 Wrangler Stretch - Pirouettes 2:09 The Best Doo-Wops Of Diamond Records Vol. 2 Diamond Records 109 The Bounce 2:31 Dance-A-Long At Whisky A Go Go The Rollers 110 The Push 2:07 Teenage Rebellion CD2 Gene Summers 111 The Beatle Bug 2:07 Teenage Rebellion CD2 J.T. Ratliff 112 The Roach Stomp 2:28 Gene & Wendell With The Sweethearts 113 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 114 Look At Me 2:40 Northern Exposure - Freeze Vol 04 Deletts 115 Don't Let It Down 2:41 Northern Exposure - Freeze Vol 06 Duke Baxter 116 ANNOUNCER BREAK SILENCE 3 MINUTES 3:00 ANNOUNCER BREAK SILENCE 3 MINUTES 117 ANNOUNCER BREAK SILENCE 4 MINUTES 4:01 ANNOUNCER BREAK SILENCE 4 MINUTES 118 A Rockin' Good Way (To Mess Around And Fall In… 2:27 Treasured Tunes - Volume 6 Dinah Washington & Brook Benton 119 Brook Benton - Crinoline Skirt 2:08 120 ANNOUNCER BREAK SILENCE 2 MINUTES 2:00 ANNOUNCER BREAK SILENCE 2 MINUTES 121 Verdie Mae 2:21 The Complete Singles Phil Phillips 122 How To Be A Musician 1:54 Last Of The Garage Punk Unknowns Vol.
Load more

Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • University of Pardubice Faculty of Arts and Philosophy the City in Songs
    University of Pardubice Faculty of Arts and Philosophy The City in Songs, Songs in the City: The Image of New York in the Folk Music of the 1960s Tomáš Racek Bachelor Thesis 2016 1 2 3 Prohlašuji: Tuto bakalářskou práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem použil, jsou uvedeny v seznamu literatury. Byl jsem seznámen s tím, že na moji práci se vztahují práva a povinnosti vyplývající ze zákona č.121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním mé práce v Univerzitní knihovně. V Pardubicích dne 29. 6. 2014 Tomáš Racek 4 Acknowledgements I would like to express my gratitude to my supervisor PhDr. Ladislav Vít, Ph.D. for his assistance, especially in the early stages of writing, and together with other university teachers, for all the effort they put in their valuable and inspirational lessons. I would also like to thank my mother, partner and children for their love, support, encouragement and patience during my studies. 5 ANOTATION This bachelor thesis is concerned with the image of New York City in the folk music of the 1960s, specifically in the song lyrics of the North American singer-songwriters Bob Dylan, Paul Simon, Joni Mitchell, Fred Neil, Phil Ochs, John Phillips, John Sebastian and Joey Levine.
    [Show full text]
  • Blackmoore Free
    FREE BLACKMOORE PDF Julianne Donaldson | 304 pages | 10 Sep 2013 | Shadow Mountain | 9781609074609 | English | United States Ritchie Blackmore - Wikipedia Richard Hugh Blackmore born 14 April is an English guitarist and songwriter. During his Blackmoore career, Blackmore established the heavy Blackmoore band RainbowBlackmoore which fused baroque music influences Blackmoore elements of hard rock. The family moved to HestonMiddlesexwhen Blackmore was two. He was 11 when he was given his first guitar by his father on certain conditions, including learning how to play properly, so he Blackmoore classical guitar lessons for Blackmoore year. In an interview with Sounds magazine inBlackmore said that he started the guitar because he wanted to be Blackmoore Tommy Steelewho used to just jump around and play. Blackmore loathed school and hated his teachers. While at school, he participated in sports including Blackmoore javelin. Blackmore left school at age 15 and started work as an apprentice radio mechanic at nearby Heathrow Airport. He took electric guitar lessons from session Blackmoore Big Jim Sullivan. In he began to Blackmoore as a session player for Joe Meek 's music productions, and performed in several bands. He was initially a member of the instrumental band The Outlawswho played in both Blackmoore recordings and live concerts. Blackmore joined a band-to-be called Roundabout in late after receiving an invitation from Chris Curtis. Curtis originated the concept of the band, but would be forced out before the band fully formed. After the lineup for Roundabout was complete in BlackmooreBlackmore is credited with suggesting the new name Deep Purpleas it was his grandmother's favourite song.
    [Show full text]
  • FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane.
    [Show full text]
  • High Fidelity Classified 1748, $6.95; 4Fin Pk 1748, $6.95
    RCA Victor LSP 4530, $5.98. Tape: 6. P8S HIGH FIDELITY CLASSIFIED 1748, $6.95; 4FIN PK 1748, $6.95. Don't be put off by the title or cover or liner for sale services of Elvis Presley's latest album. "Love Letters" is his best effort in some time: Got My Mojo LIVEOPERA PERFORMANCES ON REEL-TO-REEL RENT 4 -TRACK OPEN REEL TAPES-ALL MAJOR Working. Cindy Cindy. When I'm Over You. tapes.37years,from PONSELLE-CALLAS.Catalog: labels -3,000 different-freebrochure.Stereo-Parti, Mr. Tape, Box138,MurrayHillStation,N.Y.C. 57 St. James Drive, Santa Rosa, Cal. 95401. etc. One minus: only eleven songs. J.G. 10023. "HARD TO GET" RECORDS-ALL SPEEDS. RECORD RAY CHARLES: Volcanic Action in My Soul. Exchange,842SeventhAvenue, New York,N.Y. employment opportunities ABC ABCS 726, $4.98. 10019. Ray Charles' new release is surprisingly weak EUROPEAN -FOREIGN EMPLOYMENT OPPORTUNITIES PROTECT YOUR RECORDS. CARDBOARD REPLACE- -Interesting work, excellentpay.Detailedlisting, coming from the man who was rightly called ment covers, plastic lined sleeves, 78 and 45 heavy currentlyavailablejobs-Europe,Africa,Australia, sleeves,hinged recordset the genius of soul. Soupy arrangements of boxes,12",10",7". $3.00. EUROJOB REPORT, Box 52643-F,Lafayette, Cabco 300, 89 East Woodruff, Columbus, Ohio 43201. Louisiana 70501. silly songs. J.G. OLD-TIME RADIO PROGRAMS ARE STILL AVAIL - able.Six hour tape only $7.00 or catalogue 251. RED SKY AT MORNING. Original film soundtrack NostalgicRadio,Box 29F,Peoria,Illinois61601. books & literary services by Billy Goldenberg. Decca CL 9180, $5.98. INFINITY SYSTEMS, CROWN, RABCO, DUAL, TRAN- This album establishes young Billy Golden- static, Bose, Quad,Sony,KLH,tradesaccepted.
