Michael Nesmith & the First National Band Nevada Fighter Mp3, Flac

Total Page:16

File Type:pdf, Size:1020Kb

Michael Nesmith & the First National Band Nevada Fighter Mp3, Flac Michael Nesmith & The First National Band Nevada Fighter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nevada Fighter Country: Japan Style: Country Rock MP3 version RAR size: 1192 mb FLAC version RAR size: 1247 mb WMA version RAR size: 1175 mb Rating: 4.7 Votes: 564 Other Formats: DXD FLAC MP3 MOD MMF AU WAV Tracklist Hide Credits 1 Grand Ennui 2:07 2 Propinquity (I've Just Begun To Care) 2:59 3 Here I Am 3:15 4 Only Bound 3:23 5 Nevada Fighter 3:06 Texas Morning 6 3:00 Written-By – Boomer Castleman, Michael Murphey* Tumbling Tumbleweeds 7 4:10 Written-By – Bob Nolan I Looked Away 8 3:13 Written-By – Bobby Whitlock, Eric Clapton Rainmaker 9 3:17 Written-By – Bill Martin , Harry Nilsson Rene 10 1:40 Written-By – O.J. "Red" Rhodes* Companies, etc. Copyright (c) – Awareness Records Licensed From – Michael Nesmith Pressed By – MPO Recorded At – RCA's Music Center Of The World Credits Bass – Joe Osborn, John London, Max Bennett Drums – John Ware, Ron Tutt Engineer – Dennis Smith, Lynn Kent Tunks*, Pete Abbott Guitar – Al Casey , James Burton Keyboards – Glen Hardin, Michael Cohen* Pedal Steel Guitar – Red Rhodes Producer, Arranged By, Vocals, Guitar – Michael Nesmith Notes (C) 1991 Awareness Records, Licensed from Michael Nesmith. Awareness Records. 6 Vernon Avenue. London SW20 8BW. Recorded at RCA's Music Center Of The World, Hollywood, California. This album is respectfully dedicated International-Harvester, makers of automatic reapers & other fine products. Nevada Fighter is dedicated to the Great People of the Navajo. Liner Photo by Michael, Phyliss & Dean on location, Indio, California. Dixie dewdrop & a Lonely Sailor Feedin' each other booze Neither is sure which is lonelier Nor who has the most to lose And as the night comes over The crickets at the door And the neon turns them red They'll do it again Because they're afraid That tomorrow they'll be dead. "Papa Nes" Barcode and Other Identifiers Barcode (Text): 5 017701 102525 Barcode (Scan): 5017701102525 Matrix / Runout: AWCD 1025 MPO 01 Other versions Category Artist Title (Format) Label Category Country Year Michael Michael Nesmith & Nesmith & The The First National LSP-4497 RCA Victor LSP-4497 US 1971 First National Band - Nevada Band Fighter (LP, Album) Michael Nesmith & The Nevada Fighter (LP, LSP 4497 RCA Victor LSP 4497 US 1971 First National Album, M/Print) Band Michael Michael Nesmith & Nesmith & The The First National LSP-4497 RCA Victor LSP-4497 US 1971 First National Band - Nevada Band Fighter (LP, Album) Michael Nesmith & Michael The First National Nesmith & The RPL-3007 Band - Nevada RCA RPL-3007 Japan 1981 First National Fighter (LP, Album, Band RE) Sundazed, RCA Michael Nevada Fighter (LP, Victor, Sony LP 5514, Nesmith & The LP 5514, Album, RE, RM, Music US 2018 8884304091 First National 8884304091 Whi) Commercial Band Music Group Related Music albums to Nevada Fighter by Michael Nesmith & The First National Band Michael Nesmith - Magic (This Night Is Magic) Michael Martin Murphey - What She Wants Michael Nesmith & The First National Band - Loose Salute Michael Murphey - Geronimo's Cadillac Michael Nesmith - Musician And Philanthropist Michael Nesmith Michael Murphey - Michael Murphey Michael Nesmith & The First National Band Redux - Live At The Troubadour Michael Nesmith & The First National Band - Magnetic South Eric Clapton With The National Orchestra Conductor: Michael Kamen - Royal Albert Hall London - Final Concert Michael Martin Murphey - River Of Time Michael Nesmith - Pretty Much Your Standard Ranch Stash Michael Nesmith - Infinite Rider On The Big Dogma.
Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • SEPTEMBER 5, 2018 TWENTY-FIVE CENTS Inside: Memorial Gathering Honors Drug Overdose Victims
    VOL. 6 NO. 36 SOMERVILLE, MASS. WEDNESDAY, SEPTEMBER 5, 2018 TWENTY-FIVE CENTS Inside: Memorial Gathering honors drug overdose victims By Shira Laucharoen In commemoration of Somerville residents lost to drug overdoses, the City of Somerville held a Memorial Gathering and Overdose Awareness Ceremony at City Hall on August 30. Attendees placed 156 purple flags on the lawn outside of the building in honor of the 156 Somerville lives ended by addiction since 2000, with one larger flag representing those lost in previous years. Broadway Bridge The event was held in recognition of Interna- meeting tional Overdose Awareness Day on August 31 page 3 and National Recovery Month in September, which was recently declared in Somerville. Af- ter the ceremony, City Hall was lit with a purple light and will remain so until September 5, as a reminder that the tragedy of overdose death is preventable. Speakers included Mayor Jo- During the ceremony, participants placed 157 purple flags on the City Hall lawn, in honor of the Somerville seph Curtatone and Pastor Jordan Harris of the victims of drug overdoses. — Photo by Shira Laucharoen church Connexion, who called Continued on page 8 Michael Nesmith's big redo The First National Band Redux comes to Somerville By Jim Clark Fact finding in By the end of the 1960's, former cast/band Honduras member of the wildly popular television show page 5 The Monkees, Michael Nesmith, was reaching out for new direction in his pursuit of his mu- sical interests. Frustrated by the rejection he faced while try- ing to get his compositions accepted by the pro- ducers of the show, he eventually opted out and began putting together his own band.
    [Show full text]
  • Johnny Rivers
    Johnny Rivers... Chart Hits Include: * 17 Gold records * 29 chart hits * Two Grammy Awards, Memphis * Sold more than 30 million records * In 2006, the Maybelline singer/songwriter/producer continues to perform before sell- Mountain of Love out crowds worldwide. *The “Secret Agent Man” has many other accomplishments and has made significant Midnight Special contributions to the history of rock ‘n roll. Seventh Son Where Have All the Flowers Gone • Born in New York City, grew up in Baton Rouge, Louisiana. Secret Agent Man • Began playing professionally at age 14 when he formed his first band, Poor Side of Town “Johnny and The Spades.” Baby, I Need Your Lovin’ • Recorded his first single 1957 for Suede Records of Natchez, MS, at Tracks of My Tears Cosmos Studios in New Orleans. “Hey Little Girl” became a regional Summer Rain chart hit. Look to Your Soul • In late 1957 at age 15, Johnny Ramistella went back to New York City Rockin’ Pneumonia – Boogie Woogie Flu where he met the legendary D.J. Alan Freed, who got him a record deal Sea Cruise with Gone Records and changed his last name to Rivers. Blue Suede Shoes • In 1958, while performing on the “Louisiana Hayride” in Shreveport, LA, Help Me Rhonda Rivers was introduced to Ricky Nelson’s guitar player James Burton, who Slow Dancin’ took a song Rivers wrote, “I’ll Make Believe,” back to Hollywood and played it for Nelson who recorded it. Rivers hopped a plane from New Curious Mind Orleans to Los Angeles where he hooked up with Burton, met Ricky Nelson and struck up a friendship.
