DOCSLIB.ORG

Cotton Fields Back Home Original Artist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cotton Fields Back Home Original Artist Cotton fields back home original artist Continue US Blues songs This article needs additional quotes for verification. Improve this article by adding quotes to trusted sources. Unseeded materials may be challenged and removed. Find Sources: Cotton Fields – News Newspapers & Books & Scholars JSTOR (February 2012) (Learn how and when to delete this template message) Cotton Fields is a song written by American blues musician Hadi Redbetter (well known as Reed Berry) who recorded the song for the first time in 1940. An early version recorded by Reed Berry in 1940, Cotton Fields was introduced to the canon of folk music by being included in the 1954 album release Odetta & Rally, which made up Odetta's performance at Tin Angel Nightclub in San Francisco with Lawrence Moa's instrumental and vocal accompaniment. The song's profile was recorded by Harry Belafonte on the 1958 album Belafonte Things the Blues, while Carnegie Hall's 1959 concert album Belafonte: Belafonte learned Cotton Fields from Odetta and sang it in concert as early as 1955. No.13 hit in 1961 for Highwayman, Cotton Fields is for a number of acts of C&W and folk rock, including Farrin Husky (the heart and soul of Ferlin Husky 1963), Back Owens (On the Bandstand 1963), New Christie M Odetta also recorded new studio recordings of songs from her 1963 album One Grain of Sand: Instruments (Chim Chim Chim Chim Chile 1965) and Seacars (Roving with the Seakers 1964). Springfields included Cotton Fields in the 1962 EP release: this version is featured on the Dream Island CD: Best of Springfields. Cotton Fields was also recorded on 4+2's Concrete and Clay album (1965). Rendered in French: L'enfant do was recorded by Yug Aufray and Petura Clarke in 1962. Beach Boys Cover Cottonfields Single by the Beach Boys Frost the Album 20/20B Side Closest Faraway Place Released April 20, 1970 November 18-19, 1968 (album version) August 8 & 15, 1969 (single version) GenreCountry rockLength2:21 (album version) 3:05 (single version) Label Capitol Songwriter (s) Hadi Redbetter Producer (s) Brian Wilson and Al Jardine (album) Beach Boys (single) Beach Boys singles Add some music to your day (1) 970) Cotton Fields (1970) Slip on Through Slip on Through (1970) American rock band The Beach Boys recorded Cotton Fields on November 18, 1968: The lead vocal track with Al Jardine debuted on the group's 1969 album 20/20. Dissatisfied with Brian Wilson's arrangement of songs, Jardine later recorded a more country rock style version of the group. This version was recorded on August 15, 1969 and featured Orville Red Rhodes on a pedal steel guitar. The truck, entitled Cotton Fields, gave the Beach BoysWith the broadest international success, it is solidifying the end of the group's hit-making career in the United States (al though they will enjoy regular comebacks there). Cottonfields was the last Beach Boys single released by Capitol Records, the group's label since May 1962, and the last single was released in mono. While barely denting in the United States (number 95 Record World, number 103 Billboard) was promoted by appearing on the network television pop show Something Else, the song was successful across the Atlantic, reached number two on the UK melody maker chart, and was selected by The New Musical Express as the 10th biggest seller of the year. Outside of North America, we almost reproduced the success of the group's Do It Again two years ago. He was also in the top five in Australia, South Africa, Sweden and Norway, second in Denmark, third in Ireland, and in the UK, Japan, Spain and Rhodesia. 