    [Show full text]
  • Glyn Johns Sound Man a Life Recording Hits With
    ISBN: 9780399163876 Author: Glyn Johns Sound Man A Life Recording Hits with The Rolling Stones, The Who, Led Zeppelin, The Eagles, Eric Clapton, The Faces . Excerpt PREFACE Someone asked me the other day: What exactly does a record producer do? My answer was: “You just have to have an opinion and the ego to express it more convincingly than anyone else.” Every time I start another project I wonder if I am going to get found out. So much of what any of us achieve in life has a massive element of good fortune attached. In my case, you can start with being born in 1942, which tipped me out into the workplace just as things were getting interesting in the music business, along with a whole host of artists who were to change the face of popular music. They were to drag me with them on the crest of a wave through an extraordinary period of change, not only in the music they were writing and performing but in the structure of the industry itself. Every now and then, when the opportunity presented itself, I would try to “express my opinion more convincingly than anyone else,” and there were a few who took notice. I started working as a recording engineer in 1959, just before the demise of the 78. It was the beginning of the vinyl age. Mono was the thing and stereo was only for hi-fi freaks. Bill Haley and His Comets had started the American rock and roll invasion in Britain in the mid-fifties, and it had been rammed home by Elvis, Fats Domino, Jerry Lee Lewis, and Chuck Berry, to name but a few.
    [Show full text]
  • Concert & Dance Listings • Cd Reviews • Free Events
    CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona.
    [Show full text]
  • Gordon Giltrap BIOGRAPHY
    Gordon Giltrap BIOGRAPHY Over the past forty years, Gordon Giltrap has graced the music business with his dedication to his craft and his affection for his audience. As one of the UK's most respected guitarists, he has consistently proved the adage that respect cannot be bought. It must be earned. Gordon was born on 6 April 1948, at the British Home for Mothers and Babies in Brenchley, Kent. The son of a labourer, he grew up in an austere but protective community of terraced houses in Deptford, south-east London. His obsession with stringed instruments began nine years later, when a friend turned up at the house with an out-of-tune Spanish guitar. Keen to encourage his new hobby, his parents bought him a plastic ukulele with a picture of Elvis on the headstock, then a Martin Coletti archtop jazz guitar with a sunburst finish and a brown canvas case. Without a teacher to guide him and just a set of pitch pipes and a book entitled “First Steps” he taught himself how to tune the instrument and finger basic chords. A familiar story I’m sure you have heard before from many of the guitar legends around today! Gordon joined his first band when barely in his teens, and relished the opportunity to play songs by his idols - Cliff Richard, The Shadows and The Everly Brothers. He set his sights on Art College, but bowed to his father's insistence that he learn "a trade", and grafted his way through a series of unrewarding jobs. Gordon unwittingly taught himself a hybrid technique of plectrum and little finger, but in doing so, created the individual sound that is still his trademark.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time.
    [Show full text]
  • Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
    [Show full text]
  • Are We Still Rolling?
    Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone.
    [Show full text]
  • Andrew Loog Oldham by Rob Bowman As the Rolling Stones’ Manager and Producer, He Played a Seminal Role in the Creation of Modern Rock & Roll
    Andrew Loog Oldham By Rob Bowman As the Rolling Stones’ manager and producer, he played a seminal role in the creation of modern rock & roll. IN 1965, TOM WOLFE FAMOUSLY DUBBED PHIL SPECTOR America’s first tycoon of teen. Great Britain in the 1960s had its own version with Andrew Loog Oldham. Similarly eccentric, Oldham sported a one-of-a-kind mix of flamboyance, fashion, attitude, chutz­ pah, vision, and business smarts. As comanager of the Rolling Stones from May 1963 to September 1967, and founder and co-owner of Im­ mediate Records from 1965 to 1970, he helped shape the future of rock, and certainly turned the music industry in the United Kingdom on its head. Along the way, between the ages of 19 and 23, he pro­ duced some of the greatest records in rock & roll history, leading Bill­ board to describe him as one of the top five producers in the world, and Cashbox to declare him a musical giant. ^ He was born in Lon­ don on January 29, 1944, during the Germans’ nightly bombard­ ment of England. His father, whom he never met, was Texas airman Andrew Loog, killed in June 1943 when his B-17 bomber was shot down over France. Raised by his mother, Celia Oldham, the preco­ cious teenager began working for Mary Quant during the day, at Ronnie Scott’s jazz club in the evening, and at the fabled Flamingo club after midnight. He also found time to form a (short-lived) pub­ lic relations firm with Pete Meaden, the future manager of the Who.
    [Show full text]