    [Show full text]
  • Album Tracks
    1968 ALBUM TRACKS January 1968 Live LP (Japan) Live, Again! Liberty LP 8250 Stereo 1 [68/1L] BLUE CHATEAU ||| 2 [68/2L] HOKKAIDO SKIES ||| 3 [68/3L] BLACK SAND BEACH ||| 4 [68/4L] A LITTLE BIT ME, A LITTLE BIT YOU ||| 5 [68/5L] WOOLY BULLY ||| 6 [68/6L] GINZA LIGHTS ||| 7 [68/7L] SENTIMENTAL GUITAR ||| {8 [67/1L] LA BAMBA} ||| {9 [67/4L] CALIFORNIA DREAMIN’} ||| 10 [68/8L] A TASTE OF HONEY ||| 11 [68/9L] SLOW SUNDOWN ||| 12 [68/10L] DIAMOND HEAD ’67 This collection was put together from summer 1967 concerts, with two exceptions: tracks 8 & 9 were taken over, whether by accident or design, from the On Stage Encore album of January 1967. It was the most determinedly Japan-orientated live set to date, homing in as it did on numbers that appeared originally on the June 1967 LP Pops In Japan (tracks 1–3, 7, 11). A LITTLE BIT ME … was on Super Psychedelics from the same period [67/30], whereas WOOLY BULLY dated back to September 1965 ( The Ventures À Go-Go , [65/39]). For comment on the residue, see entries [66/49L] (DIAMOND HEAD: on All About The Ventures ) and [66/7L] (GINZA LIGHTS a Ventures-penned ‘special’ for Japan) + [67/2L] (A TASTE OF HONEY: both on On Stage Encore! ). The incorporation of two numbers from the previous live release, and the participation of Ms Chiyo Okumura on track 2, mean that we are down to under 20 minutes of new Ventures. But the music is absorbing in the main. It has frequently been remarked, at times with an air of resignation or even disapproval, that the Japanese numbers put The Ventures’ way lacked the muscle so characteristic of the group’s usual output: they are mellow, laid back, do not have the same drive.
    [Show full text]
  • An Investigation of the Electric Bass Guitar in Twentieth Century Popular Music and Jazz
    An investigation of the electric bass guitar in Twentieth Century popular music and jazz. A thesis presented by David Stratton in partial fulfillment of the requirement for the degree, Master of Arts (Honours). School of Contemporary Arts College of Arts, Education, and Social Sciences University of Western Sydney April 2005 i Abstract The acoustic bass played mostly an accompanying role in popular music during the first half of the Twentieth Century, whereas the arrival of the electric bass guitar in the early 1950s presented new opportunities for acoustic bassists and musicians, composers, producers, engineers, the recording industry and the listening public. The distinctive sound of the electric bass guitar encouraged musicians to explore new timbres. The musicians who embraced the electric bass guitar developed its language, discovering and employing different techniques. The instrument became a catalyst for change and took on a more prominent role, forever changing the sonic landscape of popular music and jazz in the Twentieth Century. ii Acknowledgements I am indebted to the following people for their assistance during the period of my candidature: For technical support I thank Karl Lindbom, Paul Tilley, Clive Lendich, Benjamin Huie, Gary Fredericks and Brendan Read. The musicians who performed with me - Michael Bartolomei, Graham Jesse, Andrew Gander, Craig Naughton, Gordon Rytmeister, Nicholas McBride, Paul Panichi and Matthew Doyle. Kerrie Lester and Nikki Mortimer for granting permission to reproduce the paintings and etching. The musicians with whom I discussed my project, including Herbie Flowers, Carol Kaye, Max Bennett, Steve Hunter, Cameron Undy, Bruce Cale and Sandy Evans who have willingly encouraged me to quote.
    [Show full text]
  • Cotton Fields Back Home Original Artist
    Cotton fields back home original artist Continue US Blues songs This article needs additional quotes for verification. Improve this article by adding quotes to trusted sources. Unseeded materials may be challenged and removed. Find Sources: Cotton Fields – News Newspapers & Books & Scholars JSTOR (February 2012) (Learn how and when to delete this template message) Cotton Fields is a song written by American blues musician Hadi Redbetter (well known as Reed Berry) who recorded the song for the first time in 1940. An early version recorded by Reed Berry in 1940, Cotton Fields was introduced to the canon of folk music by being included in the 1954 album release Odetta & Rally, which made up Odetta's performance at Tin Angel Nightclub in San Francisco with Lawrence Moa's instrumental and vocal accompaniment. The song's profile was recorded by Harry Belafonte on the 1958 album Belafonte Things the Blues, while Carnegie Hall's 1959 concert album Belafonte: Belafonte learned Cotton Fields from Odetta and sang it in concert as early as 1955. No.13 hit in 1961 for Highwayman, Cotton Fields is for a number of acts of C&W and folk rock, including Farrin Husky (the heart and soul of Ferlin Husky 1963), Back Owens (On the Bandstand 1963), New Christie M Odetta also recorded new studio recordings of songs from her 1963 album One Grain of Sand: Instruments (Chim Chim Chim Chim Chile 1965) and Seacars (Roving with the Seakers 1964). Springfields included Cotton Fields in the 1962 EP release: this version is featured on the Dream Island CD: Best of Springfields.