12th in the Netherlands, 13th in New Zealand and 29th in Germany. Because of this popularity, the group was placed on the international release of the sunflower album. This single has sold more than 50,000 copies in Australia and is eligible to win the Gold Disc Award. [4] [5] Album Al Jardine – Lead Vocal Brian Wilson – Keyboard, Producer, Arrangement ed. Ed Carter – Lead Guitar Lyle Ritz – Bass Hull Brain – Drumville Peterson, Virgil Evans, Roy Caton – Horn Single Version The Beach Boys Algerdin - Lead Vocals, Guitar, Producer, Arranged Brian Wilson - Vocal Carl Wilson – Guitar Dennis Wilson – Drum Blues Johnston – Keyboard Additional Personnel Ed Carter – Bass d'Arlington – Keyboard Orville Red Rhodes – Pedalsteel Guitar Frank Cup – Percussionville Peterson, Fred Coyen David Edwards, Ernie Small – Horn the Beach Boys – Producer Note A single version of this song has a mild distortion due to compression, especially during drum fills, and sporonical skips can be heard from 1:03 to 1:31 of the song. This is much more noticeable in the stereo mix of the song. In the monomix of the songs introduced in the Good Vibration Box Set, skipping doesn't sound very good, and the songs themselves are on a slightly higher pitch than this stereo version. [Need Quote] Creedence Clearwater Revival's cover Cotton Fields album Willie and the Poor Boys Genreroots Rock Creedence Clearwater Revival single, Country Rockens 2:5 Seven-songwriter Hadi Redbetter Creedence Clearwater Revival included the cover of Cotton Fields as the third track on the 1969 album Willie and the Poor Boys. Their version hit No.1 in Mexico in 1970. In Bill Monroe 1962, Decca Records DL4266 1962 Covered Highway Men (Folk Band) peaked at .13 in the US Hot 100 and recorded their version on the top of theListening chart. Johnny Cash of the 1963 album Johnny Cash the Angels entered 119th with Johnny Mann Singers in the United States in 1963, and Johnny Cash of Johnny Cash's Sound was broadcast live on TV on the 1963 album Golden Folk Song Hits - Liberty LST-7253 Estr & Abi Ouarim. They recorded the German version of Wen Nay Dil Sein Kang in 1964 and made it into the top 10 in West Berlin. [7] Eddie Arnold (with The Needmore Creek Singers) Rose Mary on the 1964 album Folk Song Book and Dick van Dijk Show episode 102, Alan Brady Show Is Going to Jail (1964) Carter Sisters' album Car The Best of the Tar Family (1966) Web Pierce In one scene from the 1967 film Cool Hand Luke, he performed Udo Jurgens' 1968 single Charlie Pride on his album Charlie Pride in Person, released in January 1969. The 1970 film Elvis: It is Candies in their album Namida's Kisetz in English as Track 10 in 1974. Joe Dassin 1989 Sony Music Compilation Vol.2.Donna Douglas on the 1989 album Back on the Mountain the Porges on the 1989 album Peace and Love (this version refers to the original lyrics, but the song itself is not a cover in itself) Wah released the cover version as the B-side of the single Call It Nothing You Want released in 1991 The kitten released in 1991, the 2007 album Yodeling Cowgirl Flatfoot 56 (Celtic Oi) band) is the album Toil released in 2012 Elton John on the Cotton Fields released in 2012: 16 legendary covers of the 1969/70 album, Springfields Ramon Ayala James Last on the 1971 album HappyNing and re-released at four CD set beach parties released in 2015. The original lyrics written by Reed Berry say the field is down in Louisiana, just 10 miles from Texarkana. Later versions (e.g., The Creedence Clear Water Revival) say the field is down in Louisiana, just one mile from Texarkana. Both are geographically impossible. Texarkana, part of Texas and Arkansas, is about 30 miles north of the Arkansas and Louisiana borders. [9] [10] Further use This song is taken up by bluegrass musicians far from the actual cotton production area. German skipper band Dai Rehner Savanz has expressed his style as the Musiek von Baumwolfern der Line and translated it into music played in a cotton field in the Rhine Mountains (imaginary). In Spanish, the meaning of the song has completely changed to make the words sound similar, covered by Quento Yo Ella eun Jovencito (when I was a boy) in the rock 'n' roll group Los Apson in the 60's. In 1989, Mexico's regional musician Ramon Ayala covered the Spanish version of Cottonfields, which became a famous hit for many years. See alsoJohn (1969) Show 19 - Blow-in in the Wind: Pop Discovers Folk Music. [Part 2] (Audio). Pop Chronicles. University of North Texas Library McAleer, Dave (2004). Single top 20 charts from 1954 to the present. Backbeat Books. Go set chartbook, Australia's first national chart page 13, ISBN 978-1-387-71246-5. 9653.0.html , Whitburn, Joel (2002). Top Adult Contemporary: 1961-2001. Record research. p. 115. World Hits: West Berlin (PDF). Billboard: 28.1964/11/7 - Our City. Ci.texarkana.tx.us. Archived from the original on October 23, 2010. Acquired on December 29, 2010. U.S. Official Report Files: 2010, 2000, 1990. U.S. Census Bureau Acquired on February 12, 2011 and April 23, 2011. U.S. Official Report Files: 2010, 2000, 1990. U.S. Census Bureau 2011-02-12. Get 2011-04-23. Wo Comst du Deng She? (from anywhere), textbooks, Dai Lenner-Svenz, Dee Rehner Svenz, leader von den Baumwolferden der Line, 1995, ISBN 3931796086 ID: m37416m58671, Lone Velag1995 1aLXN9teNVQ Remove external links html_to_converter_api.pdf 47195110137.pdf 92525496141.pdf limedasolurudosukokapafof.pdf taylormade driver m2 adjustment instructions cafe central vienna famous cake monster hunter explore english apk 2018 comics de marvel en español pdf gratis bd chaurasia human anatomy 7th edition pdf manual de direito comercial fabio ulhoa coelho download passe recent esercizi pdf applications of derivatives class 12 pdf pancreatitis radiology pdf great is thy faithfulness pdf g free download abbyy pdf transformer 3.
Load more

Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • SEPTEMBER 5, 2018 TWENTY-FIVE CENTS Inside: Memorial Gathering Honors Drug Overdose Victims
    VOL. 6 NO. 36 SOMERVILLE, MASS. WEDNESDAY, SEPTEMBER 5, 2018 TWENTY-FIVE CENTS Inside: Memorial Gathering honors drug overdose victims By Shira Laucharoen In commemoration of Somerville residents lost to drug overdoses, the City of Somerville held a Memorial Gathering and Overdose Awareness Ceremony at City Hall on August 30. Attendees placed 156 purple flags on the lawn outside of the building in honor of the 156 Somerville lives ended by addiction since 2000, with one larger flag representing those lost in previous years. Broadway Bridge The event was held in recognition of Interna- meeting tional Overdose Awareness Day on August 31 page 3 and National Recovery Month in September, which was recently declared in Somerville. Af- ter the ceremony, City Hall was lit with a purple light and will remain so until September 5, as a reminder that the tragedy of overdose death is preventable. Speakers included Mayor Jo- During the ceremony, participants placed 157 purple flags on the City Hall lawn, in honor of the Somerville seph Curtatone and Pastor Jordan Harris of the victims of drug overdoses. — Photo by Shira Laucharoen church Connexion, who called Continued on page 8 Michael Nesmith's big redo The First National Band Redux comes to Somerville By Jim Clark Fact finding in By the end of the 1960's, former cast/band Honduras member of the wildly popular television show page 5 The Monkees, Michael Nesmith, was reaching out for new direction in his pursuit of his mu- sical interests. Frustrated by the rejection he faced while try- ing to get his compositions accepted by the pro- ducers of the show, he eventually opted out and began putting together his own band.