    [Show full text]
  • The Hues Corporation Freedom for the Stallion Mp3, Flac, Wma
    The Hues Corporation Freedom For The Stallion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Freedom For The Stallion Country: Australia Released: 1973 Style: Soul, Disco MP3 version RAR size: 1620 mb FLAC version RAR size: 1380 mb WMA version RAR size: 1429 mb Rating: 4.1 Votes: 790 Other Formats: DTS AUD WAV AIFF TTA MMF APE Tracklist Hide Credits Bound On A Reason A1 3:15 Written-By – M. Jarrett* Off My Cloud A2 4:16 Written-By – W. Holmes* All Goin' Down Together A3 2:51 Written-By – M. Jarrett* Rock The Boat A4 3:22 Written-By – W. Holmes* Freedom For The Stallion A5 4:00 Written-By – A. Toussaint* The Family B1 3:09 Written-By – J. Hurley*, R. Wilkins* Go To The Poet B2 2:51 Written-By – W. Holmes* Salvation Lady (1-3-5) B3 3:18 Written-By – J. Hurley*, R. Wilkins* Live A Lie B4 2:13 Written-By – W. Holmes* Miracle Maker (Sweet Soul Shaker) B5 3:16 Written-By – B. Mann - C. Weil* Companies, etc. Phonographic Copyright (p) – RCA Records Manufactured By – RCA Limited, Sydney, Australia Credits Arranged By – D'Arneill Pershing, Gene Page, Perry Botkin Jr., Tom Sellers* Arranged By [Vocals] – The Hues Corporation, Wally Holmes Art Direction [Art Director] – Frank Mulvey Baritone Saxophone – William E. Green* Bass – David Hungate, Joe Osborn, Wilton Felder Cello – Edgar Lustgarten Congas – Chino Valdes Drums – Hal Blaine, Jim Gordon, Ron Tutt Engineer [Recording] – Grover Helsley, Pete Abbott Guitar – Al Casey , Dennis Budimir, Larry Carlton, Louie Shelton Keyboards – Joe Sample Percussion – Gary Coleman Photography By – Emerson-Loew Producer – John Florez Technician – Kent Tunks, Steve Francisco Trombone – Charles Loper, Lew McCreary Trumpet – Bud Brisbois, Charles B.
    [Show full text]
  • September 2020
    September 2020 “Celebrating Age and Maturity” Safer Safety and peace of mind go hand-in-hand. Our gated community and its affiliation with Willis-Knighton Health System are just two reasons The Oaks is a good move now and in the future. If you’re in the higher risk senior population, you can take comfort in knowing our staff emphasizes the same quality and safety you’ll find at Willis-Knighton our parent organization. Safety features include: • Up to date protocols and policies • Screenings of all who come on campus (employees too) • Expertly trained staff, ready to act on any health concerns • Priority access to Willis-Knighton hospitals (or transfer for care to any hospital you prefer) Peace of mind is good, not just during a pandemic, but all year long. Visit our website to learn about all of the amenities and benefits you’ll get with life at The Oaks. Then call to schedule your tour or a virtual visit if you prefer. (318) 212-OAKS (6257) 600 East Flournoy Lucas Road • Shreveport, LA • oaksofla.com • 2 September 2020 www.TheBestOfTimesNEWS.com Inside This Issue Briefs 6 Stat! Medical News & Info Columns 24 Shreveport Then & Now 8 Laws of the Land Quickdraw McGraw and Shifty Pete 30 Snapshot Sleuth by Lee Aronson 10 From the Bench Stay in Touch With Loved Ones Features by Judge Jeff Cox 17 Northwest Louisiana's Music History 12 Eat Well Live Well by Winston Hall Prediabetes: Your Chance to Prevent Type 2 Diabetes 20 You're Gonna Get on a WHAT? by Abigail McAlister by Fyllis Hockman 14 Dear Pharmacist The 4 Best Natural Antihistamines by Suzy Cohen In Every Issue 22 Tinseltown Talks 26 What's Cooking Olivia de Havilland: The End of an Era Powerful Pairings by Nick Thomas 28 Our Famous Puzzle Pages Crossword and Word Search The Best Of Times September 2020 3 THE BEST OF TIMES September 2020 l Vol.