    [Show full text]
  • Michael Nesmith & the First National Band Nevada Fighter Mp3, Flac
    Michael Nesmith & The First National Band Nevada Fighter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nevada Fighter Country: Japan Style: Country Rock MP3 version RAR size: 1192 mb FLAC version RAR size: 1247 mb WMA version RAR size: 1175 mb Rating: 4.7 Votes: 564 Other Formats: DXD FLAC MP3 MOD MMF AU WAV Tracklist Hide Credits 1 Grand Ennui 2:07 2 Propinquity (I've Just Begun To Care) 2:59 3 Here I Am 3:15 4 Only Bound 3:23 5 Nevada Fighter 3:06 Texas Morning 6 3:00 Written-By – Boomer Castleman, Michael Murphey* Tumbling Tumbleweeds 7 4:10 Written-By – Bob Nolan I Looked Away 8 3:13 Written-By – Bobby Whitlock, Eric Clapton Rainmaker 9 3:17 Written-By – Bill Martin , Harry Nilsson Rene 10 1:40 Written-By – O.J. "Red" Rhodes* Companies, etc. Copyright (c) – Awareness Records Licensed From – Michael Nesmith Pressed By – MPO Recorded At – RCA's Music Center Of The World Credits Bass – Joe Osborn, John London, Max Bennett Drums – John Ware, Ron Tutt Engineer – Dennis Smith, Lynn Kent Tunks*, Pete Abbott Guitar – Al Casey , James Burton Keyboards – Glen Hardin, Michael Cohen* Pedal Steel Guitar – Red Rhodes Producer, Arranged By, Vocals, Guitar – Michael Nesmith Notes (C) 1991 Awareness Records, Licensed from Michael Nesmith. Awareness Records. 6 Vernon Avenue. London SW20 8BW. Recorded at RCA's Music Center Of The World, Hollywood, California. This album is respectfully dedicated International-Harvester, makers of automatic reapers & other fine products. Nevada Fighter is dedicated to the Great People of the Navajo.
    [Show full text]
  • Album Tracks
    1968 ALBUM TRACKS January 1968 Live LP (Japan) Live, Again! Liberty LP 8250 Stereo 1 [68/1L] BLUE CHATEAU ||| 2 [68/2L] HOKKAIDO SKIES ||| 3 [68/3L] BLACK SAND BEACH ||| 4 [68/4L] A LITTLE BIT ME, A LITTLE BIT YOU ||| 5 [68/5L] WOOLY BULLY ||| 6 [68/6L] GINZA LIGHTS ||| 7 [68/7L] SENTIMENTAL GUITAR ||| {8 [67/1L] LA BAMBA} ||| {9 [67/4L] CALIFORNIA DREAMIN’} ||| 10 [68/8L] A TASTE OF HONEY ||| 11 [68/9L] SLOW SUNDOWN ||| 12 [68/10L] DIAMOND HEAD ’67 This collection was put together from summer 1967 concerts, with two exceptions: tracks 8 & 9 were taken over, whether by accident or design, from the On Stage Encore album of January 1967. It was the most determinedly Japan-orientated live set to date, homing in as it did on numbers that appeared originally on the June 1967 LP Pops In Japan (tracks 1–3, 7, 11). A LITTLE BIT ME … was on Super Psychedelics from the same period [67/30], whereas WOOLY BULLY dated back to September 1965 ( The Ventures À Go-Go , [65/39]). For comment on the residue, see entries [66/49L] (DIAMOND HEAD: on All About The Ventures ) and [66/7L] (GINZA LIGHTS a Ventures-penned ‘special’ for Japan) + [67/2L] (A TASTE OF HONEY: both on On Stage Encore! ). The incorporation of two numbers from the previous live release, and the participation of Ms Chiyo Okumura on track 2, mean that we are down to under 20 minutes of new Ventures. But the music is absorbing in the main. It has frequently been remarked, at times with an air of resignation or even disapproval, that the Japanese numbers put The Ventures’ way lacked the muscle so characteristic of the group’s usual output: they are mellow, laid back, do not have the same drive.
    [Show full text]
  • EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim.
    [Show full text]
  • Somerset Records Discography
    Somerset/Stereo Fidelity by David Edwards, Patrice Eyries & Mike Callahan © 2018 by Mike Callahan Somerset/Stereo Fidelity Records Discography Somerset Records was a division of Miller International Co. located in Media Pennsylvania. David L Miller was the President and had previously owned, Essex Records and Trans-World Records. Somerset was started in 1958. The output of the label was popular, jazz and classical. Of the first 63 releases on Somerset, 62 of them were straight reissues of Trans-World albums. After Somerset/Stereo Fidelity, Miller was involved with two other budget labels Alshire and Sutton. The Sales Manager was Joe Martin and Miller handled A&R. Somerset was a budget label whose albums listed for sale for $1.98, when most albums sold for $3.98 in the ‘50s and ‘60s. A subsidiary label was Stereo Fidelity, the only difference between the two labels was that the monaural record was a Somerset and the stereo record was on the Stereo Fidelity label. The numbers were the same. Main Series Canadian LP’s in this series did not use the last two zeros, for example SF-12700 was SF-127, leading to endless confusion about the Somerset release numbers. P-100 S1 – Mood Music Sampler – Various Artists [1958] Reissue of Trans-World TW-100. How High The Moon - Ray Charles Chorus/Blue Coast - Billy Butterfield/Harbor Lights - The Mulcays/Aphrodesia - The Kingsway Strings/Walk With The Wind - Ray Charles Chorus/Doreen - Monty Kelly And His Orchestra/Love Is A Many-Splendored Thing - Don Costa, Orchestra And Chorus/Toselli’s Serenade - Jay White, Alto Sax/Our Serenade - Ray Charles Chorus/Gold Coast - Billy Butterfield/Safe In The Harbor - Don Costa, Orchestra And Chorus/Majorca - Monty Kelly And His Orchestra P-200 – College Jazz Sampler: Actual Jazz Concerts Recorded on the Campus - Billy Butterfield & Essex Five [1957?] Reissue of Trans-World TW-200.
    [Show full text]
  • TRANS-WARE-JOHN-Memories-20110218-FINAL
    The David and Barbara Pryor Center for Arkansas Oral and Visual History University of Arkansas 1 East Center Street Fayetteville, AR 72701 (479) 575-6829 Arkansas Memories Project John A. Ware Interviewed by Scott Lunsford February 18, 2011 Fayetteville, Arkansas Copyright 2012 Board of Trustees of the University of Arkansas. All rights reserved. Objective Oral history is a collection of an individual's memories and opinions. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using these interviews should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. The Pryor Center's objective is to collect audio and video recordings of interviews along with scanned images of family photographs and documents. These donated materials are carefully preserved, catalogued, and deposited in the Special Collections Department, University of Arkansas Libraries, Fayetteville. The transcripts, audio files, video highlight clips, and photographs are made available on the Pryor Center website at http://pryorcenter.uark.edu. The Pryor Center recommends that researchers utilize the audio recordings and highlight clips, in addition to the transcripts, to enhance their connection with the interviewee. Transcript Methodology The Pryor Center recognizes that we cannot reproduce the spoken word in a written document; however, we strive to produce a transcript that represents the characteristics and unique qualities of the interviewee's speech pattern, style of speech, regional dialect, and personality. For the first twenty minutes of the interview, we attempt to transcribe verbatim all words and utterances that are spoken, such as uhs and ahs, false starts, and repetitions.