    [Show full text]
  • EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim.
    [Show full text]
  • The Recording Sessions
    Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.
    [Show full text]
  • Utah Daily Chronicle__1970 A
    SALT LAKE ACTING COMPANY Open Auditions for "Viet Rock" TOTAL THEATER Thursday, January 22 at Curtis FOLK ROCK MUSICAL Elementary School, 1421 South ' 22 East (just south of Foothill ACTORS, ACTRESSES ?"jge) ,,rom 7 ' 10 p m- AND MUSICIANS. Methodist Church, 870 West NO PREVIOUS 4th South from 7 to 1 0 p.m., EXPERIENCE and SjhJW. January 24, at NECESSARY GraCe Me,hodist Church from 2 to 5 p.m. TREE 5 POINTS SHOPPING CENTER BOUNTIFUL 292-2221 Gigantic Men's Clothing Sale OVER 2,000 MEN'S SUITS and SPORTCOATS go on SALE 12 Price MEN'S MEN'S 1 SUITS rfjL SPORTCOATS values W k"Aw va'ues $70.00 p $59.95 0JJk $145.00 $135.00 1 jf' ; January 22, 1970 CLASSIFIED ADVERTISING GIRL NEEDED to share apartment 190 CM RED STAR RS. Used only 2 I your I SHERRY: lost phone num- wanted Near campus $37.50mo. LDS pre- days, $90.00. Call Ginger, 487-0282. SERVICES ber. T.O. -fered. Call after 5 359-8906. I Cn?tSi0,?P0RTUNITIES MaiOT CAR TOP ski rack $10. Call 278-1655. national firms pay - READING. An excellent is to find you! ONE agressive who wants to SPEED TUB A FT A HA ",Pan' position and student course. At least triple speed and 1 SlUr associate with Miss Juarez and the TANEAU cover, windows new cloth KAST INDIAN FOOD E.2?'g 'S?' marketing, and make comp. Only $24.00. Call 266-8447. m,en,V For inter-- stimulating business staff and top for TR3. Make offer Phone & vi w, confidential on the side good part call Upgrade Associates, 328- a million 297-6067.
    [Show full text]
  • TRANS-WARE-JOHN-Memories-20110218-FINAL
    The David and Barbara Pryor Center for Arkansas Oral and Visual History University of Arkansas 1 East Center Street Fayetteville, AR 72701 (479) 575-6829 Arkansas Memories Project John A. Ware Interviewed by Scott Lunsford February 18, 2011 Fayetteville, Arkansas Copyright 2012 Board of Trustees of the University of Arkansas. All rights reserved. Objective Oral history is a collection of an individual's memories and opinions. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using these interviews should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. The Pryor Center's objective is to collect audio and video recordings of interviews along with scanned images of family photographs and documents. These donated materials are carefully preserved, catalogued, and deposited in the Special Collections Department, University of Arkansas Libraries, Fayetteville. The transcripts, audio files, video highlight clips, and photographs are made available on the Pryor Center website at http://pryorcenter.uark.edu. The Pryor Center recommends that researchers utilize the audio recordings and highlight clips, in addition to the transcripts, to enhance their connection with the interviewee. Transcript Methodology The Pryor Center recognizes that we cannot reproduce the spoken word in a written document; however, we strive to produce a transcript that represents the characteristics and unique qualities of the interviewee's speech pattern, style of speech, regional dialect, and personality. For the first twenty minutes of the interview, we attempt to transcribe verbatim all words and utterances that are spoken, such as uhs and ahs, false starts, and repetitions.
    [Show full text]