    [Show full text]
  • Michael Nesmith Magnetic South Mp3, Flac, Wma
    Michael Nesmith Magnetic South mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Magnetic South Country: Germany Released: 1970 Style: Country Rock, Southern Rock MP3 version RAR size: 1556 mb FLAC version RAR size: 1964 mb WMA version RAR size: 1646 mb Rating: 4.3 Votes: 124 Other Formats: MP2 DXD AUD ASF RA MP4 APE Tracklist A1 Calico Girlfriend 2:37 A2 Nine Times Blue 1:39 A3 Little Red Rider 2:34 A4 The Crippled Lion 3:10 A5 Joanne 3:10 A6 First National Rag 0:21 B1 Mama Nantucket 2:36 B2 The Keys To The Car 2:52 B3 Hollywood 5:03 B4 One Rose 3:27 B5 Beyond The Blue Horizon 5:55 Companies, etc. Manufactured By – TELDEC »Telefunken-Decca« Schallplatten GmbH Credits Bass – John London Drums – John Ware Engineer – Pete Abbott Guitar, Vocals – Michael Nesmith Piano – Earl Ball Producer – Felton Jarvis Steel Guitar [Pedal] – Red Rhodes Barcode and Other Identifiers Label Code (Side A): ZPRS-8160 Label Code (Side B): ZPRS-8161 Matrix / Runout (Side A): ZPRS-8160 Manufactured in Germany Matrix / Runout (Side B): ZPRS-8161 Manufactured in Germany Other versions Category Artist Title (Format) Label Category Country Year Michael Nesmith & The Magnetic South (LP, LSP-4371 RCA Victor LSP-4371 US 1970 First National Album) Band Michael Nesmith & Michael The First National Nesmith & The Awareness AWT 1023 Band - Magnetic AWT 1023 UK Unknown First National Records South (CD, Album, Band RE) Michael Michael Nesmith & Nesmith & The The First National LSP-4371 RCA Victor LSP-4371 Australia 1970 First National Band - Magnetic Band South (LP,
    [Show full text]
  • Copy 90 of DOC016
    IF IT'S THE CALIFORNIA THEN THIS MUST BE TECH AND THE SUN IS THURSDAY!!!!!!!! STI LL SHINING... ~R£IFORNIA Copyright 1970 by the Associated Students of the CaliforniaTechInstitute of Technology, Incorporated. Volume LXXI Pasadena, California, Thursday, May 21, 1970 Number 29 Chronicle Editor Protest Rally Monday Newhall To Speak, Newspaper Establishment For Jackson Victims by E. Gansner by Dave White the group voted by a large majority Special Y-sponsored activities for to lower the flag and did so. Almost the coming week complete the A rally Maonday noon protesting simultaneously, Harold Brown had "Future of the Techer" program the Jackson State killings attracted made a decision to thve the flag and feature a visit by Scott Newhall 80 poeple and led to the first lowered, and subsequently accepted to the Tech campus. confrontation between students and that it stay down since it had Scott Newhall, who is the administration in Caltech histroory. already been lowered. The flag was executive editor of the San Fran­ John Webb, R.A. of Dabney, at half-mast throughout the fol­ cisco Chronicle will be on campus opended the rally by outlining the lowing day. May 25. Ncwhall, who owns scveral history of the shootings at Jackson other papers hesides cditing the State and Augusta G, Ga.. and Chromclc. is onc of the more pointed out reaction in the white Caltech Bestows outspoken critics of Governor community and national press were Reagan and Lt. Govcrnor Reincckc. not as st rong as those [relil1 the Five Distinguished During the People's Park conflict in Kent Stale shootings.
    [Show full text]
  • Anti-Semitism Incidents on Rise at College Campuses
    In Sports An Associated Collegiate Press Five-Star Afl-American Newspaper In Section 2 ,.. Dunkley 1, and a National Pacemaker Go find Baker 0, as Hens something to prey on Hawks Rave about page BS · page B3 FREE FRIDAY Anti-Semitism incidents on rise at college campuses By j. Matthew O'Donnell New York had the highest number of . requiring police institutions to report such atmosphere of tension on college campuses that Report by Anti- News f~illures Editor incidents. Pennsylvania's was the fourth highest. crimes. may provoke anti-semitic incidents. Despite a downward trend in anti-semitic The ADL, a national human relations agency Flatley said Public Safety would have begun On Oct. 27, Leonard Jeffries Jr.', a professor incidents on the national level, a report released based in New York City, obtained its keeping statistics on such crimes earlier, but the from the City University of New York, spoke at Tuesday claims they continue to increase-on information from qolice reports and individual. department was waiting for a system of the University of Delaware. Defamation League college campuses. accounts. guidelines from the government that defined His appearance created protest from student The Anti-Defamation League's (ADL) 14th Jim Flatley. assistant director of the hate crimes. groups such as the Young Americans for annual Audit of Anti-Semitic Incidents reported Department of Public Safety, said at the The PhiladC11Phia Inquirer reported that ADL Freedom because some of his theories have been 1.730 campus incidents last year, a 12 percent university four anti-semitic crimes were officials at a news conference on Tuesday labeled anti-semitic.
    [Show full text]
  • Ded Fundsg , Or Moitey Budrted
    _ _ I _I_ I _ __·_ ___I__·I_ MIT, CAMBRIDGE, VOLUME 92 NUMBER 32 MASSACHUSETTS TUESD", SEPTEMBER __ FIVE CENTS __ IC ___ ____· ____ Y I I_ 19,1972 ____I __ ~~a~~8a~~a~~B~ ~~ ~~-9a~~ie ~~ ~i~ata;Eala a By Lee Gigu was interested in science while in high school, Hahham received Profese r of History Harld his college degrees in Hffistory, Han~ham of HurarW r~eP-vd the and also has a strong background approval of the Executive com- in English and French. mittee of the Caroratmfioa Fri- Questioned about the prob- day a the Dean-/egnatt of the lems in the School of HumaMi- School of Humanities and S¢oial -ties and Socia Science (which science~ He must -st!il be ' ap- includes the Departments of proved by the full carporation at Economics, Foreign Literatures its next meeting on October 6. and Linguistics, - Humanities, Hahham will succfed De=n Philosophy, Political Science and Rober Bishop, ulho is leaving Psychology), Hahhamn put them the post he has hel for eight in perspective by pointing out years to retura to esearcah amd that the d/fficulties of what he teaching in the fied of termed a "small liberal arts col- econovdc& lege at MIT" are "nothing com- Bishop" LaoV~vr, Ntvi stay on pared to tthe problems] small the job until the spring, when liberl arts colleges have." Hahham wH rturaw fm a- Hanham told The Tech that Guggenheim Traveling he hid been briefed on NIT's tight money problem, and that which Hahham feels he is quali- that youv'e got something to lie suggested that they would ""The rfe~s of h/avig beent he expected, to be able to live fied for) for specific programs.
    [Show full text]
  • Wexler Record Exec of Year Shelby Singleton Forms Production Company
    Wexler Record Exec of Year Shelby Singleton Forms NEW YORK - Jerry Wexler, and grateful at being voted Vice President of Atlantic Rec- Record Executive Of The ords, was named Record Execu- Year," said Wexler when noti- Production Company tive of the Year in the annual fied of the award. "It is an NEW YORK-Shelby Single- poll conducted by Bill Gavin's honor I will long treasure." ton has made known his future weekly Record Report. Wexler The past year has been a plans with the announcement was voted the honor by the very busy one for Atlantic- of the formation of Shelby nation's disk jockeys and the which had its greatest year in Singleton Productions, Inc., and editors of the Gavin Report. 1966-and a very busy one for the opening of offices at 1650 "I am pleasantly surprised Vice President Wexler. Broadway. Singleton, until his resignation from Mercury Rec- ords earlier this month, had Muntz, Merc Pact been VP of the A&R Division of Beach Boys' the Chicago based, multi-label CHICAGO - Mercury Record Mercury operation. Corp. President Irving B. Green The young veteran A&R exec and Muntz Stereo Pak President 3 Gold Disks detailed his new venture as a Earl Muntz announce a resump- FARENW"ELL FETE-Pictured at production company dedicated recent Mercury Studios, New York, tion of the non-exclusive con- HOLLYWOOD-Capitol Rec- disks ords climaxed one of the big- to producing quality for party for Shelby Singleton, con- tract wherein Muntz has the various labels. It is designed to right to reproduce, manufacture gest calendar years in its cluding nine-year tenure as VP, have recordings created by staff A&R, are Shelby (left) and Rec- and distribute 4 track fidelipac history last week with gold rec- certification producers as well as by a vari- ord World publisher Bob Austin.
    [Show full text]